One thing, at least, I learned from my London experience: better a small

city where one knows all it has to offer, than a great city where one

has no disinterested friend to direct him to the right places to find

what he wants. But of course there are some grand magazines which are

known all the world over, and which no one should leave London without

entering as a looker-on, if not as a purchaser.

There was one place I determined to visit, and one man I meant to see,

before returning. The place was a certain book-store or book-shop, and

the person was its proprietor, Mr. Bernard Quaritch. I was getting very

much pressed for time, and I allowed ten minutes only for my visit. I

never had any dealings with Mr. Quaritch, but one of my near relatives

had, and I had often received his catalogues, the scale of prices in

which had given me an impression almost of sublimity. I found Mr.

Bernard Quaritch at No. 15 Piccadilly, and introduced myself, not as one

whose name he must know, but rather as a stranger, of whom he might have

heard through my relative. The extensive literature of catalogues is

probably little known to most of my readers. I do not pretend to claim a

thorough acquaintance with it, but I know the luxury of reading good

catalogues, and such are those of Mr. Quaritch. I should like to deal

with him; for if he wants a handsome price for what he sells, he knows

its value, and does not offer the refuse of old libraries, but, on the

other hand, all that is most precious in them is pretty sure to pass

through his hands, sooner or later.

"Now, Mr. Quaritch," I said, after introducing myself, "I have ten

minutes to pass with you. You must not open a book; if you do I am lost,

for I shall have to look at every illuminated capital, from the first

leaf to the colophon." Mr. Quaritch did not open a single book, but let

me look round his establishment, and answered my questions very

courteously. It so happened that while I was there a gentleman came in

whom I had previously met,--my namesake, Mr. Holmes, the Queen's

librarian at Windsor Castle. My ten minutes passed very rapidly in

conversation with these two experts in books, the bibliopole and the

bibliothecary. No place that I visited made me feel more thoroughly that

I was in London, the great central mart of all that is most precious in

the world.

_Leave at home all your guineas, ye who enter here_, would be a

good motto to put over his door, unless you have them in plenty and can

spare them, in which case _Take all your guineas with you_ would be

a better one. For you can here get their equivalent, and more than their

equivalent, in the choicest products of the press and the finest work of

the illuminator, the illustrator, and the binder. You will be sorely

tempted. But do not be surprised when you ask the price of the volume

you may happen to fancy. You are not dealing with a _bouquiniste_

of the Quais, in Paris. You are not foraging in an old book-shop of New

York or Boston. Do not suppose that I undervalue these dealers in old and

rare volumes. Many a much-prized rarity have I obtained from Drake and

Burnham and others of my townsmen, and from Denham in New York; and

in my student years many a choice volume, sometimes even an Aldus or

an Elzevir, have I found among the trumpery spread out on the parapets

of the quays. But there is a difference between going out on the Fourth

of July with a militia musket to shoot any catbird or "chipmunk" that

turns up in a piece of woods within a few miles of our own cities, and

shooting partridges in a nobleman's preserves on the First of September.

I confess to having felt a certain awe on entering the precincts made

sacred by their precious contents. The lord and master of so many

_Editiones Principes_, the guardian of this great nursery full of

_incunabula_, did not seem to me like a simple tradesman. I felt that

I was in the presence of the literary purveyor of royal and imperial

libraries, the man before whom millionaires tremble as they calculate,

and billionaires pause and consider. I have recently received two of Mr.

Quaritch's catalogues, from which I will give my reader an extract or two,

to show him what kind of articles this prince of bibliopoles deals in.

Perhaps you would like one of those romances which turned the head of

Don Quixote. Here is a volume which will be sure to please you. It is on

one of his lesser lists, confined principally to Spanish and Portuguese

works:--

"Amadis de Gaula ... folio, gothic letter, FIRST EDITION, unique ... red

morocco super extra, _doublé_ with olive morocco, richly gilt,

tooled to an elegant Grolier design, gilt edges ... in a neat case."

