'Do you know, sir, that that good woman has brought in the soup for
the second time? I can see her fidgeting about the table through
the window. If we go on like this, she will depart and leave us to
wait on ourselves. Then see if you get any soup out of _me_.'
David, for all answer, put his arm close round the speaker. She
threw herself back against him, smiling into his face. But neither
could see the other, for it was nearly dark, and through the acacia
trees above them the stars glimmered in the warm sky. To their
left, across a small grass-plat, was a tiny thatched house buried
under a great vine which embowered it all from top to base, and
overhung by trees which drooped on to the roof, and swept the
windows with their branches. Through a lower window, opening on to
the gravel path, could be seen a small bare room, with a paper of
coarse brown and blue pattern, brightly illuminated by a paraffin
lamp, which also threw a square of light far out into the garden.
The lamp stood on a table which was spread for a meal, and a stout
woman, in a white cap and blue cotton apron, could be seen moving
beside it.
'Come in!' said Elise, springing to her feet, and laying a
compelling hand on her companion. 'Get it over! The moon is waiting
for us out there!'
And she pointed to where, beyond the roofs of the neighbouring
houses, rose the dark fringe of trees which marked the edge of the
forest.
They went in, hand in hand, and sat opposite each other at the
little rickety table, while the peasant woman from whom they had
taken the house waited upon them. The day before, after looking at
the _auberge_, and finding it full of artists come down to
look for spring subjects in the forest, they had wandered on
searching for something less public, more poetical. And they had
stumbled upon this tiny overgrown house in its tangled garden. The
woman to whom it belonged had let it for the season, but till the
beginning of her 'let' there was a month; and, after much
persuasion, she had consented to allow the strangers to hire it and
her services as _bonne_, by the week, for a sum more congruous
with the old and primitive days of Barbizon than with the later
claims of the little place to fashion and fame. As the lovers stood
together in the _salon_, exclaiming with delight at its bare
floor, its low ceiling, its old bureau, its hard sofa with the
Empire legs, and the dilapidated sphinxes on the arms, the
owner of the house looked them up and down, from the door, with
comprehending eyes. Barbizon had known adventures like this before!
But she might think what she liked; it mattered nothing to her
lodgers. To 'a pair of romantics out of date,' the queer overgrown
place she owned was perfection, and they took possession of it in a
dream of excitement and joy. From the top loft, still bare and
echoing, where the highly respectable summer tenants were to put up
the cots of their children, to the outside den which served for a
kitchen, whence a wooden ladder led to a recess among the rafters,
occupied by Madame Pyat as a bedroom; from the masses of Virginia
creeper on the thatched roof to the thicket of acacias and roses on
the front grass-plat, and the high flowery wall which shut them off
from the curious eyes of the street, it was all, in the lovers'
feeling, the predestined setting for such an idyll as theirs.
And if this was so in the hot mornings and afternoons, how much
more in the heavenly evenings and nights, when the forest lay
whispering and murmuring under the moonlight, and they, wandering
together arm in arm under the gaunt and twisted oaks of the Bas
Breau, or among the limestone blocks which strew the heights of
this strange woodland, felt themselves part of the world about
them, dissolved into its quivering harmonious life, shades among
its shadows!
On this particular evening, after the hurried and homely meal,
David brought Elise's large black hat, and the lace scarf which
had bewitched him at St. Germain--oh, the joy of handling such
things in this familiar, sacrilegious way!--and they strolled
out into the long uneven street beyond their garden wall, on
their way to the forest. The old inn to the left was in a clatter.
Two _diligences_ had just arrived, and the horses were drooping
and panting at the door. A maidservant was lighting guests across
the belittered courtyard with a flaring candle. There was a red
glimpse of the kitchen with its brass and copper pans, and on the
bench outside the gateway sat a silent trio of artists, who had
worked well and dined abundantly, and were now enjoying their last
smoke before the sleep, to which they were already nodding, should
overtake them. The two lovers stepped quickly past, making with all
haste for that leafy mystery beyond cleft by the retreating
whiteness of the Fontainebleau road--into which the village melted
on either side.
