There is a little market-town a mile or two away, nestled among steep

valleys; the cows that graze on the steep fields that surround it look

down into the chimney-pots and back gardens. One of the converging

valleys is rich in woods, and has a pleasant trout-stream, that flows

among elders, bickers along by woodland corners, and runs brimming

through rich water meadows, full of meadowsweet and willow-herb—the

place in summer has a hot honied smell. You need not follow the road,

but you may take an aimless footpath, which meanders from stile to stile

in a leisurely way. After a mile or so a little stream bubbles in on the

left; and close beside it an old deep farm-road, full of boulders and

mud in winter, half road, half water-course, plunges down from the wood.

All the hedges are full of gnarled roots fringed with luxuriant ferns.

On a cloudy summer day it is like a hothouse here, and the flowers know

it and revel in the warm growing air. Higher and higher the road goes;

then it passes a farm-house, once an ancient manor: the walls green with

lichen and moss, and a curious ancient cognizance, a bear with a ragged

staff clasped in his paws, over the doorway. The farm is embowered in

huge sprawling laurels and has a little garden, with box hedges and

sharp savoury smells of herbs and sweet-william, and a row of humming

hives. Push open the byre gate and go further yet; we are near the crest

of the hill now: just below the top grows a thick wood of larches, set

close together. You would not know there was a house in here. There is

a little rustic gate at the corner of the plantation, and a path, just a

track, rarely trodden, soft with a carpet of innumerable larch-needles.

Presently you come in sight of a small yellow stone house; not a

venerable house, nor a beautiful one—if anything, a little pretentious,

and looking as if the heart of the plantation had been cut out to build

it as indeed it was; round-topped windows, high parapets, no roof

visible, and only one rather makeshift chimney; the whole air of it

rather sinister, and at the same time shamefaced—a little as though it

set out to be castellated and had suddenly shrunk and collapsed, and been

hastily finished. A gravel walk very full of weeds runs immediately round

the house; there is no garden, but a small enclosure for cabbages grown

very rank. In most of the windows hang dirty-looking blinds half pulled

down; a general air of sordid neglect broods over the place. Here in this

house had lived for many years—and, for all I know, lives there still—a

retired gentleman, a public school and University man, who had taken high

honours at the latter; not rich, but with a competence. What had caused

his seclusion from the world I do not know, and I am not particular to

inquire; whether a false step and the forced abandonment of a career, a

disappointment of some kind, a hypochondriacal whim, or a settled and

deliberate resolution. I know not, but always hoped the last.

From some slight indications I have thought that, for some reason or

other, in youth, my recluse had cause to think that his life would not

be a long one—his selection of a site was apparently fortuitous. He

preferred a mild climate, and, it seems, took a fancy to the very remote

and sequestered character of the valley; he bought a few acres of land,

planted them with larches, and in the centre erected the unsightly house

which I have described.

Inside the place was rather more attractive than you would have expected.

There was a pinched little entry, rather bare, and a steep staircase

leading to the upper regions; in front of you a door leading to some

offices; on the left a door that opened into a large room to which all

the rest of the house had been sacrificed. It had three windows, much

overshadowed by the larches, which indeed at one corner actually touched

the house and swept the windows as they swayed in the breeze. The room

was barely furnished, with a carpet faded beyond recognition, and high

presses, mostly containing books. An oak table stood near one of the

windows, where our hermit took his meals; another table, covered with

books, was set near the fireplace; at the far end a door led into an ugly

slit of a room lighted by a skylight, where he slept. But I gathered

that for days together he did not go to bed, but dozed in his chair. On

the walls hung two or three portraits, black with age. One of an officer

in a military uniform of the last century with a huge, adumbrating

cocked-hat; a divine in bands and wig; and a pinched-looking lady in blue

silk with two boys. His only servant was an elderly strong-looking woman

of about fifty, with a look of intense mental suffering on her face,

and weary eyes which she seldom lifted from the floor. I never heard

her utter more than three consecutive words. She was afflicted I heard,

not from herself, with a power of seeing apparitions, not, curiously,

in the house, but in the wood all round; she told Mr. Woodward that

“the dead used to look in at the window at noon and beckon her out.” In

consequence of this she had not set foot outside the doors for twenty

years, except once, when her master had been attacked by sudden illness.

