RICHARD’S DISCOVERY.
An almost ungovernable impulse prompted Eleanor Monckton to make her
way at once into Maurice de Crespigny’s sick-chamber, and say to him,
“Launcelot Darrell is the wretch who caused your old friend’s cruel
death. I call upon you, by the memory of the past, to avenge that dead
friend’s wrongs!”
The struggle was a terrible one, but discretion in the end triumphed,
and Eleanor submitted herself to the guidance of her devoted slave
and ally. She knew now that Launcelot Darrell was guilty; but she had
known that from the moment in which she had seen him lounging in the
Windsor street. The task that lay before her was to procure such proof
as must be convincing to the old man. In spite of her impetuous desire
for immediate action, Eleanor was compelled to acknowledge that the
testimony of the sketch-book was not strong enough in itself to condemn
Launcelot Darrell.
The young man’s answer to any accusation brought against him on such
evidence would be simple enough.
Nothing could be easier than for him to say, “My name is not Robert
Lance. The drawing abstracted by unfair means from my portfolio is not
mine. I am not responsible for the actions of the man who made that
sketch.”
And against this simple declaration there would be nothing but
Eleanor’s unsupported assertion of the identity between the two men.
There was nothing to be done, then, except to follow Richard Thornton’s
advice, and wait.
This waiting was very weary work. Estranged from her husband by the
secret of her life; unhappy in the society of Laura Mason, against
whose happiness she felt that she was, in a manner, plotting;
restrained and ill at ease even in the familiar companionship of Eliza
Picirillo,—Eleanor Monckton wandered about the great rambling mansion
which had become her home, restless and unhappy, yearning with a
terrible impatience for the coming of the end, however dark that end
might be. Every day, and often more than once in the course of the day,
she locked herself in her room, and opened the desk in which she kept
Launcelot Darrell’s sketches and her dead father’s last letter. She
looked at these things almost as if she feared that by some diabolical
influence they might be taken from her before they had served as the
instruments of her revenge. So the weary days wore themselves out.
The first week of Richard’s visit; the second week of Richard’s visit
passed by; the middle of February came, and nothing more had been done.
Eleanor’s health began to suffer from the perpetual mental fever of
anxiety and impatience. Her husband saw her day by day growing thinner
and paler; a hectic flush crimsoned her cheek now at every trifling
agitation, with every surprise, however insignificant; but, except for
these transient flushes, her face was as colourless as marble.
Her husband saw this, and made himself miserable because of the change
in his young wife. He made himself still more wretched by reason of
those unworthy doubts and suspicions that were for ever torturing him.
“Why was Eleanor ill? Why was she unhappy?” He asked himself this
latter question a thousand times a day, and always answered it more or
less after the same fashion.
She was unhappy because of the swiftly approaching marriage between
Laura Mason and Launcelot Darrell. She had opposed that marriage with
all the power she possessed. She had over-estimated her own fortitude
when she sacrificed her love for the young artist to her desire to win
a brilliant position.
“Why should she be different from other women?” the lawyer thought.
“She has married me for my money, and she is sorry for what she has
done, and perhaps upon the eve of poor Laura’s wedding day, there will
be a repetition of the scene that took place at Lausanne nearly twenty
years ago.” This was the manner of meditation to which Mr. Monckton
abandoned himself when the black mood was upon him.
All this time Launcelot Darrell came backwards and forwards between
Hazlewood and Tolldale, after the free-and-easy manner of an accepted
lover, who feels that, whatever advantages he may obtain by the
matrimonial treaty which he is about to form, his own transcendant
merits are so far above every meaner consideration as to render the
lady the gainer by the bargain.
He came, therefore, whenever it pleased him to come. Now dawdling away
a morning over the piano with Laura Mason; now playing billiards with
Richard Thornton, who associated with him as it were under protest,
hating him most cordially all the time.
“The detectives must have a hard time of it,” reflected Mr. Thornton,
after one of these mornings. “Imagine having to hob-and-nob with a
William Palmer, on the chance of his dropping out a word or two that
might help to bring him to the gallows. The profession is extremely
honourable, no doubt, but I don’t think it can be a very pleasant one.
I fancy, upon the whole, a muddy crossing and a good broom must be more
agreeable to a man’s feelings.”
