On Sunday morning we went to the Belvedere to see the ceremony of the

St. Leucio marriages;[36] as I went with the Duchess I was, of course,

too late. They were over. The King as soon as he heard of our arrival

came and met us upon the _perron_, and conducted us upstairs,

where we found the Queen: her coming was an unexpected condescension

on her part. The sight of the manufacturers enjoying the Festival was

very pretty and gratifying. A thousand people were enjoying themselves

among their families in their gala clothes, dining under the prettiest

rustic arcades ornamented in the best possible taste: this number

all fed, even existing, by the bounty of the King, and each pouring

out the sincerest benediction upon him for his bounty. I wished this

picture of happiness of his own creation might excite the disposition

to extend the blessings of ease and security by encouraging industry in

Calabria and other parts of his dominions, where the wretched peasant

is ferocious from ignorance and sloth. He conversed with them with

familiarity, and enquired into their family details, all of which he

seemed perfectly acquainted with; scandal says their establishment

answers the double purpose of seraglio and nursery. The Queen was, as

she always is, very conversable and clever, but appears to have a most

impetuous temper. We dined at 12, a very good dinner, all off his own

farm; the wines were from his vineyard. The evening was not tedious,

tho’ long; she brought all her children to us and shewed off their

talents. At night the Court was illuminated, and the happy colonists

danced tarantulas. We stayed till the Queen withdrew about 10 o’clock.

She was very flattering in her compliments to me, and shook my hand

with cordiality; her reason for liking me that I had been at Vienna and

knew many of her old friends.

[Sidenote: A ROYAL FARM]

The next day we dined at Carditello with the King; it is a small

hunting palace in the centre of his farm. The dinner was served upon a

table of Merlin’s construction. No servants attend, but by pulling a

bell your plate is pulled down and a clean one sent up; so with the

dishes, and all you ask for. In short, it is exactly like a trap-door

at a theatre. He showed us all his cows, hogs, and pigs, and his

breed of stallions. He occasionally favours ladies with a sight of a

strange operation to be performed upon them before women; but this we

escaped. His carriages conveyed us to Capua, where we found our own.

The Devonshires went on to Rome. Some arrangements required my return

to Naples; Lady Plymouth drove me in her phaeton home.

The evening previous to my quitting Naples, 22nd May, I walked in

the Villa Reale after supper with Ly. Plymouth, Ld. Berwick,[37] and

Italinski. The latter was much dejected at my approaching absence,

and I really was affected by his sorrow, as he is not a man to say

lightly things he does not feel. He said when I went he should imitate

Mark Antony, who after his defeat retired to Alexandria and wrote

_Timoleon_ [_sic_] over his door, thereby declaring he was

become a misanthrope. I was sorry at leaving Ly. P., because, tho’ I

am not very prudent, I think she is less so, and I might have kept her

out of the scrape she is on the brink of falling into, for Ld. Berwick

remains the whole summer. Lord Palmerston, comically enough, calls them

‘Cymon and Iphigenia,’ for till their attachment began Ld. B. was never

heard to speak: love roused him.

On the 23rd the Websters left Naples for Capua, ‘the

antidote to all pleasure at present from its filth and

dulness,’ and continuing their journey crossed the River

Garigliano.

The gayest scenes until Mola di Gaeta, the verdure, the festoons of

vines hanging between the trees, with the glow of a crimson sun sinking

into the Mediterranean. Upon my arrival at Mola I dined, and in the

evening was tempted by the beauty of the moon to row upon the sea

within the bay for a short time. Early in the morning, by seven, I

was again in the boat, and examined the extensive remains of Cicero’s

Formian Villa. The bath is the principal object; it is beautiful. It is

in a covered recess _dans le fond d’un beau salon_, with columns

on each side: adjoining to it there are many rooms, high and narrow,

and very like those at Pompeia. The fishponds are large.

I did not go to Gaeta, distant about three miles: I regretted the

impracticability of the disposition of him who invariably checks

all I wish to do. There are still preserved unburied the bones of

the Connétable de Bourbon, his adherents not venturing to inter in

consecrated ground one who had perished in a sacrilegious act. He

was killed in 1527, in the assault of Rome. Benvenuto Cellini in his

entertaining Life of Himself assumes the honour of marking him with his

_scoppietto_ and killing him, but this _glory_ rests upon

his own assertion. There are few characters in history more deserving

of compassion and indulgence than this high-spirited and unfortunate

Constable. The caresses and revenge of Louisa de Savoie offended and

urged him to be a traitor; the one he rejected (?), the other he

resisted. Thus he became her victim beyond her wishes, for by deserting

his country and adding infamy to his name, he deprived her of her hopes

of making him yield to her desires.

