_The Angels’ Kitchen_ was bought from the despoiler’s heirs for £3420.
_The Virgin of the Rosary_ (No. 1712), unlike the majority of Murillo’s
representations of the Mother of God, has scarcely a trace of spiritual
exaltation, but is merely a handsome type of a happy and contented
Spanish mother. The folds of her outer garment are arranged in florid
and meaningless profusion.
_The Holy Family_ (No. 1713), also known as _The Virgin of Seville_, is
a genuine and characteristic, though strangely overrated work by the
master, and bears the signature