“For now, the corn-house filled, the harvest home,

The invited neighbors to the _husking_ come;

A frolic scene, where work, and mirth, and play

Unite their charms to chase the hours away.

Where the huge heap lies centred in the hall,

The lamp suspended from the cheerful wall,

Brown, corn-fed nymphs, and strong, hard-handed beaux,

Alternate ranged, extend in circling rows,

Assume their seats, the solid mass attack;

The dry husks rustle, and the corn-cobs crack;

The song, the laugh, alternate notes resound,

And the sweet cider trips in silence round.

The laws of husking every wight can tell,

And sure no laws he ever keeps so well:

For each red ear a general kiss he gains,

With each smut ear he smuts the luckless swains;

But when to some sweet maid a prize is cast,

Red as her lips, and taper as her waist,

She walks the round and culls one favored beau,

Who leaps the luscious tribute to bestow.

Various the sports, as are the wits and brains

Of well-pleased lasses and contending swains;

Till the vast mound of corn is swept away,

And he that gets the last ear wins the day.”

TAKING TOLL AT THE BRIDGE.

The old custom of “taking toll” has been humorously commemorated by

the Belgian artist Dillens, in a painting of singular beauty. It was

exhibited at the Paris International Exhibition in 1855, and purchased

by the late Emperor of the French. The scene is in Zealand. A quiet

summer evening invites the peasantry of the country to a stroll. Three

couples, habited in Sunday or holiday costume, have in their walks

reached a bridge. Whether or not it is a legal exaction that a toll

must be enforced there, is little to the purpose, but one of a peculiar

character is demanded, and is most willingly paid by the first pair who

reach the spot: the buxom maiden, whose pleasant upturned face shows she

has no reluctance to submit to the agreeable extortion, is quite as ready

to pay the toll as her lover is to take it. Of course the example will be

followed by their companions behind, though the two young men pretend to

be quite unconscious of what is going on, and one of the females affects

a look of surprise.

A BRAVE ICELAND GIRL.

Mr. Waller, in his interesting account of a visit to Iceland in 1872,

gives us a very clear idea of some of the customs of the people, whom he

found inconveniently hospitable. Among other incidents, he relates the

following instance of native kindness and feminine courage:

“In the morning I made a small study, and, after a very tolerable meal

and many good wishes, we rode off. All went well until we came to the

river Markafljot, which happened to be very much flooded. Not liking to

attempt to swim under the circumstances, we rode on down the bank for

some miles, and fortunately found a house.

“Knocking at the door, we asked, ‘Is the river very deep?’

“‘Very,’ said a voice from the inside.

“‘Is there a man who will show us a ford?’ we asked again.

“‘No,’ was the reply; ‘both Jan and Olave are up in the mountains; but

one of the girls will do quite as well. Here, Thora, go and show the

Englishmen the way.’

“Immediately an exceedingly handsome young woman ran out, and, nodding

kindly to me, went around to the back of the house, caught a pony, put a

bridle on it, and, not taking the trouble to fetch a saddle, vaulted on

his bare back, and, sitting astride, drove her heels into its sides and

galloped off down the river-bank as hard as she could go, shouting for us

to follow.

“We became naturally rather excited at such a display of dash on the part

of such a pretty girl, and started off immediately in chase. But, though

we did our utmost to catch her, she increased her distance hand over

hand. There was no doubt about it,—she had as much courage as ever we

could boast of, and in point of horsemanship was a hundred yards ahead of

either of us.

“For about half a mile we rattled along, when suddenly she pulled up

short on a sand-bank.

“‘You can cross here,’ she said, ‘but you must be careful. Make straight

for that rock right over there, and when you have reached it you will be

able to see the cairn of stones we built to show the landing-place.’

“‘All right,’ I said. ‘Good-by.’

“She looked puzzled for a moment, and then said, ‘I’ll come through with

you: it will be safer.’

