CHAPTER XII.

THE ASSYRIAN PANTHEON.

We have now reached a point where it will be proper to set forth the

phases that the Babylonian religion assumed during the days of Assyrian

supremacy.

An enumeration of the gods occurring in the inscriptions of the rulers

of Assyria from the earliest days to the close of the empire, so far as

published, will show better than any argument the points of similarity

between the Babylonian and the Assyrian pantheon. These gods are in

alphabetical order:[222] Anu, Ashur, Bel, Belit, Gaga, Gibil, Gamlat,

Gula, Dibbarra, Dagan, Damkina, Ea, Ishtar, Kadi, Khani, Marduk, Nabu,

Nana, Nin-gal, Nergal, Ninib, Nusku, Ramman, Sin, Shala, Shalman,

Shamash, Shanitka(?), Tashmitum. Of these quite a number are only

mentioned incidentally, and in a manner that indicates that they do not

belong to the pantheon in the strict sense. Others, like Khani[223] and

Gamlat,--_i.e._, 'the merciful one,'[224]--may turn out to be mere

epithets of deities otherwise known; and it would hardly be legitimate

to extend the list by including deities that have not yet been

identified,[225] and which may similarly be only variant forms,

descriptive of such as are already included. But however much this list

may be extended and modified by further publications and researches, the

historical material at hand for the Assyrian period of the religion is

sufficient to warrant us in setting up two classes of the pantheon,--one

class constituting the active pantheon, the other, deities introduced by

the kings merely for purposes of self-glorification, or to give greater

solemnity to the invocations and warnings that formed a feature of all

commemorative and dedicatory inscriptions, as well as of the annals

proper. The future additions to the list, it is safe to assert, will

increase the second class and only slightly modify, if at all, the first

class. Bearing in mind this distinction we may put down as active forces

in Assyria the following: Anu, Ashur, Bel, Belit, Gula, Dagan, Ea,

Khani, Ishtar, Marduk, Nabu, Nergal, Ninib, Nusku, Ramman, Sin, Shala,

Shamash, Tashmitum.

Comparing both the fuller and the restricted list with the Babylonian

pantheon during the two periods treated of in the preceding chapters, we

are struck by three facts: (1) the smaller compass of the Assyrian

pantheon; (2) the more restricted introduction of what, for want of a

better term, we may call minor deities; and (3) the small number of new

deities met with. To take up the latter point, the only gods in the

above list that are not found in Babylonian inscriptions are Ashur,

Gibil, Gamlat, Dibbarra, Kadi, Nusku, Shala, Shanitka. Of these it is

purely accidental that Gibil, Dibbarra, Nusku, and Shala are not

mentioned, for, except those that are foreign importations, they belong

to Babylonia as much as to Assyria and fall within the periods of the

Babylonian religion that have been treated of. Kadi is a foreign

deity.[226] Shanitka(?) may only be a title of some goddess, and Shalman

(or Shalmannu) occurs only in proper names, and may likewise be only a

title of some god.[227] There remains, as the only god peculiar to

Assyria, the god Ashur. But for this god, the Babylonian and the

Assyrian pantheon are identical. When we come, however, to the position

held by the gods in the pantheon, their relationship to one another, and

the traits which secured for them popular and royal favor, the

differences between the Babylonian and the Assyrian phases of the

religion will be found to be more accentuated.

As for the smaller compass of the Assyrian pantheon, we may recognize in

this a further advance of the tendency already noted in the second

period of the Babylonian religion. There, too, we found the minor local

cults yielding to the growing influence and favor of certain gods

associated with the great centers of Babylonian life, or possessing

attributes that accorded more with the new political order and the

general advance of culture. One of the chief factors in this tendency

towards centralization was, as we saw, the supremacy accorded to Marduk

in the new empire as the patron god of the capital, and that not only

led to his absorbing the role of other deities,[228] but resulted also

in strengthening the belief that there were only a limited number of

deities upon whose power and willingness to aid dependence could be

placed. This tendency was in a measure offset by the pride that the

rulers of the second Babylonian period still took in parading at times,

as large a number as possible of deities under whose protection they

claimed to stand. As we pass from one age to the other, the number of

minor deities thus invoked also tends to diminish, and the occasions

likewise when they are invoked become limited to the more solemn

invocations at the beginning and the close of inscriptions. Now, in

Assyria we have much the same political conditions as in Babylonia, only

intensified. Here, too, we have one god towering above the others, only

to a still greater degree even than Marduk in Babylonia. Marduk, while

absorbing the role of the old Bel, is still bound to acknowledge the

fathership of Ea. For a time he has to fear the rivalry of Nabu, and we

have seen that during the Cassitic rule, the glory of Marduk is somewhat

dimmed. The god who comes to stand at the head of the Assyrian

pantheon--Ashur--suffers from none of these restrictions. He is

independent of other gods and is under no obligations to any of his

fellows, and his rule once acknowledged remains supreme, with, perhaps,

one short period excepted,[229] throughout all the vicissitudes that the

empire undergoes. As a consequence of this unique position, Ashur is so

completely identified with Assyria, that with the fall of the empire he,

too, disappears,--whereas the Marduk cult survives the loss of

Babylonian independence, and is undisturbed even by the final absorption

of Babylonia into the empire of Cyrus. The tendency towards

centralization of the cult is even more pronounced, therefore, in

Assyria than in Babylonia. Marduk is a leader who has many gods as

followers, but all of whom have their distinct functions. Ashur is a

host in himself. He needs no attendants. His aid suffices for all

things, and such is the attachment of his subjects to him that it would

almost appear like an insult to his dignity to attach a long array of

minor gods to him. For the Assyrian kings the same motives did not exist

as for the Babylonians to emphasize their control over all parts of

their empire by adding the chief gods of these districts to the

pantheon. Assyria was never split up into independent states like

Babylonia before the days of Hammurabi. The capital, it is true, changed

with considerable frequency, but there was always only one great center

of political power. So far as Assyrian control over Babylonia was

concerned, it was sufficient for the purposes of the Assyrian rulers to

claim Marduk as their patron and protector, and, as we shall see, they

always made a point of emphasizing this claim. Hence we have only 'great

gods,'[230] and no minor deities, in the train of Ashur. These 'great

gods' could not be expunged from the pantheon without a complete

severance of the ties that bound the Assyrians to their past. Kings of

great empires seldom favor religious revolutions. But by the side of

Ashur these great gods pale, and in the course of time the tendency

becomes more marked to regard them merely as formal members of a little

court with few functions of their own, beyond that of adding by their

presence to the majesty and glory of Ashur. One receives the impression

that in Assyria only a few of the gods invoked by the kings at the side

of Ashur exert any real influence on the lives of the people; and such

as do, gain favor through possessing in some measure the chief attribute

that distinguished Ashur,--prowess in war. They are little Ashurs, as it

were, by the side of the great one. The position of Ashur in the

Assyrian pantheon accounts for the general tendencies manifested by the

religion of the northern empire, and upon a clear conception of the

character of Ashur depends our understanding of the special points that

distinguish the other gods from what we have learned of their character

and traits in the southern states. The beginning, therefore, of an

account of the Assyrian pantheon is properly to be made with Ashur.

Ashur.

