_The Virgin in Glory_ (No. 1711) is, to say the least, of doubtful
authenticity. The small companion pictures, _Christ in the Garden of
Olives_ (No. 1714) and _Christ at the Column and St. Peter_ (No. 1715),
are painted on marble, to which fact they owe the unpleasant coldness
of their colouring.
In the La Caze Room are two portraits, _The Poet Quevedo_ (No. 1718)
and _The Duke of Ossuña_ (No. 1719), which the official Catalogue
ascribes to Murillo. Quite apart from the fact that the artist was
only six years of age when the Duke of Ossuña died, the quality of
the painting does not justify these attributions. Like the head of
Philip IV. in the same room, they were probably painted by Escosura, a
late-nineteenth-century Spaniard