of the _identity of philosophy with history_. I have attempted to
renovate, modify, and establish this doctrine with many analyses and
with many arguments in another volume of my works.[1] It is, however,
frequently very difficult, being rather an object of irresistible
argument than of complete persuasion and adhesion. Seeking for the
various causes of this difficulty, I have come upon one which seems
to me to be the principal and fundamental. This is precisely the
conception of history not as living contemporary history, but as
history that is dead and belongs to the past, as _chronicle_ (or
philological history, which, as we know, can be reduced to chronicle).
It is undeniable that when history is taken as chronicle its identity
with philosophy cannot be made clear to the mind, because it does not
exist. But when chronicle has been reduced to its proper practical and
mnemonical function, and history has been raised to the knowledge of
the _eternal present_, it reveals itself as all one with philosophy,
which for its part is never anything but the thought of the eternal
present. This, be it well understood, provided always that the dualism
of ideas and facts has been superseded, of _vérités de raison_ and
_vérités de fait_, the concept of philosophy as contemplation of
vérités de raison, and that of history as the amassing of brute facts,
of coarse _vérités de fait_. We have recently found this tenacious
dualism in the act of renewing itself, disguised beneath the axiom that
_le propre de l'histoire est de savoir, le propre de la philosophie
est de comprendre_. This amounts to the absurd distinction of knowing
without understanding and of understanding without knowing, which would
thus be the doubly dis-heartening theoretical fate of man. But such a
dualism and the conception of the world which accompanies it, far from
being true philosophy, are the perpetual source whence springs that
imperfect attempt at philosophizing which is called _religion_ when
one is within its magic circle, _mythology_ when one has left it. Will
it be useful to attack transcendency, and to claim the character of
immanence for reality and for philosophy? It will certainly be of use;
but I do not feel the necessity of doing so, at any rate here and now.
And since history, properly understood, abolishes the idea of a
_universal history_, so philosophy, immanent and identical with
history, abolishes the idea of a _universal philosophy_--that is to
say, of the _closed_ system. The two negations correspond and are
indeed fundamentally one (because closed systems, like universal
histories, are cosmological romances), and both receive empirical
confirmation from the tendency of the best spirits of our day to
refrain from 'universal histories' and from 'definitive systems,'
leaving both to compilers, to believers, and to the credulous of
every sort. This tendency was implicit in the last great philosophy,
that of Hegel, but it was opposed in its own self by old survivals
and altogether betrayed in execution, so that this philosophy also
converts itself into a cosmological romance. Thus it may be said
that what at the beginning of the nineteenth century was merely a
simple _presentiment_ becomes changed into _firm consciousness_ at
the beginning of the twentieth. This defies the fears of the timid
lest the knowledge of the universal should be thus compromised,
and indeed maintains that only in this way can such knowledge be
truly and perpetually acquired, because dynamically obtained. Thus
history becoming _actual history_ and philosophy becoming _historical
philosophy_ have freed themselves, the one from the anxiety of not
being able to know that which is not known, only because it was or will
be known, and the other from the despair of never being able to attain
to definite truth--that is to say, both are freed from the phantom of
the 'thing in itself.'
[1] In the _Logic_, especially in Part II, Chapter IV.
IV
IDEAL GENESIS AND DISSOLUTION OF THE 'PHILOSOPHY OF HISTORY'
I
The conception of the so-called 'philosophy of history' is perpetually
opposed to and resisted by the deterministic conception of history. Not
only is this clearly to be seen from inspection, but it is also quite
evident logically, because the 'philosophy of history' represents the
transcendental conception of the real, determinism the immanent.
But on examining the facts it is not less certain that historical
determinism perpetually generates the 'philosophy of history'; nor
is this fact less evidently logical than the preceding, because
determinism is naturalism, and therefore immanent, certainly, but
insufficiently and falsely immanent. Hence it should rather be
said that it wishes to be, but is not, immanent, and whatever its
efforts may be in the contrary direction, it becomes converted into
transcendency. All this does not present any difficulty to one who
has clearly in mind the conceptions of the transcendent and of the
immanent, of the philosophy of history as transcendency and of the
deterministic or naturalistic conception of history as a false
immanence. But it will be of use to see in more detail how this process
of agreements and oppositions is developed and solved with reference to
the problem of history.
"First collect the facts, then connect them causally"; this is the way
that the work of the historian is represented in the deterministic
conception. _Après la collection des faits, la recherche des causes,_
to repeat the very common formula in the very words of one of the most
eloquent and picturesque theorists of that school, Taine. Facts are
brute, dense, real indeed, but not illumined with the light of science,
not intellectualized. This intelligible character must be conferred
upon them by means of the search for causes. But it is very well known
what happens when one fact is linked to another as its cause, forming a
chain of causes and effects: we thus inaugurate an infinite regression,
and we never succeed in finding the cause or causes to which we can
finally attach the chain that we have been so industriously putting
together.
Some, maybe many, of the theorists of history get out of the difficulty
in a truly simple manner: they break or let fall at a certain point
their chain, which is already broken at another point at the other
end (the effect which they have undertaken to consider). They operate
with their fragment of chain as though it were something perfect and
closed in itself, as though a straight line divided at two points
should include space and be a figure. Hence, too, the doctrine that we
find among the methodologists of history: that it is only necessary
for history to seek out 'proximate' causes. This doctrine is intended
to supply a logical foundation to the above process. But who can ever
say what are the 'proximate causes'? Thought, since it is admitted
that it is unfortunately obliged to think according to the chain of
causes, will never wish to know anything but 'true' causes, be they
near or distant in space and time (space, like time, _ne fait rien
à l'affaire_). In reality, this theory is a fig-leaf, placed there
to cover a proceeding of which the historian, who is a thinker and a
critic, is ashamed, an act of will which is useful, but which for that
very reason is wilful. The fig-leaf, however, is a sign of modesty, and
as such has its value, because, if shame be lost, there is a risk that
it will finally be declared that the 'causes' at which an arbitrary
halt has been made are the 'ultimate' causes, the 'true' causes, thus
raising the caprice of the individual to the rank of an act creative
of the world, treating it as though it were God, the God of certain
theologians, whose caprice is truth. I should not wish again to quote
Taine just after having said this, for he is a most estimable author,
not on account of his mental constitution, but of his enthusiastic
faith in science; yet it suits me to quote him nevertheless. Taine,
in his search for causes, having reached a cause which he sometimes
calls the 'race' and sometimes the 'age,' as for instance in his
history of English literature, when he reaches the concept of the
'man of the North' or 'German,' with the character and intellect that
would be suitable to such a person--coldness of the senses, love
of abstract ideas, grossness of taste, and contempt for order and
regularity--gravely affirms: _Là s'arrête la recherche: on est tombé
sur quelque disposition primitive, sur quelque trait propre à toutes
les sensations, à toutes les conceptions d'un siècle ou d'une race, sur
quelque particularité inséparable de toutes les démarches de son esprit
et de son cour. Ce sont là les grandes causes, les causes universelles
et permanentes._ What that primitive and insurmountable thing contained
was known to Taine's imagination, but criticism is ignorant of it; for
criticism demands that the genesis of the facts or groups of facts
designated as 'age' and 'race' should be given, and in demanding their
genesis declares that they are neither 'universal' nor 'permanent,'
because no universal and permanent 'facts' are known, as far as I
am aware, certainly not _le Germain_ and _l'homme du Nord_; nor are
mummies facts, though they last some thousands of years, but not for
ever--they change gradually, but they do change.
Thus whoever adopts the deterministic conception of history, provided
that he decides to abstain from cutting short the inquiry that he has
undertaken in an arbitrary and fanciful manner, is of necessity obliged
to recognize that the method adopted does not attain the desired end.
And since he has begun to think history, although by means of an
insufficient method, no course remains to him save that of beginning
all over again and following a different path, or that of going
forward but changing his direction. The naturalistic presupposition,
which still holds its ground ("first collect the facts, then seek
the causes": what is more evident and more unavoidable than that?),
necessarily leads to the second alternative. But to adopt the second
alternative is to supersede determinism, it is to transcend nature
and its causes, it is to propose a method opposite to that hitherto
followed--that is to say, to renounce the category of cause for
another, which cannot be anything but that of end, an extrinsic and
transcendental end, which is the analogous opposite, corresponding to
the cause. Now the search for the transcendental end is the 'philosophy
of history.'
The consequent naturalist (I mean by this he who 'continues to think,'
or, as is generally said, to draw the consequences) cannot avoid this
inquiry, nor does he ever avoid it, in whatever manner he conceive
his new inquiry. This he cannot even do, when he tries, by declaring
that the end or 'ultimate cause' is unknowable, because (as elsewhere
remarked) an unknowable affirmed is an unknowable in some way known.