The starting-point of the career of Ashur is the city of Ashur, situated

on the west bank of the Tigris, not far from the point where the lower

Zab flows into the Tigris. Ashur is therefore distinctly a local deity,

and so far as the testimony of the texts goes, he was never regarded in

early days in any other light than as the local patron of the city to

which he has given his name. He was never worshipped, so far as can be

ascertained, as a manifestation of any of the great powers of

nature,--the sun or the moon; though, if anything, he was originally a

solar deity.[231] Nor was he a symbol of any of the elements,--fire or

water. In this respect he differs from Sin, Shamash, Nusku,[232] and Ea,

whose worship was localized, without affecting the _quasi_-universal

character that these deities possessed. As a local deity his worship

must have been limited to the city over which he spread his protecting

arm; and if we find the god afterwards holding jurisdiction over a much

larger territory than the city of Ashur, it is because in the north, as

in the south, a distinct state or empire was simply regarded as the

extension of a city. Ashur became the god of Assyria as the rulers of

the city of Ashur grew in power,--in the same way that Marduk, upon the

union of the Babylonian states under the supremacy of the city of

Babylon, became the god of all Babylonia. But a difference between the

north and the south is to be noted. Whereas Marduk, although the god of

Babylonia, was worshipped only in the city of Babylon where he was

supposed to have his seat, temples to Ashur existed in various parts of

the Assyrian empire. The god accompanied the kings in their wars, and

wherever the rulers settled, there the god was worshipped. So in the

various changes of official residences that took place in the course of

Assyrian history from Ashur to Calah, and from Calah to Nineveh, and

from Nineveh to Khorsabad, the god took part, and his central seat of

worship depended upon the place that the kings chose for their official

residence. At the same time, while the cult in the various temples that

in the course of time were erected in his honor probably continued

without interruption, there was always one place--the official

residence--which formed the central spot of worship. There the god was

supposed to dwell for the time being. One factor, perhaps, that ought to

be taken into consideration in accounting for this movable disposition

of the god was that he was not symbolized exclusively by a statue, as

Marduk and the other great gods were. His chief symbol was a standard

that could be carried from place to place, and indeed was so made that

it could be carried into the thick of the fray, in order to assure the

army of the god's presence. The standard consisted of a pole surrounded

by a disc enclosed within two wings, while above the disc stood the

figure of a warrior in the act of shooting an arrow.[233] The statues of

the gods were deposited in shrines, and after being carried about, as

was done on festive days or other occasions, they would be replaced in

their shrines. The military standard, however, followed the camp

everywhere, and when the kings chose to fix upon a new place for their

military encampment--and such the official residences of the Assyrian

warrior-kings in large measure were--the standard would repose in the

place selected. How this standard came to be chosen, and when, is

another question, and one more difficult to answer. It may be that the

representation of the god by a standard was a consequence of the

fondness that the rulers of Ashur manifested for perpetual warfare; or,

in other words, that the god Ashur was represented by a standard so that

he might be carried into the battle and be moved from place to place. At

all events, the two things--the standard and the warlike character of

the subjects of Ashur--stood in close relationship to one another, and

the further conclusion is justified that when a military standard came

to be chosen as the symbol of Ashur, the god was recognized distinctly

as a god of war. The symbols accompanying the standard are of importance

as enabling us to determine something more regarding the character of

Ashur. In the first place, the fact that it contained a figure may be

taken as an indication that the god was at one time represented by a

statue,--as indeed we know from other evidence,[234]--and that the

change of his symbol from a statue to a standard is a result of the

military activity of the Assyrians. The winged disc is so general a

symbol of the sun in the religious system of various ancient

nations[235] that one cannot escape the conclusion that the symbol must

be similarly interpreted in the case before us. Is it possible,

therefore, that in a period lying beyond that revealed by the oldest

inscriptions at our disposal, Ashur was worshipped as a solar deity? One

is bound to confess that the evidence does not warrant us in regarding

Ashur as anything but the patron of the city of Ashur. Nowhere do we

find any allusion from which we are justified in concluding that he

originally represented some elemental power or phenomenon. Tiele[236] is

of the decided opinion that Ashur was at his origin a nature god of some

kind, and he goes so far as to suggest, though with due reserve, the

possible identification of Ashur with Sin. No doubt Tiele is prompted to

this view by the example of the great god of the south, Marduk, who is

originally a solar deity, and by all the other great gods who represent,

or represented, some power of nature. Analogy, however, is not a

sufficiently reliable guide to settle a question for the solution of

which historical material is lacking. So much, however, may be said,

that if we are to assume that Ashur personified originally some natural

power, the symbol of the winged disc lends a strong presumption in favor

of supposing him to have been some phase of the sun. So much, then, for

the general character of Ashur. Before passing on to a specification of

his role and his traits, as revealed by the historical texts, a word

remains to be said as to the etymology and form of the name. Ashur is

the only instance that we have of a god expressly giving his name to a

city, for the name of the city can only be derived from that of the god,

and not _vice versa_. The identification of the god with his favorite

town must have been so complete that the town, which probably had some

specific name of its own, became known simply as the 'city of the god

Ashur.' From such a designation it is but a small step to call the city

simply, Ashur. The difference between the god and the city would be

indicated by the determinative for deity, which was only attached to the

former, while the latter was written with the determinative attached to

towns. When this city of Ashur extended its bounds until it became

coequal with the domain of Assyria, the name of the god was transferred

to the entire northern district of Mesopotamia, which, as the country of

the god Ashur, was written with the determinative for country.[237] The

ideographs which the Assyrian scribes employed in writing the name of

the god reveal the meaning they attached to it. He is described

ideographically as the 'good god.' This interpretation accords admirably

with the general force of the verbal stem underlying the name. In both

Hebrew and Assyrian _a-sh-r_ signifies 'to be gracious, to grant

blessing, to cause to prosper.' Ashur, therefore, is the god that

blesses his subjects, and to the latter he would accordingly appear as

the 'good god' _par excellence_. If the tempting etymology of our own

word 'god,' which connects it with 'good,' be correct, 'god' would be

almost the perfect equivalent of Ashur. It is not necessary to conclude,

as Tiele does,[238] that Ashur, as the 'good one,' is an ethical

abstraction, but certainly a designation of a god as 'a good one' sounds

more like a descriptive epithet than like a name. The supposition that

Ashur was not, therefore, the original name of the god receives a

certain measure of force from this consideration. Moreover, there are

indications that there actually existed another form of his name,

namely, Anshar.[239] This form Anshar would, according to the phonetic

laws prevailing in Assyria, tend to become Ash-shar.[240] Ashur--the

'good one'--would thus turn out to be an epithet of the god, chosen as a

'play' suggested by Ash-shar, just as we found Gula called the lady of

_Ekalli_, and again _Kallat_ (bride).[241] The etymology of Anshar is as

obscure as that of most of the ancient gods of Babylonia,--as of Sin,

Marduk, Ishtar, and many more. But before leaving the subject, it will

be proper to call attention to the role that a god Anshar plays in the

Babylonian-Assyrian cosmological system. _Anshar_ and _Kishar_ are the

second pair of deities to be created, the first pair being _Lakhmu_ and

_Lakhamu_. In the great fight of the gods against the monster Tiamat, it

would appear that, according to one version at least, Anshar sends Anu,

Ea, and finally Bel-Marduk, in turn to destroy the monster. He appears,

therefore, to have exercised a kind of supremacy over the gods. Assuming

the correctness of the deductions, according to which Ashur is an

epithet arising by a play upon Ash-shar (from an original Anshar), it is

hardly open to doubt that this Anshar is the same as the one who appears

in the cosmology. On the other hand, it is difficult to suppose that

Anshar should have played so significant a part in Babylonian traditions

and yet find no mention in the text of the rulers of Babylonia. Bearing

in mind what has been said as to the manner in which ancient traditions

and myths were remodeled by the schoolmen to conform to later ideas,--we

have seen how in this process the popularity of Marduk led to his

assuming the role originally played by Bel,--may not the recognition

given to Anshar be a concession, made at the time that Assyria had begun

her glorious career (_c._ 1400 B.C.), to the chief god of the northern

empire?

That such tendencies to glorify Ashur may justly be sought for in part

of the religious literature is proved by a version of one of the series

of tablets giving an account of the creation, and which assigns to

Anshar the work of building Esharra,--_i.e._, the earth,--that,

according to another version, belongs to Marduk.[242] Evidently, then,

just as the Babylonian theologians sought to glorify Marduk at the

expense of Bel, so Assyrian theologians, or such as stood under Assyrian

influences, did not hesitate to replace Marduk by their own favorite,

Anshar. In the chapter on the 'Cosmology' we will have occasion to come

back to this point. For present purposes it is sufficient to have shown

that the position of Anshar in the remodeled traditions is an argument

in favor of regarding Anshar as the real name of the god who stands at

the head of the Assyrian pantheon.

In the oldest Assyrian inscription known to us, the god Ashur is

mentioned. Samsi-Ramman, who does not yet assume the title of king, but

only _patesi_,--_i.e._, 'religious chief,'[243]--prides himself upon

being 'the builder of the temple of Ashur.' The phrase does not mean

that he founded the temple, but only that he undertook building

operations in connection with it. The date of this ruler may be fixed

roughly at 1850 B.C., and since the two inscribed bricks that we have of

Samsi-Ramman were found in the ruins of Kalah-Shergat,--the site of the

ancient city of Ashur,--there can, of course, be no doubt that the

temple at that place is referred to.

The rulers of Assyria, even after they assumed the title of 'king' (_c._

1500 B.C.), were still fond of calling themselves the 'priest' of the

god Ashur, and frequently gave this title the preference over others. In

the fourteenth century the temple of Ashur seems to have suffered at the

hands of the Cassites, who attempted to extend their power to the north.

This plan was, however, frustrated by Ramman-nirari I., who forces the

Cassites to retreat, successfully opposes other enemies of Assyria, and

restores the injured parts of Ashur's temple. From this time on, and for

a period of several centuries, Assyria assumes an aggressive attitude,

and as a consequence the dependency upon the god is more keenly felt

than before. The enemies against whom the kings proceed are called 'the

enemies of Ashur,' the troops of the king are the troops of Ashur, and

the weapons with which they fight are the weapons of Ashur. It is he who

causes the arms of Tiglathpileser I. to strike down his foes. The

nations cannot endure the awful sight of the god. His brilliancy--the

reference being no doubt to the shining standard as it was carried into

the fray--inspires on every side a terror that casts all enemies to the

ground. All warfare is carried on in the name of Ashur. The statement

may be taken literally, for an oracle was sought at critical moments to

determine the course that was to be pursued. The fight itself takes

place with the help of the god,--again to be taken literally, for the

god, represented by his symbol, is present on the battlefield. The

victory, accordingly, belongs to the god in the first instance, and only

in a secondary degree to the king. The nations are vanquished by Ashur,

the conquered cities become subject to Ashur, and when the tribute is

brought by the conquered foe, it is to Ashur that it is offered by the

kings. Proud and haughty as the latter were, and filled with greed for

glory and power, they never hesitated to humble themselves before their

god. They freely acknowledged that everything they possessed was due to

Ashur's favor. It was he who called them to the throne, who gave them

the sceptre and crown, and who firmly established their sovereignty.

Through Ashur, who gives the king his invincible weapon,--the mighty

bow,--the kingdom is enlarged, until the kings feel justified in saying

of themselves that, by the nomination of Ashur, they govern the four

quarters of the world. Nay, the rulers go further and declare themselves

to be the offspring of Ashur. It is not likely that they ever desired

such an assertion also to be interpreted literally. The phrase is rather

to be taken as the strongest possible indication of the attachment they

felt for their chief god. Everything that they possessed coming directly

from their god, how could this be better expressed than by making the

god the source of their being? The phrase, at all events, is interesting

as showing that the element of love was not absent in the emotions that

the thought of Ashur aroused in the breasts of his subjects. The kings

cannot find sufficient terms of glorification to bestow upon Ashur.

Tiglathpileser I. calls him 'the great lord ruling the assembly of

gods,' and in similar style, Ashurnasirbal invokes him as 'the great god

of all the gods.' For Ramman-nirari III., he is the king of the

Igigi--the heavenly host of spirits. Sargon lovingly addresses him as

the father of the gods. Sennacherib calls him the great mountain or

rock,--a phrase that recalls a Biblical metaphor applied to the

deity,--and Esarhaddon speaks of him as the 'king of gods.' Frequently

Ashur is invoked together with other gods. He is 'the guide of the

gods.' There is only one instance in which he does not occupy the first

place. Ramman-nirari I., to whom reference has above been made, gives

Anu the preference over Ashur in a list of gods,[244] to whom conjointly

he ascribes his victories. We have already had occasion (see pp.

153-155) to note the antiquity of Anu worship in Assyria, the foundation

of whose temple takes us beyond the period of Samsi-Ramman. Ashur's

importance begins only with the moment that the rulers of his city enter

upon their career of conquest. Before that, his power and fame were

limited to the city over which he presided. Those gods who in the south

occupied a superior rank were also acknowledged in the north. The

religion of the Assyrians does not acquire traits that distinguish it

from that of Babylonia till the rise of a distinct Assyrian empire.

Here, as in Babylonia, the religious conceptions, and in a measure the

art, are shaped by the course of political events. Anu, accordingly,

takes precedence to Ashur previous to the supremacy of the city of

Ashur. This superior rank belongs to him as the supreme god of heaven.

Ramman-nirari's reign marks a turning-point in the history of Assyria.

The enemies of Ashur, who had succeeded for a time in obscuring the

god's glory through the humiliation which his land endured, were driven

back, but neither the people nor the rulers had as yet become conscious

of the fact that it was solely to Ashur that the victory was due. Hence,

other gods are associated with Ashur by Ramman-nirari, and the old god

Anu is accorded his proper rank. After the days of Ramman-nirari,

however, Ashur's precedence over all other gods is established. Whether

associated with Bel or with Ramman, or with Shamash and Ramman, or with

a larger representation of the pantheon, Ashur is invariably mentioned

first.