At the extremity of Mola, in a vineyard, they show a circular tower,

which is called the tomb of Cicero. Beyond it are many sepulchral

monuments on each side of the road, which is made on the Appian Way.

The ancients always placed their tombs on the highway, whence the

common inscription ‘Siste viator.’

[Sidenote: JOURNEY TO ROME]

Fondi and Terracina were the next places of interest on the

road.

The Turks under Barbarossa made a descent on Fondi. The prize they

coveted was the haughty beauty Julia di Gonzaga, wife of the Count

of Fondi. She escaped their designs by hiding amongst the rocks; in

revenge they pillaged and burnt the town, in 1534. From Fondi we

soon reached Terracina, the ancient _Anxur_. The situation is

remarkably gay and pleasing. The town is close upon the sea; just above

it rises an abrupt rock on which are the ruins of a Gothic palace

forming a very picturesque view. The islands appear very close. Ponza

is the largest and most celebrated.

Stopped at Gensano to make Mrs. Hippisley[38] and her sister, Mde.

Ciciaporcia, a visit. The road from Gensano to l’Aricia is most

beautiful, through thick woods of chestnut trees, rich in foliage,

and fine ilexes of an immense bulk. The freshness and luxuriance of

the spring in Italy is far beyond anything we can have a notion of in

England.

Just at the Villa Barberini we met Jenkins,[39] who came to meet me to

beg I would dine with the Devonshires, etc., at his villa at Castel

Gondolfo. The Villa Barberini stands upon the site of Domitian’s villa,

the remains of which are very great. Porticoes extending above a mile,

and substructions of three different rows serving as a terrace to

those above. The Lago di Albano is excessively pretty: it is formed

very evidently in the crater of a sunken volcano. Ly. Duncannon ill,

and obliged to stay at Jenkins’. Got to Rome rather late. Very good

lodgings at the English tailor’s in the Piazza di Spagna. Mr. Hippisley

came as soon as I arrived, and we walked about the streets. I became

impatient for daylight, and was so full of curiosity that I got no

sleep the whole night. I could only think of the moonlight peeps I had

enjoyed of the Coliseum, so stately, so awfully majestic.

On Sunday morning, 26th of May, I arose with alacrity, and under the

ciceroneship of old Morrison began my course of _virtu_. The first

place was the Colonna Palace.... _Raphael_, ‘Holy Trinity,’ for a

church at Perugia, mentioned in his life. Its pendant, the _Gaspar

Poussin_, is preferable to it in every respect. _P. Veronese_,

‘Venus and Cupid,’ in his very best manner.... _Salvator Rosa_,

‘St. John in the Wilderness.’ The idea is taken from Raffaelle’s at

Florence: the face is very ugly and mean, the whole figure mean. Naked

figures ought to elevate the subject and give an idea of sublimity

beyond any drapery. This St. John looks like a man stripped of his

clothes.

We dined with the Palmerstons. In the evening Morrison took us to the

top of the Capitol that we might have an idea of the topography of the

city and adjacent country. The view from thence is very grand.

[Sidenote: VILLA BORGHESE]

_May 28th._--Went to see some drawings in the possession of a

Mr. Greaves, a person who accompanied Messrs. Berners and Tilson in

their expedition into Greece, Asia Minor, and Egypt. The drawings are

most accurately executed, and are assured to be faithful portraits.

It was the opinion of those gentlemen after minute examination that

the Pyramids are works of art, and not huge masses of rock polished

and shaped into their present form. They met a young man of the

name of Browne,[40] who flatters himself that he has discovered the

long-sought for Temple of Jupiter Ammon, situated in an oasis in the

dusts of Libya. He describes it as an oblong building like the cell of

a temple, ornamented inside with bas-reliefs of ram’s horns and the

other attributes of that Divinity. The remains inspire no idea either

of richness or badness. Cambyses was the last who attempted to explore

the sandy deserts in search of this splendid shrine; he and his army

perished in the enterprise. Mr. Browne is now at Alexandria learning

Arabic.