Such moonlight! All the tones of the street, its white and greys,
the reddish brown of the roofs, were to be discerned under it; and
outside in the forest it was a phantasmagoria, an intoxication. The
little paths they were soon threading, paths strewn with limestone
dust, wound like white threads among the rocks and through the
blackness of the firs. They climbed them hand in hand, and soon
they were on a height looking over a great hollow of the forest to
the plain beyond, as it were a vast cup overflowing with moonlight
and melting into a silver sky. The width of the heavens, the dim
immensity of the earth, drove them close together in a delicious
silence. The girl put the warmth of her lover's arm between her and
the overpowering greatness of a too august nature. The man, on the
other hand, rising in this to that higher stature which was truly
his, felt himself carried out into nature on the wave of his own
boundless emotion. That cold Deism he had held so loosely broke
into passion. The humblest phrases of worship, of entreaty, swept
across the brain.
'Could one ever have guessed,' he asked her, his words stumbling
and broken, 'that such happiness was possible?'
She shook her head, smiling at him.
'Yes, certainly!--if one has read poems and novels. Nothing to me
is ever _more_ than I expect,--generally less.'
Then she broke off hesitating, and hid her face against his breast.
A pang smote him. He cried out in the old commonplaces that he was
not worthy, that she must tire of him, that there was nothing in
him to hold, to satisfy her.
'And three weeks ago,' she said, interrupting him, 'we had never
heard each other's names. Strange--life is strange! Well, now,' and
she quickly drew herself away from him, and holding him by both
hands lightly swung his arms backwards and forwards, 'this can't
last for ever, you know. In the first place--we shall die.' and
throwing herself back, she pulled against him childishly, a spray
of ivy he had wound round her hat drooping with fantastic shadows
over her face and neck.
'Do you know what you are like?' he asked her, evading what she had
said, while his eyes devoured her.
'No!'
'You are like that picture in the Louvre,--Da Vinci's St. John,
that you say should be a Bacchus.'
'Which means that you find me a queer,--heathenish,--sort of
creature?' she said, still laughing and swaying. 'So I am. Take
care! Well now, a truce to love-making! I am tired of being meek
and charming--this night excites me. Come and see the oaks in the
Bas Breau.'
And running down the rocky path before them she led him in and out
through twisted leafy ways, till at last they stood among the
blasted giants of the forest, the oaks of the Bas Breau. In the
emboldening daylight, David, with certain English wood scenes in
his mind, would swear the famous trees of Fontainebleau had neither
size nor age to speak of. But at night they laid their avenging
spell upon him. They stood so finely on the broken ground, each of
them with a kingly space about him; there was so wild a fantasy in
their gnarled and broken limbs; and under the night their scanty
crowns of leaf, from which the sap was yearly ebbing, had so lofty
a remoteness.
They found a rocky seat in front of a certain leafless monster,
which had been struck by lightning in a winter storm years before,
and rent from top to bottom. The bare trunk with its torn branches
yawning stood out against the rest, a black and melancholy shape,
preaching desolation. But Elise studied it coolly.
'I know that tree by heart,' she declared. 'Corot, Rousseau,
Diaz--it has served them all. I could draw it with my eyes shut.'
Then with the mention of drawing she began to twist her fingers
restlessly.
'I wonder what the _concours_ was to-day,' she said. 'Now that
I am away that Breal girl will carry off everything. There will be
no bearing her--she was never second till I came.'
David took a very scornful view of this contingency. 'When you
go back you will beat them all again; let them have their few
weeks' respite! You told me yesterday you had forgotten the
_atelier_.'
'Did I?' she said with a strange little sigh. 'It wasn't true--I
haven't.'
With a sudden whim she pulled off his broad hat and threw it down.
Reaching forward she took his head between her hands, and arranged
his black curls about his brow in a way to suit her. Then, still
holding him, she drew back with her head on one side to look at
him. The moon above them, now at its full zenith of brightness,
threw the whole massive face into strong relief, and her own look
melted into delight.
'There is no model in Paris,' she declared, 'with so fine a head.'
Then with another sigh she dropped her hold, and propping her chin
on her hands, she stared straight before her in silence.
'Do you imagine you are _the first?_' she asked him presently,
with a queer abruptness.
There was a pause.
'You told me so,' he said, at last, his voice quivering; 'don't
deceive me--there is no fun in it--I believe it all!'
She laughed, and did not answer for a moment. He put out his
covetous arms and would have drawn her to him, but she withdrew
herself.
'What did I tell you? I don't remember. In the first place there
was a cousin--there is always a cousin!'