The only outside servant he had was a surly man who lived in a cottage

a quarter of a mile away on the high-road, who marketed for them, drew

water, and met the carrier’s cart which brought their necessaries.

The man himself was a student of history: he never wrote, except a few

marginal notes in his books. He was totally ignorant of what was going

on, took in no papers, and asked no questions as to current events. He

received no letters, and the only parcels that came to him were boxes

of books from a London library—memoirs, historical treatises, and

biographies of the last century. I take it he had a minute knowledge

of the social and political life of England up to the beginning of the

present century; he received no one but Mr. Woodward who saw him two or

three times a year, and it was with Mr. Woodward that I went, making the

excuse (which was actually the case) that some literary work that I was

doing was suspended for want of books.

We were shown in; he did not rise to receive us, but greeted us with

extreme cordiality, and an old-fashioned kind of courtesy, absolutely

without embarrassment. He was a tall, thin man, with a fair complexion,

and straggling hair and beard. He seemed to be in excellent health; and I

learnt that in the matter of food and drink he was singularly abstemious,

which accounted for his clear complexion and brilliant eye. He smoked in

moderation a very fragrant tobacco of which he gave me a small quantity,

but refused to say where he obtained it. There was an air of infinite

contentment about him. He seemed to me to hope for nothing and expect

nothing from life; to live in the moment and for the moment. If ever I

saw serene happiness written on a face in legible characters, it was

there. He talked a little on theological points, with an air of gentle

good-humour, to Mr. Woodward, somewhat as you might talk to a child, with

amiable interest in the unexpected cleverness of its replies; he gave me

the information I requested clearly and concisely but with no apparent

zest, and seemed to have no wish to dwell on the subject or to part with

his store of knowledge.

His one form of exercise was long vague walks; in the winter he rarely

left the house except on moonlight nights; but in the summer he was

accustomed to start as soon as it was light, and to ramble, never on the

roads, but by unfrequented field-paths, for miles and miles, generally

returning before the ordinary world was astir. On hot days he would sit

by the stream in a very remote nook beneath a high bank where the water

ran swiftly down a narrow channel, and swung into a deep black pool;

here, I was told, he would stay for hours with his eyes fixed on the

water, lost in some mysterious reverie. I take it he was a poet without

power of expression, and his heart was as clean as a child’s.

[Sidenote: MODERN LIFE]

It is the fashion now to talk with much affected weariness of the hurry

and bustle of modern life. No doubt such things are to be found if you go

in search of them; and to have your life attended by a great quantity of

either is generally held to be a sign of success. But the truth is, that

this is what ordinary people like. The ordinary man has no precise idea

what to do with his time. He needs to have it filled up by a good many

conflicting and petty duties, and if it is filled he has a feeling that

he is useful. But many of these duties are only necessary because of the

existence of each other; it is a vicious circle. “What are those fields

for?” said a squire who had lately succeeded to an estate, as he walked

round with the bailiff. “To grow oats, sir.” “And what do you do with the

oats?” “Feed the horses, sir.” “And what do you want the horses for?” “To

plough the fields, sir.” That is what much of the bustle of modern life

consists of.

Solitude and silence are a great strain; but if you enjoy them they are

at least harmless, which is more than can be said of many activities.

Such is not perhaps the temper in which continents are explored, battles

won, empires extended, fortunes made. But whatever concrete gain we make

for ourselves must be taken from others; and we ought to be very certain

indeed of the meaning of this life, and the nature of the world to which

we all migrate, before we immerse ourselves in self-contrived businesses.

To be natural, to find our true life, to be independent of luxuries, not

to be at the mercy of prejudices and false ideals—that is the secret of

life: who can say that it is a secret that we most of us make our own?

My recluse, I think, was nearer the Kingdom of Heaven, where places are

not laid according to the table of precedence, than many men who have

had biographies and statues, and who will be, I fear, sadly adrift in the

world of silence into which they may be flung.