Mr. Hippisley dined with us and brought Count della Walsh, an earl made

by James III., the Palmerstons, etc. The same dreadful derangement. I

shall soon become mad myself if I much longer witness his paroxysms.

All human miseries must have a termination; this consoles, tho’ at 22,

it is a melancholy consolation. I am almost choked, suffocated by my

sorrow, I have sobbed myself sick, I must to bed.

The Villa Borghese is a most delicious spot just out of the city gates.

The gardens are crowded with buildings. The saloon is about the size of

that at Blenheim, fitted up recently in excellent taste, excepting that

gold tissue curtains are put in the niches behind the statues. In this

Hall is the famous bas-relief of the _Dancing Hours_. The Borghese

vase is here; the form is beautiful, but the sculpture is but moderate.

_The Gladiator_ is the finest statue in Rome: his exertion is well

contrasted to the grace and composure of a pensive Muse, who is placed

near him.... It would be impossible to enumerate half or even a tenth

part of the different objects of my admiration.

The Devonshires are arrived, Ly. Bessborough ill, very ill. I met

there Santa Croce;[41] she is a singular woman of her age, as she even

possesses still some remains of beauty. She has contrived to attach to

her, without any share of cleverness, many distinguished men, Florida

Blanca, Bernis, Azara, etc. She was instrumental in assisting the Pope

to become pontiff. She speaks abominable French, and to this day calls

Bernis ‘Ma chère Cardinal.’

_The Vatican._--First court built by Bramante, reviver of

architecture in Italy; the appearance too light. The museum is too

extensive to detail, and one is so over-powered by the beauties

of perfection that there is no leisure for accurate observation,

especially the first six times of going. The _Laocoon_ is

_terribly_ fine. Some have objected that he appears more occupied

by his own sufferings than in those of his children, but the only

expression is that of a man writhing in the last agonies of a painful

death. It is one of the finest specimens of the Greek school whilst

at its best, supposed about Alexander’s time. His pursuits in the

East left Greece in peace, and the arts flourished. The _Apollo_

deserves its reputation. It was found at Hadrian’s villa at Antium.

_The Nile_ with 16 boys, very fine. _Paris_, with a Phrygian

bonnet on, reckoned very like _me_. There is in the gallery at

Florence a bust of Livia which is reckoned to bear a most striking

resemblance to _me_.[42]...

[Sidenote: CARDINAL BERNIS]

I dined with the Senator, upon the Capitol, in his palace. He is a

Rezzonico, nephew to the late Pope. Papal nepotism is suspicious.

He possesses a fine portrait of the late Pope,[43] done by Mengs; it

will bear comparison with many of the old pictures. The gold-flowered

curtain which forms the background is a _tour-de-force_ to show

his skill in making a bad thing _not_ spoil a good one, but it

offends the eye, and like most difficult things surprizes without

pleasing. I went often to see old Bernis,[44] a veteran in the school

of political intrigue and love. He is a phenomenon, for age has not

impaired his faculties or misfortune subdued his liveliness. He lodges

the Mesdames, aunts of the unfortunate Louis XVI. Madame Victoire[45]

is so strikingly like him that it makes one start, and a paralytic

affection, keeping her head perpetually moving, fills me with painful

sensations. I declined going into any society, that my time might not

be too much taken up, but I went occasionally to the Santa Croce’s.

Prince Augustus, a pleasing young man, very like the Prince of Wales.

Lady Augusta Murray had just ensnared him: she is reported to be with

child.[46] The Royalists have got Nantes, it is said.

My evening walks were delicious, wandering over the scenes of classical

events.

_Vatican._--Went to see the pictures. Loggia di Raphaello. History

of Old and New Testament, executed by his scholars from his designs.

‘Lot’s wife turned into a pillar of salt, finely conceived: her

whole figure is a dead white,’ which sufficiently tells the story. A

_Dutch_ painter would have made her a _pillar of salt_.

The _Stanze_ were occupied after the assault of Rome by Bourbon’s

soldiers, and they treated the walls as they would have treated those

of the commonest barracks. On them may now be seen holes in which they

placed hooks to suspend their kettles, and the trace of smoke is even

visible. In the garden of the Vatican the Pope takes the only exercise

he can with decency; he rides early in the morning on a little ambling

mule. The extent of the building is prodigious; I have heard the number

of rooms called 7000, if not more.

