STEEL AND STEAL.

President Lincoln asked a friend, a senator, immediately on his taking

office, upon an embarrassed condition of affairs:

"Have you seen that prophecy about my administration in the papers? A

prophet foretells that my rule will be one of steel! To which the wags

retort: 'Well, Buchanan's was one of _steal_.'"

The Georgian slave-holder, late secretary of the treasury, was accused

of "diverting" some millions to the South, as that for the war office

similarly "diverted" ordnance and munitions to the same quarter; the

head of the navy, with what "looked" like collusion, had scattered the

war-vessels so as to be long delayed in concentrating.

* * * * *

"THAT'S WHAT'S THE MATTER."

In a Spiritualist performance at the White House, which seemed to have

been "edited" by the President himself--as often royalty revises

plays--for his special entertainment, the Cabinet being invited, after

a rigmarole of stilted phrases purporting to be by Washington,

Franklin, Napoleon, and other past celebrities, Mr. Welles, secretary

of the navy, remarked: "I will think this matter over, and see what

conclusion to arrive at!" (His set phrase.)

There was a smile at this, as the aged minister's prolonged meditations

were the laughing-stock of the country, he being the clog on the wheels

of the car of state. Instantly raps were heard in the spirit-cabinet,

and, the alphabet being consulted, the result was spelled out as:

"That's what's the matter!"

This hit at Mr. Welles' stereotyped fault aroused more mirth, and the

crowd at the back of the room, domestics, petty officials, and

sub-officers, laughed prodigiously, while the secretary stroked his

long white beard musingly.

To this cant term hangs a tale apropos of the President. Its origin was

low, but humorous. A benevolent gentleman pierced a crowd to its center

to see there, on the pavement under a lamp-post, a poor woman, curled

in a heap, with a satisfied grin on her flushed face, breathing

brokenly. "What's the matter?" eagerly inquired the compassionate man.

A bystander removed his pipe from his mouth, and with it pointed to a

flattened pocket-flask sticking out of her smashed reticule, half-under

her, and sententiously explained:

"That's what's the matter with Hannah!" The sentence took growth and

spread all over the Union. It has settled down, as we know, to a fixed

form at political meetings, where the audience beguile the waiting time

with demanding "What is the matter?" with this or that favorite

demagogue. In the sixties, it patly answered any problem. At the

presidential election-time of Lincoln's success, a negro minstrel,

Unsworth, was a "star" at "444" Broadway, dressing up the daily news

drolly under this title--that is, ending each paragraph with that line.

On the 22d of February, 1861, Abraham Lincoln, scheduled to pass on

from Harrisburg, where he made a speech as arranged, instead of waiting

to depart by the morning train, sped to Philadelphia and thence by a

special train detained for "a military messenger with a parcel," to

Washington, by the regular midnight train. The news of his arrival at

the capital by this unexpected and clandestine route, and in

disguise--this was denied--of a Scotch cap and plaid shawl, startled

everybody. Rumors of an attempt to make mischief, as he called it, were

rife. But the public still took things as quake-proof, and Mr. Lincoln

assured his audiences, as he spoke at every city on his way, that "the

crisis was artificial." On the evening of the twenty-third, the writer

dropped into the Broadway negro minstrel hall. Newspaper men knew that

Unsworth introduced the latest skimming of the press into his burlesque

lecture and liked to hear his funny versions and perversions. The comic

sheet of the metropolis, _Vanity Fair_, enframing the witty

scintillations of "Artemus Ward," George Arnold, and a brilliant band,

complained that this "nigger comedian" used or anticipated their best

effusions. On the whole the public saw in the surreptitious flight of

the ruler into his due seat only a farce, in keeping with his jesting

humor--he was regarded as a Don Quixote in figure, but a Sancho Panza,

for his philosophic proverbs, widely retailed and considered opportune.

So the indignation proper toward the forced escapade was absent;

everybody still mocked at the "terrible plots," as so much stale quail,

and when the blackened-face orator, coming to a pause after enunciation

of his "That's what's the matter" looked around wistfully, the audience

were agog. Suddenly out of the wing an attendant darted with alarmed

manner and face. He carried on his arm a shawl, gray and

travel-stained, and in one shaking hand a Scotch bonnet. Unsworth

snatched them in hot haste and fright, clapped on the cap, and, draping

himself in the plaid, rushed off at the side, forgetting his own high

silk hat. This, with the black suit, the orthodox lecturer's, now gave

him a resemblance to Mr. Lincoln, not previously perceived, for they

were men of opposite shapes. The eclipse brought home to the spectators

the ludicrousness of the President entering his capital in secret, but,

I repeat, no one felt any shame, and the audience went forth to relate

the excellent finish to the parody, at home or in the saloons, to

hearers as obtuse as themselves, to the seriousness of the episode.

Somehow, so far, the elect from Illinois was ever the Western buffoon.

But when, in his inaugural address, Lincoln thundered the new keynote,

the veil fell:

"In your hands, my dissatisfied fellow countrymen, is the momentous

issue of the Civil War."

War! The crisis was no longer "artificial"--he admitted that! What

impended, what had fallen? Jest and earnest were still coupled, but

earnest took the lead from that hour. Said the Chief Magistrate, in his

first official speech: "Physically speaking, we cannot separate--that's

what's the matter."

* * * * *

"THE SHIP OF STATE" SIMILE.

On the morning of Lincoln's arrival in Washington, General Logan and

Mr. Lovejoy called on him at Willard's Hotel, to urge a firm and

vigorous policy. He replied:

"As the country has placed me at the helm of the ship, I'll try to

steer her through." The Sangamon River pilot spoke there.

"I understand the ship to be made for the carrying and the preservation

of the cargo, and so long as the ship can be saved with the cargo, it

should never be abandoned, unless it fails in the probability of its

preservation, and shall cease to exist, except at the risk of throwing

overboard both freight and passengers."--(Speech, New York reception,

1861.)

"I trust that I may have the assistance of the members of this

legislature in piloting the ship of state through this voyage,

surrounded by perils as it is; for, if it should suffer shipwreck now,

there will be no pilot ever needed for another voyage."--(Speech,

Trenton, New Jersey, 1861.)

* * * * *

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