CHAPTER X.

Induced at length to renew his experimental inquiries into the process of

inflorescence, Charney became enchanted by the prodigious and immutable

congruities of Nature. For some time, indeed, his eyes were baffled

by the infinite minuteness of the phenomena to which his attention

was directed; when, just as his patience became exhausted by his own

incapacity, Ludovico conveyed to him, from his neighbour the fly-catcher,

a microscopic lens, with which Girardi had been enabled to number eight

thousand oculary facets on the cornea of a fly’s eye.

Charney was transported with joy at the acquisition! The most occult

portion of the flower now became manifested for his investigation; and

already he fancied himself advancing with gigantic strides in the path

of science. Having carefully analyzed the texture of his flower, he

convinced himself that the brilliant colours of the petal, their form,

their crimson spots, the bands of velvet or satin which adorn their bases

or fringe their extremities, are not intended for the mere gratification

of the eye, but for the purpose of reflecting, attracting, or modifying

the rays of the sun, according to the necessities of the flower during

the grand process of fructification. The polished crowns or studs of

the calyx, lustrous like porcelain, are doubtless glandular masses for

the absorption of the air, light, and moisture, indispensable to the

formation of the seed: for without light, no colour—without air and

moisture, no vitality. Moisture, light, and heat, are the elements of

vegetable life, which, on its extinction, it bequeaths in restitution to

the universe.

Unknown to Charney, his reveries and studies had attracted two deeply

interested spectators: Girardi and his daughter. The latter, educated

in habits of piety and seclusion, by a father imbued with reverential

religious sentiments, was blessed with one of those ethereal natures

in which every good and holy interest seems united. The beauty and

excellence of Teresa Girardi, the graces of her person and mind, had

not failed to attract admirers; and her deep and expansive sensibility

seemed to announce a predisposition for human affections. But if a vague

preference had occasionally influenced her feelings amid the _fêtes_ of

Turin, every impulse of her gentle heart was now concentrated into grief

for the captivity of her father.

Her soul was humbled, her spirits subdued. Two only objects predominated

in her heart: her father in prison—her Saviour on the cross; despair on

earth, but trust in immortality. Not that the fair daughter of Italy

was of a melancholy mind. Her duties were easy to her, her sacrifices a

delight; and where tears were to be dried or smiles awaked, there was

the place of Teresa: hitherto, she had accomplished this task towards

her father only; but from the moment of beholding Charney, his air of

depression excited a two-fold compassion in her bosom. A captive like her

father, and with her father, a mysterious analogy seemed to unite their

destinies. But the Count is even more deserving pity than her father. The

Count had no earthly solace remaining but a poor plant; and with what

tenderness does he cultivate this last remaining affection! The noble

countenance and fine person of the prisoner might, perhaps, unsuspected

by Teresa, tend to enhance her compassion; but had she become acquainted

with him in his days of splendour, when surrounded by the deceptious

attributes of happiness, these would never have sufficed to distinguish

him in her eyes. His isolation—his abandonment—his calamity—his

resignation, have alone attracted her interest, and prompted the gift of

her tenderness and esteem. In her ignorance of men and things, Teresa is

induced to include misfortune in her catalogue of virtues.

As bold in pursuance of a good action, as timid in personal deportment,

she often directed towards Charney the good offices of her father; and

one day when Girardi advanced to the window, instead of contenting

himself, as usual, with a salutation of the hand, he motioned to the

Count to draw as near as possible to the window; and, having moderated

his voice to the lowest pitch, whispered—

“I have good news for you.”

“And I my thanks to return,” replied Charney, “for the microscope you

have been kind enough to send me.”

“It is rather to my daughter your thanks are due,” replied Girardi. “It

was Teresa who suggested the offer.”

“You have a daughter; and are you allowed the happiness of seeing her?”

demanded the Count, with interest.

“I am indeed so fortunate,” replied the old man; “and return daily thanks

to Heaven for having bestowed on me an angel in my child. During your

illness, sir, none were more deeply interested in your welfare than my

Teresa. Have you never noticed her at the grating, watching the care you

devote to your flower?”

“I have some idea that——”

“But, in talking of my girl,” interrupted the old man. “I neglect to

acquaint you with important news. The Emperor is on his way to Milan, for

his coronation as King of Italy.”

“King of Italy!” reiterated Charney. “Doubtless, then, alas! to be our

master. As to the microscope,” continued the Count, who cared less

for king or kaiser than for his ruling passion, “I have detained it

too long: you may be in want of it. Yet, as my experiments are still

incomplete, perhaps you will permit——”

“Keep it,” interrupted the fly-catcher with a beneficent smile,

perceiving, by the intonation of Charney’s voice, with what regret he

was about to resign the solace of his solitude, “keep it in remembrance

of a companion in misfortune, who entertains a lively interest in your

welfare.”

Charney would have expressed his gratitude; but his generous friend

refused all thanks. “Let me finish what I have to communicate, ere we

are interrupted,” said he. Then, lowering his voice again, he added, “It

is rumoured that a certain number of prisoners will be released, and

criminals pardoned, in honour of the coronation. Have you friends, sir,

in Turin or Milan? Are there any to intercede for you?”

The Count replied by a mournful negative movement of the head. “I have

not a friend in the world!” was his reply.

“Not a friend!” exclaimed the old man, with a look of profound pity.

