CHAPTER IV.

WORKS RESEMBLING WORDS.

The Bishop's conversation was affable and lively. He condescended to

the level of the two old females who spent their life near him, and

when he laughed it was a schoolboy's laugh. Madame Magloire was fond

of calling him "Your Grandeur." One day he rose from his easy chair

and went to fetch a book from his library: as it was on one of the top

shelves, and as the Bishop was short, he could not reach it "Madame

Magloire," he said, "bring me a chair, for my Grandeur does not rise to

that shelf."

One of his distant relatives, the Countess de Lô, rarely let an

opportunity slip to enumerate in his presence what she called the

"hopes" of her three sons. She had several very old relatives close to

death's door, of whom her sons were the natural heirs. The youngest

of the three would inherit from a great-aunt 100,000 francs a year;

the second would succeed to his uncle's dukedom, the third to his

grandfather's peerage. The Bishop generally listened in silence to this

innocent and pardonable maternal display. Once, however, he seemed more

dreamy than usual, while Madame de Lô was repeating all the details

of their successions and "hopes." She broke off somewhat impatiently.

"Good gracious, cousin," she said, "what are you thinking, about?" "I

am thinking," said the Bishop, "of something singular, which, if my

memory is right, is in St. Augustine. Place your hopes in the man to

whom it is impossible to succeed."

On another occasion, receiving a letter announcing the death of a

country gentleman, in which, in addition to the dignities of the

defunct, all the feudal and noble titles of all his relatives were

recorded,--"What a back death has! what an admirable burthen of titles

he is made lightly to bear," he exclaimed, "and what sense men must

possess thus to employ the tomb in satisfying their vanity."

He displayed at times a gentle raillery, which nearly always contained

a serious meaning. During one Lent a young vicar came to D---- and

preached at the cathedral. He was rather eloquent, and the subject of

his sermon was charity. He invited the rich to give to the needy in

order to escape hell, which he painted in the most frightful way he

could, and reach paradise, which he made desirable and charming. There

was among the congregation a rich, retired merchant, somewhat of a

usurer, who had acquired two million francs by manufacturing coarse

cloths, serges, and caddis. In his whole life-time M. Géborand had

never given alms to a beggar, but after this sermon it was remarked

that he gave every Sunday a sou to the old women begging at the

cathedral gate. There were six of them to share it. One day the Bishop

saw him bestowing his charity, and said to his sister, with a smile,

"Look at M. Géborand buying heaven for a sou."

When it was a question of charity he would not let himself be rebuffed

even by a refusal, and at such times made remarks which caused people

to reflect. Once he was collecting for the poor in a drawing-room

of the town. The Marquis de Champtercier was present, a rich old

avaricious man, who contrived to be at once ultra-Royalist and

ultra-Voltairian. This variety has existed. The Bishop on reaching him

touched his arm, "Monsieur le Marquis, you must give me something." The

Marquis turned and answered dryly: "I have my own poor, Monseigneur."

"Give them to me," said the Bishop. One day he delivered the following

sermon at the cathedral:--

"My very dear brethren, my good friends, there are in France thirteen

hundred and twenty thousand peasants' houses which have only three

openings; eighteen hundred and seventeen thousand which have only two

openings, the door and the window; and, lastly, three hundred and

forty-six thousand cabins which have only one opening, the door, and

this is because of a thing called the door and window tax. Just place

poor families, aged women and little children, in these houses, and

then see the fevers and maladies! Alas! God gives men fresh air, and

the law sells it to them. I do not accuse the law, but I bless God. In

the Isère, in the Var, in the two Alps, Upper and Lower, the peasants

have not even trucks, but carry manure on their backs: they have no

candles, and burn resinous logs and pieces of rope steeped in pitch. It

is the same through all the high parts of Dauphiné. They make bread for

six months, and bake it with dried cow-dung. In winter they break this

bread with axes and steep it in water for four-and-twenty hours before

they can eat it. Brethren, have pity, see how people suffer around you!"