From what has been said of the chief trait of Assyrian history, it

follows, as a matter of course, that the popularity of Ashur is due to

the military successes of the Assyrian armies; and it follows, with

equal necessity, that Ashur, whatever he may originally have been,

becomes purely a god of war, from the moment that Assyria enters upon

what appeared to be her special mission. All the titles given to Ashur

by the kings may be said to follow from his role as the god who presides

over the fortunes of the wars. If he is the 'ruler of all the gods,' and

their father, he is so simply by virtue of that same superior strength

which makes him the 'law-giver' for mankind, and not because of any

ancient traditions, nor as an expression of some nature-myth. He lords

it over gods and spirits, but he lords it solely because of his warlike

qualities. Ashur is the giver of crown and sceptre, and the kings of

Assyria are the _patesis_ of the god, his lieutenants. He is the god

that embodies the spirit of Assyrian history, and as such he is the most

characteristic personage of the Assyrian pantheon--in a certain sense

the only characteristic personage. So profound is his influence that

almost all the other gods of the pantheon take on some of his character.

Whenever and wherever possible, those phases of the god's nature are

emphasized which point to the possession of power over enemies. The gods

of the Assyrian pantheon impress one as diminutive Ashurs by the side of

the big one, and in proportion as they approach nearer to the character

of Ashur himself, is their hold upon the royal favor strengthened.

Ishtar.

Second in rank to Ashur during the most glorious part of Assyrian

history stands the great goddess Ishtar. That the Assyrian Ishtar is

identical with the great goddess of the Babylonian pantheon is beyond

reasonable doubt. She approaches closest to Nana,--the Ishtar of Erech;

but just as we found the Babylonian Ishtar appearing under various names

and forms, so there are no less than three Ishtars in Assyria,

distinguished in the texts as Ishtar of Nineveh, Ishtar of Arbela, and

Ishtar who presides over the temple known as Kidmuru and who for that

reason is generally called 'the queen of Kidmuru.' The seat of the

latter was in Nineveh, as was of course also the seat of Ishtar of

Nineveh. The third Ishtar had her cult at Arbela,[245] a town lying to

the east of Calah about midway between the upper and lower Zab. It is

not easy to determine which of these three Ishtars is the oldest. The

Assyrians themselves seem to have been aware of the Babylonian origin of

Ishtar, for Tiglathpileser I. is at pains to emphasize that the temple

he builds to Ishtar in his capital is dedicated to the 'Assyrian

Ishtar.'[246] This being the oldest mention of Ishtar in Assyrian texts,

we are perhaps warranted in concluding that the cult of the goddess was

transferred with the seat of government to Nineveh. This would not

necessarily make Ishtar of Nineveh the oldest of the three, but accounts

for the higher rank that was accorded to her, as against the other two.

Ishtar of Arbela and the queen of Kidmuru do not make their appearance

so far as the historical texts are concerned till the time of Esarhaddon

(681, B.C.)--a comparatively late date. Tiele[247] suggests that Arbela

became the seat of a school of prophets in the service of Ishtar. The

curious name of the place, the 'four-god' city, certainly speaks in

favor of supposing Arbela to have been a great religious center, but

until excavations shall have been conducted on the modern site of the

town, the problems connected with the worship of Ishtar of Arbela cannot

be solved. It is quite possible, if not probable, that the three Ishtars

are each of independent origin. The 'queen of Kidmuru,' indeed, I

venture to think, is the indigenous Ishtar of Nineveh, who is obliged to

yield her place to the so-called 'Assyrian Ishtar' upon the transfer of

the capitol of Assyria to Nineveh, and henceforth is known by one of her

epithets to distinguish her from her formidable rival. The cult of

Ishtar at Arbela is probably, too, of ancient date; but special

circumstances that escape us appear to have led to a revival of interest

in their cults during the period when Assyria reached the zenith of her

power. The important point for us to bear in mind is that no essential

distinctions between these three Ishtars were made by the Assyrians.

Their traits and epithets are similar, and for all practical purposes we

have only one Ishtar in the northern empire. Next to Ashur, or rather by

the side of Ashur, Ishtar was invoked as the great goddess of battle and

war. This trait, however, was not given to her by the Assyrians.

Hammurabi views the goddess in this light,[248] and in the Izdubar or

Gilgamesh epic, as already pointed out, she appears at times in the role

of a violent destroyer. The warlike phase of the goddess's nature is

largely accentuated in the Assyrian pantheon and dwelt upon to the

exclusion of that softer and milder side which we have seen

characterized her as 'the mother of mankind.' Her role as the goddess of

war grows in prominence as the Assyrian rulers proceed in their

triumphal careers. Ashurrishishi (_c_. 1150 B.C.) invokes her simply as

the superior goddess, but for Tiglathpileser I. and from his days on,

she is primarily the lady of war, who arranges the order of battle and

encourages her favorites to fight. She appears in dreams at critical

moments, and whispers words of cheer to King Ashurbanabal. When danger

threatens, it is to her that the great king spreads his hands in prayer.

She is not merely the goddess of the kings, but of the people as well.

The latter are instructed to honor her. No deity approaches her in

splendor. As Ashur rules the Igigi, so Ishtar is declared to be 'mighty

over the Anunnaki.' Her commands are not to be opposed. Her appearance

is that of a being clothed with fiery flames, and streams of fire are

sent down by her upon the enemies of Ashurbanabal--a description that

expresses admirably the conception formed by the Assyrians of a genuine

goddess of war. Like Ashur, she is given a supreme rank among the gods.

Shalmaneser II. calls her the first-born of heaven and earth, and for

Tiglathpileser I., she is the first among the gods. Her milder

attributes as the gracious mother of creation, the giver of plenty, and

the hearer of the supplications of the sinner, so prominent in the

religious literature,[249] are not dwelt upon in the historical texts.

Still, an element of love also enters into the relationship with her

subjects. Ashurnasirbal (885-860 B.C.) speaks of her as the lady who

'loves him and his priesthood.' Sennacherib similarly associates Ishtar

with Ashur as the lover of his priesthood. As a goddess of war she is of

course 'perfect in courage,' as Shalmaneser II. declares. Temples are

erected to her in the city of Ashur, in Nineveh and Arbela. Ashurbanabal

distinguishes carefully between the two Ishtars,--the one of Nineveh and

the one of Arbela; and, strange enough, while terming Nineveh the

favorite city of Ishtar, he seems to give the preference to Ishtar of

Arbela. It is to the latter[250] that when hard pressed by the Elamites

he addresses his prayer, calling her 'the lady of Arbela'; and it is

this Ishtar who appears to the royal troops in a dream. The month of

Ab--the fifth month of the Babylonian calendar--is sacred to Ishtar.

Ashurbanabal proceeds to Arbela for the purpose of worshipping her

during this sacred period. Something must have occurred during his

reign, to bring the goddess of Arbela into such remarkable prominence,

but even Ashurbanabal does not go so far as to place Ishtar of Arbela

before Ishtar of Nineveh, when enumerating the gods of the pantheon. One

point still remains to be mentioned before passing on. Ashurbanabal

calls Ishtar--he is speaking of Ishtar of Nineveh--the wife of Bel.[251]

Now Ishtar never appears in this capacity in the Babylonian

inscriptions. If there is one goddess with whom she has nothing in

common, it is Belit of Nippur. To account for this curious statement on

the part of the Assyrian scribes, it is only necessary to bear in mind

that the name Belit signifies 'lady,' and Ishtar is constantly spoken of

as the Belit or lady of battle. Much the same train of thought that led

to regarding Bel in the sense of 'lord,' merely as a title of Marduk,

gave rise to the use of 'Belit,' as the title of the great 'lady' of the

Assyrian pantheon.[252] From this it is but a small--but of course

erroneous--step, to speak of Belit-Ishtar as the consort of Bel. Whether

the error is due only to the scribe, or whether it actually made its way

into the Assyrian system of theology, it is difficult to say. Probably

the former; for the distinguishing feature of both the Babylonian and

the Assyrian Ishtar is her independent position. Though at times brought

into close association with Ashur, she is not regarded as the mere

consort of any god--no mere reflection of a male deity, but ruling in

her own right on a perfect par with the great gods of the pantheon. She

is coequal in rank and dignity with Ashur. Her name becomes synonymous

with goddess, as Marduk becomes the synonym for god. The female deities

both native and foreign come to be regarded as so many forms of Ishtar.

In a certain sense Ishtar is the only _real_ goddess of the later

Assyrian pantheon, the only one taking an active part in the religious

and political life of the people. At the same time it is to be noted

that by the side of the Assyrian Ishtar, the Babylonian Ishtar,

especially the one associated with Erech (or Warka) is also worshipped

by the monarchs of the north. Esarhaddon devotes himself to the

improvement of the old temple at Erech, and Ashurbanabal prides himself

upon having rescued out of the hands of the Elamites a statue of Ishtar

or Nana of Erech that had been captured 1635 years previous.[253]

Anu.

Reference has already been made to the antiquity of the Anu cult in

Assyria, and that prior to the time that the city of Ashur assumes the

role of mistress of the northern district, Anu stood at the head of the

pantheon, just as theoretically he continued to occupy this place in the

pantheon of the south. What is especially important, he had a temple in

the very city of Ashur, whose patron god succeeded in usurping the place

of the old 'god of heaven.' The character of Anu in the north differs in

no way from the traits assigned to him in the south. He is the king of

the Igigi and Anunnaki, that is, of all the heavenly and earthly

spirits, and he is this by virtue of being the supreme god of heaven.

His cult, however, appears to have suffered through the overshadowing

supremacy of Ashur. Even in his old temple at Ashur, which

Tiglathpileser I. on the occasion of his rebuilding it, tells us was

founded 641 years before this restoration,[254] he is no longer accorded

sole homage. Ramman, the god of thunder and of storms, because

correlated to Anu, is placed by the side of the latter and permitted to

share the honors with Anu.[255] Anu survives in the Assyrian as in the

Babylonian pantheon by virtue of being a member of the theological

triad, composed as we have seen of Anu, Bel, and Ea. Tiglathpileser I.

still invokes Anu as a deity of practical importance. He associates him

with Ramman and Ishtar as the great gods of the city of Ashur or with

Ramman alone, but beyond an incidental mention by Ashurnasirbal, who in

a long list of gods at the beginning of his annals emphasizes the fact

of his being the favorite of Anu, he appears only in combination with

Bel and Ea. The same degree of reverence, however, was shown to the old

triad in Assyria as in Babylonia. The three gods are asked not to listen

to the prayers of the one who destroys the monuments set up by the

kings. Sargon tells us that it is Anu, Bel, and Ea who fix the names of

the months,[256] and this same king when he comes to assign names to the

eight gates of his great palace, does not forget to include Anu in the

list of deities,[257] describing him as the god who blesses his

handiwork.

