MAURICE DE CRESPIGNY’S WILL.
Richard Thornton folded the pencil sketch and put it in his pocket with
the water-coloured drawing.
“I told you that Launcelot Darrell would make a confidant of his
pencil,” he said, in a low voice. “We may as well tie up the portfolio,
Mrs. Monckton; there will be nothing more in it that can help us. The
memory of your father would scarcely be pleasant to this young man
after the 12th of August. When he made this sketch he had yet to learn
the consequences of what he had done.”
Eleanor stood behind the scene-painter’s chair, silent and motionless.
Her face was pale, and her mouth compressed and rigid with the effort
by which she controlled her agitation. But a flame of fire burned in
her eyes, and her nostrils quivered with a convulsive movement. Mr.
Thornton carefully replaced the sketches in the purple portfolio, tied
the strings, and laid the book in its old place against the wall. Then,
unfastening the green portfolio, he went rapidly through the landscape
scraps which it contained.
“The hand is weak here,” Richard said: “Mr. Launcelot Darrell has no
sympathy with nature. He might be a clever figure painter if he had
as much perseverance as he has talent. His pictures are like himself;
shallow, artificial, and meretricious; but they are clever.”
The scene-painter said this with a purpose. He knew that Eleanor stood
behind him, erect and statuesque, with her hand grasping the back of
his chair, a pale Nemesis bent on revenge and destruction. He wanted,
if possible, to let her down to commonplace feeling, by his commonplace
talk, before Launcelot Darrell saw her face. But, looking round at
that pale young face, Richard saw how terrible was the struggle in the
girl’s breast, and how likely she was at any moment to betray herself.
“Eleanor,” he whispered, “if you want to carry this business to the
end, you must keep your secret. Launcelot Darrell is coming this way.
Remember that an artist is quick to observe. There is the plot of a
tragedy in your face at this moment.”
Mrs. Monckton tried to smile; but the attempt was very feeble; the
smile wan and sickly. Launcelot Darrell came to the curtained recess,
but he was not alone: Laura Mason came with him, talking very fast,
and asking innumerable questions, now turning to her lover, now
appealing to Eleanor or Richard Thornton.
“What a time you’ve been looking over the sketches,” she said, “and how
do you like them, and which do you like best? Do you like the sea-side
bits, or the forest sketches? There’s a picture of Tolldale with the
cupola and the dinner-bell, Eleanor; I like the sketches in the other
portfolio best; Launcelot lets _me_ look at them, though he won’t allow
any one else to see them. But I don’t like Rosa. I’m terribly jealous
of Rosa—yes, I _am_, Launcelot; and it’s not a bit of use telling me
you were never in love with her, and you only admired her because she
was a pretty rustic model. Nobody in the world could believe that,
could they, Mr. Thornton? Could they, Eleanor? When an artist paints
the same face again and again, and again and again, he must be in love
with the original; mustn’t he now?”
Nobody answered the young lady’s eager questions. Launcelot Darrell
smiled and twisted his dark moustache between his slender womanish
fingers. Laura’s unrestrained admiration of him was very agreeable; and
he was beginning to be in love with her, after his own fashion, which
was a very easy one.
Eleanor looked at her husband’s ward with a strange expression in her
face—a stern unpitying gaze, that promised little good to the young
heiress.
“What is this foolish girl’s fancy to me, that it should weigh against
my father’s death?” she thought. “What is it to me that she may have
to suffer? Let me remember the bitterness of his sufferings; let me
remember that long night upon which I watched for him,—that miserable
night in which he despaired and died. Surely the remembrance of this
will shut every thought of pity from my heart.”
Perhaps Eleanor Monckton had need to reason with herself thus. It
might be difficult to be true to her scheme of vengeance, when, in the
path she had to tread, this girl’s heart must be trampled upon; this
innocent, childish, confiding little creature who had clung to her, and
trusted in her, and loved her, from the hour of their first meeting.
“Should I be pitiful, or merciful, or just to her, if I suffered her
to marry a bad man?” Mrs. Monckton asked herself. “No; for her sake,
as much as for the memory of my father, it is my duty to denounce
Launcelot Darrell.”
Throughout the drive back to Tolldale, Mrs. Monckton silently brooded
upon the morning’s work. Richard Thornton had indeed proved a powerful
ally. How often she had been in that studio, and not once had the
idea occurred to her of looking amongst the artist’s sketches for the
evidence of his life.