22

_Nov. 6, 1890._

To-day the gale had blown itself out; all yesterday it blustered round

corners, shook casements, thundered in the chimneys, and roared in the

pines. Now it is bright and fresh, and the steady wind is routing one by

one the few clouds that hang in the sky. I came in yesterday at dusk,

and the whole heaven was full of great ragged, lowering storm-wreaths,

weeping wildly and sadly; now the rain is over, though in the morning a

sudden dash of great drops mingled with hail made the windows patter; but

the sun shone out very low and white from the clouds, even while the hail

leapt on the window-sill.

I took the field-path that wanders aimlessly away below the house; the

water lay in the grass, and the sodden leaves had a bitter smell. The

copses were very bare, and the stream ran hoarse and turbid. The way

wound by fallows and hedges—now threading a steep copse, now along the

silent water-meadows, now through an open forest space, with faggots

tied and piled, or by a cattle byre. Here and there I turned into a

country lane, till at last the village of Spyfield lay before me, with

the ancient church of dark sandstone and the little street of handsome

Georgian houses, very neat and prim—a place, you would think, where every

one went to bed at ten, and where no murmurs of wars ever penetrated.

Just beyond the village, my friend, Mr. Campden, the great artist, has

built himself a palace. It is somewhat rococo, no doubt, with its marble

terrace and its gilded cupolas. But it gleams in the dark hanging wood

with an exotic beauty of its own, as if a Genie had uprooted it from a

Tuscan slope, and planted it swiftly, in an unfamiliar world, in an hour

of breathless labour between the twilight and the dawn. Still, fantastic

as it is, it is an agreeable contrast to the brick-built mansions, with

their slated turrets, that have lately, alas, begun to alight in our

woodlands.

[Sidenote: MR. CAMPDEN]

Mr. Campden is a real prince, a Lorenzo the Magnificent; not only is he

the painter of pictures which command a high price, though to me they

are little more than harmonious wallpaper; but he binds books, makes

furniture, weaves tapestry, and even bakes tiles and pottery; and the

slender minaret that rises from a plain, windowless building on the

right, is nothing but a concealed chimney. Moreover, he inherited through

a relative’s death an immense fortune, so that he is a millionaire as

well. To-day I followed the little steep lane that skirts his domain,

and halted for a moment at a great grille of ironwork, which gives the

passer-by a romantic and generous glimpse of a pleached alley, terminated

by a mysterious leaden statue. I peeped in cautiously, and saw the

great man in a blue suit, with a fur cloak thrown round his shoulders,

a slouched hat set back from his forehead, and a loose red tie gleaming

from his low-cut collar. I was near enough to see his wavy white hair

and beard, his keen eyes, his thin hands, as he paced delicately about,

breathing the air, and looking critically at the exquisite house beyond

him. I am sure of a welcome from Mr. Campden—indeed, he has a princely

welcome for all the world—but to-day I felt a certain simple schoolboy

shyness, which ill accords with Mr. Campden’s Venetian manner. It is

delightful after long rusticity to be with him, but it is like taking

a part in some solemn and affected dance; to Mr. Campden I am the

student-recluse, and to be gracefully bantered accordingly, and asked

a series of questions on matters with which I am wholly unacquainted,

but which are all part of the setting with which his pictorial mind has

dowered me. On my first visit to him I spoke of the field-names of the

neighbourhood, and so Mr. Campden speaks to me of Domesday Book, which I

have never seen. I happened to express—in sheer wantonness—an interest

in strange birds, and I have ever since to Mr. Campden been a man who,

in the intervals of reading Domesday Book, stands in all weathers on

hilltops, or by reedy stream-ends, watching for eagles and swans, like a

Roman augur—indeed Augur is the name he gives me—our dear Augur—when I am

introduced to his great friends.

