INTRODUCTION TO HER PORTRAIT, AND BIOGRAPHY.

A general, indeed almost universal, interest has been evinced for the

loss of the late Madame Soyer, by reason of her celebrity as an artist,

whose close adherence to nature procured for her in France (from her

pictures which were exhibited in the Louvre in Paris) the famed name of

the English Murillo. Her paintings evinced a great partiality for the

same subject, and a like boldness of effect and sentiment were

introduced in all her compositions, though never having copied or tried

to imitate this celebrated master.[30] The amiable character of a life

but too short, induces me to give an engraving from a portrait of

herself, the finished touches of which were put upon the canvas but a

few days previous to her lamented decease; her career was one, while it

lasted, of great success, and must, had it not been so fatally brought

to a close, have resulted in the highest fame; as it was, crowned heads

of many nations paid homage at the shrine of her talents, and the

cultivated sensibility of the aristocracy of this and other civilized

nations has at once appreciated her artistic excellences by the

spontaneous expression of admiration upon the examination of her works.

I feel, and am proud in the possession of such an emotion, most

strongly--I trust not too much so,--upon this sensitive point. Such

reasons, together with the fact that Madame Soyer being an English

woman, are amongst my motives for giving here a short biography of her

private and industrious life, which, although it appeared in nearly

every journal of interest at the period of her unexpected death, will

yet, I am assured, possess claims upon the sympathy of her countrymen

and women.

In the fullness of my own individual regard for her memory and of her

rare gifts, and with a view to perpetuate a memorial of her

extraordinary genius, I have for some while been adding to my

collection, and at any expense, all those of her paintings which may

come within my reach.

The last purchase I made was No. 43 in the catalogue, a Buy-a-Broom Girl

and Boy, from the celebrated Saltmarsh collection; this, and many of her

other works are to be met with in the galleries of men of the greatest

taste and judgment.

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