CHAPTER VII

A DREAM OF EMPIRE

"I'm not starving for pleasure," Khalid once said to Shakib; "nor

for the light free love of an exquisite caprice. Those little

flowers that bloom and wither in the blush of dawn are for the

little butterflies. The love that endures, give me that. And it

must be of the deepest divine strain,--as deep and divine as

maternal love. Man is of Eternity, not of Time; and love, the

highest attribute of man, must be likewise. With me it must endure

throughout all worlds and immensities; else I would not raise a

finger for it. Pleasure, Shakib, is for the child within us; sexual

joy, for the animal; love, for the god. That is why I say when you

set your seal to the contract, be sure it is of the kind which all

the gods of all the future worlds will raise to their lips in

reverence."

But Khalid's child-spirit, not to say childishness, is not, as he

would have us believe, a thing of the past. Nor are the animal and the

god within him always agreed as to what is and what is not a love

divine and eternal. In New York, to be sure, he often brushed his

wings against those flowerets that "bloom and wither in the blush of

dawn." And he was not a little pleased to find that the dust which

gathers on the wings adds a charm to the colouring of life. But how

false and trivial it was, after all. The gold dust and the dust of the

road, could they withstand a drop of rain? A love dust-deep, as it

were, close to the earth; too mean and pitiful to be carried by the

storm over terrible abysses to glorious heights. A love, in a word,

without pain, that is to say impure. In Baalbek, on the other hand, he

drank deep of the pain, but not of the joy, of love. He and his cousin

Najma had just lit in the shrine of Venus the candles of the altar of

the Virgin, when a villainous hand that of Jesuitry, issuing from the

darkness, clapped over them the snuffer and carried his Happiness off.

Here was a love divine, the promised bliss of which was snatched away

from him.

And now in Damascus, he feels, for the first time, the exquisite

pain and joy of a love which he can not yet fathom; a love, which like

the storm, is carrying him over terrible abysses to unknown heights.

The bitter sting of a Nay he never felt so keenly before. The

sleep-stifling torture and joy of suspense he did not fully

experience until now. But if he can not sleep, he will work. He has

but a few days to prepare his address. He can not be too careful of

what he says, and how he says it. To speak at the great Mosque of

Omaiyah is a great privilege. A word uttered there will reach the

furthermost parts of the Mohammedan world. Moreover, all the ulema

and all the heavy-turbaned fanatics will be there.

But he can not even work. On the table before him is a pile of

newspapers from all parts of Syria and Egypt--even from India--and

all simmering, as it were, with Khalid's name, and Khalidism, and

Khalid scandals. He is hailed by some, assailed by others; glorified

and vilified in tawdry rhyme and ponderous prose by Christians and

Mohammedans alike. "Our new Muhdi," wrote an Egyptian wit (one of

those pallid prosers we once met in the hasheesh dens, no doubt), "our

new Muhdi has added to his hareem an American beauty with an Oriental

leg."

What he meant by this only the hasheesh smokers know. "An instrument in

the hands of some American speculators, who would build sky-scrapers

on the ruins of our mosques," wrote another. "A lever with which

England is undermining Al-Islam," cried a voice in India. "A base one

in the service of some European coalition, who, under the pretext of

preaching the spiritualities, is undoing the work of the Revolution.

The gibbet is for ordinary traitors; for him the stake," etc., etc.

On the other hand, he is hailed as the expected one,--the true leader,

the real emancipator,--"who has in him the soul of the East and the

mind of the West, the builder of a great Asiatic Empire." Of course,

the foolish Damascene editor who wrote this had to flee the country

the following day. But Khalid's eyes lingered on that line. He read it

and reread it over and over again--forward and backward, too. He

juggled, so to speak, with its words.

How often people put us, though unwittingly, on the path we are

seeking, he thought. How often does a chance word uttered by a

stranger reveal to us our deepest aims and purposes.

Before him was ink and paper. He took up the pen. But after scrawling

and scribbling for ten minutes, the sheet was filled with circles and

arabesques, and the one single word Dowla (Empire).