A pretty present for a scholarly friend. A nice old book to carry home

for one's own library. Two hundred pounds--one thousand dollars--will

make you the happy owner of this volume.

But if you would have also on your shelves the first edition of the

"Cronica del famoso cabaluero cid Ruy Diaz Campadero," not "richly

gilt," not even bound in leather, but in "cloth boards," you will have

to pay two hundred and ten pounds to become its proprietor. After this

you will not be frightened by the thought of paying three hundred

dollars for a little quarto giving an account of the Virginia

Adventurers. You will not shrink from the idea of giving something more

than a hundred guineas for a series of Hogarth's plates. But when it

comes to Number 1001 in the May catalogue, and you see that if you would

possess a first folio Shakespeare, "untouched by the hand of any modern

renovator," you must be prepared to pay seven hundred and eighty-five

pounds, almost four thousand dollars, for the volume, it would not be

surprising if you changed color and your knees shook under you. No doubt

some brave man will be found to carry off that prize, in spite of the

golden battery which defends it, perhaps to Cincinnati, or Chicago, or

San Francisco. But do not be frightened. These Alpine heights of

extravagance climb up from the humble valley where shillings and

sixpences are all that are required to make you a purchaser.

One beauty of the Old World shops is that if a visitor comes back to the

place where he left them fifty years before, he finds them, or has a

great chance of finding them, just where they stood at his former visit.

In driving down to the old city, to the place of business of the

Barings, I found many streets little changed. Temple Bar was gone, and

the much-abused griffin stood in its place. There was a shop close to

Temple Bar, where, in 1834, I had bought some brushes. I had no

difficulty in finding Prout's, and I could not do less than go in and

buy some more brushes. I did not ask the young man who served me how the

old shopkeeper who attended to my wants on the earlier occasion was at

this time. But I thought what a different color the locks these brushes

smooth show from those that knew their predecessors in the earlier

decade!

I ought to have made a second visit to the Tower, so tenderly spoken of

by Artemus Ward as "a sweet boon," so vividly remembered by me as the

scene of a personal encounter with one of the animals then kept in the

Tower menagerie. But the project added a stone to the floor of the

underground thoroughfare which is paved with good intentions.

St. Paul's I must and did visit. The most striking addition since I was

there is the massive monument to the Duke of Wellington. The great

temple looked rather bare and unsympathetic. Poor Dr. Johnson, sitting

in semi-nude exposure, looked to me as unhappy as our own half-naked

Washington at the national capital. The Judas of Matthew Arnold's poem

would have cast his cloak over those marble shoulders, if he had found

himself in St. Paul's, and have earned another respite. We brought away

little, I fear, except the grand effect of the dome as we looked up at

it. It gives us a greater idea of height than the sky itself, which we

have become used to looking upon.

A second visit to the National Gallery was made in company with A----.

It was the repetition of an attempt at a draught from the Cup of

Tantalus. I was glad of a sight of the Botticellis, of which I had heard

so much, and others of the more recently acquired paintings of the great

masters; of a sweeping glance at the Turners; of a look at the

well-remembered Hogarths and the memorable portraits by Sir Joshua. I

carried away a confused mass of impressions, much as the soldiers that

sack a city go off with all the precious things they can snatch up,

huddled into clothes-bags and pillow-cases. I am reminded, too, of Mr.

Galton's composite portraits; a thousand glimpses, as one passes through

the long halls lined with paintings, all blending in one not unpleasing

general effect, out of which emerges from time to time some single

distinct image.

In the same way we passed through the exhibition of paintings at the

Royal Academy. I noticed that A---- paid special attention to the

portraits of young ladies by John Sargent and by Collier, while I was

more particularly struck with the startling portrait of an ancient

personage in a full suit of wrinkles, such as Rembrandt used to bring

out with wonderful effect. Hunting in couples is curious and

instructive; the scent for this or that kind of game is sure to be very

different in the two individuals.