Dagan.

Coequal in antiquity with the cult of Anu in Assyria is that of Dagan.

Although occurring in Babylonia as early as the days of Hammurabi, and

indeed earlier,[258] it would appear that his worship was imported from

the north into the south.[259] At all events, it is in the north that

the cult of Dagan rises to prominence. The name of the god appears as an

element in the name of Ishme-Dagan (the father of Samsi-Ramman

II.),[260] whose date may be fixed at the close of the nineteenth

century B.C. The form Dagan is interesting as being almost identical

with the name of the chief god of the Philistines, Dagon,[261] who is

mentioned in the Book of Judges. The resemblance can hardly be entirely

accidental. From other sources we know that Dagan was worshipped in

Palestine as early as the fourteenth or fifteenth century, and the form

Dagan, if derived from _Dag_, contains an afformative element which

stamps the word as non-Assyrian. The proposition has much in its favor

which regards Dagan as a god whose worship was introduced into Assyria

at a very early period through the influence of Aramaean hordes, who

continue throughout Assyrian history to skirt the eastern shores of the

Tigris. Once introduced, however, into Assyria, Dagan assumes a

different form from the one that he receives among the Philistines. To

the latter he is the god of agriculture, while in Assyria he rises to

the rank of second in the pantheon, and becomes the associate of Anu.

The latter's dominion being the heavens, Dagan is conceived as the god

of earth. Hence, there results the fusion with the Babylonian Bel, which

has already been noted,[262] and it is due to this fusion that Dagan

disappears almost entirely from the Assyrian pantheon. Ashurnasirbal

invokes Dagan with Anu. Two centuries later, Sargon, whose scribes, as

Jensen has noticed, manifest an 'archaeological' fondness for the

earlier deities, repeats the phrase of Ashurnasirbal, and also calls his

subjects 'troops of Anu and Dagan'; but it is important to observe that

he does not include Dagan among the deities in whose honor he assigns

names to the gates of his palace. We may, therefore, fix upon the ninth

century as the terminus for the Dagan cult in Assyria. Proper names

compounded with Dagan do not occur after the days of Ashurnasirbal.[263]

Shamash.

Besides the testimony furnished by the name of the king, Samsi-Ramman,

we have a proof for the antiquity of the Shamash cult in Assyria in the

express statement of Pudilu (_c._ 1350 B.C.) that he built a temple to

the sun-god in the city of Ashur. He calls Shamash the 'protecting

deity,' but the protection vouchsafed by Shamash is to be understood in

a peculiar sense. Shamash does not work by caprice. He is, as we have

seen, preeminently a god of justice, whose favors are bestowed in

accordance with unchangeable principles. So far as Assyria is concerned,

the conceptions regarding Shamash reach a higher ethical level than

those connected with any other deity. Ashur and Ishtar are partial to

Assyria, and uphold her rulers at any cost, but the favors of Shamash

are bestowed upon the kings because of their righteousness, or, what is

the same thing, because of their claim to being righteous. For

Tiglathpileser I., great and ruthless warrior as he is, Shamash is the

judge of heaven and earth, who sees the wickedness of the king's

enemies, and shatters them because of their guilt. When the king

mercifully sets certain captives free, it is in the presence of Shamash

that he performs this act. It is, therefore, as the advocate of the

righteous cause that Tiglathpileser claims to have received the glorious

sceptre at the hands of Shamash; and so also for the successors of

Tiglathpileser, down to the days of Sargon, Shamash is above all and

first of all the judge, both of men and of the gods. There is, of

course, nothing new in this view of Shamash, which is precisely the one

developed in Babylonia; but in Assyria, perhaps for the reason that in

Shamash is concentrated almost all of the ethical instinct of the

northern people, the judicial traits of Shamash appear to be even more

strongly emphasized. Especially in the days of Ashurnasirbal and

Shalmaneser II.--the ninth century--does the sun-cult receive great

prominence. These kings call themselves the _sun_ of the world. The

phrase,[264] indeed, has so distinctly an Egyptian flavor, that, in

connection with other considerations, it seems quite plausible to assume

that the influence of Egyptian reverence for _Ra_ had much to do with

the popularity of the sun-cult about this time. Shalmaneser bestows

numerous epithets upon Shamash. He is the guide of everything, the

messenger of the gods, the hero, the judge of the world who guides

mankind aright, and, what is most significant, the lord of law. The word

used for law, _tertu_, is identical with the Hebrew term _tora_ that is

used to designate the Pentateuchal legislation. No better testimony

could be desired to show the nature of the conceptions that must have

been current of Shamash. Sargon, again, who is fond of emphasizing the

just principles that inspire his acts, goes to the length of building a

sanctuary[265] for Shamash far beyond the northern limits of Assyria.

But the kings, in thus placing themselves under the protection of the

great judge, were not oblivious to the fact that this protection was

particularly desired on the battlefield. War being uppermost in their

thoughts, the other side of Shamash's nature--his power and

violence--was not overlooked. Tiglathpileser invokes him also as the

warrior,--a title that is often given to Shamash in the religious

literature. There can be little doubt that a nation of warriors whose

chief deities were gods of war, was attracted to Shamash not merely

because he was the judge of all things, but also, and in a large degree,

because he possessed some of the traits that distinguished Ashur and

Ishtar.

Ramman.

The association of Ramman with Shamash in the name of the old ruler of

Assyria, Samsi-Ramman, is not accidental or due to mere caprice. Only

such deities are combined in proper names that are, or may be,

correlated to one another. Ramman, as the god of storms, is naturally

viewed as a power complementary to the great orb of light.[266] The two

in combination, viewed as the beneficent and the destructive power,

constitute the most powerful elements of nature, whose good will it was

most important, especially for a nation of warriors, to secure. Some

such thought surely underlies this association of Shamash with Ramman.

The Assyrian Ramman differs in no way from the Ramman of Babylonia, but

he is much more popular in the north than in the south. The popularity

of the god is but a reflection of the delight that the Assyrians took in

military pursuits. Ramman is hardly anything more than another Ashur.

Tiglathpileser I., who once calls the god Mar-tu, _i.e._, "the West

god,"[267] has left us an admirable description of him. He is the hero

who floods the lands and houses of the country's enemies. The approach

of the Assyrian troops is compared to an onslaught of Ramman. His curses

are the most dreadful that can befall a nation or an individual, for his

instruments of destruction are lightning, hunger, and death. Reference

has several times been made to the manner in which Tiglathpileser honors

Ramman by making him a partner of Anu in the great temple of the latter

at Ashur. But the successors of Tiglathpileser are no less zealous in

their reverence for Ramman. It is to Ramman that the kings offer

sacrifices during the campaign, and when they wish to depict in the

strongest terms the destruction that follows in the wake of an onslaught

of the Assyrian troops, they declare that they swept over everything

like Ramman. It is natural, in view of this, that Ramman should have

been to the Assyrians also the 'mightiest of the gods.'[268] Through the

Assyrian inscriptions we learn something of the consort of Ramman.

Shala.

Sennacherib tells us that in the course of his campaign against

Babylonia he removes out of the city of Babylon, and replaces in

Ekallate[269] the statues of Ramman and Shala. This, he says, he did 418

years after the time that they had been carried captive from Ekallate to

Babylon by Marduknadinakhi.[270] We know nothing more of this Ekallate

except that it lay in Assyria,--probably in the southern half,--and that

Ramman and Shala are called the gods of the city. The name 'Shala'

appears to signify 'woman.' It reminds us, therefore, of 'lady' (Ninni,

Nana, etc.), which we have found to be the designation for several

distinct goddesses. It is possible that Shala, likewise, being a name of

so indefinite a character, was applied to other goddesses. A 'Shala of

the mountains,' who is stated to be the wife of Marduk, is mentioned in

a list of gods.[271] The wife of Bel, too, is once called Shala, though

in this case the confusion between Marduk and Bel may have led to

transferring the name from the consort of one to the consort of the

other. Too much importance must not be attached to the data furnished by

these lists of gods. They represent in many cases purely arbitrary

attempts to systematize the Babylonian and Assyrian pantheon, and in

other cases are valuable only as reflecting the views of the

theologians, or rather of certain schools of theological thought, in

Babylonia. In the religious hymns, too, the consort of Ramman finds

mention, and by a play upon her name is described as the 'merciful one.'

The attribute given to her there is the 'lady of the field,' which puts

her in contrast to Ramman, rather than in partnership with him. Since we

hear little of her worship in Assyria, beyond the notices of

Sennacherib, we may conclude that, like so many goddesses, Shala

dwindled to the insignificant proportions of a mere pale reflection of

the male deity.

Nin-ib.

Another god, who by virtue of his violent traits enjoys the favor of the

Assyrian rulers, is the old Babylonian deity whose name is provisionally

read Nin-ib. In the very first mention of him, in the inscription of

Ashurrishishi (_c._ 1150 B.C.), he is called the 'mighty one of the

gods.' Through the protection of Nin-ib, Ashurrishishi secures victory

over his enemies on all sides. Similarly, other of the Assyrian rulers

emphasize the strength of Nin-ib. Tiglathpileser I. calls him the

courageous one, whose special function is the destruction of the king's

enemies. In doing so he becomes the god 'who fulfills the heart's

desire.' The unmistakable character of the god as a god of war is also

shown by his association with Ashur.[272] If Ashur is the king of Igigi

and Anunnaki, Nin-ib is the hero of the heavenly and earthly spirits. To

him the rulers fly for help. Of all the kings, Ashurnasirbal seems to

have been especially devoted to the service of Nin-ib. The annals of

this king, instead of beginning, as is customary, with an invocation of

all or many of the gods, starts out with an address to Nin-ib, in which

the king fairly exhausts the vocabulary of the language in his desire to

secure the favor of this powerful deity. Almost all the attributes he

assigns to him have reference to the god's powers in war. Dwelling in

the capital Calah, he is 'the strong, the mighty, the supreme one,' the

perfect hero, who is invincible in battle, the 'destroyer of all

opposition, who holds the lock of heaven and earth, who opens the deep;

the strong one, endowed with youthful vigor, whose decree is

unchangeable, without whom no decision is made in heaven or on earth,

whose attack is like a flood, who sweeps away the land of his enemies,'

and so forth, through a bewildering array of epithets. The inscriptions

of the Assyrian kings, especially in the introductions, manifest little

originality. One king, or rather his scribe, frequently copies from

earlier productions, or imitates them. Hence, it happens that the

grandson of Ashurnasirbal, Shamshi-Ramman (_c._ 825-812 B.C.), furnishes

us with an almost equally long array of epithets, exalting the strength

and terror of Nin-ib. Like Ashurnasirbal, he declared himself to have

been chosen by this god to occupy the throne. A comparison of the two

lists makes it evident that the later one is modeled upon the earlier

production. The conclusion is justified that in the century covered by

the reigns of Ashurnasirbal[273] and Shamshi-Ramman, the cult of Nin-ib

must have acquired great popularity, though suffering, perhaps, an

interruption during the reign of Shalmaneser II.,--midway between these

two kings,--whose favorite we have seen was Shamash. The great temple of

Nin-ib stood in Calah, which Ashurnasirbal chose as his official

residence, and it was in this temple that the king deposited a long

inscription commemorating his deeds. In the temple, he also places a

colossal statue of the god. Upon the completion of the edifice, he

dedicates it with prayer and sacrifices. The special festivals of the

god are fixed for the months of Shabat and Ulul,--the eleventh and sixth

months,--and provision is made for the regular maintenance of the cult.