Mr. Campden has an infinite contempt for the gentlemen of the

neighbourhood, whom he treats with splendid courtesy, and the kind of

patronising amusement with which one listens to the prattle of a rustic

child. It is a matter of unceasing merriment to me to see him with a

young squire of the neighbourhood, an intelligent young fellow who has

travelled a good deal, and is a considerable reader. He has a certain

superficial shyness, and consequently has never been able to secure

enough of the talk for himself to show Mr. Campden what he is thinking

of; and Mr. Campden at once boards him with questions about the price

of eggs and the rotation of crops, calling him, “Will Honeycomb” from

the _Spectator_; and when plied with nervous questions as to Perugino or

Carlo Dolce, saying grandiloquently, “My dear young man, I know nothing

whatever about it; I leave that to the critics. I am a republican in art,

a red indeed, ha, ha! And you and I must not concern ourselves with such

things. Here we are in the country, and we must talk of _bullocks_. Tell

me now, in Lorton market last week, what price did a Tegg fetch?”

Mr. Campden is extraordinarily ignorant of all country matters, and

has a small stock of ancient provincial words, not indigenous to the

neighbourhood, but gathered from local histories, that he produces with

complacent pride. Indeed, I do not know that I ever saw a more ludicrous

scene than Mr. Campden talking agriculture to a distinguished scientific

man, whom a neighbouring squire had brought over to tea with him, and

whom he took for a landowner. To hear Mr. Campden explaining a subject

with which he was not acquainted to a courteous scientist, who did not

even know to what he was alluding, was a sight to make angels laugh.

But to-day I let Mr. Campden pace like a peacock up and down his

pleasaunces, with his greyhound following him, and threaded the

water-meadows homewards. I gave myself up to the luxurious influences

of solitude and cool airs, and walked slowly, indifferent where I went,

by sandstone pits, by brimming streams, through dripping coverts, till

the day declined. What did I think of? I hardly dare confess. There are

two or three ludicrous, pitiful ambitions that lurk in the corners of my

mind, which, when I am alone and aimless, I take out and hold, as a child

holds a doll, while fancy invests them with radiant hues. These and no

other were my mental pabulum. I know they cannot be realised—indeed, I

do not desire them—but these odd and dusty fancies remain with me from

far-off boyish days; and many a time have I thus paraded them in all

their silliness.

[Sidenote: HOME]

But the hedgerow grasses grew indistinguishably grey; the cattle splashed

home along the road; the sharp smell of wood smoke from cottage fires,

piled for the long evenings, stole down the woodways; pheasants muttered

and crowed in the coverts, and sprang clanging to their roosts. The

murmur of the stream became louder and more insistent; and as I turned

the corner of the wood, it was with a glow of pleasure that I saw the

sober gables of Golden End, and the hall window, like a red solemn eye,

gaze cheerily upon the misty valley.

23

_July 7, 1891._

[Sidenote: IN THE WOODS]

I cannot tell why it is, but to be alone among woods, especially towards

evening, is often attended with a vague unrest, an unsubstantial awe,

which, though of the nature of pleasure, is perilously near the confines

of horror. On certain days, when the nerves are very alert and the woods

unusually still, I have known the sense become almost insupportable.

There is a certain feeling of being haunted, followed, watched, almost

dogged, which is bewildering and unmanning. Foolish as it may appear, I

have found the carrying of a gun almost a relief on such occasions. But

what heightens the sense in a strange degree is the presence of still

water. A stream is lively—it encourages and consoles; but the sight of

a long dark lake, with the woods coming down to the water’s edge, is a

sight so solemn as to be positively oppressive. Each kind of natural

scenery has its own awe—the _genius loci_, so to speak. On a grassy down

there is the terror of the huge open-eyed gaze of the sky. In craggy

mountains there is something wild and beastlike frowning from the rocks.

Among ice and snow there is something mercilessly pure and averse to

life; but neither of these is so intense or definite as the horror of

still woods and silent waters. The feeling is admirably expressed by Mr.

George Macdonald in _Phantastes_, a magical book. It is that sensation

of haunting presences hiding behind trees, watching us timidly from the

fern, peeping from dark copses, resting among fantastic and weather-worn

rocks, that finds expression in the stories of Dryads and fairies, which

seem so deeply implanted in the mind of man. Who, on coming out through

dark woods into some green sequestered lawn, set deep in the fringing

forest, has not had the sensation of an interrupted revel, as festivity

suddenly abandoned by wild, ethereal natures, who have shrunk in silent

alarm back into the sheltering shades? If only one had been more wary,

and stolen a moment earlier upon the unsuspecting company!