“‘Good gracious, Bjarni, don’t let her come!’ I said: ‘she is sure to be

drowned, and I can’t get her out with all those wet clothes on. Tell her

to go back.’

“But before I was half-way through the sentence, she had urged her horse

into the water, and in a moment was twenty yards into the river. Of

course we followed as quickly as possible, and after a great deal of

splashing reached the middle of the flood. ‘Now,’ she said, bringing her

horse up abreast with mine, and pointing with her whip, ‘there’s the

mark.’ The water was running level with the horses’ withers, and it was

only by lifting their heads very high that they could keep their noses

clear.

“‘Good-by,’ she said; ‘God bless you,’ and, before I was quite aware of

it, kissed me on the cheek.

“I was about to return the compliment, but she was gone; and, a few

minutes after, we saw her, a mere speck in the distance, galloping over

the plain.

“Kissing in Iceland is a custom similar to shaking hands here. I would

have expected it in ordinary situations but a kiss in the midst of

boundless waters was, to say the least of it, strange. It was certainly

the wettest one I ever had in my life.”

PARAGUAYAN COMPULSION.

“Everybody in Paraguay smokes,” says a South American traveler, “and

every female above the age of thirteen chews. I am wrong. They do not

chew, but put tobacco in their mouths, keep it there constantly, except

when eating, and, instead of chewing it, roll it about and suck it.

Imagine yourself about to salute the red lips of a magnificent little

Hebe, arrayed with satin and flashing with diamonds, as she puts you back

with one delicate hand, while with the other she draws forth from her

mouth a brownish-black roll of tobacco quite two inches long, looking

like a monster grub, and then, depositing the savory lozenge on the brim

of your sombrero, puts up her face and is ready for a salute. I have

sometimes seen an over-delicate foreigner turn away with a shudder of

loathing under such circumstances, and get the epithet of ‘the savage!’

applied to him by the offended beauty for his sensitive squeamishness.

However, one soon gets used to this in Paraguay, where you are, perforce

of custom, obliged to kiss every lady you are introduced to, and one-half

you meet are really tempting enough to render you regardless of the

consequences, and you would sip the dew of the proffered lip in the

face of a tobacco-factory,—even in the double-distilled honeydew of Old

Virginia.”

A NEW YORK DRUMMER’S PREDICAMENT.

At Big Creek, Arkansas, they have a peculiar fashion, which sometimes

proves embarrassing. As there is no preacher within thirty miles, the way

for marrying is by kissing across a table. Recently, a New York drummer

who was there on business put up at a private house, and became quite

intimate with the inmates. One evening he was fooling around one of the

girls, and trying the sweetness of her temper, when she gave his whiskers

a pull and ran. He followed. She got the table between them. He chased

her around it several times. When out of breath, he stopped on the other

side, and, making a wild plunge, caught her in his arms and gave her a

hearty kiss. She then sat down on the sofa, and they talked pleasantly

for a couple of hours,—he thinking it singular that she should sit up so

late.

At last she said, “Don’t you think it’s about time we went to bed?”

“I guess you are right,” he remarked; “let’s go.”

She lit a candle, and he was about to do the same, when she said, “I

reckon one’s enough. One candle will light two folks to bed.”

“Undoubtedly it would, when those two people occupy the same room. But

your candle won’t illuminate my chamber.”

“Ain’t we going to occupy the same room? Ain’t we married?”

“Ain’t we what?” shouted the gentleman.

“Married! Didn’t you kiss me across the table? That married us.”

A cold sweat spread over the drummer. He saw in an instant that if he

said he wasn’t married to her she would make an outcry, and then her

loving and much-tobacco-consuming father would arise in his wrath and

carve him into cutlets, and her brothers would bring down their shot-guns

and empty the contents into him. He must be strategic. He must put her

off. So he said:

“Fairest of your sex, permit me to remark that I did not know that

kissing across the table constituted a marriage-ceremony. But I am

content. I have never seen one who so completely filled my idea of a

beautiful, sweet, loving, and modest woman. However, I would never think

of holding you to this marriage until I had asked the permission of your

father to pay my addresses to you. To-morrow, at dinner, when the entire

family are present, I will propose for your fair hand.”

