CHAPTER XXVIII

JUGGLING

[Illustration: FIG. 1.--The vertical fall.]

HOW TO MASTER THE PRINCIPLES OF THE ART

THERE is no reason why any boy possessed of an average amount of

dexterity should not be able to perform many juggling tricks after a

certain amount of careful and patient practice. By a close study of the

following instructions, a clear idea of the principles of the art can be

obtained; and when these principles have been mastered, the beginner

should have no difficulty in elaborating the tricks to suit his own

fancy.

As the system of juggling with knives, plates, or clubs is founded

entirely upon the methods employed in manipulating balls, the simplest

plan is to learn the tricks with these last before adapting them to

larger objects.

Any kind of ball may be employed for juggling, but the

specially-prepared balls, made of heavy metal, are the best, and can be

purchased for a small sum in a set of four from any dealer in games.

1. THE VERTICAL FALL

A ball should be thrown into the air in such a manner that it will

descend to the exact point from which it was projected, as in Fig. 1. It

is quite unnecessary to throw the ball higher than four feet. By an

observation of the usual method of catching a ball, it will be noticed

that the hand usually follows the course of the ball; but the great

object of the juggler is to learn to catch without moving the hand from

the position it occupied when throwing the ball into the air.

The great point of the vertical fall is to teach the beginner to move

his hands as little as possible, and for this reason the exercise should

be practiced with both right and left until such precision is acquired

that the movement can be accomplished with the eyes closed.

2. INSIDE AND OUTSIDE FALLS

The inside fall is done by throwing the ball with the right hand, in

such a way that it describes a curve and drops towards the left, as in

Fig. 2. But instead of catching it with the left hand, catch it with the

right by a rapid movement of the hand across the body. The ball being

held in the right hand, it should be thrown back from left to right in a

similar way, as in Fig. 3. The latter is called the outside fall.

This exercise is intended to teach the beginner to throw the ball

several times in succession from side to side without its deviating from

its course. The principle involved is very important for jugglery, and

must be thoroughly acquired before proceeding with other tricks.

[Illustration: FIG. 2.--The inside fall.]

[Illustration: FIG. 3.--The outside fall.]

3. THE PARALLEL FALL

This fall presents greater difficulties. The ball should be thrown with

the right hand, as in the vertical fall, although the hand must be kept

in a line with the shoulder. As soon as the ball has been caught, the

hand must be rapidly brought into line with the left shoulder, the ball

thrown from that position, and caught (Fig. 4).

Having learned the trick with the right hand, it is essential to become

accustomed to perform it equally well with the left hand, moving it to

the right shoulder.

4. FALLS FROM RIGHT TO LEFT

Both hands are required for these falls, which are simply an adaptation

of what has just been described. The ball should be thrown exactly as

described in No. 2, but instead of moving the right hand across the body

to catch the ball when it falls on the left side, the left hand should

catch it, as in Fig. 5, and should immediately return it by means of the

outside fall to the right hand. But little practice is required to learn

this perfectly, and when smartly performed it makes a pretty display.

[Illustration: FIG. 4.--The parallel fall.]

[Illustration: FIG. 5.--Falls from right to left.]

5. THE HORIZONTAL PASS

In this exercise the ball should be thrown from hand to hand in as

straight a line as possible (Fig. 6), whilst the beginner must endeavor,

by continually increasing the distance between his hands, to maintain a

rapid volley.

[Illustration: FIG. 6.--The horizontal pass.]

6. THE DOUBLE VERTICAL FALL

This is the first trick requiring two balls, and will need some

attention. A ball should be taken in each hand, and the simple vertical

fall performed with the right. Before this ball has descended, however,

the ball in the left hand must be thrown in the air, as in Fig. 7, so

that the two balls are continually in motion. It is at this point that

the juggler will find the advantage of being proficient in the use of

both hands for the single vertical fall.

[Illustration: FIG. 7.--The double vertical fall.]

[Illustration: FIG. 8.--Variation of double fall.]

A variation of this double fall can be acquired in the following

manner:--

Both balls should be thrown up at the same time, as in Fig. 8, the hands

being kept about two feet apart, care being taken that neither of the

balls is thrown higher than the other.

The beginner must practice these thoroughly until perfectly accustomed

to having the two balls in motion simultaneously.