“I told you that you could help me, Richard,” she said, when she found
herself alone with the scene-painter. “You have given me the proof
which I have waited for so long. I will go to Woodlands to-night.”
“What for?”
“To show those two sketches to Mr. de Crespigny.”
“But will that proof be strong enough to convince a man whose powers
of perception must be weakened by age? What if Mr. de Crespigny should
fail to understand the evidence of those sketches? What if he should
refuse to believe your accusation of his nephew?”
“I will show him my father’s letter.”
“You forget that your father’s letter accuses Robert Lance, and not
Launcelot Darrell.”.
“But the sketches are signed ‘Robert Lance.’”
“And Mr. Darrell may deny his identity with the man who signed himself
by that name. You cannot ask Maurice de Crespigny to believe in his
nephew’s guilt on the testimony of a pencil drawing which that nephew
may boldly repudiate. No, Eleanor, the work of to-day is only one step
upon the road we have to tread. We must be patient, and wait for more
conclusive proof than that which we hold in these two sketches.”
Eleanor sighed wearily.
“And in the meantime the 15th of March may come, or Mr. de Crespigny
may die,” she said. “Oh, let me go to him at once; let me tell him who
I am, and show him my father’s letter; let me tell him the cruel story
of his old friend’s death! He knows nothing but that which he learned
from a brief notice in a newspaper. He _cannot_ refuse to believe me.”
Richard Thornton shook his head.
“You have asked me to help you, Eleanor,” he said, gravely; “if I am
to do so, you must have some faith in my counsel. Wait until we have
fuller power to prove our case, before you reveal yourself to Mr. de
Crespigny.”
Mrs. Monckton could not very well refuse to submit herself to the
scene-painter’s guidance. He had already most decisively demonstrated
the superiority of his deliberate policy, as compared with the
impulsive and unconsidered course of action recklessly followed by a
headstrong girl.
“I must obey you, Dick,” Eleanor said, “because you are so good to me,
and have done so much to prove that you are a great deal wiser than I
am. But if Mr. de Crespigny should die while we are waiting for further
proof, I——”
“You’ll blame me for his death, I suppose, Mrs. Monckton,” interrupted
Richard, with a quiet smile, “after the manner of your sex?”
Eleanor had no little difficulty in obeying her counsellor, for when
Gilbert Monckton met his wife at dinner, he told her that he had been
at Woodlands that morning, and that her friend Maurice de Crespigny was
daily growing weaker, and was not expected to live through the early
spring months.
“The old man is fading slowly away,” the lawyer said. “His quiet and
temperate habits have enabled him to hold out much longer than the
doctors expected. It is like the gradual going out of a candle, they
say. The flame sinks little by little in the socket. You must go and
see the poor old man, Eleanor, before he dies.”
“Before he dies!” repeated Mrs. Monckton, “before he dies! Do you think
he will die very soon, then, or suddenly?”
“Yes, I think he may go off suddenly at last. The medical men say as
much, I understand.”
Eleanor looked at Richard Thornton.
“I must see him, and must see him before he dies,” she said. “Is his
mind unimpaired, Gilbert? Is his intellect still as clear as it was a
week ago?”
“Yes,” answered Mr. Monckton, “I have every reason to believe so; for
while I was talking to the two ladies in the breakfast-parlour, the
chief clerk to Henry Lawford, the Windsor attorney, came in, and asked
me to go up to Mr. de Crespigny’s room. What do you think I was wanted
for, Eleanor?”
“I have no idea.”
“I was wanted to act as witness to the old man’s will, in conjunction
with Lawford’s clerk. It seems the old man had sent to Windsor in a
great hurry for Lawford; but Lawford happened to be out, so his clerk
went instead, and De Crespigny had dictated the will to him. I need
scarcely tell you I was not a little astonished to find that Maurice
de Crespigny had only now made up his mind as to the disposal of
his money. I suppose he has made half-a-dozen wills, and destroyed
one after another according to his humour. I only hope the maiden
sisters may get a decent reward for their long years of patience and
expectation.”
Eleanor’s trembling fingers trifled nervously with the ornaments at
her watch-chain. It was with difficulty that she could control her
agitation.
“But to whom is the fortune left?” she asked, breathlessly. “Did you
hear that, Gilbert?”
“No, my dear, it isn’t usual to make the witness to a will acquainted
with the body of the deed. I saw poor Maurice de Crespigny execute his
feeble autograph, and I put my own muscular-looking signature in the
place indicated to me, and I asked no questions. It was enough for me
to know that _I_ had no interest in the document.”