This satisfied the lady, and, after bestowing upon him a fervent kiss,

she went to her room, and he went to his. He packed his carpet-bag,

took off his boots, and made tracks for the nearest railroad-station.

He didn’t feel entirely safe until he had reached St. Louis. He hasn’t

informed his wife of this little adventure. He’s afraid she might write

out to Arkansas for the facts in the case, and then he might get arrested

for bigamy. Women sometimes won’t listen to reason, you know.

A DANGEROUS GAME.

“Drop the handkerchief” is a dangerous game. Desdemona dropped her

handkerchief, and it cost her her life. Handkerchiefs have played a great

deal of mischief. A handkerchief ruptured a Baptist church in Dedham,

Mass. There was a church sociable in the chapel, and they “played plays,”

and “drop the handkerchief” was one of the plays. We don’t remember just

how it’s done, but they stand in a circle, promiscuously, and a lady,

taking a handkerchief, walks around on the outside of the circle and

drops the handkerchief behind one of the male persuasion, and he runs

after her, or he don’t—we forget which—but, any way, if he catches her,

or if he don’t—we forget which—he can kiss her. There is kissing about

it, any way, whether he catches her or not, for “drop the handkerchief”

would be no play with kissing left out. And “drop the handkerchief” is a

real play, and when grown-up people play, kissing is the main part. So we

know there is kissing in it; and the account of this Dedham affair says

“the game involves kissing,” to which the Rev. Mr. Foster, pastor, took

exception, and he declared “right out loud” that the “church was built

for a house of God, and not for kissing-parties.” And one of the young

men who was “involved” in the kissing-party even threatened to smite the

parson, and the account says “the pleasure of the evening was destroyed,”

and the Rev. Mr. Foster resigned his charge.

A QUESTION OF TASTE.

The Dunkards, at their national convention at Girard, Ill., discussed

whether white members were bound to salute colored ones with the holy

kiss. After mature deliberation, it was decided to be a matter of

taste merely, and that, while those who chose to indulge in universal

osculation, irrespective of race or color, should have full liberty to

do so, no member should feel himself obliged to follow such example.

The decision doubtless, it is said, lightened many anxious hearts. The

Dunkards, or German Baptists, wear broad-brimmed hats, and fasten their

shad-belly coats close up to the throat; wear no neck-ties, and never

waste time in blacking their boots; consider buttons too much like

jewelry, and tie up their clothes with strings; live frugally, and eschew

cakes and sweets; work much, and spend little; never are wealthy, and

yet have no poor among them; kiss promiscuously in public, and have no

jealousies; never give the first word, and never answer back; regard

ancient customs, and disregard the new; never hold office, and never take

contracts.

THE LATTER-DAY KISS OF PEACE.

The members of the United Brethren Church, or “Church of God,” in

Pennsylvania, observe the sacrament of feet-washing inculcated in the

thirteenth chapter of St. John’s Gospel. The ceremony is thus described

by a Pittsburg reporter:

“The front seats were entirely filled by men and women who desired to

take part in the ceremony. The females, however, largely preponderated,

and of both sexes there were probably twenty-five or thirty. The pastor

partially filled two basins with water. The feet-washing was done by a

man and woman, each of whom wore an apron in imitation of the girdle

worn by Christ, and each, taking up a basin of water, washed one by one

the feet of those of their own sex, the shoes and stockings as a matter

of course having been taken off. Both feet were placed in the basin,

and upon being taken out were wiped with the apron worn by the washer,

whereupon the one performing the ceremony and the one submitting to it

shook hands and kissed each other, there being no distinction at all

made in the matter of sex, the men kissing each other as well as the

women. While this peculiar ordinance was being attended to, the audience

manifested the most eager and intense interest. People crowded forward in

the aisles to get a good look at it, and so great was the curiosity of

those occupying the back seats that many stood up on the benches for the

purpose of getting a better view. During the performance of the ceremony

the congregation sang, with unusual vigor,—

“‘This is the way I long have sought,

And mourned because I found it not.’”