Naturalism is always crowned with a philosophy of history, whatever
its mode of formulation: whether it explain the universe as composed
of atoms that strike one another and produce history by means of their
various shocks and gyrations, to which they can also put an end by
returning to their primitive state of dispersion, whether the hidden
God be termed Matter or the Unconscious or something else, or whether,
finally, He be conceived as an Intelligence which avails itself of
the chain of causes in order to actualize His counsels. And every
philosopher of history is on the other hand a naturalist, because he
is a dualist and conceives a God and a world, an idea and a fact in
addition to or beneath the Idea, a kingdom of ends and a kingdom or
sub-kingdom of causes, a celestial city and one that is more or less
diabolical or terrene. Take any deterministic historical work and you
will find or discover in it, explicit or understood, transcendency (in
Taine, for example, it goes by the name of 'race' or of '_siècle,_'
which are true and proper deities); take any work of 'philosophy of
history' and dualism and naturalism will be found there (in Hegel, for
example, when he admits rebellious and impotent facts which resist or
are unworthy the dominion of the idea). And we shall see more and more
clearly how from the entrails of naturalism comes inevitably forth the
'philosophy of history.'
II
But the 'philosophy of history' is just as contradictory as the
deterministic conception from which it arises and to which it is
opposed. Having both accepted and superseded the method of linking
brute facts together, it no longer finds facts to link (for these
have already been linked together, as well as might be, by means
of the category of cause), but brute facts, on which it must confer
rather a 'meaning' than a linking, representing them as aspects of a
transcendental process, a theophany. Now those facts, in so far as
they are brute facts, are mute, and the transcendency of the process
requires an organ, not that of thought that thinks or produces facts,
but an extra-logical organ, in order to be conceived and represented
(such, for example, as thought which proceeds abstractly _a priori,_
in the manner of Fichte), and this is not to be found in the spirit,
save as a negative moment, as the void of effective logical thought.
The void of logical thought is immediately filled with _praxis,_ or
what is called sentiment, which then appears as poetry, by theoretical
refraction. There is an evident poetical character running through all
'philosophies of history.' Those of antiquity represented historical
events as strife between the gods of certain peoples or of certain
races or protectors of certain individuals, or between the god of light
and truth and the powers of darkness and lies. They thus expressed the
aspirations of peoples, groups, or individuals toward hegemony, or of
man toward goodness and truth. The most modern of modern forms is that
inspired by various national and ethical feelings (the Italian, the
Germanic, the Slav, etc.), or which represents the course of history as
leading to the kingdom of liberty, or as the passage from the Eden of
primitive communism, through the Middle Ages of slavery, servitude, and
wages, toward the restoration of communism, which shall no longer be
unconscious but conscious, no longer Edenic but human. In poetry, facts
are no longer facts but words, not reality but images, and so there
would be no occasion to censure them, if it remained pure poetry.
But it does not so remain, because those images and words are placed
there as ideas and facts--that is to say, as myths: progress, liberty,
economy, technique, science are myths, in so far as they are looked
upon as agents external to the facts. They are myths no less than God
and the Devil, Mars and Venus, Jove and Baal, or any other cruder forms
of divinity. And this is the reason why the deterministic conception,
after it has produced the 'philosophy of history,' which opposes it,
is obliged to oppose its own daughter in its turn, and to appeal from
the realm of ends to that of causal connexions, from imagination to
observation, from myths to facts.
The reciprocal confutation of historical determinism and the philosophy
of history, which makes of each a void or a nothing--that is to say,
a single void or nothing--seems to the eclectics as usual to be the
reciprocal fulfilment of two entities, which effect or should effect
an alliance for mutual support. And since eclecticism flourishes in
contemporary philosophy, mutato nomine, it is not surprising that
besides the duty of investigating the causes to history also is
assigned that of ascertaining the 'meaning' or the 'general plan' of
the course of history (see the works on the philosophy of history of
Labriola, Simmel, and Rickert). Since, too, writers on method are
wont to be empirical and therefore eclectic, we find that with them
also history is divided into the history which unites and criticizes
documents and reconstructs events, and 'philosophy of history' (see
Bernheim's manual, typical of all of them). Finally, since ordinary
thought is eclectic, nothing is more easy than to find agreement as to
the thesis that simple history, which presents the series of facts,
does not suffice, but that it is necessary that thought should return
to the already constituted chain of events, in order to discover
there the hidden design and to answer the questions as to whence we
come and whither we go. This amounts to saying that a 'philosophy of
history' must be posited side by side with history. This eclecticism,
which gives substance to two opposite voids and makes them join
hands, sometimes attempts to surpass itself and to mingle those two
fallacious sciences or parts of science. Then we hear 'philosophy of
history' defended, but with the caution that it must be conducted with
'scientific' and 'positive' method, by means of the search for the
cause, thus revealing the action of divine reason or providence.[1]
Ordinary thought quickly consents to this programme, but afterward
fails to carry it out.[2]
There is nothing new here either for those who know: 'philosophy
of history' to be constructed by means of 'positive methods,'
transcendency to be demonstrated by means of the methods of false
immanence, is the exact equivalent in the field of historical studies
to that "metaphysic to be constructed by means of the experimental
method" which was recommended by the neocritics (Zeller and others),
for it claimed, not indeed to supersede two voids that reciprocally
confute one another, but to make them agree together, and, after
having given substance to them, to combine them in a single substance.
I should not like to describe the impossibilities contained in the
above as the prodigies of an alchemist (the metaphor seems to be too
lofty), but rather as the medleys of bad cooks.
[1] See, for example, the work of Flint; but since, less radical than
Flint, Hegel and the Hegelians themselves also ended in admitting the
concourse of the two opposed methods, traces of this perversion are
also to be found in their 'philosophies of history.' Here, too, is to
be noted the false analogy by which Hegel was led to discover the same
relation between a priori and historical facts as between mathematics
and natural facts: _Man muss mit dem Kreise dessen, worin die
Prinzipien fallen, wenn man es so nennen will, a priori vertraut sein,
so gut als Kepler mit den Ellipsen, mit Kuben und Quadraten und mit den
Gedanken von Verhältnissen derselben_ a priori _schon vorher bekannt
sein musste, ehe er aus den empirischen Daten seine unsterblichen
Gesetze, welche aus Bestimmungen jener Kreise von Vorstellungen
bestehen, erfinden konnte._ (_Cf. Vorles. üb. d. Philos, d. Gesch.,_
ed. Brunstäd, pp. 107-108.)
[2] Not even the above-mentioned Flint carried it out, for he lost
him-self in preliminaries of historical documentation and never
proceeded to the promised construction.
III
The true remedy for the contradictions of historical determinism and of
the 'philosophy of history' is quite other than this. To obtain it, we
must accept the result of the preceding confutation, which shows that
both are futile, and reject, as lacking thought, both the 'designs'
of the philosophy of history and the causal chains of determinism.
When these two shadows have been dispersed we shall find ourselves
at the starting-place: we are again face to face with disconnected
brute facts, with facts that are connected, but not understood, for
which determinism had tried to employ the cement of causality, the
'philosophy of history,' the magic wand of finality. What shall we
do with these facts? How shall we make them clear rather than dense
as they were, organic rather than inorganic, intelligible rather
than unintelligible? Truly, it seems difficult to do anything with
them, especially to effect their desired transformation. The spirit
is helpless before that which is, or is supposed to be, external to
it. And when facts are understood in that way we are apt to assume
again that attitude of contempt of the philosophers for history which
has been well-nigh constant since antiquity almost to the end of the
eighteenth century (for Aristotle history was "less philosophical" and
less serious than poetry, for Sextus Empiricus it was "unmethodical
material"; Kant did not feel or understand history). The attitude
amounts to this: leave ideas to the philosophers and brute facts to the
historians--let us be satisfied with serious things and leave their
toys to the children.
But before having recourse to such a temptation, it will be prudent
to ask counsel of methodical doubt (which is always most useful), and
to direct the attention precisely upon those brute and disconnected
facts from which the causal method claims to start and before which we,
who are now abandoned by it and by its complement, the philosophy of
history, appear to find ourselves again. Methodical doubt will suggest
above all things the thought that those facts are a _presupposition_
that has _not been proved_, and it will lead to the inquiry as to
_whether the proof can be obtained_. Having attempted the proof, we
shall finally arrive at the conclusion that _those facts really do not
exist._
For who, as a matter of fact, affirms their existence? Precisely the
spirit, at the moment when it is about to undertake the search for
causes. But when accomplishing that act the spirit does not already
possess the brute facts (_d'abord la collection des faits_) and then
seek the causes (_après, la recherche des causes_); but it makes
the _facts brute_ by that very act--that is to say, it posits them
itself in that way, because it is of use to it so to posit them.
