It must be confessed that a wood-fire needs as much tending as a pair
of twins. To say nothing of fiery projectiles sent into the room,
even by the best wood, from the explosion of gases confined in its
cells, the brands are continually dropping down, and coals are being
scattered over the hearth. However much a careful housewife, who
thinks more of neatness than enjoyment, may dislike this, it is one
of the chief delights of a wood-fire. I would as soon have an
Englishman without side-whiskers as a fire without a big backlog; and
I would rather have no fire than one that required no tending,--one
of dead wood that could not sing again the imprisoned songs of the
forest, or give out in brilliant scintillations the sunshine it
absorbed in its growth. Flame is an ethereal sprite, and the spice
of danger in it gives zest to the care of the hearth-fire. Nothing
is so beautiful as springing, changing flame,--it was the last freak
of the Gothic architecture men to represent the fronts of elaborate
edifices of stone as on fire, by the kindling flamboyant devices. A
fireplace is, besides, a private laboratory, where one can witness
the most brilliant chemical experiments, minor conflagrations only
wanting the grandeur of cities on fire. It is a vulgar notion that a
fire is only for heat. A chief value of it is, however, to look at.
It is a picture, framed between the jambs. You have nothing on your
walls, by the best masters (the poor masters are not, however,
represented), that is really so fascinating, so spiritual. Speaking
like an upholsterer, it furnishes the room. And it is never twice
the same. In this respect it is like the landscape-view through a
window, always seen in a new light, color, or condition. The
fireplace is a window into the most charming world I ever had a
glimpse of.
Yet direct heat is an agreeable sensation. I am not scientific
enough to despise it, and have no taste for a winter residence on
Mount Washington, where the thermometer cannot be kept comfortable
even by boiling. They say that they say in Boston that there is a
satisfaction in being well dressed which religion cannot give. There
is certainly a satisfaction in the direct radiance of a hickory fire
which is not to be found in the fieriest blasts of a furnace. The
hot air of a furnace is a sirocco; the heat of a wood-fire is only
intense sunshine, like that bottled in Lacrimae Christi. Besides
this, the eye is delighted, the sense of smell is regaled by the
fragrant decomposition, and the ear is pleased with the hissing,
crackling, and singing,--a liberation of so many out-door noises.
Some people like the sound of bubbling in a boiling pot, or the
fizzing of a frying-spider. But there is nothing gross in the
animated crackling of sticks of wood blazing on the earth, not even
if chestnuts are roasting in the ashes. All the senses are
ministered to, and the imagination is left as free as the leaping
tongues of flame.
The attention which a wood-fire demands is one of its best
recommendations. We value little that which costs us no trouble to
maintain. If we had to keep the sun kindled up and going by private
corporate action, or act of Congress, and to be taxed for the support
of customs officers of solar heat, we should prize it more than we
do. Not that I should like to look upon the sun as a job, and have
the proper regulation of its temperature get into politics, where we
already have so much combustible stuff; but we take it quite too much
as a matter of course, and, having it free, do not reckon it among
the reasons for gratitude. Many people shut it out of their houses
as if it were an enemy, watch its descent upon the carpet as if it
were only a thief of color, and plant trees to shut it away from the
mouldering house. All the animals know better than this, as well as
the more simple races of men; the old women of the southern Italian
coasts sit all day in the sun and ply the distaff, as grateful as the
sociable hens on the south side of a New England barn; the slow
tortoise likes to take the sun upon his sloping back, soaking in
color that shall make him immortal when the imperishable part of him
is cut up into shell ornaments. The capacity of a cat to absorb
sunshine is only equaled by that of an Arab or an Ethiopian. They
are not afraid of injuring their complexions.
White must be the color of civilization; it has so many natural
disadvantages. But this is politics. I was about to say that,
however it may be with sunshine, one is always grateful for his
wood-fire, because he does not maintain it without some cost.
Yet I cannot but confess to a difference between sunlight and the
light of a wood-fire. The sunshine is entirely untamed. Where it
rages most freely it tends to evoke the brilliancy rather than the
harmonious satisfactions of nature. The monstrous growths and the
flaming colors of the tropics contrast with our more subdued
loveliness of foliage and bloom. The birds of the middle region
dazzle with their contrasts of plumage, and their voices are for
screaming rather than singing. I presume the new experiments in
sound would project a macaw's voice in very tangled and inharmonious
lines of light. I suspect that the fiercest sunlight puts people, as
well as animals and vegetables, on extremes in all ways. A wood-fire
on the hearth is a kindler of the domestic virtues. It brings in
cheerfulness, and a family center, and, besides, it is artistic.
I should like to know if an artist could ever represent on canvas a
happy family gathered round a hole in the floor called a register.
Given a fireplace, and a tolerable artist could almost create a
pleasant family round it. But what could he conjure out of a
register? If there was any virtue among our ancestors,--and they
labored under a great many disadvantages, and had few of the aids
which we have to excellence of life,--I am convinced they drew it
mostly from the fireside. If it was difficult to read the eleven
commandments by the light of a pine-knot, it was not difficult to get
the sweet spirit of them from the countenance of the serene mother
knitting in the chimney-corner.