It must, of course, not be supposed that, because Nin-ib appears to be a

favorite of the king, the latter concentrates his attentions upon this

god. He appears to have been specially fond of temple building, and,

besides the one to Nin-ib, he tells us of sanctuaries to 'Belit of the

land,' _i.e._, Ishtar,[274] Sin, Gula, Ea, and Ramman,--that he erects

or improves. One might be led to regard it as strange that a god like

Nin-ib, or Shamash, should claim so large a share of the attention of

the Assyrian rulers, to the apparent neglect of Ashur, but it must be

borne in mind that the position of Ashur was so assured as to be beyond

the reach of rivalry. The fact also that Ashur's popular symbol was the

movable standard was no doubt a reason why so few temples were erected

to him. He did not stand in need of temples. For the very reason that

Ashur was the universally acknowledged master of everything, the kings

felt called upon to choose, by the side of Ashur, some additional

deity,--a patron under whose special protection they placed themselves.

The natural desire for novelty--together with other circumstances that

escape us--led one to choose Ramman, another Nin-ib, a third Shamash,

and a fourth, as we shall see, Nabu. In doing so they were not conscious

of any lack of respect towards Ashur, of whose good will they always

felt certain.

Besides the service rendered by Nin-ib in war, his aid was also invoked

by the kings in their recreations, which partook of the same violent

character as their vocation. Their favorite sport was hunting,

especially of lions, wild horses, elephants, stags, boars, and bulls.

They either proceeded to districts where these animals were to be found,

or they had large parks laid out near their residences, which were then

stocked with material for the chase. Ashurnasirbal does not shun a long

journey to distant mountainous regions to seek for sport, and it is

Nin-ib whom he invokes, together with Nergal. These two, he declares,

who, like Ashur and Ishtar, "love his priesthood," are the ones that

convey into his hands the hunting spoils. Tiglathpileser I. was

especially fond of lion and elephant hunting. He declares that on one

occasion he killed 10 elephants and 920 lions in various parts of

northwestern Mesopotamia; and he ascribes his success to Nin-ib, who

loves him, and who, again, in association with Nergal, and Ashur, has

placed in the king's hands the mighty weapons and the glorious bow.

After the days of Shamshi-Ramman we hear of Nin-ib chiefly in the formal

lists of gods which the later kings of Assyria, from Sargon[275] on, are

fond of placing at the beginning and end of their inscriptions. These

lists, again, copied the one from the other, are of value only as

indicating the chief gods of the pantheon, but warrant no conclusions as

to the activity reigning in the cults of the gods there mentioned.

Before leaving Nin-ib a few words need be said as to his relations to

the other gods. In the chapter on the pantheon before Hammurabi,[276]

the identity of Nin-ib with the chief god of Gudea's district,

Nin-girsu, has been pointed out. The solar character of the latter being

clear, it follows that Nin-ib, too, is originally a personification of

the sun, like Nin-gish-zida and Nin-shakh, whose roles are absorbed by

Nin-ib.[277] This has long been recognized, but it is the merit of

Jensen[278] to have demonstrated that it is the east sun and the morning

sun which is more especially represented by Nin-ib. On this supposition,

some of the titles given to him in the inscriptions of Ashurnasirbal and

Shamshi-Ramman become perfectly clear. Like Marduk, who, it will be

remembered, is also originally a phase of the solar deity, Nin-ib is

called the first-born of Ea; and as the rising sun he is appropriately

called the offspring of Ekur,--_i.e._, the earth,--in allusion to his

apparent ascent from a place below the earth. Ekur and Eshara being

employed as synonyms, Shamshi-Ramman replaces Ekur by Eshara, and since

Bel is the lord of Ekur-Eshara, Nin-ib also becomes the first-born son

of Bel. Other epithets, such as 'the light of heaven and earth,' 'the

one who pursues his path over the wide world,'[279] are all in keeping

with the solar character of the deity, and date, therefore, from a

period when the more purely 'nature' phases of the god were dwelt upon.

But just as in the case of Shamash and Nergal (also, as we have seen, a

solar deity), so in that of Nin-ib, the violent, fiery, and destructive

character that the sun has in a climate like that of Babylonia brought

it about that Nin-ib was viewed as a destructive force, whose assistance

was of great value in military strife. He becomes the god of the cloud

storm, before whom, as he passes along, heaven and earth tremble. By his

strong weapon he humiliates the disobedient, destroys the enemies of the

kings, and grants all manner of protection to his favorites. Only in the

religious literature are other qualities dwelt upon, such as his

'holiness.'[280] For Hammurabi, it will be recalled, Nin-ib is already

the god of war, and it is natural that in a country like Assyria this

side of the god's nature should become accentuated to the point of

obscuring all others, until nothing more is left of his solar character

than is indicated by stray bits of mythological phrases, perhaps only

half understood, and introduced to add to the imposing array of epithets

that belong to the terrible god of war. As the consort of Nin-ib, the

Assyrians recognized

Gula.

She is only occasionally invoked by the Assyrian rulers. A sanctuary to

Gula, as the consort of Nin-ib, is erected by Ashurnasirbal, and a

festival in honor of the goddess is referred to by Ashurbanabal.

Nergal.

Nergal not only shares with Nin-ib, as already mentioned, the honor of

being the god under whose auspices the royal chase is carried on, but he

is also, like Nin-ib, invoked in that other sport of which the Assyrian

rulers were so fond,--war. He is scarcely differentiated from Nin-ib.

Like the latter he is the perfect king of battle, who marches before the

monarch together with Ashur, and he is pictured as carrying the mighty

weapons which Ashur has presented to the king. In an inscription of

Shalmaneser II.[281] there is an interesting reference to the city

sacred to Nergal--Cuthah. The king, who in the course of his campaign

against Babylonia reaches Cuthah, brings sacrifices to Nergal, whom he

speaks of as 'the hero of the gods, the supreme raging sun.' A later

king, Sargon, also honors the god by giving a fortress in the distant

land of Nairi, to the northeast of Assyria, the name of Kar[282]-Nergal.

It would seem as though, through the influence of Sargon, a revival of

the Nergal cult took place. His successor, Sennacherib, erects a temple

in honor of the god at Tarbisu, a suburb to the north of Nineveh proper,

and Ashurbanabal, who dwells at Tarbisu for a while, is engaged in

adding to the beauty of the edifice,--an indication of the honor in

which the god continued to be held. Nergal's consort is Laz, but she is

not referred to by the Assyrian rulers.

Sin.

The old Babylonian moon-god plays a comparatively insignificant role in

Assyria. Ashurnasirbal speaks of a temple that he founded in

Calah--perhaps only a chapel--in honor of Sin. It could not have been of

much importance, for we learn nothing further about it. Sargon, too, who

manifests a great fondness for reviving ancient cults, erects

sanctuaries to Sin along with a quantity of other gods in his official

residence at Khorsabad and beyond the northeastern confines of Assyria

at Magganubba. But when invoked by the kings, Sin shows traces of the

influence which the conceptions current about Ashur exerted upon his

fellow deities. He takes on, as other of the gods, the attributes of the

war-god. Instead of being merely the lord of the crescent, as in

Babylonia, and one of the sources of wisdom because of the connection of

astrology with lunar observations, he is pictured as capable of

inspiring terror. At the same time he is also the lord of plenty, and in

his capacity as the wise god he is regarded as the lord of decisions.

But by the side of new epithets that are attached to him in the Assyrian

inscriptions, there is one which, just as in the case of Nin-ib,

connects the Assyrian Sin cult with the oldest phase of moon-worship in

the south. It is one of the last kings of Assyria, Ashurbanabal, who

calls Sin 'the firstborn son of Bel.' He appears in this relationship to

Bel in the religious texts of Babylonia. The Bel here meant can only be

the great god of Nippur, and the title 'son of Bel' accordingly shows

that the moon-worship of Assyria is ultimately derived from that which

had its seat in the south. Sin's secondary position is indicated by

making him a son of Bel. The rise of the science of astronomy in

connection with astrology, was, as already suggested, an important

factor in spreading and maintaining the Sin cult in the south, while the

lack of intellectual originality in Assyria would equally account for

the comparatively subordinate position occupied by Sin in the Assyrian

pantheon.

Nusku.