NATIONAL DIFFERENCES.

An eminent English authoress was leaving an afternoon concert in London,

when two old ladies from the country, finding that she was the writer of

books that had delighted them, rushed up to her and begged permission to

kiss her hand. The authoress blushed deeply, and began tugging at her

tight-fitting glove. The glove was only withdrawn after a minute or two

of effort, causing much embarrassment to the modest authoress. A French

gentleman, who had witnessed the proceeding, remarked that if it had been

George Sand she would instantly have thrown her arms around the old women

and kissed each on both cheeks.

DETECTIVE UTILITY.

Some ungallant writers assert that in the desire of the ancients to test

the sobriety of their wives and daughters, who it seems were apt to make

too free with the juice of the grape, notwithstanding a prohibition

to the contrary, originated a practice reprobated by Socrates the

philosopher, Cato the elder, and Ambrose the saint, and lauded by lyrists

and lovers from the beginning of time. The refinement of manners among

the classic dames and damsels before mentioned was probably pretty much

upon a par with that depicted in the “Beggars’ Opera,” when Macheath

exclaims, after saluting Jenny Diver, “One may know by your kiss that

your gin is excellent.”

[Illustration]

THE KISS IN POETRY.

SONNET UPON A STOLEN KISS.

Now gentle Sleep hath closèd up those eyes

Which, waking, kept my boldest thoughts in awe;

And free access unto that sweet lip lies,

From whence I long the rosy breath to draw.

Methinks no wrong it were if I should steal,

From those two melting rubies, one poor kiss;

None sees the theft that would the theft reveal,

Nor rob I her of aught that she can miss:

Nay, should I twenty kisses take away,

There would be little sign I would do so;

Why then should I this robbery delay?

Oh! she may wake, and therewith angry grow!

Well, if she do, I’ll back restore that one,

And twenty hundred thousand more for loan.

GEORGE WITHER.

THE KISS—A DIALOGUE.

1. Among thy fancies, tell me this:

What is the thing we call a kiss?

2. I shall resolve ye what it is:

It is a creature born and bred

Between the lips, all cherry red;

By love and warm desires fed;

_Chor._ And makes more soft the bridal bed.

It is an active flame that flies

First to the babies of the eyes,

And charms them there with lullabies;

_Chor._ And stills the bride too when she cries:

Then to the chin, the cheek, the ear,

It frisks, and flies,—now here, now there;

’Tis now far off, and then ’tis near;

_Chor._ And here, and there, and everywhere.

1. Has it a speaking virtue?—2. Yes.

1. How speaks it, say?—2. Do you but this,

Part your joined lips, then speaks your kiss;

_Chor._ And this love’s sweetest language is.

1. Has it a body?—2. Ay, and wings,

With thousand rare encolorings;

And as it flies, it gently sings,

_Chor._ Love honey yields, but never stings.

ROBERT HERRICK.

THE SIRENS’ SONG.

Steer hither, steer your wingèd pines,

All beaten mariners:

Here lie undiscovered mines

A prey to passengers;

Perfumes far sweeter than the best

Which make the phœnix urn and nest;

Fear not your ships,

Nor any to oppose you save our lips;

But come on shore,

Where no joy dies till love hath gotten more.

For swelling waves, our panting breasts,

Where never storms arise,

Exchange; and be awhile our guests;

For stars, gaze on our eyes;

The compass, Love shall hourly sing,

And, as he goes about the ring,

We will not miss

To tell each point he nameth with a kiss.

BROWNE: _Inner Temple Masque._

THE KISS.

Oh that a joy so soon should waste!

Or so sweet a bliss

As a kiss

Might not forever last!