The search for causes, undertaken by history, is not in any way
different from the procedure of naturalism, already several times
illustrated, which abstractly analyses and classifies reality. And
to illustrate abstractly and to classify implies at the same time to
judge in classifying--that is to say, to treat facts, not as acts of
the spirit, conscious in the spirit that thinks them, but as external
brute facts. The _Divine Comedy_ is that poem which we create again
in our imagination in all its particulars as we read it and which we
understand critically as a particular determination of the spirit,
and to which we therefore assign its place in history, with all its
surroundings and all its relations. But when this actuality of our
thought and imagination has come to an end--that is to say, when that
mental process is completed--we are able, by means of a new act of
the spirit, separately to analyse its elements. Thus, for instance,
we shall classify the concepts relating to 'Florentine civilization,'
or to 'political poetry,' and say that the _Divine Comedy_ was an
effect of Florentine civilization, and this in its turn an effect
of the strife of the communes, and the like. We shall also thus
have prepared the way for those absurd problems which used to annoy
de Sanctis so much in relation to the work of Dante, and which he
admirably described when he said that they arise only when lively
æsthetic expression has grown cold and poetical work has fallen into
the hands of dullards addicted to trifles. But if we stop in time and
do not enter the path of those absurdities, if we restrict ourselves
purely and simply to the naturalistic moment, to classification, and
to the classificatory judgment (which is also causal connexion), in an
altogether practical manner, without drawing any deductions from it, we
shall have done nothing that is not perfectly legitimate; indeed, we
shall be exercising our right and bowing to a rational necessity, which
is that of naturalizing, when naturalization is of use, but not beyond
those limits. Thus the materialization of the facts and the external
or causal binding of them together are altogether justified as pure
naturalism. And even the maxim which bids us to stop at 'proximate'
causes--that is to say, not to force classification so far that it
loses all practical utility--will find its justification. To place
the concept of the _Divine Comedy_ in relation to that of 'Florentine
civilization' may be of use, but it will be of no use whatever,
or infinitely less use, to place it in relation to the class of
'Indo-European civilization' or to the 'civilization of the white man.'
IV
Let us then return with greater confidence to the point of departure,
the true point of departure--that is to say, not to that of facts
already disorganized and naturalized, but to that of the mind
that thinks and constructs the fact. Let us raise up the debased
countenances of the calumniated 'brute facts,' and we shall see the
light of thought resplendent upon their foreheads. And that true point
of departure will reveal itself not merely as a point of departure, but
both as a point of arrival and of departure, not as the first step in
historical construction, but the whole of history in its construction,
which is also its self-construction. Historical determinism, and all
the more 'philosophy of history,' leave the _reality of history_ behind
them, though they directed their journey thither, a journey which
became so erratic and so full of useless repetitions.
We shall make the ingenuous Taine confess that what we are saying
is the truth when we ask him what he means by the _collection des
faits_ and learn from him in reply that the collection in question
consists of two stages or moments, in the first of which documents
are revived in order to attain, _à travers la distance des temps,
l'homme vivant, agissant, doué de passions, muni d'habitudes, avec
sa voix et sa physionomie, avec ses gestes et ses habits, distinct
et complet comme celui que tout à l'heure nous avons quitté dans la
rue;_ and in the second is sought and found _sous l'homme extérieur
l'homme intérieur, "l'homme invisible," "le centre," "le groupe des
facultés et des sentiments qui produit le reste," "le drame intérieur,"
"la psychologie."_ Something very different, then, from collections
de faits I If the things mentioned by our author really do come to
pass, if we really do make live again in imagination individuals and
events, and if we think what is within them--that is to say, if we
think the synthesis of intuition and concept, which is thought in its
concreteness--history is already achieved: what more is wanted? There
is nothing more to seek. Taine replies: "We must seek causes." That is
to say, we must slay the living 'fact' thought by thought, separate
its abstract elements--a useful thing, no doubt, but useful for memory
and practice. Or, as is the custom of Taine, we must misunderstand and
exaggerate the value of the function of this abstract analysis, to lose
ourselves in the mythology of races and ages, or in other different but
none the less similar things. Let us beware how we slay poor facts, if
we wish to think as historians, and in so far as we are such and really
think in that way we shall not feel the necessity for having recourse
either to the extrinsic bond of causes, historical determinism, or to
that which is equally extrinsic of transcendental ends, philosophy of
history. The fact historically thought has no cause and no end outside
itself, but only in itself, coincident with its real qualities and with
its qualitative reality. Because (it is well to note in passing) the
determination of facts as real facts indeed, but of _unknown nature_,
asserted but not understood, is itself also an illusion of naturalism
(which thus heralds its other illusion, that of the 'philosophy of
history'). In thought, reality and quality, existence and essence, are
all one, and it is not possible to affirm a fact as real without at the
same time knowing what fact it is--that is, without qualifying it.
Returning to and remaining in or moving in the concrete fact, or,
rather, making of oneself thought that thinks the fact concretely, we
experience the continual formation and the continual progress of our
historical thought and also make clear to ourselves the history of
historiography, which proceeds in the same manner. And we see how (I
limit myself to this, in order not to allow the eye to wander too far)
from the days of the Greeks to our own historical understanding has
always been enriching and deepening itself, not because abstract causes
and transcendental ends of human things have ever been recovered,
but only because an ever increasing consciousness of them has been
acquired. Politics and morality, religion and philosophy and art,
science and culture and economy, have become more complex concepts and
at the same time better determined and unified both in themselves and
with respect to the whole. Correlatively with this, the histories of
these forms of activity have become ever more complex and more firmly
united. We know 'the causes' of civilization as little as did the
Greeks; and we know as little as they of the god or gods who control
the fortunes of humanity. But we know the theory of civilization better
than did the Greeks, and, for instance, we know (as they did not know,
or did not know with equal clearness and security) that poetry is an
eternal form of the theoretic spirit, that regression or decadence is a
relative concept, that the world is not divided into ideas and shadows
of ideas, or into potencies and acts, that slavery is not a category
of the real, but a historical form of economic, and so forth. Thus it
no longer occurs to anyone (save to the survivals or fossils, still to
be found among us) to write the history of poetry on the principle of
the pedagogic ends that the poets are supposed to have had in view:
on the contrary, we strive to determine the forms expressive of their
sentiments. We are not at all bewildered when we find ourselves before
what are called 'decadences,' but we seek out what new and greater
thing was being developed by means of their dialectic. We do not
consider the work of man to be miserable and illusory, and aspiration
and admiration for the skies and for the ascesis joined thereunto
and averse to earth as alone worthy of admiration and imitation. We
recognize the reality of power in the act, and in the shadows the
solidity of the ideas, and on earth heaven. Finally, we do not find
that the possibility of social life is lost owing to the disappearance
of the system of slavery. Such a disappearance would have been the
catastrophe of reality, if slaves were natural to reality--and so forth.
This conception of history and the consideration of historiographical
work in itself make it possible for us to be just toward historical
determinism and to the 'philosophy of history,' which, by their
continual reappearance, have continually pointed to the gaps in our
knowledge, both historical and philosophical, and with their false
provisional solutions have heralded the correct solutions of the new
problems which we have been propounding. Nor has it been said that
they will henceforth cease to exercise such a function (which is the
beneficial function of Utopias of every sort). And although historical
determinism and the 'philosophy of history' have no history, because
they do not develop, they yet receive a content from the relation in
which they stand to history, which does develop--that is to say,
history develops in them, notwithstanding their covering, extrinsic
to their content, which compels to think even him who proposes to
schematize and to imagine without thinking. For there is a great
difference between the determinism that can now appear, after Descartes
and Vico and Kant and Hegel, and that which appeared after Aristotle;
between the philosophy of history of Hegel and Marx and that of
gnosticism and Christianity. Transcendency and false immanency are at
work in both these conceptions respectively; but the abstract forms
and mythologies that have appeared in more mature epochs of thought
contain this new maturity in themselves. In proof of this, let us
pause but a moment (passing by the various forms of naturalism) at
the case of the 'philosophy of history.' We observe already a great
difference between the philosophy of history, as it appears in the
Homeric world, and that of Herodotus, with whom the conception of the
anger of the gods is a simulacrum of the moral law, which spares the
humble and treads the proud underfoot; from Herodotus to the Fate of
the Stoics, a law to which the gods themselves are subjected, and from
this to the conception of Providence, which appears in late antiquity
as wisdom that rules the world; from this pagan providence again to
Christianity, which is divine justice, evangelical preparation, and
educative care of the human race, and so on, to the refined providence
of the theologians, which as a rule excludes divine intervention
and operates by means of secondary causes, to that of Vico, which
operates as dialectic of the spirit, to the Idea of Hegel, which is the
gradual conquest of the consciousness of self, which liberty achieves
during the course of history, till we finally reach the mythology of
progress and of civilization, which still persists and is supposed to
tend toward the final abolition of prejudices and superstitions, to
be carried out by means of the increasing power and divulgation of
positive science.
