PART II

_Chorus._ As above.

_Piano Solo._ Whilst this is being played the stage should be prepared

for the

_Stump Speech._

_Curtain and Piano Solo._ During which the stage is arranged for the

_Farce._

_Solo._ Sentimental song.

_Finale._

This programme must, of course, be adapted to any exigencies of time,

space or other circumstances, but will serve as an example of what _can_

be done.

To conclude with a few hints as to the actual entertainment. If

possible, have a sufficient number of programmes printed, or carefully

and legibly written by hand, as the most tolerant audience grows restive

if it does not know “what comes next.” Distribute these, and let one of

your party make it his business to see that the company are properly and

comfortably seated. Begin punctually; if your audience have to wait they

become impatient, and as there are few people more incapable of seeing a

joke than impatient folk, it will be to your own advantage to begin at

the proper time. Be as silent as possible behind the scenes; it is very

tantalizing for the spectators to hear a wild rushing hither and

thither, hoarse whispering, and the various signs of excitement in which

they are not allowed to participate.

Of course a certain amount of bustle is unavoidable, but reduce it to a

silent minimum. Do not be shy; remember in the first place that the

black hides all your blushes, and in the second place that nobody is

there to see _you_, but to see a “nigger” who is going to make them

laugh. Half of your audience have probably done the same in their time,

whilst the other half would have done so if they could; so take heart,

and show them all how really well it can be done. However well-disposed

your company may be, do not let that be any excuse for slovenliness on

your part, but let it rather incite you to work all the harder, so that

when everything is finished and the black is off your faces, the

universal opinion will be--“We would never have imagined that it could

be carried out so well!”

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