So sugared, so melting, so soft, so delicious,

The dew that lies on roses,

When the morn herself discloses,

Is not so precious.

Oh, rather than I would it smother,

Were I to taste such another,

It should be my wishing

That I might die kissing.

BEN JONSON.

* * * * *

Thou more than most sweet glove,

Unto my more sweet love,

Suffer me to store with kisses

This empty lodging that now misses

The pure rosy hand that wore thee,

Whiter than the kid that bore thee.

Thou art soft, but that was softer;

Cupid’s self hath kissed it ofter

Than e’er he did his mother’s doves,

Supposing her the queen of loves,

That was thy mistress,

Best of gloves.

BEN JONSON.

TO CHARIS.

[Begging another kiss, on condition of mending the former.]

For Love’s sake, kiss me once again;

I long, and should not beg in vain;

Here’s none to spy or see:

Why do you doubt or stay?

I’ll taste as lightly as the bee,

That doth but touch his flower and flies away.

Once more, and, faith, I will be gone:

Can he that loves ask less than one?

Nay, you may err in this,

And all your bounty wrong:

This could be called but half a kiss;

What we’ve but once to do, we should do long.

I will but mend the last, and tell

Where, how, it would have relished well;

Join lip to lip, and try;

Each suck the other’s breath,

And, whilst our tongues perplexed lie,

Let who will think us dead, or wish our death.

BEN JONSON.

THE PARTING KISS.

One kind kiss before we part,

Drop a tear, and bid adieu:

Though we sever, my fond heart,

Till we meet, shall pant for you.

Yet, yet weep not so, my love,

Let me kiss that falling tear:

Though my body must remove,

All my soul will still be here.

All my soul, and all my heart,

And every wish shall pant for you;

One kind kiss, then, ere we part,

Drop a tear, and bid adieu.

DODSLEY.

YIELDING TO TEMPTATION.

What a rout do you make for a single sweet kiss!

I seized it, ’tis true, and I ne’er shall repent it.

May he ne’er enjoy one who shall think ’twas amiss;

But for me, I thank dear Cytherea who sent it.

You may pout, and look prettily cross; but, I pray,

What business so near to my lips had your cheek?

If you _will_ put temptation so pat in one’s way,

Saints, resist if you can; but for _me_, I’m too weak.

But come, dearest Delia, our quarrel let’s end;

Nor will I by force, what you gave not, retain.

By allowing the kiss I’m forever your friend;

If you say that I _stole_ it,—why, _take it again_.

HORACE WALPOLE.

INES SENT A KISS TO ME.

[From the Spanish of Silvestre.]

Ines sent a kiss to me,

While we danced upon the green:

Let that kiss a blessing be,

And conceal no woes unseen.

How I dared I know not now,—

While we danced, I gently said,

Smiling, “Give me, lovely maid,

Give me one sweet kiss!”—when, lo!

Gathering blushes robed her brow,

And, with love and fear afraid,

Thus she spoke: “I’ll send the kiss

In a calmer day of bliss.”

Then I cried, “Dear maid! what day

Can be half so sweet as this?

Throw not hopes and joys away;

Send, oh, send the promised kiss!

Can so bright a gift be mine,

Bought without a pang of pain?

’Tis perchance a ray divine,

Darker night to bring again.

“Could I dwell on such a thought,

I of very joy should die;

Naught of earth’s enjoyments, naught,

Could be like that ecstasy.

I will pay her interest meet,

When her lips shall breathe on me,

And for every kiss so sweet

Give her many more than three.”

THE WANDERING KNIGHT’S SONG.

[From the Spanish.]

My ornaments are arms,

My pastime is in war,

My bed is cold upon the wold,

My lamp yon star.

My journeyings are long,

My slumbers short and broken;

From hill to hill I wander still,

Kissing thy token.

I ride from land to land,

I sail from sea to sea:

Some day more kind I fate may find,

Some night kiss thee!