In this way the 'philosophy of history' and historical determinism
sometimes attain to the thinness and transparency of a veil, which
covers and at the same time reveals the concreteness of the real in
thought. Mechanical causes thus appear idealized, transcendent deities
humanized, and facts are in great part divested of their brutal aspect.
But however thin the veil may be, it remains a veil, and however
clear the truth may be, it is not altogether clear, for at bottom
the false persuasion still persists that history is constructed with
the 'material' of brute facts, with the 'cement' of causes, and with
the 'magic' of ends, as with three successive or concurrent methods.
The same thing occurs with religion, which in lofty minds liberates
itself almost altogether from vulgar beliefs, as do its ethics from the
heteronomy of the divine command and from the utilitarianism of rewards
and punishments. Almost altogether, but not altogether, and for this
reason religion will never be philosophy, save by negating itself, and
thus the 'philosophy of history' and historical determinism will become
history only by negating themselves. The reason is that as long as they
proceed in a positive manner dualism will also persist, and with it the
torment of scepticism and agnosticism as a consequence.
The negation of the philosophy of history, in history understood
concretely, is its ideal dissolution, and since that so-called
philosophy is nothing but an abstract and negative moment, our reason
for affirming that _the philosophy of history_ is dead is clear. It
is dead in its positivity, dead as a body of doctrine, dead in this
way, with all the other conceptions and forms of the transcendental.
I do not wish to attach to my brief (but in my opinion sufficient)
treatment of the argument the addition of an explanation which to some
will appear to be (as it appears to me) but little philosophical and
even somewhat trivial. Notwithstanding, since I prefer the accusation
of semi-triviality to that of equivocation, I shall add that since the
criticism of the 'concepts' of cause and transcendental finality does
not forbid the use of these 'words,' when they are simple words (to
talk, for example, in an imaginative way of liberty as of a goddess, or
to say, when about to undertake a study of Dante, that our intention is
to 'seek the cause' or 'causes' of this or that work or act of his),
so nothing forbids our continuing to talk of 'philosophy of history'
and of philosophizing history, meaning the necessity of treating or of
a better treatment of this or that historical problem. Neither does
anything forbid our calling the researches of historical gnoseology
'philosophy of history,' although in this case we are treating the
history, not properly of _history_, but of _historiography_, two things
which are wont to be designated with the same word in Italian as in
other languages. Neither do we wish to prevent the statement (as did a
German professor years ago) that the 'philosophy of history' must be
treated as 'sociology'--that is to say, the adornment with that ancient
title of so-called sociology, the empirical science of the state, of
society and of culture.
These denominations are all permissible in virtue of the same right
as that invoked by the adventurer Casanova when he went before the
magistrates in order to justify himself for having changed his
name--"the right of every man to the letters of the alphabet." But the
question treated above is not one of the letters of the alphabet. The
'philosophy of history,' of which we have briefly shown the genesis and
the dissolution, is not one that is used in various senses, but a most
definite mode of conceiving history--the transcendental mode.
V
THE POSITIVITY OF HISTORY
We therefore meet the well-known saying of Fustel de Coulanges that
there are certainly "history and philosophy, but not the philosophy
of history," with the following: there is neither philosophy nor
history, nor philosophy of history, but history which is philosophy
and philosophy which is history and is intrinsic to history. For this
reason, all the controversies--and foremost of all those concerned
with progress--which philosophers, methodologists of history, and
sociologists believe to belong to their especial province, and flaunt
at the beginning and the end of their treatises, are reduced for us to
simple problems of philosophy, with historical motivation, all of them
connected with the problems of which philosophy treats.
In controversies relating to progress it is asked whether the work of
man be fertile or sterile, whether it be lost or preserved, whether
history have an end, and if so of what sort, whether this end be
attainable in time or only in the infinite, whether history be progress
or regress, or an interchange between progress and regress, greatness
and decadence, whether good or evil prevail in it, and the like. When
these questions have been considered with a little attention we shall
see that they resolve themselves substantially into three points: the
conception of development, that of end, and that of value. That is to
say, they are concerned with the whole of reality, and with history
only when it is precisely the whole of reality. For this reason they
do not belong to supposed particular sciences, to the philosophy of
history, or to sociology, but to philosophy and to history in so far
as it is philosophy. When the ordinary current terminology has been
translated into philosophical terms it calls forth immediately the
thesis, antithesis, and synthesis by means of which those problems
have been thought and solved during the course of philosophy, to
which the reader desirous of instruction must be referred. We can
only mention here that the conception of reality as development is
nothing but the synthesis of the two one-sided opposites, consisting
of permanency without change and of change without permanency, of
an identity without diversity and of a diversity without identity,
for development is a perpetual surpassing, which is at the same
time a perpetual conservation. From this point of view one of the
conceptions that has had the greatest vogue in historical books, that
of _historical circles,_ is revealed as an equivocal attempt to issue
forth from a double one-sidedness and a falling back into it, owing to
an equivocation. Because either the series of circles is conceived as
composed of identicals and we have only permanency, or it is conceived
as of things diverse and we have only change. But if, on the contrary,
we conceive it as circularity that is perpetually identical and at the
same time perpetually diverse, in this sense it coincides with the
conception of development itself.
In like manner, the opposite theses, as to the attainment or the
impossibility of attainment of the end of history, reveal their common
defect of positing the end as _extrinsic_ to history, conceiving
of it either as that which can be reached in time (_progressus ad
finitum_), or as that which can never be attained, but only infinitely
approximated (_progressus ad infinitum_). But where the end has been
correctly conceived as _internal_--that is to say, all one with
development itself--we must conclude that it is attained at every
instant, and at the same time not attained, because every attainment
is the formation of a new prospect, whence we have at every moment the
satisfaction of possession, and arising from this the dissatisfaction
which drives us to seek a new possession.[1]
Finally, the conceptions of history as a passage from evil to good
(progress), or from good to evil (decadence, regression), take their
origin from the same error of entifying and making extrinsic good and
evil, joy and sorrow (which are the dialectical construction of reality
itself). To unite them in the eclectic conception of an alternation of
good and evil, of progress and regress, is incorrect. The true solution
is that of progress understood not as a passage from evil to good, as
though from one state to another, but as the passage from the good to
the better, in which the evil is the good itself seen in the light of
the better.
These are all philosophical solutions which are at variance with
the superficial theses of controversialists (dictated to them by
sentimental motives or imaginative combinations, really mythological
or resulting in mythologies), to the same extent that they are in
accordance with profound human convictions and with the tireless toil,
the trust, the courage, which constitute their ethical manifestations.
By drawing the consequences of the dialectical conception of progress
something more immediately effective can be achieved in respect to the
practice and history of historiography. For we find in that conception
the origin of a historical maxim, in the mouth of every one, yet
frequently misunderstood and frequently violated--that is to say, that
to history pertains not to _judge,_ but to _explain,_ and that it
should be not _subjective_ but _objective._
Misunderstood, because the judging in question is often taken in the
sense of logical judgment, of that judgment which is thinking itself,
and the subjectivity, which would thus be excluded, would be neither
more nor less than the subjectivity of thought. In consequence of this
misunderstanding we hear historians being advised to purge themselves
of theories, to refrain from the disputes arising from them, to
restrict themselves to facts, collecting, arranging, and squeezing out
the sap (even by the statistical method). It is impossible to follow
such advice as this, as may easily be seen, for such 'abstention from
thought' reveals itself as really abstention from 'seriousness of
thought,' as a surreptitious attaching of value to the most vulgar and
contradictory thoughts, transmitted by tradition, wandering about idly
in the mind, or flashing out as the result of momentary caprice. The
maxim is altogether false, understood or misunderstood in this way,
and it must be taken by its opposite--namely, that history must always
judge strictly, and that it must always be energetically subjective
without allowing itself to be confused by the conflicts in which
thought engages or by the risks that it runs. For it is thought itself,
and thought alone, which gets over its own difficulties and dangers,
without falling even here into that frivolous eclecticism which tries
to find a middle term between our judgment and that of others, and
suggests various neutral and insipid forms of judgment.