I made but two brief visits to the British Museum, and I can easily

instruct my reader so that he will have no difficulty, if he will follow

my teaching, in learning how not to see it. When he has a spare hour at

his disposal, let him drop in at the Museum, and wander among its books

and its various collections. He will know as much about it as the fly

that buzzes in at one window and out at another. If I were asked whether

I brought away anything from my two visits, I should say, Certainly I

did. The fly sees some things, not very intelligently, but he cannot

help seeing them. The great round reading-room, with its silent

students, impressed me very much. I looked at once for the Elgin

Marbles, but casts and photographs and engravings had made me familiar

with their chief features. I thought I knew something of the sculptures

brought from Nineveh, but I was astonished, almost awe-struck, at the

sight of those mighty images which mingled with the visions of the

Hebrew prophets. I did not marvel more at the skill and labor expended

upon them by the Assyrian artists than I did at the enterprise and

audacity which had brought them safely from the mounds under which they

were buried to the light of day and the heart of a great modern city. I

never thought that I should live to see the Birs Nimroud laid open, and

the tablets in which the history of Nebuchadnezzar was recorded spread

before me. The Empire of the Spade in the world of history was founded

at Nineveh by Layard, a great province added to it by Schliemann, and

its boundary extended by numerous explorers, some of whom are diligently

at work at the present day. I feel very grateful that many of its

revelations have been made since I have been a tenant of the travelling

residence which holds so many secrets in its recesses.

There is one lesson to be got from a visit of an hour or two to the

British Museum,--namely, the fathomless abyss of our own ignorance. One

is almost ashamed of his little paltry heartbeats in the presence of the

rushing and roaring torrent of Niagara. So if he has published a little

book or two, collected a few fossils, or coins, or vases, he is crushed

by the vastness of the treasures in the library and the collections of

this universe of knowledge.

I have shown how not to see the British museum; I will tell how to see

it.

Take lodgings next door to it,--in a garret, if you cannot afford

anything better,--and pass all your days at the Museum during the whole

period of your natural life. At threescore and ten you will have some

faint conception of the contents, significance, and value of this great

British institution, which is as nearly as any one spot the _noeud

vital_ of human civilization, a stab at which by the dagger of

anarchy would fitly begin the reign of chaos.

On the 3d of August, a gentleman, Mr. Wedmore, who had promised to be my

guide to certain interesting localities, called for me, and we took a

hansom for the old city. The first place we visited was the Temple, a

collection of buildings with intricate passages between them, some of

the edifices reminding me of our college dormitories. One, however, was

a most extraordinary exception,--the wonderful Temple church, or rather

the ancient part of it which is left, the round temple. We had some

trouble to get into it, but at last succeeded in finding a slip of a

girl, the daughter of the janitor, who unlocked the door for us. It

affected my imagination strangely to see this girl of a dozen years old,

or thereabouts, moving round among the monuments which had kept their

place there for some six or seven hundred years; for the church was

built in the year 1185, and the most recent of the crusaders' monuments

is said to date as far back as 1241. Their effigies have lain in this

vast city, and passed unharmed through all its convulsions. The Great

Fire must have crackled very loud in their stony ears, and they must

have shaken day and night, as the bodies of the victims of the Plague

were rattled over the pavements.

Near the Temple church, in a green spot among the buildings, a plain

stone laid flat on the turf bears these words: "Here lies Oliver

Goldsmith." I believe doubt has been thrown upon the statement that

Goldsmith was buried in that place, but, as some poet ought to have

written,

Where doubt is disenchantment

'Tis wisdom to believe.

We do not "drop a tear" so often as our Della Cruscan predecessors, but

the memory of the author of the "Vicar of Wakefield" stirred my feelings

more than a whole army of crusaders would have done. A pretty rough set

of filibusters they were, no doubt.

The whole group to which Goldsmith belonged came up before me, and as

the centre of that group the great Dr. Johnson; not the Johnson of the

"Rambler," or of "The Vanity of Human Wishes," or even of "Rasselas,"

but Boswell's Johnson, dear to all of us, the "Grand Old Man" of his

time, whose foibles we care more for than for most great men's virtues.

