LAUS ET HONOR DEO,

terminated by two pieces of complicated lettering, one much

obliterated, the other a monogram of the name of the Virgin Mary,

formed of the letters M. R.[14] Finally, at the extremities of this

stone, were two Roman letters of larger size—I. R.—doubtless the

initials of James Rex, for James V., the style of cutting being

precisely the same as in the initials seen on the palace built by that

king in Stirling Castle; an indirect proof, it may be remarked, of this

having been the residence of the Regent Mary.

Passing up a spiral flight of steps, we came to a darksome lobby,

leading to a series of mean apartments, occupied by persons of the

humblest grade. Immediately within the door was a small recess in the

wall, composed of Gothic stonework, and supposed by the people to

have been designed for containing holy-water, though this may well be

matter of doubt. Overhead, in the ceiling, was a round entablature,

presenting a faded coronet over the defaced outline of a shield. A

similar object adorned the ceiling of the lobby in the second floor,

but in better preservation, as the shield bore three _fleurs de lis_,

with the coronet above, and the letters H. R. below. There was a third

of these entablatures, containing the arms of the city of Edinburgh,

in the centre of the top of the staircase. The only other curious

object in this part of the mansion was the door of one of the wretched

apartments—a specimen of carving, bearing all the appearance of having

been contemporary with the building, and containing, besides other

devices, bust portraits of a gentleman and lady. This is now in the

possession of the Society of the Antiquaries of Scotland.

A portion of the same building, accessible by a stair nearer the head

of the close, contained a hall-like apartment, with other apartments,

all remarkable for their unusually lofty ceilings. In the large room

were the remains of a spacious decorated chimney, to which, in the

recollection of persons still living, there had been attached a chain,

serving to confine the tongs to their proper domain. This was the

memorial of an old custom, of which it is not easy to see the utility,

unless some light be held as thrown upon it by a Scottish proverb,

used when a child takes a thing and says he found it: ‘You found it,

I suppose, where the Highlandman found the tongs.’ In the centre of

almost all the ceilings of this part of the mansion I found, in 1824,

circular entablatures, with coats of arms and other devices, in stucco,

evidently of good workmanship, but obscured by successive coats of

whitening.

The place pointed out by tradition as the queen-regent’s oratory was in

the first-floor of the building opposite—a spacious and lofty hall,

with large windows designed to make up for the obscurity of the close.

Here, besides a finely carved piscina, was a pretty large recess, of

Gothic structure, in the back-wall, evidently designed for keeping

things of importance. Many years ago, out of the wall behind this

recess, there had been taken a small iron box, such as might have been

employed to keep jewellery, but empty. I was the means of its being

gifted to Sir Walter Scott, who had previously told me that ‘a passion

for such little boxes was one of those that most did beset him;’ and it

is now in the collection at Abbotsford.

The other portions of the mansion, accessible from different alleys,

were generally similar to these, but somewhat finer. One chamber was

recognised as the _Deid-room_; that is, the room where individuals of

the queen’s establishment were kept between their death and burial.

It was interesting to wander through the dusky mazes of this ancient

building, and reflect that they had been occupied three centuries ago

by a sovereign princess, and one of the most illustrious lineage.

Here was the substantial monument of a connection between France and

Scotland, a totally past state of things. She whose ancestors owned

Lorraine as a sovereignty, who had spent her youth in the proud halls

of the Guises in Picardy, and been the spouse of a Longueville,

was here content to live—in a _close_ in Edinburgh! In these

obscurities, too, was a government conducted, which had to struggle

with Knox, Glencairn, James Stewart, Morton, and many other powerful

men, backed by a popular sentiment which never fails to triumph. It

was the misfortune of Mary to be placed in a position to resist the

Reformation. Her own character deserved that she should have stood

in a more agreeable relation to what Scotland now venerates, for she

was mild and just, and sincerely anxious for the good of her adopted

country. It is also proper to remember on the present occasion that ‘in

her court she maintained a decent gravity, nor would she tolerate any

licentious practices therein. Her maids of honour were always busied in

commendable exercises, she herself being an example to them in virtue,

piety, and modesty.’[15] When all is considered, and we further know

that the building was strong enough to have lasted many more ages,

one cannot but regret that the palace of Mary de Guise, reduced as it

was to vileness, should not now be in existence. The site having been

purchased by individuals connected with the Free Church, the buildings

were removed in 1846 to make room for the erection of an academical

institution or college for the use of that body.[16]

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