That Nusku is a Babylonian god, meriting a place in the pantheon of

Hammurabi, if not of the days prior to the union of the Babylonian

states, is shown by the fact (1) that he had a shrine in the great

temple of Marduk at Babylon, along with Nebo, Tashmiyum, and Ea;[283]

and (2) that he appears in the religious texts. In view of this it might

appear strange that we find no reference to the god in historical texts

till we reach the Assyrian period. The reason, or at least one reason,

is that Nusku is on the one hand amalgamated with Gibil, the fire-god,

and on the other identified with Nabu. The compound ideogram with which

his name is written includes the same sign--the stylus or sceptre--that

is used to designate Nabu, the second part of the ideogram adding the

idea of 'force and strength.' Whether this graphical assimilation is to

be regarded as a factor in bringing about the identification of Nusku

and Nabu, or is due to an original similarity in the traits of the two

gods, it is difficult to say. Hardly the latter, for Nusku is a solar

deity, whereas, as we have tried to show, Nabu is originally a

water-deity.[284] But however we may choose to account for it, the

prominence of Nusku is obscured by Nabu. As a solar deity, it is easy to

see how he should have been regarded as a phase of the fire-god, and if

the various other solar deities were not so regarded, it is because in

the course of their development they were clothed with other attributes

that, while obscuring their origin, saved them from the loss of their

identity. Apart from the formal lists of gods drawn up by Sargon and his

successors, Shalmaneser II. and Ashurbanabal are the only kings who make

special mention of Nusku. The former calls him the bearer of the

brilliant sceptre, just as Nabu is so called; and again, just as Nabu,

he is termed the wise god. The two phases of the ideogram used in his

name--the sceptre and the stylus--are thus united in the personage of

Nusku precisely as in Nabu. On the other hand, the manner in which

Ashurbanabal speaks of him reflects the mythological aspect of Nusku. In

the religious literature Nusku is the messenger of Bel-Marduk, who

conveys the message of the latter to Ea. From being the messenger of

Bel, he comes to be viewed as the messenger of the gods in general, and

accordingly Ashurbanabal addresses him as 'the highly honored messenger

of the gods,' but, combining with the mythological the more realistic

aspect of Nusku, refers to him also as the one who glorifies sovereignty

and who, at the command of Ashur and Belit, stands at the king's side to

aid in bringing the enemies to fall. As for the fire-god Gibil, with

whom Nusku is identified, we have merely a reference to a month of the

year sacred to the servant of Gibil in a passage of the inscriptions of

Sargon.[285]

Bel-Marduk.

From the time that the Assyrian rulers claimed a greater or small

measure of control over the affairs of Babylonia, that is, therefore,

from about the twelfth century, they were anxious to make good their

claim by including in their pantheon the chief god of Babylonia. The

Assyrian inscriptions prove that, as early as the twelfth century, the

theoretical absorption on the part of Marduk, of the role taken by the

old god Bel of Nippur, which was enlarged upon in a preceding

chapter,[286] had already taken place. Marduk is not only frequently

known as Bel, but what is more, Babylonia is the country of Bel, or

simply Bel, and the Babylonians are referred to as 'the subjects of

Bel,' or the 'humanity of Bel.' There can be no doubt that in all these

cases Bel-Marduk is meant and not the older Bel. In the days of

Ashurrishishi we already come across the title 'governor of Bel,' that

to the latest days remains the official designation for political

control over the southern empire. So general is this use of Bel for

Marduk that the latter name does not occur until we reach Shalmaneser

II., _i.e._, the ninth century. There seems to be no reason to question,

therefore, that even when Tiglathpileser I. applies to Bel titles that

certainly belong to the older Bel, such as 'father of the gods,' 'king

of all the Anunnaki,' 'who fixes the decrees of heaven and earth,' he

means Marduk, a proof for which may be seen in the epithet _bel matati_,

'lord of lands,' which follows upon these designations and which, as we

saw, is a factor in the evolution of Marduk into Bel-Marduk.[287] The

importance that Tiglathpileser I., and therefore also his successors,

attached to their control over the old southern district, is shown by

his according to Bel the second place in the pantheon, invoking him at

the beginning of his inscriptions immediately after Ashur. The control

over Babylonia was an achievement that stirred the pride of the Assyrian

rulers to the highest degree. Its age and its past inspired respect.

Besides being the source of the culture that Assyria possessed,

Babylonia had sacred associations for the Assyrians, as the original

dwelling-places of most of the gods worshipped by them. The old sacred

centers like Ur, Nippur, Uruk, Sippar, with their great temples, their

elaborate cults, their great storehouses of religious literature, and

their great body of influential priests and theologians and astrologers

were as dear to the people of the north as to those of the south; and in

proportion as these old cities lost their political importance, their

rank as sacred centers to which pilgrimages were made on the occasion of

the festivals of the gods was correspondingly raised. Hence the value

that the Assyrian rulers attached to the possession of Babylonia. They

do not like to be reminded that they rule the south by force of arms.

They prefer, as Tiglathpileser I. declares, to consider themselves

'nominated by the gods to rule over the land of Bel.' They want to be

regarded as the favorites of Bel, and they ascribe to him the greatness

of their rule. It is he who fulfills the wishes of the kings; and when

the kings enter upon a campaign against Babylonia, as they frequently

did to quell the uprisings that were constantly occurring in the one or

the other of the southern districts, they emphasize, as Shalmaneser II.

does, that he enters upon this course at the command of Marduk. They set

themselves up as Marduk's defenders, and it must be said for the

Assyrian rulers that they were mild and sparing in their treatment of

their southern subjects. They do not practise those cruelties--burning

of cities, pillage, and promiscuous slaughter--that form the main

feature in their campaigns against the nations to the northeast and

northwest, and against Elam. They accord to the Babylonians as much of

the old independence as was consistent with an imperial policy. The

internal affairs continue for a long time to be regulated by rulers who

are natives of Babylonia, and it is not until a comparatively late

day--the time of Sennacherib--that in consequence of the endless trouble

that these native rulers gave the Assyrians through their constant

attempt to make themselves independent, it became customary for the

Assyrian kings to appoint a member of the royal house--a son or

brother--to the lieutenancy over Babylonia. As for the cult, the

Assyrian kings were at great pains to leave it undisturbed, or where it

had been interrupted to restore it, and thus secure the favor of the

southern gods. So Shalmaneser II. upon the completion of his campaign

enters Marduk's great temple at Babylon, E-sagila, and offers prayers

and sacrifices to Bel and Belit, _i.e._, Marduk and Sarpanitum. From

E-sagila he crosses over to Borsippa, and pays homage to Nabu and to

Nabu's consort, whom he calls Nana.[288] The kings are fond, especially

when speaking of the Babylonian campaigns, of slipping in the name of

Marduk after that of Ashur. With the help of Ashur and Marduk their

troops are victorious. Marduk shares Ashur's terrible majesty. At times

Shamash, or Shamash and Ramman, are added to form a little pantheon

whose assistance is invoked in the Babylonian wars. From being used in

restricted application to Babylonian affairs, Ashur and Marduk came to

be invoked in a general way. Esarhaddon expressly sets up the claim of

being the savior of Marduk's honor, as a kind of apology for proceeding

against Babylonia with his armies. Sargon, to emphasize his legitimate

control over Babylonia as well as Assyria, says that he has been called

to the throne by Ashur and Marduk, but Ashurbanabal goes further even

than his predecessors. He proceeds to Babylon on the occasion of the

formal installation of his brother Shamash-shumukin as viceroy of the

district, enters the temple of Marduk, whom he does not hesitate to call

'the lord of lords,' performs the customary rites, and closes the

ceremonies by a fervent prayer to Marduk for his continued good will and

blessing.[289] The great gods Nergal, Nabu, and Shamash come from their

respective shrines to do homage to Marduk. Ashurbanabal's brother

Shamash-shumukin, when he attempts as governor of Babylon to make

himself independent of his brother, endeavors by means of sacrifices and

other devices to secure the favor of Marduk, well aware that in this way

he will also gain the support of the Babylonians. On another occasion,

incidental to a northern campaign, Ashurbanabal mentions that the day on

which he broke up camp at Damascus was the festival of Marduk,--an

indication that the Babylonian god was in his thoughts, even when he

himself was far away from Babylonia. Esarhaddon and Ashurbanabal, when

approaching the sun-god to obtain an oracle, make mention of Marduk by

the side of Shamash. There are, however, a number of passages in the

Assyrian inscriptions in which when Bel is spoken of, not Marduk but the

old god Bel is meant.

Bel.

Tiglathpileser I. tells us that he rebuilt a temple to Bel in the city

of Ashur, and he qualifies the name of the god by adding the word 'old'

to it. In this way he evidently distinguished the god of Nippur from

Bel-Marduk, similarly as Hammurabi in one place adds Dagan to Bel,[290]

to make it perfectly clear what god he meant. Again, it is Sargon who in

consistent accord with his fondness for displaying his archaeological

tastes, introduces Bel, the 'great mountain,' 'the lord of countries,'

who dwells in E-khar-sag-kurkura, _i.e._, the sacred mountain on which

the gods are born, as participating in the festival that takes place

upon the dedication of the king's palace in Khorsabad. The titles used

by the king are applicable only to the old Bel, but whether he or his

scribes were fully conscious of a differentiation between Bel and

Bel-Marduk, it is difficult to say. Bel is introduced in the inscription

in question[291] immediately after Ashur, and one is therefore inclined

to suspect that Sargon's archaeological knowledge fails him at this

point in speaking of the old Bel, whereas he really meant to invoke the

protection of Bel-Marduk as the chief god of his most important

possession next to Assyria.[292] Besides this, the old Bel is of course

meant, when associated with Anu, as the powers that, together with

Belit, grant victory,[293] or as a member of the old triad, Anu, Bel,

and Ea, whose mention we have seen is as characteristic of the Assyrian

inscriptions as of the Babylonian. Lastly, Sargon calls one of the gates

of his palace after Bel, whom he designates as the one who lays the

foundation of all things. In this case, too, the old Bel is meant.

Belit.

In the case of Belit a curious species of confusion confronts us in the

Assyrian inscriptions. At times Belit appears as the wife of Bel, again

as the consort of Ashur, again as the consort of Ea, and again simply as

a designation of Ishtar.[294] To account for this we must bear in mind,

as has already been pointed out, that just as Bel in the sense of lord

came to be applied merely as a title of the chief god of Babylonia, so

Belit as 'lady' was used in Assyria to designate the chief goddess. This

was, as the case may be, either Ishtar or the pale 'reflection'

associated with Ashur as his consort. Now this Belit, as the wife of

Ashur, absorbs the qualities that distinguish Belit, the wife of

Bel-Marduk. The temple in the city of Ashur, which Tiglathpileser

I.[295] enriches with presents consisting of the images of the deities

vanquished by the king, may in reality have been sacred to the Belit of

Babylonia, but Tiglathpileser, for whom Bel becomes merely a designation

of Marduk, does not feel called upon to pay his devotions to the

Babylonian Sarpanitum, and so converts the old Belit into 'the lofty

wife, beloved of Ashur.' Sargon, on the other hand, who calls one of the

gates of his palace _Belit ilani_ 'mistress of the gods,' seems to mean

by this, the consort of Ea.[296] Similarly, Ashurbanabal regards Belit

as the wife of Ashur, and himself as the offspring of Ashur and Belit.