Fleet Street, which he loved so warmly, was close by. Bolt Court,

entered from it, where he lived for many of his last years, and where he

died, was the next place to visit. I found Fleet Street a good deal like

Washington Street as I remember it in former years. When I came to the

place pointed out as Bolt Court, I could hardly believe my eyes that so

celebrated a place of residence should be entered by so humble a

passageway. I was very sorry to find that No. 3, where he lived, was

demolished, and a new building erected in its place. In one of the other

houses in this court he is said to have labored on his dictionary. Near

by was a building of mean aspect, in which Goldsmith is said to have at

one time resided. But my kind conductor did not profess to be well

acquainted with the local antiquities of this quarter of London.

If I had a long future before me, I should like above all things to

study London with a dark lantern, so to speak, myself in deepest shadow

and all I wanted to see in clearest light. Then I should want time,

time, time. For it is a sad fact that sight-seeing as commonly done is

one of the most wearying things in the world, and takes the life out of

any but the sturdiest or the most elastic natures more efficiently than

would a reasonable amount of daily exercise on a treadmill. In my

younger days I used to find that a visit to the gallery of the Louvre

was followed by more fatigue and exhaustion than the same amount of time

spent in walking the wards of a hospital.

Another grand sight there was, not to be overlooked, namely, the

Colonial Exhibition. The popularity of this immense show was very great,

and we found ourselves, A---- and I, in the midst of a vast throng, made

up of respectable and comfortable looking people. It was not strange

that the multitude flocked to this exhibition. There was a jungle, with

its (stuffed) monsters,--tigers, serpents, elephants; there were

carvings which may well have cost a life apiece, and stuffs which none

but an empress or a millionairess would dare to look at. All the arts of

the East were there in their perfection, and some of the artificers were

at their work. We had to content ourselves with a mere look at all these

wonders. It was a pity; instead of going to these fine shows tired,

sleepy, wanting repose more than anything else, we should have come to

them fresh, in good condition, and had many days at our disposal. I

learned more in a visit to the Japanese exhibition in Boston than I

should have learned in half a dozen half-awake strolls through this

multitudinous and most imposing collection of all

"The gorgeous East with richest hand

Showers on her kings,"

and all the masterpieces of its wonder-working artisans.

One of the last visits we paid before leaving London for a week in Paris

was to the South Kensington Museum. Think of the mockery of giving one

hour to such a collection of works of art and wonders of all kinds! Why

should I consider it worth while to say that we went there at all? All

manner of objects succeeded each other in a long series of dissolving

views, so to speak, nothing or next to nothing having a chance to leave

its individual impress. In the battle for life which took place in my

memory, as it always does among the multitude of claimants for a

permanent hold, I find that two objects came out survivors of the

contest. The first is the noble cast of the column of Trajan, vast in

dimensions, crowded with history in its most striking and enduring form;

a long array of figures representing in unquestioned realism the

military aspect of a Roman army. The second case of survival is thus

described in the catalogue: "An altar or shrine of a female saint,

recently acquired from Padua, is also ascribed to the same sculptor

[Donatello]. This very valuable work of art had for many years been used

as a drinking-trough for horses. A hole has been roughly pierced in it."

I thought the figure was the most nearly perfect image of heavenly

womanhood that I had ever looked upon, and I could have gladly given my

whole hour to sitting--I could almost say kneeling--before it in silent

contemplation. I found the curator of the Museum, Mr. Soden Smith,

shared my feelings with reference to the celestial loveliness of this

figure. Which is best, to live in a country where such a work of art is

taken for a horse-trough, or in a country where the products from the

studio of a self-taught handicraftsman, equal to the shaping of a

horse-trough and not much more, are put forward as works of art?

A little time before my visit to England, before I had even thought of

it as a possibility, I had the honor of having two books dedicated to me

by two English brother physicians. One of these two gentlemen was Dr.

