FOOTNOTES

[6] This jest was doubtless based on Swift’s famous poem on Vanbrugh’s

house (1704). The peculiar architectural features of Allan’s ‘goose

pie’ have been almost entirely obliterated by recent alterations. Only

the two circular upper stories remain in their original form.

[7] ‘My mother was told by those who had enjoyed his plays, that he had

a child’s puppet stage and a set of dressed dolls for actors, which

were in great favour with old and young.’—C. K. Sharpe’s note in

Wilson’s _Reminiscences_.

[8] King’s Bridge crosses King’s Stables Road, and the access from it

is Johnston Terrace.

[9] When Mrs Cockburn, author of ‘Flowers of the Forest,’ entered on

occupation of the house in 1756, it was described in the Baird titles

as ‘my lodging in the castle-hill of Edinburgh, formerly possessed by

the Duchess of Gordon.’

[10] A Board-school now occupies the site of the mansion. The doorway

referred to is rebuilt into the school-house.

[11] George, sixth Earl of Huntly, took his last illness, June 1636,

in ‘his house in the Canongate.’ George, the first duke, who had held

out the Castle at the Revolution, died December 1716, at his house in

the Citadel of Leith, where he appears to have occasionally resided for

some years. I should suppose the house on the Castle-hill to have been

inhabited by the family in the interval.

[12] Webster’s Close became Brown’s Close when the property changed

hands, and two brothers of that name occupied the house. To Brown’s

Close the recently formed Society of Antiquaries of Scotland removed in

1794 from Gosford’s Close, because the latter was too narrow to admit

of the members being carried to the place of meeting in sedan-chairs.

[13] Before the Government bounty had supplemented the poor stipends

of the Scotch Church up to £150, many of them were so small that the

widow’s allowance from this fund nearly equalled them. Such was the

case of Cranshaws, a pastoral parish among the Lammermoor Hills. A

former minister of Cranshaws having wooed a lass of humble rank, the

father of the lady, when consulted on the subject, said, ‘Tak’ him,

Jenny; he’s as gude deid as living!’ meaning, of course, that she would

be as well off as a widow as in the quality of a wife.

[14] ‘The monograms of the name of our blessed lady are formed of the

letters M. A., M. R., and A. M., and these stand respectively for

Maria, Maria Regina, and Ave Maria. The letter M. was often used by

itself to express the name of the Blessed Virgin, and became a vehicle

for the most beautiful ornament and design; the letter itself being

entirely composed of emblems, with some passage from the life of our

lady in the void spaces.’—_Pugin’s Glossary of Ecclesiastical Ornament

and Costume_, 1844.

[15] Keith’s History.

[16] The New College and Assembly Hall of the (United) Free Church.

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