He stared at her, his face flushing, and asked her slowly what she
meant.
'You have seen his portrait in my room,' she said coolly.
He racked his brains.
'Oh! that portrait on the wall,' he burst out at last, in vain
trying for a tone as self-possessed as her own,' that man with a
short beard?'
She nodded.
'Oh, he is not bad at all, my cousin. He is the son of that uncle
and aunt I told you of. Only while they were rusting in the
Gironde, he was at Paris learning to be a doctor, and enlarging his
mind by coming to see me every week. When they came up to town to
put in a claim to me, _they_ thought me a lump of wickedness,
as I told you; I made their hair stand on end. But Guillaume knew a
good deal more about me; and _he_ was not scandalised at all;
oh dear, no. He used to come every Saturday and sit in a corner
while I painted--a long lanky creature, rather good looking, but
with spectacles--he has ruined his eyes with reading. Oh, he would
have married me any day, and let his relations shriek as they
please; so don't suppose, Monsieur David, that I have had no
chances of respectability, or that my life began with you!' She
threw him a curious look.
'Why do you talk about him?' cried David, beside himself. 'What is
your cousin to either of us?'
'I shall talk of what I like,' she said wilfully, clasping her
hands round her knees with the gesture of an obstinate child.
David stared away into the black shadow of the oaks, marvelling at
himself? at the strength of that sudden smart within him, that
half-frenzied restlessness and dread which some of her lightest
sayings had the power to awaken in him.
Then he repented him, and turning, bent his head over the little
hands and kissed them passionately. She did not move or speak. He
came close to her, trying to decipher her face in the moonlight.
For the first time since that night in the studio there was a film
of sudden tears in the wide grey eyes. He caught her in his arms
and demanded why.
'You quarrel with me and dictate to me,' she cried, wrestling with
herself, choked by some inexplicable emotion, 'when I have given you
everything? when I am alone in the world with you? at your mercy? I
who have been so proud, have held my head so high!'
He bent over her, pouring into her ear all the words that passion
could find or forge. Her sudden attack upon him, poor fellow,
seemed to him neither unjust nor extravagant. She _had_ given
him everything, and who and what was he that she should have thrown
him so much as a look!
Gradually her mysterious irritation died away. The gentleness of
the summer night, the serenity of the moonlight, the sea-like
murmur of the forest, these things sank little by little into their
hearts, and in the calm they made, youth and love spoke again,
siren voices, with the old magic. And when at last they loitered
home, they moved in a trance of feeling which wanted no words. The
moon dropped slowly into the western trees; midnight chimes came to
them from the villages which ring the forest; and a playing wind
sprang up about them, cooling the girl's hot cheeks, and freshening
the verdurous ways through which they passed.
But in the years which came after, whenever David allowed his mind
to dwell for a short shuddering instant on these days at
Fontainebleau, it often occurred to him to wonder whether during
their wild dream he had ever for one hour been truly happy. At the
height of their passion had there been any of that exquisite give
and take between them which may mark the simplest love of the
rudest lovers, but which is in its essence moral, a thing not of
the senses but of the soul? There is nothing else which is vital to
love. Without it passion dies into space like the flaming corona of
the sun. With it, the humblest hearts may 'bear it out even to the
edge of doom.'
There can be no question that after the storm of feeling,
excitement, pity, which had swept her into his arms, he gained upon
her vagrant fancy for a time day by day. Seen close, his social
simplicity, his delicately tempered youth had the effect of great
refinement. He had in him much of the peasant nature, but so
modified by fine perception and wide-ranging emotion, that what had
been coarseness in his ancestors was in him only a certain rich
savour and fulness of being. His mere sympathetic, sensitive
instinct had developed in him all the essentials of good manners,
and books, poetry, observation had done the rest.
So that in the little matters of daily contact he touched and
charmed her unexpectedly. He threw no veil whatever over his
tradesman's circumstances, and enjoyed trying to make her
understand what had been the conditions and prospects of his
Manchester life. He had always, indeed, conceived his bookseller's
profession with a certain dignity; and he was secretly proud, with
a natural conceit, of the efforts and ability which had brought him
so rapidly to the front. How oddly the Manchester names and facts
sounded in the forest air! She would sit with her little head on
one side listening; but privately he suspected that she understood
very little of it; that she accepted him and his resources very
much in the vague with the _insouciance_ of Bohemia.