“Have you, then, exhibited mistrust of your fellow-creatures?—for

friendship is unpropitious only to those who withhold their faith. I,

Heaven be thanked, have friends in abundance, good and faithful friends,

who might, perhaps, be more successful in your behalf than they have been

in mine.”

“I have nothing to ask of General Bonaparte,” said Charney, in a harsh

tone, characteristic of all his former animosities.

“Hush! speak lower! I hear footsteps,” said Girardi.

There was an interval of silence; after which the Italian resumed, in a

tone which softened, by almost paternal tenderness, the rebuke which it

conveyed.

“Your feelings are still imbittered, my dear companion in adversity.

Surely your study of the works of Nature ought to have subdued a hatred

which is opposed to all the commandments of God, and all the chances of

human happiness! Has not the fragrance of your flower poured balm into

your wounds? The Bonaparte, of whom you speak so vindictively, surely I

have more cause to hate him than yourself! My only son perished under his

banner of usurpation.”

“True! And did you not seek to avenge his death?”

“The false rumour, then, has reached you,” said the old man, raising his

head with dignity towards heaven, as if in appeal to the testimony of the

Almighty. “_I_ revenge myself by a deed of blood! No, sir! no! My utmost

crime consisted in the despair which prompted me, when all Turin saluted

the victor with acclamations, to oppose to them the cries of my parental

anguish. I was arrested on the spot; a knife was found on my person, and

I was branded with the name of assassin; _I_, an agonized father, who had

just learned the loss of an only son.”

“Infamous injustice! infamous tyranny!” cried the Count, with indignation.

“Nay,” remonstrated Girardi, “I thank Heaven I am able to perceive

that Bonaparte may have been deceived by appearances. His character

is neither wicked nor cruel; or what was there to prevent him from

putting us both to death? By restoring me to liberty, he would only

atone an error; nevertheless, I should bless him as a benefactor. I

find captivity, however, by no means insupportable. Full of trust in

the mercy of Providence, I resign myself to the event; but the sight of

my imprisonment afflicts my daughter; and for _her_ sake I desire my

liberation. I would fain shorten her exile from the world, her alienation

from the pleasures of her age. Say!—have _you_ no human being who sorrows

over _your_ misfortunes?—no _woman_ who weeps for you in secret, to whom

you would sacrifice even your _pride_, as an oppressed and injured man?

Come, come, my dear brother in adversity! authorize my friends to include

your name in their petitions!”

Charney answered with a smile—“No woman weeps for me! no one sighs for

my return: for I have no longer gold to purchase their affection. What

is there to allure me anew into the world, where I was even less happy

than at Fenestrella? But even were troops of friends awaiting me—had I

still wealth, honour, and happiness in store—I would refuse the gift of

freedom from that hand, whose power and usurpations I devoted myself to

overthrow.”

“You deny yourself even the enjoyment of hope?” said Girardi.

“Never will I bestow the title of emperor on one who is either my equal

or my inferior.”

“Beware of sacrificing yourself to a sentiment, the offspring of vanity

rather than of patriotism!” cried Girardi.

“But peace! silence!” said he, more cautiously. “Some one approaches in

earnest. _Addio_, away!” And the venerable Italian disappeared from the

grated window.

[Illustration]

“Thanks!—a thousand thanks for the microscope!” was Charney’s last

exclamation, as Girardi vanished from his view. And at that moment the

door of the courtyard creaked on its hinges, and Ludovico made his

appearance with the basket of provisions, forming the daily allowance of

his prisoner. Observing the Count to be silent and absent-minded, the

jailer accosted him only by rattling the plates as a signal that his

dinner was ready. Then, having ascended to place all in order in the

little chamber, amused himself, as he recrossed the court, with making

a silent obeisance to the _Signor_ and _Signora_, as he was now in the

habit of qualifying the Count de Charney and his plant.

“The microscope is mine!” mused Charney, when he found himself alone.

“But how have I merited such kind consideration on the part of a

stranger? Ludovico, too, has become my friend. Under the rough exterior

of the jailer, beats a kind and noble heart. There exist, then, after

all, virtuous and warm-hearted men. But where! _In a prison!_”

“Be thankful to adversity,” remonstrated conscience, “which has made

you capable of appreciating a benefit received. To what amounts the

generosity of these two men? One of them watered your plant for you

in secret; the other has conferred on you the means of analyzing its

organization.”

“In the smallest services consists the truest generosity,” argued Charney

in reply.

“True,” resumed the voice, “when such services are dedicated to your own

convenience. Had Picciola never sprung to life, these two beings would

have remained in your eyes—the one a doting old man, engrossed by puerile

pursuits; the other, a gross and sordid clod, absorbed by the love of

gain. In your world of other days, Sir Count, to what, pray, did _you_

attach yourself? To nothing. Your soul recoiled upon itself, and no man

cared for you. By love comes love. It is your attachment to Picciola

which has obtained you the affection of your companions. Picciola is the

talisman by which you have attracted their regard.”

Charney interrupted this mono-dialogue by a glance from the microscope

towards Picciola. He has already forgotten the announcement of “Napoleon,

Emperor of the French, and King of Italy!”—one half of which formerly

sufficed to convert him into a conspirator and a captive. How unimportant

in his eyes, now, those honours conferred by nations, and based upon

the liberties of Europe! An insect hovering over his plant, threatening

mischief to its delicate vegetation, seems more alarming than the

impending destruction of the balance of power, by the conquests of a new

Alexander.

[Illustration]

[Illustration]

Picciola(#70871) · 第 10 / 15 章