He could not think: he could only dream. The soul of the East--The

mind of the West--the builder of a great Empire. The triumph of the

Idea, the realisation of a great dream: the rise of a great race who

has fallen on evil days; the renaissance of Arabia; the reclaiming of

her land; the resuscitation of her glory;--and why not? especially if

backed with American millions and the love of a great woman. He is

enraptured. He can neither sleep nor think: he can but dream. He puts

on his jubbah, refills his cigarette box, and walks out of his room.

He paces up and down the hall, crowning his dream with wreaths of

smoke. But the dim lights seemed to be ogling each other and smiling,

as he passed. The clocks seemed to be casting pebbles at him. The

silence horrified him. He pauses before a door. He knocks--knocks

again.

The occupant of that room was not yet asleep. In fact, she, too, could

not sleep. The clock in the hall outside had just struck one, and she

was yet reading. After inquiring who it was that knocked, she puts on

a kimono and opens the door. She is surprised.

"Anything the matter with you?"

"No; but I can not sleep."

"That is amusing. And do you take me for a soporific? If you think

you can sleep here, stretch yourself on the couch and try." Saying

which, she laughed and hurried back to her bed.

"I did not come to sleep."

"What then? How lovely of you to wake me up so early.--No, no; don't

apologise. For truly, I too, could not sleep. You see, I was still

reading. Sit on the couch there and talk to me.--Of course, you may

smoke.--No, I prefer to sit in bed."

Khalid lights another cigarette and sits down. On the table before

him are some antique colour prints which Mrs. Gotfry had bought in

the Bazaar. These one can only get in Damascus. And--strange

coincidence!--they represented some of the heroes of Arabia--Antar,

Ali, Saladin, Harûn ar-Rashid--done in gorgeous colouring, and in

that deliciously ludicrous angular style which is neither Arabic

nor Egyptian, but a combination perhaps of both. Khalid reads the

poetry under each of them and translates it into English. Mrs. Gotfry

is charmed. Khalid is lost in thought. He lays the picture of

Saladin on the table, lights another cigarette, looks intently upon

his friend, his face beaming with his dream.

"Jamilah." It was the first time he called her by her first name--an

Arabic name which, as a Bahaist she had adopted. And she was neither

surprised nor displeased.

"We need another Saladin to-day,--a Saladin of the Idea, who will wage

a crusade, not against Christianity or Mohammedanism, but against

those Tataric usurpers who are now toadying to both."

"Whom do you mean?"

"I mean the Turks. They were given a last chance to rise; they tried

and failed. They can not rise. They are demoralised; they have no

stamina, no character; no inborn love for truth and art; no

instinctive or acquired sense of right and justice. Whiskey and

debauch and high-sounding inanities about fraternity and equality can

not regenerate an Empire. The Turk must go: he will go. But out in

those deserts is a race which is always young, a race that never

withers; a strong, healthy, keen-eyed, quick-witted race; a fighting,

fanatical race; a race that gave Europe a civilisation, that gave the

world a religion; a race with a past as glorious as Rome's; and with a

future, too, if we had an Ali or a Saladin. But He who made those

heroes will make others like them, better, too. He may have made one

already, and that one may be wandering now in the desert. Now think

what can be done in Arabia, think what the Arabs can accomplish, if

American arms and an up-to-date Korân are spread broadcast among them.

With my words and your love and influence, with our powers united, we

can build an Arab Empire, we can resuscitate the Arab Empire of the

past. Abd'ul-Wahhab, you know, is the Luther of Arabia; and Wahhabism

is not dead. It is only slumbering in Nejd. We will wake it; arm it;

infuse into it the living spirit of the Idea. We will begin by

building a plant for the manufacture of arms on the shore of the

Euphrates, and a University in Yaman. The Turk must go--at least out

of Arabia. And the Turk in Europe, Europe will look after. No; the

Arab will never be virtually conquered. Nominally, maybe. And I doubt

if any of the European Powers can do it. Why? Chiefly because Arabia

has a Prophet. She produced one and she will produce more. Cannons can

destroy Empires; but only the living voice, the inspired voice can

build them."

