THE DUTCH SCHOOL

We have already followed the development of the early Flemish or

Netherlandish art during the fifteenth century, and observed how

it eventually passed under the Italianising influences which are

unmistakable in the pictures of Barend van Orley (1495?-1542) and

his contemporaries. The early painters of Holland as distinct from

Flanders cannot be traced with any certainty much farther back than

Albert von Ouwater (fl. 1420-1460), who worked at Haarlem from 1430 to

1460. As we have already seen, the early Flemish painter, Gerard David

(1460?-1523), was born at Ouwater, which may well have had its school

of painters. Neither Albert von Ouwater, who is represented to-day by

a single work, the _Raising of Lazarus_ in the Berlin Gallery, nor his

unidentifiable contemporary who painted the _Exhumation of St. Hubert_,

in the National Gallery (No. 783), are included in the collection of

pictures at the Louvre.

The Louvre: Fifty Plates in Colour · 第 219 / 399 题