He himself, however, was by no means without plans for the
future. In the first flush of his triumphant passion he had
won from her the promise of a month alone with him, in or near
Fontainebleau--her own suggestion--after which she was to go back
in earnest to her painting, and he was to return to Manchester and
make arrangements for their future life together. Louie must be
provided for, and after that his ideas about himself were already
tolerably clear. In one of his free intervals, during his first
days in Paris, he had had a long conversation one evening with the
owner of an important bookshop on the Quai St.-Michel. The man
badly wanted an English clerk with English connections. David made
certain of the opening, should he choose to apply for it. And if
not there, then somewhere else. With the consciousness of capital,
experience, and brains, to justify him, he had no fears. Meanwhile,
John should keep on the Manchester shop, and he, David, would go
over two or three times a year to stock-take and make up accounts.
John was as honest as the day, and had already learnt much.
But although his old self had so far reasserted itself; although
the contriving activity of the brain was all still there, ready to
be brought to bear on this new life when it was wanted; Elise could
never mistake him, or the true character of this crisis of his
youth. The self-surrender of passion had transformed, developed him
to an amazing extent, and it found its natural language. As she
grew deeper and deeper into the boy's heart, and as the cloud of
diffidence which had enwrapped him since he came to Paris gave way,
so that even in this brilliant France he ventured at last to
express his feelings and ideas, the poet and thinker in him grew
before her eyes. She felt a new consideration, a new intellectual
respect for him.
But above all his tenderness, his womanish consideration and
sweetness amazed her. She had been hotly wooed now and then, but
with no one, not even 'the cousin,' had she ever been on terms of
real intimacy. And for the rest she had lived a rough-and-tumble,
independent life, defending herself first of all against the big
boys of the farm, then against her father, or her comrades in the
_atelier_, or her Bohemian suitors. The ingenuity of service
David showed in shielding and waiting upon her bewildered her--had,
for a time, a profound effect upon her.
And yet!--all the while--what jars and terrors from the very
beginning! He seemed often to be groping in the dark with her.
Whole tracts of her thought and experience were mysteries to him,
and grew but little plainer with their new relation. Little as he
knew or would have admitted it, the gulf of nationality yawned deep
between them. And those artistic ambitions of hers--as soon as they
re-emerged on the other side of the first intoxication of
passion--they were as much of a jealousy and a dread to him as
before. His soul was as alive as it had ever been to the threat and
peril of them.
Their relation itself, too--to her, perhaps, secretly a
guarantee--was to him a perpetual restlessness. _L'union
libre_ as the French artist understands it was not in his social
tradition, whatever might be his literary assimilation of French
ideas. He might passionately adopt and defend it, because it was
her will; none the less was he, at the bottom of his heart, both
ashamed and afraid because of it. From the very beginning he had
let her know that she had only to say the word and he was ready to
marry her instantly. But she put him aside with an impatient wave
of her little hand, a nervous, defiant look in her grey eyes. Yet
one day, when in the little village shop of Barbizon, a woman
standing beside Elise at the counter looked her insolently over
from head to foot, and took no notice of a question addressed to
her on the subject of one of the forest routes, the girl felt and
unexpected pang of resentment and shame.
One afternoon, in a lonely part of the forest, she strained her
foot by treading on a loose stone among the rocks. Tired with long
rambling and jarred by the shock she sank down, looking white and
ready to cry. Pain generally crushed and demoralized her. She was
capable, indeed, of setting the body at defiance on occasion; but,
as a rule, she had no physical fortitude, and did not pretend to
it.
David was much perplexed. So far as he knew, they were not near any
of the huts which are dotted over the forest and provide the
tourist with _consommations_ and carved articles. There was no
water wherewith to revive her or to bandage the foot, for
Fontainebleau has no streams. All he could do was to carry her. And
this he did, with the utmost skill, and with a leaping thrill of
tenderness which made itself felt by the little elfish creature in
the clasp of his arms, and in the happy leaning of his dark cheek
to hers, as she held him round the neck.
'Paul and Virginia!' she said to him, laughing. "_He bore her in
his arms!_"--all heroes do it--in reality, most women would
break the hero's back. 'Confess _I_ am even lighter than you
thought!'
'As light as Venus' doves,' he swore to her. 'Bid me carry you to
Paris and see.'