A Provençal by birth, he easily accustomed himself to all the dialects

of the South: this greatly pleased the people, and had done no little

in securing him admission to all minds. He was, as it were, at home

in the hut and on the mountain. He could say the grandest things in

the most vulgar idioms, and as he spoke all languages he entered all

hearts. However, he was the same to people of fashion as to the lower

classes.

He never condemned anything hastily or without taking the circumstances

into calculation. He would say, Let us look at the road by which the

fault has come. Being, as he called himself with a smile, an ex-sinner,

he had none of the intrenchments of rigorism, and, careless of the

frowns of the unco' good, professed loudly a doctrine which might be

summed up nearly as follows,--

"Man has upon him the flesh which is at once his burden and his

temptation. He carries it with him and yields to it. He must watch,

restrain, and repress it, and only obey it in the last extremity. In

this obedience there may still be a fault: but the fault thus committed

is venial. It is a fall, but a fall on the knees, which may end in

prayer. To be a saint is the exception, to be a just man is the rule.

Err, fail, sin, but be just. The least possible amount of sin is the

law of man: no sin at all is the dream of angels. All that is earthly

is subjected to sin, for sin is a gravitation."

When he saw everybody cry out and grow indignant, all of a sudden, he

would say with a smile, "Oh! oh, it seems as if this is a great crime

which all the world is committing. Look at the startled hypocrites,

hastening to protest and place themselves under cover."

He was indulgent to the women and the poor on whom the weight of

human society presses. He would say, "The faults of women, children,

servants, the weak, the indigent, and the ignorant are the fault of

husbands, fathers, masters, the strong, the rich, and the learned." He

also said, "Teach the ignorant as much as you possibly can: society is

culpable for not giving instruction gratis, and is responsible for the

night it produces. This soul is full of darkness, and sin is committed,

but the guilty person is not the man who commits the sin, but he who

produces the darkness."

As we see, he had a strange manner, peculiarly his own, of judging

things. I suspect that he obtained it from the Gospels. He one day

heard in a drawing-room the story of a trial which was shortly to take

place. A wretched man, through love of a woman and a child he had by

her, having exhausted his resources, coined false money, which at

that period was an offence punished by death. The woman was arrested

while issuing the first false piece manufactured by the man. She was

detained, but there was no proof against her. She alone could accuse

her lover and ruin him by confessing. She denied. They pressed her, but

she adhered to her denial. Upon this, the attorney for the crown had

an idea: he feigned infidelity on the lover's part, and contrived, by

cleverly presenting the woman with fragments of letters, to persuade

her that she had a rival, and that the man was deceiving her. Then,

exasperated by jealousy, she denounced her lover, confessed everything,

proved everything. The man was ruined, and would shortly be tried with

his accomplice at Aix. The story was told, and everybody was delighted

at the magistrate's cleverness. By bringing jealousy into play he

brought out the truth through passion, and obtained justice through

revenge. The Bishop listened to all this in silence, and when it was

ended he asked: "Where will this man and woman be tried?" "At the

assizes." Then he continued, "And where will the attorney for the crown

be tried?"

A tragical event occurred at D----. A man was condemned to death for

murder. He was a wretched fellow, not exactly educated, not exactly

ignorant, who had been a mountebank at fairs and a public writer. The

trial attracted the attention of the towns-people. On the eve of the

day fixed for the execution the prison chaplain was taken ill, and

a priest was wanted to assist the sufferer in his last moments. The

Curé was sent for, and it seems that he refused, saying, "It is no

business of mine, I have nothing to do with the mountebank, I am ill

too, and besides, that is not my place." This answer was carried to

the Bishop, who said, "The Curé is right, it is not his place, it is

mine." He went straight to the prison, entered the mountebank's cell,

called him by name, took his hand, and spoke to him. He spent the whole

day with him, forgetting sleep and food while praying to God for the

soul of the condemned man. He told him the best truths, which are the

most simple. He was father, brother, friend--bishop only to bless.

He taught him everything, while reassuring and consoling him. This

man was about to die in desperation: death was to him like an abyss,

and he shuddered as he stood on its gloomy brink. He was not ignorant

enough to be completely indifferent, and his condemnation, which was a

profound shock, had here and there broken through that partition which

separates us from the mystery of things, and which we call life. He

peered incessantly out of this world through these crevices, and only

saw darkness; but the Bishop showed him a light.