But the true and legitimate meaning, the original motive for that
'judging,' that 'subjectivity,' which it condemns, is that history
should not apply to the deeds and the personages that are its material
the qualifications of good and evil, as though there really were
good and evil facts in the world, people who are good and people
who are evil. And it is certainly not to be denied that innumerable
historiographers, or those who claim to be historiographers, have
really striven and still strive along those lines, in the vain and
presumptuous attempt to reward the good and punish the evil, to qualify
historical epochs as representing progress or decadence--in a word,
to settle what is good and what is evil, as though it were a question
of separating one element from another in a compound, hydrogen from,
oxygen.
Whoever desires to observe intrinsically the above maxim, and by
doing so to set himself in accordance with the dialectic conception
of progress, must in truth look upon every trace or vestige of
propositions affirming evil, regression, or decadence as real facts,
as a sign of imperfection--in a word, he must condemn every trace
or vestige of _negative_ judgments. If the course of history is not
the passage from evil to good, or alternative good and evil, but the
passage from the good to the better, if history should explain and
not condemn, it will pronounce only _positive_ judgments, and will
forge chains of good, so solid and so closely linked that it will
not be possible to introduce into them even a little link of evil or
to interpose empty spaces, which in so far as they are empty would
not represent good but evil. A fact that seems to be only evil, an
epoch that appears to be one of complete decadence, can be nothing
but a _non-historical_ fact--that is to say, one which has not been
historically treated, not penetrated by thought, and which has remained
the prey of sentiment and imagination.
Whence comes the phenomenology of good and evil, of sin and repentance,
of decadence and resurrection, save from the consciousness of the
agent, from the act which is in labour to produce a new form of
life?[2] And in that act the adversary who opposed us is in the
wrong; the state from which we wish to escape, and from which we
are escaping, is unhappy; the new one toward which we are tending
becomes symbolized as a dreamed-of felicity to be attained, or as
a past condition to restore, which is therefore most beautiful in
recollection (which here is not recollection, but imagination). Every
one knows how these things present them-selves to us in the course
of history, manifesting themselves in poetry, in Utopias, in stories
with a moral, in detractions, in apologies, in myths of love, of
hate, and the like. To the heretics of the Middle Ages and to the
Protestant reformers the condition of the primitive Christians seemed
to be most lovely and most holy, that of papal Christians most evil
and debased. The Sparta of Lycurgus and the Rome of Cincinnatus seemed
to the Jacobins to be as admirable as France under the Carlovingians
and the Capetians was detestable. The humanists looked upon the lives
of the ancient poets and sages as luminous and the life of the Middle
Ages as dense darkness. Even in times near our own has been witnessed
the glorification of the Lombard communes and the depreciation of
the Holy Roman Empire, and the very opposite of this, according as
the facts relating to these historical events were reflected in the
consciousness of an Italian longing for the independence of Italy or
of a German upholding the holy German empire of Prussian hegemony.
And this will always happen, because such is the phenomenology of the
practical consciousness, and these practical valuations will always
be present to some extent in the works of historians. As works, these
are not and cannot ever be pure history, quintessential history; if in
no other way, then in their phrasing and use of metaphors they will
reflect the repercussion of practical needs and efforts directed toward
the future. But the historical consciousness, as such, is logical and
not practical consciousness, and indeed makes the other its object;
history once lived has become in it thought, and the antitheses of will
and feeling that formerly offered resistance have no longer a place in
thought.
For if there are no good and evil facts, but facts that are always good
when understood in their intimate being and concreteness, there are not
opposite sides, but that wider side that embraces both the adversaries
and which happens just to be historical consideration. Historical
consideration, therefore, recognizes as of equal right the Church of
the catacombs and that of Gregory VII, the tribunes of the Roman people
and the feudal barons, the Lombard League and the Emperor Barbarossa.
History never metes out justice, but always _justifies_; she could not
carry out the former act without making herself unjust--that is to say,
confounding thought with life, taking the attractions and repulsions of
sentiment for the judgments of thought.
Poetry is satisfied with the expression of sentiment, and it is worthy
of note that a considerable historian, Schlosser, wishing to reserve
for himself the right and duty of judging historical facts with
Kantian austerity and abstraction, kept his eyes fixed on the _Divine
Comedy_--that is to say, a poetical work--as his model of treatment.
And since there are poetical elements in all myths, we understand why
the conception of history known as _dualistic_--that is to say, of
history as composed of two currents, which mix but never resolve in one
another their waters of good and evil, truth and error, rationality and
irrationality--should have formed a conspicuous part, not only of the
Christian religion, but also of the mythologies (for they really are
such) of humanism and of illuminism. But the detection of this problem
of the duality of values and its solution in the superior unity of
the conception of development is the work of the nineteenth century,
which on this account and on account of other solutions of the same
kind (certainly not on account of its philological and archæological
richness, which was relatively common to the four preceding centuries)
has been well called 'the century of history.'
Not only, therefore, is history unable to discriminate between facts
that are good and facts that are evil, and between epochs that are
progressive and those that are regressive, but it does not begin until
the psychological conditions which rendered possible such antitheses
have been superseded and substituted by an act of the spirit, which
seeks to ascertain what function the fact or the epoch previously
condemned has fulfilled--that is to say, what it has produced of its
own in the course of development, and therefore what it has produced.
And since all facts and epochs are productive in their own way, not
only is not one of them to be condemned in the light of history, but
all are to be praised and venerated. A condemned fact, a fact that is
repugnant, is not yet a historical proposition, it is hardly even the
premiss of a historical problem to be formulated. A negative history is
a non-history so long as its negative process substitutes itself for
thought, which is affirmative, and does not maintain itself within its
practical and moral bounds and limit itself to poetical expressions and
empirical modes of representation, in respect of all of which we can
certainly speak (speak and not think), as we do speak at every moment,
of bad men and periods of decadence and regression.
If the vice of negative history arises from the separation, the
solidification, and the opposition of the dialectical antitheses
of good and evil and the transformation of the ideal moments of
development into entities, that other deviation of history which
may be known as elegiac history arises from the misunderstanding of
another necessity of that conception--that is to say, the perpetual
constancy, the perpetual conservation of what has been acquired. But
this is also false by definition. What is preserved and enriched
in the course of history is history itself, spirituality. The past
does not live otherwise than in the present, as the force of the
present, resolved and transformed in the present. Every particular
form, individual, action, institution, work, thought, is destined to
perish: even art, which is called eternal (and is so in a certain
sense), perishes, for it does not live, save to the extent that it
is reproduced, and therefore transfigured and surrounded with new
light, in the spirit of posterity. Finally, truth itself perishes,
particular and determined truth, because it is not rethinkable, save
when included in the system of a vaster truth, and therefore at the
same time transformed. But those who do not rise to the conception of
pure historical consideration, those who attach themselves with their
whole soul to an individual, a work, a belief, an institution, and
attach themselves so strongly that they cannot separate themselves
from it in order to objectify it before themselves and think it, are
prone to attribute the immortality which belongs to the spirit in
universal to the spirit in one of its particular and determined forms;
and since that form, notwithstanding their efforts, dies, and dies
in their arms, the universe darkens before their gaze, and the only
history that they can relate is the sad one of the agony and death of
beautiful things. This too is poetry, and very lofty poetry. Who can do
otherwise than weep at the loss of a beloved one, at separation from
something dear to him, cannot see the sun extinguished and the earth
tremble and the birds cease their flight and fall to earth, like Dante,
on the loss of his beloved "who was so beautiful"? But history is never
_history of death_, but _history of life_, and all know that the proper
commemoration of the dead is the knowledge of what they did in life,
of what they produced that is working in us, the history of their life
and not of their death, which it behoves a gentle soul to veil, a soul
barbarous and perverse to exhibit in its miserable nakedness and to
contemplate with unhealthy persistence. For this reason all histories
which narrate the death and not the life of peoples, of states, of
institutions, of customs, of literary and artistic ideals, of religious
conceptions, are to be considered false, or, we repeat, simply poetry,
where they attain to the level of poetry. People grow sad and suffer
and lament because that which was is no longer. This would resolve
itself into a mere tautology (because if it was, it is evident that it
is no longer), were it not conjoined to the neglect of recognizing what
of that past has not perished--that is to say, that past in so far as
it is not past but present, the eternal life of the past. It is in this
neglect, in the incorrect view arising out of it, that the falsity of
such histories resides.