'Paris!' At the mention of it she fell silent, and the corners of
her mouth drooped into gravity. But he strode happily on,
perceiving nothing.
Then when they got home, she limping through the village, he put on
the airs of a surgeon, ran across to the grocer, who kept a tiny
_pharmacie_ in one corner of his miscellaneous shop, and
conferred with him to such effect that the injured limb was soon
lotioned and bandaged in a manner which made David inordinately
proud of himself. Once, as he was examining his handiwork, it
occurred to him that it was Mr. Ancrum who had taught him to use
his fingers neatly. _Mr. Ancrum!_ At the thought of his name
the young man felt an inward shrinking, as though from contact with
a cold and alien order of things. How hard to realise, indeed, that
the same world contained Manchester with its factories and chapels,
and this perfumed forest, this little overgrown house!
Afterwards, as he sat beside her, reading, as quiet as a mouse, so
that she might sleep if the tumble-down Empire sofa did but woo her
that way, she suddenly put up her arm and drew him down to her.
'Who taught you all this--this tenderness?' she said to him, in a
curious wistful tone, as though her question were the outcome of a
long reverie. 'Was it your mother?'
David started. He had never spoken to her or to anyone of his
mother, and he could not bring himself to do so now.
'My mother died when I was five years old,' he said reluctantly.
'Why don't you go to sleep, little restless thing? Is the bandage
right?'
'Quite. I can imagine,' she said presently in a low tone, letting
him go, 'I can imagine one might grow so dependent on all this
cherishing, so horribly dependent!'
'Well, and why not?' he said, taking up her hand and kissing it.
'What are we made for, but to be your bondslaves?'
She drew her hand away, and let it fall beside her with an
impatient sigh. The poor boy looked at her with frightened eyes.
Then some quick instinct came to the rescue, and his expression
changed completely.
'I have thought it all out,' he began, speaking with a brisk,
business-like air, 'what I shall do at Manchester, and when I get
back here.'
And he hung over her, chattering and laughing about his plans. What
did she say to a garret and a studio somewhere near the Quai
St.-Michel, in the Quartier Latin, rooms whence they might catch a
glimpse of the Seine and Notre-Dame, where she would be within easy
reach of Taranne's studio, and the Luxembourg, and the Ecole des
Beaux-Arts, and the Louvre rooms where after their day's work they
might meet, shut out the world and let in heaven--a home consecrate
at once to art and love?
The quick bright words flowed without a check; his eye shone as
though it caught the light of the future. But she lay turned away
from him, silent, till at last she stopped him with a restless
gesture.
'Don't--don't talk like that! As soon as one dares to reckon on
Him--_le bon Dieu_ strikes--just to let one know one's place.
And don't drive me mad about my art! You saw me try to draw this
morning; you might be quiet about it, I think, _par pitié!_ If
I ever had any talent--which is not likely, or I should have had
some notices of my pictures by this time--it is all dead and done
for.'
And turning quite away from him, she buried her face in the
cushion.
'Look here,' he said to her, smiling and stooping, 'shall I tell you
something? I forgot it till now.'
She shook her head, but he went on:
You remember this morning while I was waiting for you, I went into
the inn to ask about the way to the Gorges d'Affremont. I had your
painting things with me. I didn't know whether you wanted them or
not, and I laid them down on the table in the _cour_, while I
went in to speak to madame. Well, when I came out, there were a
couple of artists there, those men who have been here all the time
painting, and they had undone the strap and were looking at the
sketch--you know, that bit of beechwood with the rain coming on. I
rushed at them. But they only grinned, and one of them, the young
man with the fair moustache, sent you his compliments. You must
have, he said, "very remarkable dispositions indeed." Perhaps I
looked as if I knew that before! Whose pupil were you? I told him,
and he said I was to tell you to stick to Taranne. You were one of
the _peintres de temperament_, and it was they especially who
must learn their grammar, and learn it from the classics; and the
other man, the old bear who never speaks to anybody, nodded and
looked at the sketch again, and said it was "amusing--not bad at
all," and you might make something of it for the next Salon.'
Cunning David! By this time Elise had her arm round his neck, and
was devouring his face with her keen eyes. Everything was shaken
off--the pain of her foot, melancholy, fatigue--and all the
horizons of the soul were bright again. She had a new idea!--what
if she were to combine his portrait with the beechwood sketch, and
make something large and important of it? He had the head of a
poet--the forest was in its most poetical moment. Why not pose him
at the foot of the great beech to the left, give him a book
dropping from his hand, and call it 'Reverie'?