7. THE DOUBLE INSIDE FALL

This is a repetition of the outside and inside falls, but performed with

two balls at once, and with both hands. The utmost care must be

exercised to avoid a collision as they pass one another, and for this

reason one ball must be thrown higher than the other, as in Fig. 9.

Until proficiency is attained the balls should be thrown at various

heights, and the hands well apart.

8. THE TRIPLE PASS

Having acquired the last trick perfectly, the beginner should now bring

into use a third ball. A glance at Fig. 10 will show that the triple

pass is nothing but the double inside fall performed with an additional

ball.

Two balls are held in the left hand, and one in the right, the former

being numbered 1 and 3, and the latter 2. Ball No. 1 is thrown from the

left hand, and as soon as it is in the air, No. 2 is sent off from the

right, after which No. 3 is thrown from the left hand. It will be

noticed from Fig. 10 that No. 1 is sent the highest and No. 3 the

lowest, and by this means a collision can best be avoided. The greatest

care must be taken to throw the balls regularly, otherwise confusion

will ensue.

[Illustration: FIG. 9.--The double inside fall.]

[Illustration: FIG. 10.--The triple pass.]

To keep up the volley, each ball must be sent off again as soon as it

has been caught, so that after the first throw neither hand holds more

than one ball at a time.

9. THE TRIPLE OVER PASS

The only difference between this and the Triple Pass is that each ball,

as thrown, passes over instead of under the ball that precedes. This is

shown in Fig. 11, where No. 2 passes over No. 1, whilst No. 3 is thrown

the highest of all. This trick is usually combined with the ordinary

Triple Pass, and from the spectator’s point of view presents no

difference.

10. THE SHOWER

This is one of the prettiest of all the tricks of Juggling, and should

be learned with two balls. Take a ball in each hand and throw the right

one in the air towards the left, whilst as soon as it is in the air pass

the left hand ball to the right hand, as in Fig. 12. The moment this

latter ball has been caught it must be thrown up in the wake of the

first ball, and the whole trick continued as quickly as possible, so

that one ball is always in the air.

[Illustration: FIG. 11.--The triple over pass.]

[Illustration: FIG. 12.--The shower.]

This should be practiced continually until perfection is attained, as it

forms an introduction to--

11. THE TRIPLE SHOWER

Two balls must be taken in the right hand, and one in the left. The

first two should be thrown in rapid succession from the right to the

left, the ball in the latter hand being passed to the right, as in the

Simple Shower. As each ball reaches the left hand pass it rapidly

across, as in Fig. 13, and start it off in the air once more.

The trick has the effect of making the spectators imagine that you have

a large number of balls in your hands, and the more quickly the trick is

done the greater the deception. By starting with three balls in the

right hand and one in the left a still prettier display can be provided

with little extra trouble. In this case, however, the balls will have to

be thrown rather higher to give the left hand more time to catch the

balls and pass them successfully.

As a final exercise the beginner should learn--

12. THE DOUBLE OVER FOUNTAIN

Four balls are required for this, a couple being taken in each hand,

Nos. 1 and 3 being in the left and Nos. 2 and 4 in the right hand.

Nos. 1 and 2 are thrown up simultaneously in the simple Vertical Fall,

as in A, Fig. 14. The hands are then rapidly moved apart and balls Nos.

3 and 4 are thrown over the first two balls in such a manner that they

cross each other and are caught in the opposite hands (Fig. 14). The

volley with those two balls is immediately returned and the hands are

brought nearer together to catch and throw Nos. 1 and 2 again. Thus the

fountain is kept up indefinitely. It will be observed that the two hands

constantly approach and separate, as the two sets of balls are caught in

turn, and such action must be very smartly performed.

[Illustration: FIG. 13.--The triple shower.]

[Illustration: FIG. 14.--The double over fountain.]

The substitution of clubs or knives for balls can be easily effected,

although the performance is none the better for the change. In using

knives, the juggler should see that the handles are well weighted to

insure that part of the object falling into his hand. The substitution

of knives is not sufficiently interesting to compensate for the

additional risk, and the amateur may very well dispense with them.

Plates and clubs are equally unwieldy, and the juggler can scarcely do

better than content himself with the plain balls, the manipulation of

which is certain to provide a pretty and interesting entertainment at

all times.

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