At the same time he gives to this Belit the title of 'mother of great

gods,' which of right belongs to the consort of the Babylonian Bel. In

the full pantheon as enumerated by him, Belit occupies a place

immediately behind her consort Ashur. Ashurbanabal, however, goes still

further, and, influenced by the title of 'Belit' as applied to Ishtar,

makes the latter the consort of Ashur. This at least is the case in an

inscription from the temple of Belit at Nineveh,[297] known as

E-mash-mash, and in which Ashurbanabal alternately addresses the goddess

as Belit and as Ishtar, while elsewhere[298] this same Belit, whose seat

is in E-mash-mash, is termed the consort of Ashur. How Ashurbanabal or

his scribes came to this confusing identification we need not stop to

inquire. In part, no doubt, it was due to the general sense of

'goddess,' which Ishtar began to acquire in his days.[299] At all

events, Ashurbanabal's conception marks a contrast to the procedure of

Shalmaneser II., who correctly identifies the mother of the great gods

with the wife of Bel.[300] On the other hand, the confusion that took

place in Ashurbanabal's days is foreshadowed by the title of 'Belit

mati,' _i.e._, 'mistress of the land,' by which Ashurbanabal appears to

designate some other than Ishtar.[301] Lastly, it is interesting to note

that Ashurbanabal recognizes by the side of Belit-Ishtar, the wife of

Ashur, the older Belit, the wife of the Bel of Nippur, to whom, in

association with Anu and Bel, he attributes his victory over the

Arabs.[302]

Sarpanitum.

The consort of Marduk is only incidentally referred to: once by

Sargon,[303] who groups Bel with Sarpanitum and Nabu and Tashmitum, at

the head of the gods of Babylonia; and similarly by Tiglathpileser III.,

on the occasion of his enumerating the chief gods of the Babylonian

pantheon.

Nabu.

The intimate association of Nabu with Marduk in the city of Babylon

leads as a natural consequence to a similar association in Assyria, when

once the Marduk cult had for political reasons become established in the

north. The kings invoke the favor of Bel (meaning Marduk) and Nabu,

especially when dealing with the affairs of Babylonia,[304] as they

invoke Ashur and Ishtar. Just as we have certain kings devoted to Nin-ib

and Shamash by the side of Ashur, so there are others whose special

favorite is Nabu. In the days of Ramman-nirari III. (812-783 B.C.) the

Nabu cult reached its highest point of popularity in Assyria. From the

manner in which the king speaks of the god, one might draw the

conclusion that he attempted to concentrate the whole Assyrian cult upon

that god alone. He erects a temple to the god at Calah, and overwhelms

the deity with a great array of titles. The dedicatory inscription which

the king places on a statue of Nebo closes with the significant words,

'O Posterity! trust in Nabu. Trust in no other god.'[305] Still we must

not press such phrases too hard. Ramman-nirari III. had no intention of

suppressing Ashur worship, for he mentions the god elsewhere, and

assigns to him the same rank as the other kings do, but so much we are

justified in concluding, that next to Ashur and Ishtar he feels most

strongly attached to Nabu. That the Babylonian Nabu is meant, is clear

from such designations as 'the offspring of E-sagila, the favorite of

Bel,' 'he who dwells at E-zida,' which appear among the epithets

bestowed upon the god; and the temple in Calah, which one of the last

kings of Assyria, Ashuretililani,[306] is engaged in improving, bears

the same name E-zida, as Nabu's great temple at Borsippa. We have

already set forth the reasons[307] for the popularity of the Nabu cult

in Assyria. Suffice it to recall that the peculiar character of the god

as the patron of wisdom placed him beyond the reach of any jealousy on

the part of the other members of the pantheon. So Ramman-nirari III.

extols Nabu as the protector of the arts, the all-wise who guides the

stylus of the scribe, and the possessor of wisdom in general. He is not

merely the originator of writing, but the source of all wisdom, and for

this reason he is spoken of as the son of Ea. Attributes of mere brutal

force are rarely assigned to Nabu, but as befits a god of wisdom, mercy,

nobility, and majesty constitute his chief attractions. By virtue of his

wisdom, Sargon calls him 'the clear seer who guides all the gods,' and

when the last king of Assyria--Saracus, as the Greek writers called

him--invokes Nabu as the 'leader of forces,' he appears to have in mind

the heavenly troops rather than earthly armies. Such patrons of learning

as Sargon and Ashurbanabal were naturally fond of parading their

devotion to Nabu. The former significantly calls him the 'writer of

everything,' and as for Ashurbanabal, almost every tablet in the great

literary collection that he made at Nineveh closes with a solemn

invocation to Nabu and his consort Tashmitum, to whom he offers thanks

for having opened his ears to receive wisdom, and who persuaded him to

make the vast literary treasures of the past accessible to his subjects.

Tashmitum.

The consort of Nabu was permitted to share the honors in the temple of

Nabu at Calah, but beyond this and Ashurbanabal's constant association

of Tashmitum with Nabu in the subscript to his tablets, she appears only

when the kings of Assyria coming to Babylonia as they were wont to

do,[308] in order to perform sacrifices, enumerate the chief gods of the

Babylonian pantheon.

Ea.

Ea takes his place in the Assyrian pantheon in the double capacity of

god of wisdom and as a member of the old triad. Ashurnasirbal makes

mention of a sanctuary erected to the honor of Ea in Ashur. A

recollection of the role that Ea plays in Babylonian mythology survives

in the titles of 'creator' and 'king of the ocean,' which Shalmaneser

gives him,[309] and of the 'one who opens the fountains' as Ashurbanabal

declares.[310] He is also, as in Babylonia, the one who determines the

fates of mankind. As the one who has a care for the arts, he is the wise

god, just as Nabu, and under various titles, as Nu-gim-mud,[311]

Nin-igi-azag, and Igi-dug-gu,[312] all emphasizing his skill, he is the

artificer who aids the kings in their building operations. The

similarity of the roles of Nabu and Ea, as gods of wisdom and the arts,

might easily have led to a confusion. Fortunately, the grandiloquent and

all-embracing titles accorded to the former did not alter his character

as essentially the god who presides over the art of writing, while Ea

retains the control over the architectural achievements,--the great

colossi, in the first instance, that guarded the approach of palaces,

the images of the gods in the second, and the temples and palaces in

general as his third function.

Damkina.

Of the consort of Ea, it is sufficient to note that she is occasionally

referred to in the historical texts of the Assyrian period. In the

inscriptions of Sargon she appears under the rather strange title of

'Belit ilani,' _i.e._, the mistress of the gods.[313] This 'mistress'

cannot be, as might at first blush appear, Ishtar or the old Belit, for

elsewhere[314] Ishtar, Belit, and Belit ilani occur side by side. Sargon

declares that he owes his wisdom to Ea and Belit ilani. In naming the

gates of his palace, he again associates Ea with 'the mistress of the

gods,' from which it is clear that the epithet is used of Ea's consort.

Nin-gal.

A sanctuary to the old Babylonian goddess Nin-gal is included by Sargon

among the holy edifices erected by him in his official residence.[315]

Dibharra.

We have pointed out in a previous chapter how faint the dividing line

sometimes becomes between gods and spirits. Among the minor deities,

ranking hardly above demons, is the plague-god, whose name may

provisionally be read Dibbarra.[316] The god plays a role in some of the

ancient legends of Babylonia. Remains have been found of a kind of epic

in which Dibbarra is the chief personage.[317] In the historical texts

he is once incidentally mentioned by Ashurbanabal, who in the course of

his campaign against Babylonia[318] describes how the corpses of those

killed by Dibbarra, _i.e._, through hunger and want, filled the streets

of the cities. Evidently Dibbarra here is a mere personification of the

dreadful demon of want that so often follows in the wake of a military

destruction. Still there can be no doubt that at one time he was

regarded as a real deity, and not merely a spirit or demon. Dibbarra is

identified in the theological system of Babylonia with Nergal.

Damku, Sharru-ilu, and Sha-nit(?)-ka.

In an interesting passage recounting the restoration of the city

Magganubba, Sargon[319] says that he prayed to Damku, _i.e._, 'grace,'

Sharru-ilu, _i.e._, 'king-god,' and Sha-nit(?)-ka. The two former he

calls the judges of mankind. That Damku and Sharru-ilu are titles and

not names is evident from the meaning of the words, but at present it

is impossible to say what gods are meant.[320] Perhaps that these are

the translations of names of the old deities of Magganubba. We have

at least one other example of a foreign deity introduced into the

Assyrian pantheon. At Dur-ilu, a town lying near the Elamitic

frontier, there flourished the cult of Ka-di,[321] evidently a god

imported into the Assyrian pantheon from Elam or some other eastern

district. Sargon's scribes are fond of translating foreign names and

words, and they may have done so in this case, and thus added two new

deities to the glorious pantheon protecting their royal chief. As for

Sha-nit(?)-ka,[322] were it not that she is called the mistress of

Nineveh, one would also put her down as a foreign goddess. In view of

this, however, it may be that Sha-nit(?)-ka is an ideographic

designation of Ishtar.

Before leaving the subject, a word needs to be said regarding the

relation between the active Assyrian pantheon and the long lists of

deities prepared by the schoolmen of Babylonia and Assyria. Reference

has already been made to these lists.[323] They vary in character. Some

of them furnish an index of the various names under which a god was

known,[324] or the titles assigned to him. These names and titles are

frequently indications that some great god has absorbed the attributes

of smaller ones, whose independence was in this way destroyed. Other

lists[325] are simple enumerations of local deities, and when to these

names some indications are added, as to the locality to which the gods

belong,[326] their importance is correspondingly increased. There can be

no doubt that most of these lists were prepared on the basis of the

occurrence of these gods in texts, and it seems most plausible to

conclude that the texts in question were of a religious character.

References to local cults are numerous in the incantations which form a

considerable proportion of the religious literature, while in hymns and

prayers, gods are often referred to by their titles instead of their

names. In some respects, however, these lists of gods are still obscure.