_Borghese Palace._--The best collection of Old Masters in Rome.

‘Virgin in the clouds’: the best _Tintoret_ in Rome. Leonardo da

Vinci, known generally by his swarthy hue, sharp chins, high cheek

bones, and drawn-up mouths. ‘Adoration of the Shepherds,’ _James

Bassano_, good picture; he understood both perspective and

colouring. Titian sent his son to study under him; his green drapery

remarkably fine. There is always something homely and disgusting in

his compositions. A ‘Last Supper’ by him offends from unpardonable

anachronisms, as it generally consists of pickled herrings or Dutch

cheese.... _Titian_, ‘Holy Family’: fine, sober light. Modern

artists are too fond of contrasting their lights. The light of the sun

being yellow, all objects illuminated by it ought to partake of its

hue. A fine _Andrea del Sarto_, a very favourite painter of mine;

his outline is so soft and his expression exquisite.... The _good_

pictures are so numerous that it would require pages to enumerate them

all.

The _Doria Palace_, very fine mansion, and very full of fine

pictures.

[Sidenote: ROMAN COLLECTIONS]

_4th June, 1793._--_Villa Ludovici_, on the Pincian Hill.

The collection consists chiefly of marbles.... _Mars reposing_,

I admired extremely, though it is not in the purest manner. The

figure represents the action (if it is not an Irishism) so well

of being perfectly _at rest_. A group called _Papyrius and

his mother_. The expression of inquisitiveness in the mother is

admirable; curiosity with a tender sort of maternal authority is

happily united. The expression of Papyrius is deficient. _Pætus

and Arria_, so called: a beautiful, expiring, languid figure: the

action of the man turning his head is well conceived. A fine ceiling by

Guercino.

_Farnesina._--The ceiling of the hall is painted by Raphael, but

having suffered very much the ground or sky was painted by Carlo Marat

in order to give greater effect to the figures, in which it is supposed

that he has succeeded, but the contours of many of the figures have

suffered in the attempt. It represents the story of Cupid and Psyche.

Nothing can exceed the composition and variety of expression in most

of the groups. This ceiling and that at the Farnese would warrant a

decision that Raphael and A. Carracci are the first masters at Rome.

_Capitol._--In the court there are many fragments of statues.

A statue of _Julius Cæsar_ in the military dress. A group of a

lion devouring a horse; the flesh appears in the act of being drawn by

the teeth of the lion from the ribs. The countenance of the horse is

deficient; it does not express the anguish he should feel. A beautiful

bronze statue of the _Boy picking out the thorn in his foot_; a

simple action, very justly expressed. _The Wolf belonging to the

Capitol_, which Cicero mentions among the ominous portents as being

struck by lightning when the Republic was in danger. The traces are

still visible of the lightning upon it. _Hecuba_, very fine, the

exact portrait of a withered scold....

A fine collection of pictures. ‘The Sibyll,’ of _Guercino_,

the composition is not simple, the drapery clumsy. ‘Fortune,’ by

_Guido_, pretty subject, prettily treated, the colouring very

feeble. ‘St. Sebastian,’ by the same, and with the same defect;

the countenance placid and beautiful. An old witch, by _Salvator

Rosa_, which might be mistaken for a portrait of Lady Knight.[47]

In all the collections much escapes me, as I am always accompanied

by one whose impetuosity compels me to hasten from objects I would

willingly contemplate, and whose violence of temper throws me into

agitations that prevent me distinguishing the objects when they are

before me. Much as I endure now, yet it is infinitely more bearable

than formerly; experience and a better knowledge of the world makes

me laugh at menaces that used to terrify me out of my senses. These

threats have been again and again held out; they follow the slightest

difference of opinion between us.

The present reigning grievance is the being from home, and my

determined love for being abroad. The truth is I suspect some great

derangement in his affairs, as his means are not proportioned to his

expenses. Lady Palmerston, who abhors him and sees his conduct to me,

is remarkable for speaking well, even to a fault, of everybody; she

says that there are three people in the world who prove that the common

saying of, ‘None are so bad but have some portion of good,’ is not

true. The charming trio are Mrs. North, Duchess of Marlborough, and Sir

G. Webster.

[Sidenote: TIVOLI]

I set off alone with old Morrison to see Tivoli. I was to join Ly.

