¿De donde vengo?... El más horrible y áspero
De los senderos busca;
Las huellas de unos pies ensangrentados
Sobre la roca dura;
Los despojos de un alma hecha jirones
En las zarzas agudas;
Te dirán el camino
Que conduce á mi cuna.[2]
¿Adónde voy? El más sombrio y triste
De los páramos cruza;
Valle de eternas nieves y de eternas
Melancólicas brumas.
En donde esté una piedra solitaria
Sin inscripción alguna,
Donde habite el olvido,
Allí estará mi tumba?[3]
[Footnote 1: This poem is composed of hendecasyllabic verses,
mostly of the first class, and of heptasyllabic verses. Notice the
_esdrújulo_ ending the 1st verse. The even verses have the same
assonance throughout.]
[Footnote 2: "Read in the light of what we know of his long
struggle, his frail physical health, his sensitive temper, his
crushing double defeat at the hands of death, these somber verses
have an individual, personal note, hardly present, perhaps, in the
love-poems, with all their passionate beauty." Mrs. Ward, _A
Spanish Romanticist_, Macmillan Magazine, February, 1883, p, 319.]
[Footnote 3: "He used to dream, he tells us, in his boyish
visions, of a marble tomb by the Guadalquivir, of which his
fellow-townsmen should probably say as they pointed it out to
strangers, 'Here sleeps the poet!' In his later days, oppressed
with drudgery and ill-health, as he looked towards the future he
bitterly saw himself forgotten, and oblivion settling down on all
his half-finished activities of heart and brain." (Mrs. Ward,
_ib_, p. 320.) It was in such a mood that he wrote this the most
painful of all his poems.]