CHAPTER XX.

WILLIAM MILLER, 1809.

William Miller, the originator of this now great foundry, was for some

time a foreman in the Glasgow Letter Foundry. About the year 1809 he

left that service to begin a foundry of his own in Edinburgh under the

style of William Miller and Co. The first specimen is stated to have

been published in this year,[738] but no copy unfortunately has been

found still to exist.

A further specimen was issued in 1813, followed in the ensuing year by

another of 28 pages, consisting entirely of Roman and Italic letter,

of which there was a complete series from Double Pica to Pearl, with

2-line letters and one page of borders. As Hansard observes respecting

early founts of this foundry, the letters so much resemble those of

Messrs. Wilson as to require minute inspection to distinguish the one

from the other.[739]

The business, once started, made rapid progress, and in due time became

a formidable rival not only to the Glasgow foundry, but to the London

founders. The specimen of 1815 showed further additions to the founts,

some of which, we have it on Hansard’s authority, were cut by Mr.

Austin, of London.[740]

In 1822, the firm is described as William Miller only, Letter Founder

to His Majesty for Scotland. The energy and care displayed by Mr.

Miller in the {356} prosecution of his business rapidly brought his

foundry to the front rank, and secured for him the support not only of

English printers but of some of the most important newspapers of the

day, including _The Times_.

In 1832, Mr. Richard was admitted a partner; and the style of the firm

became once more William Miller and Co., and so continued until 1838,

when it became Miller and Richard.

Of the later history of this foundry it is beyond the scope of this

work to treat, further than to say that it was the first house

successfully to introduce machinery for the casting of type in this

country; and that on the revival of the old style fashion about 1844,

it took a prominent and successful part with its series of “Modern Old

Face” letter. For the Exhibition of 1851, the proprietors produced a

“Brilliant” type, the smallest then in England,[741] and subsequently

cut a “Gem” expressly for Mr. Bellows’ _French Dictionary_[742]—a book

which for clearness and minuteness combined ranks as a typographical

curiosity.

After the death of Mr. Miller in 1843, the business was carried on by

Mr. Richard and his son, until 1868; when, on the retirement of Mr.

Richard, senior, the active management of the Foundry (which since 1850

has had a branch house in London) devolved upon his sons, Mr. J. M.

Richard, and Mr. W. M. Richard, the present proprietors.

LIST OF SPECIMENS, 1809–33.

[1809. Specimen of Printing Types by W. Miller and Co., Edinburgh,

1809.] . . . . (B. P. ii, 42.)

1813. Specimen of Printing Types by William Miller and Co.,

Edinburgh, 1813. 4to. . . . . (B. P. ii, 42.)

1814. Specimen of Printing Types by William Miller and Co., Letter

Founders, Edinburgh. Edinburgh, printed by A. Balfour. 1814. 4to.

. . . . (M. & R.)

1815. Specimen of Printing Types by William Miller and Co., Letter

Founders, Edinburgh. Printed at the Stanhope Press by R. Chapman.

1815. 4to. . . . . (Ox. Univ. Pr.)

1822. Specimen of Printing Types by William Miller, Letter

Founder to His Majesty for Scotland, Edinburgh. Printed by James

Ballantyne and Co. 1822. 4to. . . . . (Caxt. Cel. 4401.)

1833. Supplement to William Miller and Company’s Specimens of

Printing Type, Edinburgh, 1833. 4to. . . . . (Ox. Univ. Pr.)

{357}

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A History of the Old English Letter Foundries with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography. · 第 20 / 23 章