For the rest of the day she talked or sketched incessantly. She
would hardly be persuaded to give her bandaged foot the afternoon's
rest, and by eight o'clock next morning they were off to the
forest, she limping along with a stick.
Two or three days of perfect bliss followed. The picture promised
excellently. Elise was in the most hopeful mood, alert and merry as
a bird. And when they were driven home by hunger, the work still
went on. For they had turned their top attic into a studio, and
here as long as the light lasted she toiled on, wrestling with the
head and the difficulties of the figure. But she was determined to
make it substantially a picture _en plein air_. Her mind was
full of all the daring conceptions and ideals which were then
emerging in art, as in literature, from the decline of Romanticism.
The passion for light, for truth, was, she declared, penetrating,
and revolutionising the whole artistic world. Delacroix had a
studio to the south; she also would 'bedare the sun.'
At the end of the third day she threw herself on him in a passion
of gratitude and delight, lifting her soft mouth to be kissed.
'_Embrasse-moi! Embrasse-moi! Blague a part,--je commence a me
sentir artiste!_'
And they wandered about their little garden till past midnight,
hand close in hand. She could talk of nothing but her picture, and
he, feeling himself doubly necessary and delightful to her,
overflowed with happiness and praise.
But next day things went less well. She was torn, overcome by the
difficulties of her task. Working now in the forest, now at home,
the lights and values had suffered. The general tone had neither an
indoor nor an outdoor truth. She must repaint certain parts, work
only out of doors. Then all the torments of the outdoor painter
began: wind, which put her in a nervous fever, and rain, which,
after the long spell of fine weather, began to come down on them,
and drive them into shelter.
Soon she was in despair. She had been too ambitious. The landscape
should have been the principal thing, the figure only indicated, a
suggestion in the middle distance. She had carried it too far; it
fought with its surroundings; the picture had no unity, no repose.
Oh, for some advice! How could one pull such a thing through
without help? In three minutes Taranne would tell her what was
wrong.
In twenty-four hours more she had fretted herself ill. The picture
was there in the corner, turned to the wall; he could only just
prevent her from driving her palette-knife through it. And she
was sitting on the edge of the sofa, silent, a book on her
knee, her hands hanging beside her, and her feverish eyes
wandering--wandering round the room, if only they might escape from
David, might avoid seeing him--or so he believed. Horrible! It was
borne in upon him that in this moment of despair he was little more
to her than the witness, the occasion, of her discomfiture.
Oh! his heart was sore. But he could do nothing. Caresses,
encouragements, reproaches, were alike useless. For some time she
would make no further attempts at drawing; nor would she be wooed
and comforted. She held him passively at arm's length, and he could
make nothing of her. It was the middle of their third week; still
almost the half left of this month she had promised him. And
already it was clear to him that he and love had lost their first
hold, and that she was consumed with the unspoken wish to go back
to Paris, and the _atelier_. Ah, no!--_no!_ With a fierce
yet dumb tenacity he held her to her bargain. Those weeks were his;
they represented his only hope for the future; she _should_
not have them back.
But he, too, fell into melancholy and silence, and on the afternoon
when this change in him first showed itself she was, for a time,
touched, ashamed. A few pale smiles returned for him, and in the
evening, as he was sitting by the open window, a newspaper on his
knee, staring into vacancy, she came up to him, knelt beside him,
and drew his half-reluctant arm about her. Neither said anything,
but gradually her presence there, on his breast, thrilled through
all his veins, filled his heart to bursting. The paper slid away;
he put both arms about her, and bowed his head on hers. She put up
her small hand, and felt the tears on his cheek. Then a still
stronger repentance woke up in her.
'_Pauvre enfant!_' she said, pushing herself away from him,
and tremulously drying his eyes. 'Poor Monsieur David--I make you
very unhappy! But I warned you--oh, I _warned_ you! What evil
star made you fall in love with me?'
In answer he found such plaintive and passionate things to say to
her that she was fairly melted, and in the end there was an
effusion on both sides, which seemed to bring back their golden
hours. But at bottom, David's sensitive instinct, do what he would
to silence it, told him, in truth, that all was changed. He was no
longer the happy and triumphant lover. He was the beggar, living
upon her alms.