Bessborough, etc., there. Saw the ruins of Zenobia’s villa; Adrian’s

villa, which must have been the grandest work in his dominions; the

Temple of Vesta, which is in the garden of the inn; the cavern of

Neptune. In the morning early I set off upon a _somarello_ to see

the Cascatelle. The villa of Mæcenas is a picturesque object above

them, but the present Pope is doing all to destroy it, as it is to be

converted into a gunpowder manufactory. A beautiful group of cypresses

in the gardens of Este.

I have omitted making notes of _more_ than half the things I saw,

Pantheon, Castle of St. Angelo, etc., etc., without end.

On the 14th of June, 1793, we quitted Rome: our route was to Florence.

The Perugia road is not furnished with post horses, we therefore went

with _vetturini_, a very slow, wearisome mode of conveyance, but

not without its advantages in a pretty country. We crossed the Tiber on

the Milvian Bridge,[48] on which the ambassadors from the Allobroges

(Savoy) were arrested; and their papers seized discovered the Catiline

conspiracy. The Campagna on this side of Rome exhibits much variety of

hill and dale, but it is wretchedly cultivated. In ancient times it

was well shaded with groves and forests; towers and tombs and various

remains of Roman buildings are seen here. We crossed a bridge about

nine miles from Rome built upon a stratum of lava. We then ascended the

crater of a very large volcano, descended into it, and traversed it,

by an old house thrown down about five years ago by an earthquake. On

the right of the road to Monte Rosa are seen the remains of the Æmilian

Way, made by Paulus Æmilius after his conquest of Greece, about 150

years before the Christian era. Soracte we left greatly to the right;

it appears an isolated mountain in a plain.

About sunset I got out and walked: delicious evening. I partook of the

serenity around, tho’ my heart felt the want of some object to open

itself into; for in spite of my cold maxims of solitary comforts, I

often detect my wishes wandering to some imaginary happiness. I strive

to repress, but often feel, a strong desire to be dependent upon

another for happiness; but circumstanced as I am the thought must be

checked and selfish independence alone encouraged. The want of passion

in my constitution will always save me from the calamity of letting my

heart run away with my reason, but what will be my resource if both

head and heart accord in their choice? Hitherto the only foible I have

been drawn into was of too short a duration to be alarming; besides

absence interposed and drew me from a danger I might have fallen into

then, but could not now. A revolution has happened in my whole system;

my opinions are more formed, and tho’ I am conscious they retain still

a portion of absurdity, yet I have adopted some that will be useful.

[Sidenote: SUNSET EFFECTS]

We met an Abbé with his pupils, who advised us to take some water from

the neighbouring town, as the spring was famous for excellent water.

Nepe, the name of the town, showed itself through some trees; a fine

ruined tower covered with thick ivy peeped thro’ the festoons of vines,

a pretty foreground to the picturesque ruin. The tower is part of a

castle built by the Farnese family, now fallen into decay. The wealth

of that house has sunk into the Spanish branch of Bourbon; the vixen

Princess of Parma conveyed it by her marriage with Philip V. It is at

present vested in the King of Naples. A modern aqueduct, not unlike

the Pont du Gard. Charming view up the bed of a river, in which there

are large spacious caverns grown over with rich foliage. The contrast

of the luxurious verdure of the leaves with the bright yellow of the

soil produced a charming effect. This lovely prospect was terminated by

Soracte, rising majestically behind some tall elms; the purple tinge

from the last rays of the sinking sun was strongly dyed upon it. The

whole Western horizon glowed with its lustre--a more glorious sight

nature never yielded to the eye of man. I remember, one evening at

Dresden, being enraptured by the beauty of a pretty circumstance of

the two lights. One fine evening in August upon the bridge we walked

to enjoy the freshness: from the West the last rays of the sun were

darting upon the water, to which it had imparted its glowing tints;

on the other side the moon had risen from a pink cloud and her pale,

silvery light was beaming upon the glassy surface of the Elbe. There

could not be a more beautiful combination of lights.

Arrived at Civita Castellana at about nine o’clock. It is situated on

a steep rock, inaccessible on three sides. It is by some supposed to

have been the ancient city of Veii in Etruria. Alexander VI. built a

palace, which has more the appearance of a fortress than a habitation

in peaceful times.

The journal of Elizabeth Lady Holland (1791-1811) Volume 1 (of 2) · 第 3 / 23 段