The 15th of February came, dark, cold, and dreary, and Eleanor reminded
the scene-painter that only one month now remained before the day
appointed for Laura’s marriage. That young lady, absorbed amongst a
chaos of ribbons and laces, silks and velvets, had ceased to feel any
jealousy of her guardian’s wife. Her lover’s easy acceptance of her
devotion was sufficient for her happiness. What should the Corsair do
but twist his black moustaches and permit Medora to worship him?
It was on this very 15th of February that, for the first time since
the visit to Launcelot Darrell’s studio, Mr. Richard Thornton made a
discovery.
It was not a very important one, perhaps, nor did it bear directly upon
the secret of the artist’s life, but it was something.
The scene-painter left Tolldale soon after breakfast upon this bleak
February day, in a light dog-cart which Mr. Monckton placed at the
disposal of any guest who might wish to explore the neighbouring
country. Richard did not return until dusk, and he broke in upon
Eleanor’s solitude as the shadows were gathering outside the window of
the room in which she sat. He found his old companion alone in a little
morning-room next her husband’s study. She was sitting on a low stool
by the hearth, her head resting on her hands, and the red firelight on
her face; her attitude altogether expressive of care and despondency.
The door of communication between Gilbert Monckton’s study and the room
in which Eleanor sat was closed.
The girl started and looked up as Richard Thornton opened the door. The
day had been wet as well as cold; drops of rain and sleet hung about
the young man’s rough great-coat, and he brought a damp and chilly
atmosphere into the room.
“Is it you, Richard?” Eleanor said, absently.
“Yes, Mrs. Monckton, I have been out all day; I have been to Windsor.”
“Indeed!”
“Yes. I met Launcelot Darrell there.”
“You met Launcelot Darrell!” repeated Eleanor. “Richard,” she cried,
suddenly, rising as she spoke, and going to where the young man stood,
“you have found something more.”
“I have not found what we want, Eleanor. I have not found the proof
that you must lay before Mr. de Crespigny, when you ask him to leave
his estate away from his nephew. But I think I have made a discovery.”
“What discovery?” asked Mrs. Monckton, with suppressed eagerness. “Do
not speak loudly, Dick,” she added, in a whisper, “my husband is in the
next room. I sit with him sometimes when he is at work there with his
law papers, but I can’t help fancying that my presence annoys him. He
is not the same to me that he used to be. Oh, Richard, Richard, I feel
as if I was divided from every creature in the world, except you: I can
trust you, for you know my secret. When will this end?”
“Very soon, my dear, I hope,” Mr. Thornton answered, gravely. “There
was a time when I urged you to abandon your purpose, Eleanor, but I do
so no longer. Launcelot Darrell is a bad man, and the poor little girl
with the blue eyes and flaxen ringlets must not be suffered to fall
into his power.”
“No, no, not for the world. But you have made some discovery to-day,
Richard?”
“I think so. You remember what Mr. Monckton told us the other day. You
remember his telling us that Mr. de Crespigny had only that day made
his will?”
“Yes, I remember it perfectly.”
“Laura Mason was present when her guardian told us this. It is only
natural she should tell Launcelot Darrell what had happened.”
“She tells him everything; she would be sure to tell him that.”
“Precisely, and Mr. Darrell has not been slow to act upon the hint.”
“What do you mean?”
“I mean that Launcelot Darrell has been guilty of the baseness of
bribing Mr. Lawford’s clerk, in order to find out the secret of the
contents of that will.”
“How do you know this?”
“I discovered it by the merest chance. You owe me no praises, Eleanor.
I begin to think that the science of detection is, after all, very
weak and imperfect; and that the detective officer owes many of his
greatest triumphs to patience, and a series of happy accidents. Yes,
Eleanor, Mr. Launcelot Darrell’s eagerness, or avarice, whichever you
will, would not suffer him to wait until his great-uncle’s death. He
was determined to know the contents of that will; and, whatever the
knowledge may have cost him, I fancy that he is scarcely satisfied with
his bargain.”
“Why?”
“Because I believe that the Woodlands property is not left to him.”
There was a noise as of the movement of a heavy chair in the next room.
“Hush!” Eleanor whispered; “my husband is going to dress for dinner.”
A bell rang while she was speaking, and Richard heard the door of the
next room opened and shut.