A NUT FOR THE ARCHITECTS.

[Illustration: 172]

“God made the country,” said the poet: but in my heart I believe he

might have added--“The devil made architects.” Few cities--I scarcely

know of one--can boast of such environs as Dublin. The scenery,

diversified in its character, possesses attraction for almost every

taste: the woody glade--the romantic river--the wild and barren

mountain--the cultivated valley--the waving upland--the bold and rocky

coast, broken with promontory and island--are all to be found, even

within a few miles of the capital; while, in addition, the nature of our

climate confers a verdure and a freshness unequalled, imparting a depth

and colour to the landscape equal to this beauty of its outline.

Whether you travel inland or coastwise, the country presents a

succession of sites for building, there being no style of house for

which a suitable spot cannot readily be found; and yet, with all

this, the perverse taste of man has contrived, by incongruous and

ill-conceived architecture, to mar almost every point of view, and

destroy every picturesque feature of the landscape.

The liberty of the subject is a bright and glorious prerogative; and

nowhere should its exercise be more freely conceded than in those

arrangements an individual makes for his own domestic comfort, and the

happiness of his home.

That one man likes a room in which three people form a crowd, and that

another prefers an apartment spacious as Exeter Hall, is a matter of

individual taste, with which the world has nothing whatever to do.

Your neighbour in the valley may like a cottage not larger than a

sugar-hogshead, with rats for company and beetles for bedfellows; your

friend on the hill-side may build himself an imaginary castle, with

armour for furniture, and antique weapons for ornaments;--with all

this you have no concern--no more than with his banker's book, or the

thoughts of his bosom: but should the one or the other, either by a

thing like a piggery, or an incongruous mass like a jail, destroy all

the beauty and mar all the effect of the scenery for miles round, far

beyond the precincts of his own small tenure--should he outrage all the

principles of taste, and violate every sentiment of landscape beauty,

by some poor and contemptible, or some pretentious and vulgar

edifice--then, do I say, you are really aggrieved; and against such a

man you have a just and equitable complaint, as one interfering with the

natural pleasures and just enjoyments to which, as a free citizen of a

free state, you have an indubitable, undeniable right.

That waving, undulating meadow, hemmed in with its dark woods, and

mirrored in the fair stream that flows peacefully beneath it, was never,

surely, intended to be disfigured with a square house like a salt-box,

and a verandah like a register-grate: the far-stretching line of yellow

coast that you see yonder, where the calm sea is sleeping, land locked

by those jutting headlands, was never meant to be pock marked with those

vile bathing lodges, with green baize draperies drying before them.

Was that bold and granite-sided mountain made thus to be hewed out into

parterres for polyanthuses, and stable-lanes for Cockneys' carmen?--or

is the margin of our glorious bay, the deep frame-work of the bright

picture, to be carved into little terraces, with some half-dozen slated

cabins, or a row of stiff-looking, Leeson-street-like houses, with brass

knockers and a balcony? Forbid it, heaven! We have a board of wide and

inconvenient streets, who watch over all the irregularities of municipal

architecture, and a man is no more permitted to violate the laws of good

taste, than he is suffered to transgress those of good morals. Why not

have a similar body to protect the fairer part of the created globe? Is

Pill-lane more sacred than Bray-head? Has Copper-alley stronger claims

than the Glen-of-the Downs? Is the Cross-poddle more classic ground than

Poolaphuca?

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