“But did Mr. de Crespigny say nothing—nothing that could lead you to
guess who——”
“Mr. de Crespigny said nothing whatever calculated to throw any light
upon his intentions. He seemed relieved by the idea that his will
was made and the business settled. The clerk wanted to carry off the
document, but the old man insisted on keeping it in his possession. He
wished to look over it, he said. He wanted to see if his intentions
had been fully carried out, in the spirit as well as in the letter. He
put the parchment under his pillow, and then laid down with an air of
satisfaction. I dare say he has gone through the same little comedy
again and again before to-day.”
“Perhaps he will destroy this will?” Eleanor said, thoughtfully.
“Yes,” Mr. Monckton answered, indifferently, “the old man may change
his mind again, if he lives long enough to repent of this new will. But
I doubt his surviving so long as to do that.”
“And have you no idea, Gilbert,—have you no idea as to whom the fortune
is left?”
Mr. Monckton smiled.
“This is a question that concerns you, Laura,” he said, “a great deal
more nearly than it does us.”
“What question?” asked Miss Mason, looking up from an elaborate piece
of embroidery which she had been showing to Signora Picirillo.
“We are talking of Mr. de Crespigny’s fortune, my dear; you are
interested in the disposal of that, are you not?”
“Oh, yes, of course,” answered the young lady, “I ought to be
interested for Launcelot’s sake, I know; and I know that he ought to
have the fortune, and that nobody has any right to deprive him of it,
especially those nasty old maids who had him sent to India against his
will, and I dare say he will have horrid pains in his liver from the
climate when he’s older. Of course he ought to have the fortune, and
yet sometimes I think it would be nicer for him to be poor. He may
never be a great artist if he’s rich, perhaps; and I’d rather go to
Rome with him and sit by his easel while he works, and pay the hotel
bills, and the travelling expenses, and all that sort of thing, out
of my own money, than have him a country gentleman. I shouldn’t like
him to be a country gentleman; he’d have to hunt, and wear top-boots
and nasty leather gaiters, like a common ploughman, when he went out
shooting. I hate country gentlemen. Byron hasn’t one country gentleman
in all his poems, and that horrid husband in Locksley Hall will show
you what an opinion Tennyson has of them.”
Miss Mason went back to the Signora and the embroidery, satisfied with
having settled the business in her own manner.
“He couldn’t look like the Corsair if he had Woodlands,” she murmured,
despondingly; “he’d have to shave off his moustache if they made him a
magistrate. What would be the good of his talking seriously to poachers
if he wore turned-down collars and loose handkerchiefs round his neck?
People would never respect him unless he was a Guy, with creaky boots,
and big seals hanging to his watch-chain.”
Eleanor pushed the question still further.
“You think that Mr. de Crespigny has left his fortune to Launcelot
Darrell, don’t you, Gilbert?” she asked.
Her husband, prompted by the evil spirit that was his occasional
companion, looked at her, rather suspiciously; but her eyes met his own
with an unfaltering gaze.
“Why are you so interested in this fortune, and in Launcelot Darrell?”
he said.
“I will tell you by-and-by. But tell me now, if you think the estate is
left to Mr. Darrell?”
“I think it scarcely unlikely that it is so. The fact of Maurice de
Crespigny making a fresh will within six months of the young man’s
return looks rather as if he had been led to relent of some previous
determination by the presence of his niece’s son.”
“But Mr. de Crespigny has seen very little of Launcelot Darrell.”
“Perhaps not,” answered Mr. Monckton, coldly. “I may be quite wrong in
my conjecture. You ask for my opinion, and I give it you freely. Pray
let us change the subject. I hate the idea of all this speculation as
to who shall stand in a dead man’s shoes. As far as Launcelot Darrell’s
interests are concerned, I really think there is an undercurrent of
common sense in Laura’s romantic talk. He may be all the better for
being a poor man. He may be all the better for having to go to Italy
and work at his art for a few years.”
Mr. Monckton looked sharply at his young wife as he said this. I rather
think that the demon familiar had prompted this speech, and that the
lawyer watched Eleanor’s face in the desire to discover whether there
was anything unpleasant to her in the idea of Launcelot Darrell’s long
absence from his native country.
But, clever as Gilbert Monckton was, the mystery of his wife’s face was
as yet beyond his power to read. He watched her in vain. The pale and
thoughtful countenance told nothing to the man who wanted the master
key by which alone its expression could be read.