On the morrow, when they came to fetch the condemned man, the Bishop

was with him. He followed him, and showed himself to the mob in his

purple cassock, and with the episcopal cross round his neck, side by

side with this rope-bound wretch. He entered the cart with him, he

mounted the scaffold with him. The sufferer, so gloomy and crushed on

the previous day, was radiant; he felt that his soul was reconciled,

and he hoped for heaven. The Bishop embraced him, and at the moment

when the knife was about to fall, said: "The man whom his fellow-men

kill, God resuscitates. He whom his brothers expel finds the Father

again. Pray, believe, enter into life! The Father is there!" When he

descended from the scaffold there was something in his glance which

made the people open a path for him; it was impossible to say whether

his pallor or his serenity were the more admirable. On returning to

the humble abode, which he called smilingly his palace, he said to his

sister: "I have just been officiating pontifically."

As the most sublime things are often those least understood, there were

persons in the town who said, in commenting on the Bishop's conduct,

"It is affectation." This, however, was only the talk of drawing-rooms;

the people who do not regard holy actions with suspicion were affected,

and admired. As for the Bishop, the sight of the guillotine was a shock

to him, and it was long ere he recovered from it.

The scaffold, in fact, when it stands erect before you, has something

about it that hallucinates. We may feel a certain amount of

indifference about the punishment of death, not express an opinion,

and say yes or no, so long as we have never seen a guillotine; but

when we have come across one the shock is violent, and we must decide

either for or against. Some admire it, like De Maistre, others execrate

it, like Beccaria. The guillotine is the concretion of the law, it

calls itself _vindicta_; it is not neutral, and does not allow you to

remain neutral. The person who perceives it shudders with the most

mysterious of shudders. All the social questions raise their notes of

interrogation round this cutter. The scaffold is a vision, it is not

carpenter's work, it is not a machine, it is not a lifeless mechanism

made of wood, steel, and ropes. It seems to be a species of being

possessing a gloomy intuition; you might say that the wood-work lives,

that the machine hears, that the mechanism understands, that the wood,

the steel, and the ropes, have a volition. In the frightful reverie

into which its presence casts the mind the scaffold appears terrible,

and mixed up with what it does. The scaffold is the accomplice of the

executioner; it devours, it eats flesh and drinks blood. The scaffold

is a species of monster, manufactured by the judge and the carpenter,

a spectre that seems to live a sort of horrible life made up of all

the death it has produced. Hence the impression was terrible and

deep; on the day after the execution, and for many days beyond, the

Bishop appeared crushed. The almost violent serenity of the mournful

moment had departed; the phantom of social justice haunted him. He who

usually returned from all his duties with such radiant satisfaction

seemed to be reproaching himself. At times he soliloquized, and

stammered unconnected sentences in a low voice. Here is one which his

sister overheard and treasured up: "I did not believe that it was so

monstrous. It is wrong to absorb oneself in the divine law so greatly

as no longer to perceive the human law. Death belongs to God alone. By

what right do men touch that unknown thing?"

With time these impressions were attenuated, and perhaps effaced. Still

it was noticed that from this period the Bishop avoided crossing the

execution square.

M. Myriel might be called at any hour to the bedside of the sick and

the dying. He was not ignorant that his greatest duty and greatest

labor lay there. Widowed or orphaned families had no occasion to send

for him, for he came of himself. He had the art of sitting down and

holding his tongue for hours by the side of a man who had lost the wife

he loved, or of a mother bereaved of her child. As he knew the time to

be silent, he also knew the time to speak. What an admirable consoler

he was! he did not try to efface grief by oblivion, but to aggrandize

and dignify it by hope. He would say: "Take care of the way in which

you turn to the dead. Do not think of that which perishes. Look

fixedly, and you will perceive the living light of your beloved dead in

heaven." He knew that belief is healthy, and he sought to counsel and

calm the desperate man by pointing out to him the resigned man, and to

transform the grief that gazes at a grave by showing it the grief that

looks at a star.

Les Misérables, v. 1/5: Fantine · 第 4 / 17 章