Walshe, of whom I shall speak hereafter; the other was Dr. J. Milner

Fothergill. The name Fothergill was familiar to me from my boyhood. My

old townsman, Dr. Benjamin Waterhouse, who died in 1846 at the age of

ninety-two, had a great deal to say about his relative Dr. John

Fothergill, the famous Quaker physician of the last century, of whom

Benjamin Franklin said, "I can hardly conceive that a better man ever

existed." Dr. and Mrs. Fothergill sent us some beautiful flowers a

little before we left, and when I visited him he gave me a medallion of

his celebrated kinsman.

London is a place of mysteries. Looking out of one of the windows at the

back of Dr. Fothergill's house, I saw an immense wooden blind, such as

we have on our windows in summer, but reaching from the ground as high

as the top of the neighboring houses. While admitting the air freely, it

shut the property to which it belonged completely from sight. I asked

the meaning of this extraordinary structure, and learned that it was put

up by a great nobleman, of whose subterranean palace and strange

seclusion I had before heard. Common report attributed his unwillingness

to be seen to a disfiguring malady with which he was said to be

afflicted. The story was that he was visible only to his valet. But a

lady of quality, whom I met in this country, told me she had seen him,

and observed nothing to justify it. These old countries are full of

romances and legends and _diableries_ of all sorts, in which truth

and lies are so mixed that one does not know what to believe. What

happens behind the high walls of the old cities is as much a secret as

were the doings inside the prisons of the Inquisition.

Little mistakes sometimes cause us a deal of trouble. This time it was

the presence or absence of a single letter which led us to fear that an

important package destined to America had miscarried. There were two

gentlemen unwittingly involved in the confusion. On inquiring for the

package at Messrs. Low, the publishers, Mr. Watts, to whom I thought it

had been consigned, was summoned. He knew nothing about it, had never

heard of it, was evidently utterly ignorant of us and our affairs. While

we were in trouble and uncertainty, our Boston friend, Mr. James R.

Osgood, came in. "Oh," said he, "it is Mr. Watt you want, the agent of a

Boston firm," and gave us the gentleman's address. I had confounded Mr.

Watt's name with Mr. Watts's name. "W'at's in a name?" A great deal

sometimes. I wonder if I shall be pardoned for quoting six lines from

one of my after-dinner poems of long ago:--

--One vague inflection spoils the whole with doubt,

One trivial letter ruins all, left out;

A knot can change a felon into clay,

A not will save him, spelt without the k;

The smallest word has some unguarded spot,

And danger lurks in i without a dot.

I should find it hard to account for myself during our two short stays

in London in the month of August, separated by the week we passed in

Paris. The ferment of continued over-excitement, calmed very much by our

rest in the various places I have mentioned, had not yet wholly worked

itself off. There was some of that everlasting shopping to be done.

There were photographs to be taken, a call here and there to be made, a

stray visitor now and then, a walk in the morning to get back the use of

the limbs which had been too little exercised, and a drive every

afternoon to one of the parks, or the Thames Embankment, or other

locality. After all this, an honest night's sleep served to round out

the day, in which little had been effected besides making a few

purchases, writing a few letters, reading the papers, the Boston "Weekly

Advertiser" among the rest, and making arrangements for our passage

homeward. The sights we saw were looked upon for so short a time, most

of them so very superficially, that I am almost ashamed to say that I

have been in the midst of them and brought home so little. I remind

myself of my boyish amusement of _skipping stones_,--throwing a

flat stone so that it shall only touch the water, but touch it in half a

dozen places before it comes to rest beneath the smooth surface. The

drives we took showed us a thousand objects which arrested our

attention. Every street, every bridge, every building, every monument,

every strange vehicle, every exceptional personage, was a show which

stimulated our curiosity. For we had not as yet changed our Boston eyes

for London ones, and very common sights were spectacular and dramatic to

us. I remember that one of our New England country boys exclaimed, when

he first saw a block of city dwellings, "Darn it all, who ever see

anything like that 'are? Sich a lot o' haousen all stuck together!" I

must explain that "haousen" used in my early days to be as common an

expression in speaking of houses among our country-folk as its phonetic

equivalent ever was in Saxony. I felt not unlike that country-boy.

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