It sometimes happens that historians, intent upon narrating those
scenes of anguish in a lugubrious manner and upon celebrating the
funerals which it pleases them to call histories, remain partly
astounded and partly scandalized when they hear a peal of laughter, a
cry of joy, a sigh of satisfaction, or find an enthusiastic impulse
springing up from the documents that they are searching. How, they
ask, could men live, make love, reproduce their species, sing, paint,
discuss, when the trumps were sounding east and west to announce the
end of the world? But they do not see that such an end of the world
exists only in their own imaginations, rich in elegiac motives, but
poor in understanding. They do not perceive that such importunate
trumpet-calls have never in reality existed. These are very useful,
on the other hand, for reminding those who may have forgotten it that
history always pursues her indefatigable work, and that her apparent
agonies are the travail of a new birth, and that what are believed to
be her expiring sighs are moans that announce the birth of a new world.
History differs from the individual who dies because, in the words of
Alcmæon of Crete, he is not able τὴν ἀρχήν τῷ τέλει προσάψαι, to join
his beginning to his end: history never dies, because she always joins
her beginning to her end.
[1] For the complete development of these conceptions, see my study
of _The Conception of Becoming_, in the _Saggio sullo Hegel seguito
da altri scritti di storia della filosofia_, pp. 149-175 (Bari,
1913). (English translation of the work on Hegel by Douglas Ainslie.
Macmillan, London.)
[2] For what relates to this section, see my treatment of _Judgments of
Value,_ in the work before cited.
VI
THE HUMANITY OF HISTORY
Enfranchising itself from servitude to extra-mundane caprice and
to blind natural necessity, freeing itself from transcendency and
from false immanence (which is in its turn transcendency), thought
conceives history as the work of man, as the product of human will
and intellect, and in this manner enters that form of history which
we shall call _humanistic._ This humanism first appears as in simple
contrast to nature or to extra-mundane powers, and posits dualism.
On the one side is man, with his strength, his intelligence, his
reason, his prudence, his will for the good; on the other there is
something that resists him, strives against him, upsets his wisest
plans, breaks the web that he has been weaving and obliges him to weave
it all over again. History, envisaged from the view-point of this
conception, is developed entirely from the first of these two sides,
because the other does not afford a dialectical element which can be
continually met and superseded by the first, giving rise to a sort of
interior collaboration, but represents the absolutely extraneous, the
capricious, the accidental, the meddler, the ghost at the feast. Only
in the former do we find rationality combined with human endeavour,
and thus the possibility of a rational explication of history. What
comes from the other side is announced, but not explained: it is not
material for history, but at the most for chronicle. This first form of
humanistic history is known under the various names of _rationalistic,
intellectualistic, abstractistic, individualistic, psychological_
history, and especially under that of _pragmatic_ history. It is a
form generally condemned by the consciousness of our times, which has
employed these designations, especially _rationalism_ and _pragmatism_,
to represent a particular sort of historiographical insufficiency and
inferiority, and has made proverbial the most characteristic pragmatic
explanations of institutions and events, as types of misrepresentation
into which one must beware of falling if one wish to think history
seriously. But as happens in the progress of culture and science, even
if the condemnation be cordially accepted and no hesitation entertained
as to drawing practical consequences from it in the field of actuality,
there is not an equally clear consciousness of the reasons for this,
or of the thought process by means of which it has been attained. This
process we may briefly describe as follows.
Pragmatic finds the reasons for historical facts in man, but in man
_in so far as he is an individual made abstract_, and thus opposed
as such not only to the universe, but to other men, who have also
been made abstract. History thus appears to consist of the mechanical
action and reaction of beings, each one of whom is shut up in himself.
Now no historical process is intelligible under such an arrangement,
for the sum of the addition is always superior to the numbers added.
To such an extent is this true that, not knowing which way to turn
in order to make the sum come out right, it became necessary to
excogitate the doctrine of 'little causes,' which were supposed to
produce 'great effects.' This doctrine is absurd, for it is clear
that great effects can only have real causes (if the illegitimate
conceptions of great and small, of cause and effect, be applicable
here). Such a formula, then, far from expressing the law of historical
facts, unconsciously expresses the defects of the doctrine, which
is inadequate for its purpose. And since the rational explanation
fails, there arise crowds of fancies to take its place, which are all
conceived upon the fundamental motive of the abstract individual. The
pragmatic explanation of religions is characteristic of this; these
are supposed to have been produced and maintained in the world by the
economic cunning of the priests, taking advantage of the ignorance
and credulity of the masses. But historical pragmatic does not
always present itself in the guise of this egoistic and pessimistic
inspiration. It is not fair to accuse it of egoism and utilitarianism,
when the true accusation should, as we have already said, be levelled
at its abstract individualism. This abstract individualism could be and
sometimes was conceived even as highly moral, for we certainly find
among the pragmatics sage legislators, good kings, and great men, who
benefit humanity by means of science, inventions, and well-organized
institutions. And if the greedy priest arranged the deceit of
religions, if the cruel despot oppressed weak and innocent people, and
if error was prolific and engendered the strangest and most foolish
customs, yet the goodness of the enlightened monarch and legislator
created the happy epochs, caused the arts to flourish, encouraged
poets, aided discoveries, encouraged industries. From these pragmatic
conceptions is derived the verbal usage whereby we speak of the age of
Pericles, of that of Augustus, of that of Leo X, or of that of Louis
XIV. And since fanciful explanations do not limit themselves merely
to individuals physically existing, but also employ facts and small
details, which are also made abstract and shut up in themselves, being
thus also turned into what Vico describes as 'imaginative universals,'
in like manner all these modes of explanation known as 'catastrophic'
and making hinge the salvation or the ruin of a whole society upon the
virtue of some single fact are also derived from pragmatic. Examples
of this, which have also become proverbial, because they refer to
concepts that have been persistently criticized by the historians of
our time, are the fall of the Roman Empire, explained as the result
of barbarian invasions, European civilization of the twelfth and
thirteenth centuries, as the result of the Crusades, the renascence
of classical literatures, as the result of the Turkish conquest of
Constantinople and of the immigration of the learned Byzantines into
Italy--and the like. And in just the same way as when the conception
of the single individual did not furnish a sufficient explanation
recourse was for that reason had to a multiplicity of individuals, to
their co-operation and conflicting action, so here, when the sole cause
adduced soon proved itself too narrow, an attempt was made to make up
for the insufficiency of the method by the search for and enumeration
of multiple historical causes. This enumeration threatened to proceed
to the infinite, but, finite or infinite as it might be, it never
explained the process to be explained, for the obvious reason that the
continuous is never made out of the discontinuous, however much the
latter may be multiplied and solidified. The so-called theory of the
causes or factors of history, which survives in modern consciousness,
together with several other mental habits of pragmatic, although
generally inclined to follow other paths, is rather a confession of
powerlessness to dominate history by means of individual causes,
or causes individually conceived, than a theory; far from being a
solution, it is but a reopening of the problem.
Pragmatic therefore fails to remain human--that is to say, to develop
itself as rationality; even in the human side to which it clings and
in which it wishes to maintain and oppose itself to the natural or
extra-natural; and having already made individuals irrational and
unhuman by making them abstract, it gradually has recourse to other
historical factors, and arrives finally at natural causes, which do
not differ at all in their abstractness from other individual causes.
This means that pragmatic, which had previously asserted itself as
humanism, falls back into naturalism, from which it had distinctly
separated itself. And it falls into it all the more, seeing that, as
has been noted, human individuals have been made abstract, not only
among themselves, but toward the rest of the universe, which remains
facing them, as though it were an enemy. What is it that really rules
history according to this conception? Is it man, or extra-human powers,
natural or divine? The claim that history exists only as an individual
experience is not maintainable; and in the pragmatic conception another
agent in history is always presumed, an extra-human being which, at
different times and to different thinkers, is known as fate, chance,
fortune, nature, God, or by some other name. During the period at which
pragmatic history flourished, and there was much talk of reason and
wisdom, an expression of a monarchical or courtly tinge is to be found
upon the lips of a monarch and of a philosopher who was his friend:
homage was paid to _sa Majesté le Hasard!_ Here too there is an attempt
to patch up the difficulty and to seek eclectic solutions; in order
to get out of it, we find pragmatic affirming that human affairs are
conducted half by prudence and half by fortune, that intelligence
contributes one part, fortune another, and so on. But who will assign
the just share to the two competitors? Will not he who does assign it
be the true and only maker of history? And since he who does assign
it cannot be man, we see once again how pragmatic leads directly to
transcendency and irrationality through its naturalism. It leads to
irrationality, accompanied by all its following of inconveniences
and by all the other dualisms that it brings with it and which are
particular aspects of itself, such as the impossibility of development,
regressions, the triumph of evil. The individual, engaged with external
forces however conceived, sometimes wins, at other times loses; his
victory itself is precarious, and the enemy is always victorious,
inflicting losses upon him and making his victories precarious.