It is often difficult to determine whether we are dealing with gods or

spirits, and the origin and meaning of many of the names and epithets

assigned to gods are similarly involved in doubt. Use has been made of

these lists in determining the character of the gods included in this

survey of the Babylonian and Assyrian pantheon, but it would be

manifestly precarious to make additions to this pantheon on the basis of

the lists alone. Despite the tendency towards centralization of divine

power in a limited number of gods, local cults, no doubt, continued to

enjoy some importance in Assyria as well as Babylonia; but, in the

present stage of our knowledge, we have no means of determining either

the number or the character of these local cults. While, therefore, a

complete treatment of the pantheon of Babylonia and Assyria would

include all the minor local cults, we may feel quite certain that these

local cults furnish few, if any, additions to the concepts connected

with these gods which we have discussed. I have therefore contented

myself with some illustrations, in each of the three divisions under

which the pantheon has been surveyed, of some of the minor deities

chosen, such as actually occur in historical, commercial, or religious

texts. For the Assyrian pantheon, we may place Nin-gal and most of the

consorts of the gods among the minor gods, and also such deities as

Ka-di, Khani, Gaga, Dibbarra, Sherua, and Azag-sir, who are merely

incidentally referred to.[327] These illustrations suffice for placing

clearly before us the distinction to be made in the pantheon between

gods whose worship was actively carried on, and those who occupy more of

a theoretical position in the system perfected by the schoolmen,

standing under the political and social influences of their days. With

this distinction clearly impressed upon us, we will be prepared for such

modifications of our views of the Babylonian-Assyrian pantheon as

further researches and discoveries may render necessary.

FOOTNOTES:

[222] Semitic alphabet.

[223] A form of Nebo, according to Meissner-Rost, _Bauinschriften

Sanherib's_, p. 105.

[224] See Meissner-Rost, _ib._ p. 108.

[225] As _e.g._, En-e-in-pal (Meissner-Rost, _ib._ p. 76). Sherua and

Arag-sir (_ib._ p. 101). For further lists of deities, see pp. 234, 238.

[226] The Assyrian kings are fond of mentioning foreign deities, and of

adding them to their pantheon. In his annals (VR. col. vi. ll. 30-43)

Ashurbanabal gives a list of twenty Elamitic deities captured by him.

[227] Tiele (_Babyl.-Assyr. Geschichte_, p. 519) suggests Ea.

[228] An interesting example of this tendency is furnished by a tablet

published by T. G. Pinches (_Journal of the Victoria Institute_, xxviii.

8-10), in which the name Marduk is treated almost as a generic term for

deity. Nergal is called 'the Marduk of warfare'; Nebo, 'the Marduk of

earthly possessions'; Ninib, 'the Marduk of strength'; En-lil, 'the

Marduk of sovereignty'; and so on, in a long enumeration, the gods are

regarded as so many forms of Marduk. Pinches' conclusion that the list

points to monotheistic beliefs is, however, unwarranted. The list only

illustrates a tendency towards a centralization of divine powers in

Marduk, that accompanies the political centralization of the period.

[229] See below, pp. 228, 229.

[230] So the gods of the Assyrian pantheon are generally termed in the

inscriptions of the kings.

[231] See below, p. 195.

[232] See below, p. 220.

[233] A description of this symbol occurs in a text of Sennacherib

(Meissner-Rost, _Bauinschriften Sanherib's_, p. 94). The symbol itself

is found on sculptured slabs and on seal cylinders.

[234] So Sennacherib still speaks of Images of Ashur, and of the great

gods erected by him (Meissner-Rost, _Bauinschriften Sanherib's_, p. 94).

[235] See Stevenson, "The Feather and the Wing in Mythology," _Oriental

Studies of the Phila. Oriental Club_, pp. 236-239.

[236] _Babyl.-Assyr. Geschichte_, p. 533.

[237] For the sake of convenience it is customary to distinguish between

Ashur the god, and the country by writing the latter with a double

_sh_--Ashshur.

[238] _Geschichte_, p. 533.

[239] See Jensen _Zeits. fuer Assyr._ i. 1 _seq._ and Delitzsch, _Das

Babylonische Weltschoepfungsepos_, p. 94.

[240] By the assimilation of the _n_ to the following consonant.

[241] See above, pp. 173, 175.

[242] Jensen, _Kosmologie_, p. 275.

[243] The combination of religious supremacy with political power, which

characterizes the social state of ancient Babylonia and Assyria, gives

to the title _patesi_ a double significance. In Babylonia, moreover, it

acquires the force of vassal-king.

[244] The full list is Anu, Ashur, Shamash, Ramman, and Ishtar.

[245] More precisely Arba-ilu, signifying 'city of the fourfold

divinity' or 'four-god' city. _Cf._ the Palestinian form Kiryath-Arba,

"four city,"--originally perhaps, likewise, a city of four gods, rather

than four roads or four quarters, as commonly explained.

[246] IR. 14, l. 86.

[247] _Babyl.-Assyr. Geschichte_, p. 85.

[248] See above, p. 83.

[249] See above, pp. 83, 84.

[250] Cylinder B, col. v. ll. 30 _seq._; elsewhere (Rassam Cylinder,

col. ii. ll. 115 _seq._) he prays to Ashur and Ishtar.

[251] Rassam Cylinder, col. viii. l. 92. Elsewhere, Cylinder B, col. v.

17, Ishtar is called the daughter of Bel. This, however, must be an

error; either Sin must be read for Bel, or _khirat_ (consort) for

_marat_ (daughter).

[252] See above, p. 151.

[253] See Barton, "The Semitic Ishtar Cult" (_Hebraica_, x. 9-12).

[254] _I.e._, _c._ 1800 B.C.

[255] See p. 154.

[256] See above, p. 149.

[257] See below, p. 237.

[258] A king of Nippur (_c._ 2500 B.C.) bears the name Ishme-Dagan.

[259] See above, p. 154; Tiele, _Geschichte der Religion im Alterthum_,

i. 172.

[260] See Hommel, _Geschichte_, p. 490. How much earlier Samsi-Ramman I.

reigned is not known--perhaps only 40 or 50 years.

[261] The _d_ of Dagon would be represented by _d_ in cuneiform writing.

[262] See p. 154.

[263] An eponym in his days bears the name Daganbelusur.

[264] In the El-Amarna tablets (_c._ 1400 B.C.) the governors of the

Palestinian states generally address their Egyptian lord as 'my sun'.

[265] Exactly of what nature we do not know. The Assyrian word used,

Cylinder, l. 43, is obscure.

[266] See p. 160.

[267] IR. 8, col. i. 85. See above, p. 166.

[268] Ashurnasirbal calls him so in his annals, _e.g._, col. iii. 1.

130.

[269] Bavian Inscription, ll. 48-50. See also Meissner-Rost,

_Bauinschriften Sanherib's_, p. 102. The reading of the name of the city

is not certain. It signifies 'city of palaces.'

[270] _c._ 1120 B.C.

[271] II Rawlinson, 57, 33.

[272] So Tiglathpileser associates Ashur and Nin-ib, as those 'who

fulfill his desire.'

[273] Ashurnasirbal's father bears the name Tukulti-Ninib.

[274] See above, pp. 151, 206.

[275] One of the gates of Sargon's palace is called after Nin-ib.

[276] See above, p. 57.

[277] See above, pp. 92-94.

[278] _Kosmologie_, pp. 457-475.

[279] He is also called the offspring of a goddess, Ku-tu-shar, but this

reference is not clear. See Jensen, _Kosmologie_, p. 468, note 5.

[280] In a religious text he is addressed as 'holy, holy, holy.'

[281] Balawat, col. v. ll. 4, 5.

[282] Kar = fortress.

[283] See Sayce, _Hibbert Lectures_, p. 438, and Jensen's important

note, _Kosmologie_, pp. 492-494.

[284] See pp. 124, 125.

[285] Cylinder, l. 61.

[286] See pp. 117 _seq._

[287] We may therefore expect, some day, to come across the name Marduk

in Assyrian texts earlier than the ninth century.

[288] See p. 131.

[289] So also Shalmaneser II., Obelisk, l. 179, unless Marduk here is an

error for Ramman, _cf._ l. 175.

[290] See above, p. 146.

[291] The so-called _Prunkinschrift_, ll. 174 _seq._

[292] Note the frequent use of Ashur and Bel for Assyria and Babylonia.

[293] Ashurbanabal, Rassam Cylinder, col ix. ll. 76, 77.

[294] See above, p. 205.

[295] IR. II. col. iv. ll. 34, 35.

[296] See below, pp. 231, 237.

[297] Rawlinson, ii. 66.

[298] Rassam Cylinder, col. x. ll. 25-27.

[299] See Tiele, _Babyl. Assyr. Geschichte_, p. 127.

[300] Obelisk, l. 52.

[301] Annals, col. ii. l. 135.

[302] Rassam Cylinder, col. x. l. 75.

[303] _Prunkinschrift_, l. 143.

[304] Esarhaddon, IR. 46, col. ii. l. 48; Rawlinson, iii. 16, col. iii.

l. 24.

[305] IR. 35, no. 2, l. 12.

[306] IR. 8, no. 3, ll. 5 _seq._

[307] See above, p. 126.

[308] _E.g._, Tiglathpileser III., Nimrud inscription (Layard, pl. 17,

l. 12).

[309] Obelisk, l. 5.

[310] Rassam Cylinder, col. i. l. 45.

[311] Delitzsch (_Das Babylonische Weltschoepfungsepos_, p. 99) questions

whether Nu-gim-mud (or Nu-dim-mud) was originally a designation of Ea.

Nu-dim-mud being an epithet might, of course, be applied to other gods,

but there can be no doubt that it was used to designate more

particularly Ea as the artificer. See my remarks, pp. 138, 177 _seq._

[312] Meissner-Rost, _Bauinscriften Sanherib's_, p. 105.

[313] Cylinder, l. 48, ideographically as Nin-men-an-na, 'lady of the

heavenly crown.' In the parallel passage, however, as Lyon

(_Sargontexte_, p. 71) points out, _Belit ilani_ is used.

[314] Cylinder, l. 70.

[315] Cylinder, l. 68.

[316] Jensen, _Kosmologie_, p. 445, reads the name _Gira_. See pp.

527-28.

[317] See the author's work on _A Fragment of the Dibbarra Epic_. (Ginn

& Co., Boston, 1891).

[318] Rassam Cylinder, col. lv. ll. 79 _seq._

[319] Cylinder, ll. 44-53.

[320] Delitzsch's supposition (see Lyon, _Sargontexte_, p. 71) that

Sharru-ilu is Izdubar is untenable.

[321] _Babyl. Chronicle_, col. iii. l. 44.

[322] May also be read Sha-ush-ka.

[323] See above, pp. 13, 170.

[324] _E.g._, IIR. 58, no. 5, titles of Ea; IIR. 60, no. 2, titles of

Nabu.

[325] _E.g._, IIR. 60, no. 1.

[326] _E.g._, IIIR. 66, lists of gods worshipped in various temples of

Assyria and also of Babylonia.

[327] See pp. 189, 238.

The Religion of Babylonia and Assyria(#20758) · 第 12 / 29 章