But there is a darker and cloudier sensation, the _admonitus locorum_,

which I have experienced upon fields of battle, and places where

some huge tragedy of human suffering and excitement has been wrought.

I have felt it upon the rustic ploughland of Jena, and on the grassy

slopes of Flodden; it has crept over me under the mouldering walls and

frowning gateways of old guarded towns; and not only there, where it may

be nothing but the reflex of shadowy imaginations, but on wind-swept

moors and tranquil valleys, I have felt, by some secret intuition, some

overpowering tremor of spirit, that here some desperate strife has been

waged, some primeval conflict enacted. There is a spot in the valley of

Llanthony, a grassy tumulus among steep green hills, where the sense came

over me with an uncontrollable throb of insight, that here some desperate

stand was made, some barbarous Themopylæ lost or won.

[Sidenote: A DARK SECRET]

There is a place near Golden End where I encountered a singular

experience. I own that I never pass it now without some obsession

of feeling; indeed, I will confess that when I am alone I take a

considerable circuit to avoid the place. An ancient footway, trodden deep

in a sandy covert, winds up through a copse, and comes out into a quiet

place far from the high-road, in the heart of the wood. Here stands a

mouldering barn, and there are two or three shrubs, an escalonia and a

cypress, that testify to some remote human occupation. There is a stretch

of green sward, varied with bracken, and on the left a deep excavation,

where sand has been dug: in winter, a pool; in summer, a marshy place

full of stiff, lush water-plants. In this place, time after time as I

passed it, there seemed to be a strange silence. No bird seemed to sing

here, no woodland beast to frisk here; a secret shame or horror rested

on the spot. It was with no sense of surprise, but rather of resolved

doubt, that I found, one bright morning, two labouring men bent over

some object that lay upon the ground. When they saw me, they seemed at

first to hesitate, and then asked me to come and look. It was a spectacle

of singular horror: they had drawn from the marshy edge of the pool

the tiny skeleton of a child, wrapped in some oozy and ragged cloths;

the slime dripping from the eyeless cavities of the little skull, and

the weeds trailing over the unsightly cerements. It had caught the eye

of one of them as they were passing. “The place has always had an evil

name,” said one of them with a strange solemnity. There had been a house

there, I gathered, inhabited by a mysterious evil family, a place of

dark sin and hideous tradition. The stock had dwindled down to a wild

solitary woman, who extracted a bare sustenance out of a tiny farm, and

who alternated long periods of torpid gloom with disgusting orgies of

drunkenness. Thirty years ago she had died, and the farm had remained

so long unlet that it was at last pulled down, and the land planted

with wood. Subsequent investigations revealed nothing; and the body had

lain there, it was thought, for fully that time, preserved from decay

by an iron-bound box in which it had been enclosed, and of which some

traces still remained in reddish smears of rust and clotted nails. That

picture—the sunlit morning, the troubled faces of the men, the silent

spectatorial woods—has dwelt with me ineffaceably.

[Sidenote: OBSESSION]

Again, I have been constantly visited by the same inexplicable sensation

in a certain room at Golden End. The room in question is a great bare

chamber at the top of the house: the walls are plastered, and covered in

all directions by solid warped beams; through the closed and dusty window

the sunlight filters sordidly into the room. I do not know why it has

never been furnished, but I gathered that my father took an unexplained

dislike to the room from the first. The odd feature of it is, that in

the wall at one end is a small door, as of a cupboard, some feet from

the ground, which opens, not as you would expect into a cupboard, but

into a loft, where you can see the tiles, the brickwork of the clustered

chimney-stacks, and the plastered lathwork of the floor, in and below

the joists of the timber. This strange opening can never have been a

window, because the shutter is of the same date as the house; still less

a door, for it is hardly possible to squeeze through it; but as the loft

into which it looks is an accretion of later date than the room itself,

it seems to me that the garret may have been once a granary up to which

sacks were swung from the ground by a pulley; and this is made more

possible by the existence of some iron staples on the outer side of it,

that appear to have once controlled some simple mechanism.

[Sidenote: THE EVIL ROOM]

The House of Quiet: An Autobiography · 第 7 / 11 段