Individuals are ants crushed by a piece of rock, and if some ant
escapes from the mass that falls upon it and reproduces the species,
which begins again the labour from the beginning, the rock will fall,
or always may fall, upon the new generation and may crush all of its
members, so that it is the arbiter of the lives of the industrious
ants, to which it does much injury and no good. This is as pessimistic
a view as can be conceived.
These difficulties and vain-tentatives of pragmatic historiography have
caused it to be looked upon with disfavour and to be rejected in favour
of a superior conception, which preserves the initial humanistic motive
and, removing from it the abstractness of the atomicized individual,
assures it against any falling back into agnosticism, transcendency,
or the despair caused by pessimism. The conception that has completed
the criticism of pragmatic and the redemption of humanism has been
variously and more or less well formulated in the course of the
history of thought as mind or reason that constructs history, as the
'providence' of mind or the 'astuteness' of reason.
The great value of this conception is that it changes humanism from
abstract to concrete, from monadistic or atomistic to idealistic,
from something barely human into something cosmic, from unhuman
humanism, such as that of man shut up in himself and opposed to man,
into humanism that is really human, the humanity common to men,
indeed to the whole universe, which is all humanity, even in its most
hidden recesses--that is to say, spirituality. And history, according
to this conception, as it is no longer the work of nature or of an
extra-mundane God, so it is not the impotent work of the empirical
and unreal individual, interrupted at every moment, but the work
of that individual which is truly real and is the eternal spirit
individualizing itself. For this reason it has no adversary at all
opposed to it, but every adversary is at the same time its subject
--that is to say, is one of the aspects of that dialecticism which
constitutes its inner being. Again, it does not seek its principle of
explanation in a particular act of thought or will, or in a single
individual or in a multitude of individuals, or in an event given as
the cause of other events, or in a collection of events that form the
cause of a single event, but seeks and places it in the process itself,
which is born of thought and returns to thought, and is intelligible
through the auto-intelligibility of thought, which never has need of
appealing to anything external to itself in order to understand itself.
The explanation of history becomes so truly, because it coincides with
its explication; whereas explanation by means of abstract causes is a
breaking up of the process; the living having been slain, there is a
forced attempt made to obtain life by setting the severed head again
upon the shoulders.
When the historians of our day, and the many sensible folk who do not
make a profession of philosophy, repeat that the history of the world
does not depend upon the will of individuals, upon such accidents as
the length of Cleopatra's nose, or upon anecdotes; that no historical
event has ever been the result of deception or misunderstanding, but
that all have been due to persuasion and necessity; that there is some
one who has more intelligence than any individual whatever--the world;
that the explanation of a fact is always to be sought in the entire
organism and not in a single part torn from the other parts; that
history could not have been developed otherwise than it has developed,
and that it obeys its own iron logic; that every fact has its reason
and that no individual is completely wrong; and numberless propositions
of the same sort, which I have assembled promiscuously--they are
perhaps not aware that with such henceforth obvious statements they
are repeating the criticism of pragmatic history (and implicitly that
of theological and naturalistic history) and affirming the truth of
idealistic history. Were they aware of this, they would not mingle
with these propositions others which are their direct contradiction,
relating to causes, accidents, decadences, climates, races, and so
on, which represent the detritus of the conception that has been
superseded. For the rest, it is characteristic of the consciousness
called common or vulgar to drag along with it an abundant detritus of
old, dead concepts mingled with the new ones; but this does not detract
from the importance of its enforced recognition of the new concept,
which it substantially follows in its judgments.
Owing to the already mentioned resolution of all historiographical
questions into general philosophy, it would not be possible to
give copious illustrations of the new concept of history which the
nineteenth century has accepted in place of the pragmatic conception
without giving a lengthy exposition of general philosophy, which, in
addition to the particular inconvenience its presence would have here,
would lead to the repetition of things elsewhere explained. Taking the
position that history is the work, not of the abstract individual, but
of reason or providence, as admitted, I intend rather to correct an
erroneous mode of expressing that doctrine which I believe that I have
detected. I mean the form given to it by Vico and by Hegel, according
to which Providence or Reason makes use of the particular ends and
passions of men, in order to conduct them unconsciously to more lofty
spiritual conditions, making use for this purpose of benevolent cunning.
Were this form exact, or were it necessary to take it literally (and
not simply as an imaginative and provisional expression of the truth),
I greatly fear that a shadow of dualism and transcendency would appear
in the heart of the idealistic conception. For in this position of
theirs toward the Idea or Providence, individuals would have to be
considered, if not as _deluded_ (satisfied indeed beyond their desires
and hopes), then certainly as _illuded_, even though benevolently
illuded. Individuals and Providence, or individuals and Reason, would
not make one, but two; and the individual would be inferior and the
Idea superior--that is to say, dualism and the reciprocal transcendency
of God and the world would persist. This, on the other hand, would not
be at variance from the historical point of view with what has been
several times observed as to the theological residue at the bottom
of Hegel's, and yet more of Vico's, thought. Now the claim of the
idealistic conception is that individual and Idea make one and not
two--that is to say, perfectly coincide and are identified. For this
reason, there must be no talking (save metaphorically) of the wisdom of
the Idea and of the folly or illusion of individuals.
Nevertheless it seems indubitably certain that the individual acts
through the medium of infinite illusions, proposing to himself ends
that he fails to attain and attaining ends that he has not seen.
Schopenhauer (imitating Hegel) has made popular the illusions of
love, by means of which the will leads the individual to propagate
the species; and we all know that illusions are not limited to those
that men and women exercise toward one another (_les tromperies
réciproques_), but that they enter into our every act, which is always
accompanied by hopes and mirages that are not followed by realization.
And the illusion of illusions seems to be this: that the individual
believes himself to be toiling to live and to intensify his life more
and more, whereas he is really toiling to die. He wishes to see his
work completed as the affirmation of his life, and its completion is
the passing away of the work; he toils to obtain peace in life, but
peace is on the contrary death, which alone is peace. How then are we
to deny this dualism between the illusion of the individual and the
reality of the work, between the individual and the Idea? How are we to
refute the only explanation which seems to compose in some measure the
discord--namely, that the Idea turns the illusions of the individual to
its own ends, even though this doctrine lead inevitably to a sort of
transcendency of the Idea?
But the real truth is that what results from the observations and
objections above exposed is not the illusion of the individual who
loves, who tries to complete his work, who sighs for peace, but rather
the illusion of him who believes that the individual is illuded: the
illusory is the illusion itself. And this illusion appears in the
phenomenology of the spirit as the result of the well-known abstractive
process, which breaks up unity in an arbitrary manner and in this case
separates the result from the process or actual acting, in which alone
the former is real; the accompaniment from the accompanied, which is
all one with the accompaniment, because there is not spirit and its
escort, but only the one spirit in its development, the single moments
of the process, of the continuity, which is their soul; and so on.
That illusion arises in the individual when he begins to reflect upon
himself, and at the beginning of that reflection, which is at the same
time a dialectical process. But in concrete reflection, or rather in
concrete consciousness, he discovers that there is no end that has not
been realized, as well as it could, in the process, in which it was
never an absolute end--that is to say, an abstract end, but both a
means and an end.
To return to the popular theory of Schopenhauer, only he who looks
upon men as animals, or worse than animals, can believe that love is a
process that leads only to the biological propagation of the species,
when every man knows that he fecundates his own soul above all prior
to the marriage couch, and that images and thoughts and projects and
actions are created before children and in addition to them. Certainly,
we are conscious of the moments of an action as it develops--that is
to say, of its passage and not of its totality seen in the light of
a new spiritual situation, such as we strive to obtain when, as we
say, we leave the tumult behind us and set ourselves to write our own
history. But there is no illusion, either now or then; neither now nor
then is there the abstract individual face to face with a Providence
who succeeds in deceiving him for beneficial ends, acting rather as
a doctor than as a serious educator, and treating the race of men as
though they were animals to train and make use of, instead of men to
educate--that is to say, develop.
After having concentrated the mind upon a thought of Vico and of
Hegel, can it be possible to set ourselves down to examine those of
others which afford material to the controversies of historians and
methodologists of history of our time? These represent the usual form
in which appear the problems concerning the relation between the
individual and the Idea, between pragmatic and idealistic history.