THE COCK AND THE FOX.

[From the Fables of La Fontaine.]

Upon a tree there mounted guard

A veteran cock, adroit and cunning;

When to the roots a fox up running

Spoke thus, in tones of kind regard:

“Our quarrel, brother, ’s at an end;

Henceforth I hope to live your friend;

For peace now reigns

Throughout the animals’ domains.

I bear the news. Come down, I pray,

And give me the embrace fraternal;

And please, my brother, don’t delay:

So much the tidings do concern all,

That I must spread them far to-day.

Now you and yours can take your walks

Without a fear or thought of hawks;

And should you clash with them or others,

In us you’ll find the best of brothers;—

For which you may, this joyful night,

Your merry bonfires light.

But, first, let’s seal the bliss

With one fraternal kiss.”

“Good friend,” the cock replied, “upon my word,

A better thing I never heard;

And doubly I rejoice

To hear it from your voice:

And, really, there must be something in it,

For yonder come two greyhounds, who, I flatter

Myself, are couriers on this very matter;

They come so fast, they’ll be here in a minute.

I’ll down, and all of us will seal the blessing

With general kissing and caressing.”

“Adieu,” said fox; “my errand’s pressing;

I’ll hurry on my way,

And we’ll rejoice some other day.”

So off the fellow scampered, quick and light,

To gain the fox-holes of a neighboring height,—

Less happy in his stratagem than flight.

The cock laughed sweetly in his sleeve;—

’Tis doubly sweet deceiver to deceive.

ANACREONTIC.

[From the French of Menage.]

As, dancing o’er the enamelled plain,

The floweret of the virgin train,

My soul’s Corinna, lightly played,

Young Cupid saw the graceful maid;

He saw, and in a moment flew,

And round her neck his arms he threw,

And said, with smiles of infant joy,

“Oh! kiss me, mother, kiss thy boy!”

Unconscious of a mother’s name,

The modest virgin blushed with shame;

And, angry Cupid scarce believing

That vision could be so deceiving,

Thus to mistake his Cyprian dame,

The little infant blushed with shame.

“Be not ashamed, my boy,” I cried,

For I was lingering by his side;

“Corinna and thy lovely mother,

Believe me, are so like each other

That clearest eyes are oft betrayed,

And take thy Venus for the maid.”

THE LANDLADY’S DAUGHTER.

[From the German of Uhland.]

There came three students over the Rhine:

Dame Werter’s house they entered in:

“Dame Werter, hast thou good beer and wine

And where’s that lovely daughter of thine?”

“My beer and my wine are fresh and clear,

My daughter is lying cold on her bier.”

They stepped within the chamber of rest,

Where shrined lay the maiden, in black robes dressed.

The first he drew from her face the veil:

“Ah! wert thou alive, thou maiden so pale,”

He said, as he gazed with saddened brow,

“How dearly would I love thee now!”

The second he covered the face anew,

And, weeping, he turned aside from the view:

“Ah me, that thou liest on the cold bier,

The one I have loved for so many a year!”

The third once more uplifted the veil:

He kissed the lips so deadly pale;

“Thee loved I _ever_, _still_ love I thee,

And thee will I love through eternity.”

And that kiss—that kiss—with Promethean flame

Thrilled with new life the quivering frame;

And the maid uprose, and stood by his side,

That student’s own loved and loving bride!

BLOOMING NELLY.

On a bank of flowers, in a summer day,

For summer lightly drest,

The youthful, blooming Nelly lay,

With love and sleep opprest;

When Willie, wandering through the wood,

Who for her favor oft had sued,

He gazed, he wished, he feared, he blushed,

And trembled where he stood.

Her closèd eyes, like weapons sheathed,

Were sealed in soft repose;

Her lip, still as she fragrant breathed,

It richer dyed the rose.

The springing lilies sweetly prest,

Wild-wanton, kissed her rival breast:

He gazed, he wished, he feared, he blushed,

His bosom ill at rest.

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