Mrs. Gotfry is silent. In Khalid's vagaries is a big idea, which she

can not wholly grasp. And she is moreover devoted to another

cause--the light of the world--the splendour of God--Buhaism. But why

not spread it in Arabia as in America? She will talk to Ebbas Effendi

about Khalid. He is young, eloquent, rising to power. And with her

love, and influence superadded, what might he not do? what might he

not accomplish? These ideas flashed through her mind, while Khalid was

pacing up and down the room, which was already filled with smoke. She

is absorbed in thought. Khalid comes near her bed, bends over her, and

buries his face in her wealth of black hair.

Mrs. Gotfry is startled as from a dream.

"I can not see all that you see."

"Then you do not love me."

"Why do you say that? Here, now go sit down. Oh, I am suffocating. The

smoke is so thick in the room I can scarcely see you. And it is so

late.--No, no. Give me time to think on the subject. Now, come."

And Mrs. Gotfry opens the door and the window to let out Khalid and

his smoke.

"Go, Khalid, and try to sleep. And if you can not sleep, try to write.

And if you can not write, read. And if you can neither read nor write

nor sleep, why, then, put on your shoes and go out for a walk. Good

night. There. Good night. But don't forget, we must visit Sheikh Taleb

to-morrow."

The astute Mrs. Gotfry might have added, And if you do not feel like

walking, take a dip in the River Barada. But in her words, to be

sure, were a douche cold enough for Khalid. Now, to be just and

comprehensive in our History we must record here that she, too, did

not, and could not sleep that night. The thought that Khalid would

make a good apostle of Buhaism and incidentally a good companion,

insinuated itself between the lines on every page of the book she was

trying to read.

On the following day they visit Sheikh Taleb, who is introduced to us

by Shakib in these words:

"A Muslem, like Socrates, who educates not by lesson, but by going

about his business. He seldom deigns to write; and yet, his words are

quoted by every writer of the day, and on every subject sacred and

profane. His good is truly magnetic. He is a man who lives after his

own mind and in his own robes; an Arab who prays after no Imam, but

directly to Allah and his Apostle; a scholar who has more dryasdust

knowledge on his finger ends than all the ulema of Cairo and Damascus;

a philosopher who would not give an orange peel for the opinion of the

world; an ascetic who flees celebrity as he would the plague; a sage

who does not disdain to be a pedagogue; an eccentric withal to amuse

even a Diogenes:--this is the noted Sheikh Taleb of Damascus, whom

Mrs. Gotfry once met at Ebbas Effendy's in Akka, and whom she was

desirous of meeting again. When we first went to visit him, this

charming lady and Khalid and I, we had to knock at the door until his

neighbour peered from one of the windows above and told us that the

Sheikh is asleep, and that if we would see him, we must come in the

evening. I learned afterwards that he, reversing the habitual practice

of mankind, works at night and sleeps during the day.

"We return in the evening. And the Sheikh, with a lamp in his hand,

peers through a small square opening in the door to see who is

knocking. He knew neither Khalid nor myself; but Mrs. Gotfry--'Eigh!'

he mused. And as he beheld her face in the lamplight he exclaimed

'Marhaba (welcome)! Marhaba!' and hastened to unbolt the door. We are

shown through a dark, narrow hall, into a small court, up to his

study. Which is a three-walled room--a sort of stage--opening on the

court, and innocent of a divan or a settle or a chair. While he and

Mrs. Gotfry were exchanging greetings in Persian, I was wondering why

in Damascus, the city of seven rivers and of poetry and song, should

there be a court guilty like this one of a dry and dilapidated

fountain. I learned afterwards, however, that the Sheikh can not

tolerate the noise of the water; and so, suffering from thirst and

neglect, the fountain goes to ruin.

"On the stage, which is the study, is a clutter of old books and

pamphlets; in the corner is the usual straw mat, a cushion, and a sort

of stool on which are ink and paper. This he clears, places the

cushion upon it, and offers to Mrs. Gotfry; he himself sits down on

the mat; and we are invited to arrange for ourselves some books.

Indeed, the Sheikh is right; most of these tomes are good for nothing

else.

"Mrs. Gotfry introduces us.

"'Ah, but thou art young and short of stature,' said he to Khalid;

'that is ominous. Verily, there is danger in thy path.'