Perhaps the patience necessary for the descent into low haunts is
meritorious and our duty; perhaps there may be some useful conclusion
to be drawn from these common disputes; but I must beg to be excused
for not taking part in them and for limiting myself to the sole remark
that the question which has been for some time discussed, whether
history be the history of 'masses' or of 'individuals,' would be
laughable in its very enunciation, if we were to understand by 'mass'
what the word implies, a complex of individuals. And since it is not
a good method to attribute laughable ideas to adversaries, it may be
supposed that on this occasion what is meant by 'mass' is something
else, which moves the mass of individuals. In this case, anyone can see
that the problem is the same as that which has just been examined. The
conflict between 'collectivistic' and 'individualistic' historiography
will never be composed so long as the former assigns to collectivity
the power that is creative of ideas and institutions, and the latter
assigns it to the individual of genius, for both affirmations are true
in what they include and false in what they exclude--that is to say,
not only in their exclusion of the opposed thesis, but also in the
tacit exclusion, which they both make, of totality as idea.
A warning as to a historiographical method, so similar in appearance
to that which I have been defending as to be confounded with it, may
perhaps be more opportune. This method, which is variously called
_sociological, institutional,_ and _of values,_ preserves among the
variety of its content and the inequality of mental level noticeable
in its supporters the general and constant characteristic of believing
that true history consists of the history of societies, institutions,
and human values, not of individual values. The history of individuals,
according to this view, is excluded, as being a parallel or inferior
history, and its inferiority is held to be due either to the slight
degree of interest that it is capable of arousing or to its lack of
intelligibility. In the latter case (by an inversion on this occasion
of the attitude of contempt which was noted in pragmatic history) it
is handed over to chronicle or romance. But in such dualism as this,
and in the disagreement which persists owing to that dualism, lies the
profound difference between the empirical and naturalistic conceptions
of value, of institutions, and of societies, and the idealistic
conception. This conception does not contemplate the establishment of
an abstract history of the spirit, of the abstract universal, side by
side with or beyond abstract individualistic or pragmatic history,
but the understanding that individual and idea, taken separately, are
two equivalent abstractions, each equally unfitted for supplying
its subject to history, and that true history is the history of the
individual in so far as he is universal and of the universal in so
far as individual. It is not a question of abolishing Pericles to the
advantage of politics, or Plato to the advantage of philosophy, or
Sophocles to the advantage of tragedy; but to think and to represent
politics, philosophy, and tragedy as Pericles, Plato, and Sophocles,
and these as each one of the others in one of their particular
moments. Because if each one of these is the shadow of a dream outside
its relation with the spirit, so likewise is the spirit outside its
individualizations, and to attain to universality in the conception of
history is to render both equally secure with that security which they
mutually confer upon one another. Were the existence of Pericles, of
Sophocles, and of Plato indifferent, would not the existence of the
idea have for that very reason been pronounced indifferent? Let him who
cuts individuals out of history but pay close attention and he will
perceive that either he has not cut them out at all, as he imagined, or
he has cut out with them history itself.
VII
CHOICE AND PERIODIZATION
Since a fact is historical in so far as it is thought, and since
nothing exists outside thought, there can be no sense whatever in the
question, What are _historical facts_ and what are _non-historical
facts?_ A non-historical fact would be a fact that has not been thought
and would therefore be non-existent, and so far no one has yet met
with a non-existent fact. A historical thought links itself to and
follows another historical thought, and then another, and yet another;
and however far we navigate the great sea of being, we never leave the
well-defined sea of thought. But it remains to be explained how the
illusion is formed that there are two orders of facts, historical and
non-historical. The explanation is easy when we recollect what has been
said as to the chroniclizing of history which dies as history, leaving
behind it the mute traces of its life, and also as to the function of
erudition or philology, which preserves these traces for the ends of
culture, arranging scattered items of news, documents, and monuments
in an orderly manner. News, documents, and monuments are innumerable,
and to collect them all would not only be impossible, but contrary to
the ends themselves of culture, which, though aided in its work by the
moderate and even copious supply of such things, would be hindered and
suffocated by their exuberance, not to say infinity. We consequently
observe that the annotator of news transcribes some items and omits
the rest; the collector of papers arranges and ties up in a bundle a
certain number of them, tearing up or burning or sending to the dealer
in such things a very large quantity, which forms the majority; the
collector of antiques places some objects in glass cases, others in
temporary safe custody, others he resolutely destroys or allows to be
destroyed; if he does otherwise, he is not an intelligent collector,
but a maniacal amasser, well fitted to provide (as he has provided)
the comic type of the antiquarian for fiction and comedy. For this
reason, not only are papers jealously collected and preserved in
public archives, and lists made of them, but efforts are also made
to discard those that are useless. It is for this reason that in the
recensions of philologists we always hear the same song in praise of
the learned man who has made a 'sober' use of documents, of blame for
him who has followed a different method and included what is vain and
superfluous in his volumes of annals, of selections from archives,
or of collections of documents. All learned men and philologists, in
fact, select, and all are advised to select. And what is the logical
criterion of this selection? There is none: no logical criterion can
be named that shall determine what news or what documents are or are
not useful and important, just because we are here occupied with a
practical and not with a scientific problem. Indeed, this lack of a
logical criterion is the foundation of the sophism that tyrannizes
over maniacal collectors, who reasonably affirm that everything can
be of use, and would therefore unreasonably preserve everything--they
wear themselves out in accumulating old clothes and odds and ends
of all sorts, over which they mount guard with jealous affection.
The criterion is the choice itself, conditioned, like every economic
act, by knowledge of the actual situation, and in this case by the
practical and scientific needs of a definite moment or epoch. This
selection is certainly conducted with intelligence, but not with the
application of a philosophic criterion, and is justified only in and
by itself. For this reason we speak of the fine tact, or scent, or
instinct of the collector or learned man. Such a process of selection
may quite well make use of apparent logical distinctions, as those
between public and private facts, capital and secondary documents,
beautiful or ugly, significant or insignificant monuments; but in
final analysis the decision is always given from practical motives,
and is summed up in the act of preserving or neglecting. Now from this
preserving or neglecting, in which our action is realized, is afterward
invented an _objective_ quality, attributed to facts, which leads to
their being spoken of as 'facts that are worthy' and 'facts that are
not worthy of history,' of 'historical' and 'non-historical' facts. But
all this is an affair of imagination, of vocabulary, and of rhetoric,
which in no way changes the substance of things.
When history is confounded with erudition and the methods of the
one are unduly transferred to the other, and when the metaphorical
distinction that has just been noted is taken in a literal sense, we
are asked how it is possible to avoid going astray in the infinity of
facts, and with what criterion it is possible to effect the separation
of 'historical' facts from 'those that are not worthy of history.'
But there is no fear of going astray in history, because, as we have
seen, the problem is in every case prepared by life, and in every case
the problem is solved by thought, which passes from the confusion of
life to the distinctness of consciousness; a given problem with a
given solution: a problem that generates other problems, but is never
a problem of choice between two or more facts, but on each occasion
a creation of the unique fact, the fact thought. Choice does not
appear in it, any more than in art, which passes from the obscurity
of sentiment to the clearness of the representation, and is never
embarrassed between the images to be chosen, because itself creates the
image, the unity of the image.
By thus confounding two things, not only is an insoluble problem
created, but the very distinction between facts that can and facts
that cannot be neglected is also denaturalized and rendered void.
This distinction is quite valid as regards erudition, for facts that
can be neglected are always facts--that is to say, they are traces of
facts, in the form of news, documents, and monuments, and for this
reason one can understand how they can be looked upon as a class to
be placed side by side with the other class of facts that cannot be
neglected. But non-historical facts--that is to say, facts that have
not been thought--would be nothing, and when placed beside historical
facts--that is to say, thought as a species of the same genus--they
would communicate their nullity to those also, and would dissolve their
own distinctness, together with the concept of history.
After this, it does not seem necessary to examine the characteristics
that have been proposed as the basis for this division of facts into
historical and non-historical. The assumption being false, the manner
in which it is treated in its particulars remains indifferent and
without importance in respect to the fundamental criticism of the
division itself. It may happen (and this is usually the case) that
the characteristics and the differences enunciated have some truth in
themselves, or at least offer some problem for solution: for example,
when by historical facts are meant general facts and by non-historical
facts those that are individual. Here we find the problem of the
relation of the individual and the universal. Or, again, by historical
facts are sometimes meant those that treat of history proper, and by
non-historical the stray references of chronicles, and here we find the
problem as to the relation between history and chronicle. But regarded
as an attempt to decide logically of what facts history should treat
and what neglect, and to assign to each its quality, such divisions are
all equally erroneous.