"'But he will embrace Buhaism,' put in Mrs. Gotfry.

"'That might save him. Buhaism is the old torch, relighted after many

centuries, by Allah.'

"Meanwhile Khalid was thinking of second-hand Jerry of the second-hand

book-shop of New York. The Sheikh reminded him of his old friend.

"And I was holding in my hand a book on which I chanced while

arranging my seat. It was Debrett's Baronetage, Knightage, and

Companionage. How did such a book find its way into the Sheikh's

rubbish, I wondered. But birds of a feather, thought I.

"'That book was sent to me,' said he, 'by a merchant friend, who found

it in the Bazaar. They send me all kinds of books, these simple of

heart. They think I can read in all languages and discourse on all

subjects. Allah forgive them.'

"And when I tell him, in reply to his inquiry, that the book treats of

Titles, Orders, and Degrees of Precedence, he utters a sharp whew, and

with a quick gesture of weariness and disgust, tells me to take it.

'I have my head full of our own ansab (pedigrees),' he adds, 'and I

have no more respect for a green turban (the colour of the Muslem

nobility) than I have for this one,' pointing to his, which is white.

"Mrs. Gotfry then asks the Sheikh what he thinks of Wahhabism.

"'It is Islam in its pristine purity; it is the Islam of the first

great Khalifs. "Mohammed is dead; but Allah lives," said Abu Bekr to

the people on the death of the Prophet. And Wahhabism is a direct

telegraph wire between mortal man and his God.

"'But why should these Wahhabis of Nejd be the most fanatical, when

their doctrines are the most pure?' asked Khalid.

"'In thy question is the answer to it. They are fanatical _because_ of

their purity of doctrine, and withal because they live in Nejd. If

there were a Wahhabi sect in Barr'ush-Sham (Syria), it would not be

thus, assure thee.'

"And expressing his liking for Khalid, he advises him to be careful of

his utterances in Damascus, if he believes in self-preservation. 'I am

old,' he continues; 'and the ulema do not think my flesh is good for

sacrifice. But thou art young, and plump--a tender yearling--ah, be

careful sheikh Khalid. Then, I do not talk to the people direct. I

talk to them through holy men and dervishes. The people do not believe

in a philosopher; but the holy man, and though he attack the most

sacred precepts of the Faith, they will believe. And Damascus is the

very hive of turbans, green and otherwise. So guard thee, my child.'

"Mrs. Gotfry then asks for a minute's privacy with the Sheikh. And

before he withdraws with her to the court, he searches through a heap

of mouldy tomes, draws from beneath them a few yellow pamphlets on the

Comparative Study of the Semetic Alphabets and on The Rights of the

Khalifate--such is the scope of his learning--and dusting these on his

knee, presents them to us, saying, 'Judge us not severely.'

"This does not mean that he cares much if we do or not. But in our

country, in the Orient, even a Diogenes does not disdain to handle the

coin of affability. We are always meekly asked, even by the most

supercilious, to overlook shortcomings, and condone.

"I could not in passing out, however, overlook the string of orange

peels which hung on a pole in the court. Nor am I sensible of an

indecorum if I give out that the Sheikh lives on oranges, and

preserves the peels for kindling the fire. And this, his only article

of food, he buys at wholesale, like his robes and undergarments. For

he never changes or washes anything. A robe is worn continually, worn

out in the run, and discarded. He no more believes in the efficacy of

soap than in the efficacy of a good reputation. 'The good opinion of

men,' he says, 'does not wash our hearts and minds. And if these be

clean, all's clean.'

"That is why, I think, he struck once with his staff a journalist for

inserting in his paper a laudatory notice on the Sheikh's system of

living and thinking and speaking of him as 'a deep ocean of learning

and wisdom.' Even in travelling he carries nothing with him but his

staff, that he might the quicker flee, or put to flight, the vulgar

curious. He puts on a few extra robes, when he is going on a journey,

and in time, becoming threadbare, sheds them off as the serpent its

skin...."

* * * * *

And we pity our Scribe if he ever goes back to Damascus after this,

and the good Sheikh chances upon him.

The Book of Khalid · 第 7 / 10 章