ANAPAESTIC RHYTHMS.

2682. In these the fundamental foot is the anapaest ⏑ -́, for which its

metrical equivalents the spondee - -́, dactyl - ⏑́ ⏑ and proceleusmatic

⏑ ⏑́ ⏑ are sometimes substituted.

2683. The anapaestic verse of the early Latin comedy is extremely

irregular, and its limits are often hard to define. Spondees and

apparent bacchii (reduced to anapaests by the law of iambic shortening;

see 2470) are extremely common, and metrical irregularities of various

kinds abound. The Latin language has so few anapaestic words that it

does not lend itself readily to this rhythm. Terence wisely abstained

altogether from anapaestic verse. Varro, Seneca, and Prudentius and

other late writers wrote anapaests conforming more closely to Greek

models.

THE ANAPAESTIC TETRAMETER ACATALECTIC (or _Octonarius_).

2684. This consists of four anapaestic dipodies or eight complete

anapaestic feet. There is regularly a diaeresis after the fourth foot,

and the last thesis of the line is never resolved. Hiatus and _syllaba

anceps_ sometimes occur in the diaeresis, the verse being asynartetic

(2535). The scheme is:--

⏖ -́ | ⏖ -̇ | ⏖ -́ | ⏖ -̇ # ⏖ -́ | ⏖ -̇ | ⏖ -́ | ⏖ -̇

- -́ | - -̇ | - -́ | - -̇ # - -́ | - -̇ | - -́ | - -̇

- ⏑́ ⏑ | - ⏑̇ ⏑ | - ⏑́ ⏑ | - ⏑̇ ⏑ # - ⏑́ ⏑ | - ⏑̇ ⏑ | - ⏑́ ⏑ |

⏖ ⏑́ ⏑ | ⏖ ⏑̇ ⏑ | ⏖ ⏑́ ⏑ | [⏖ ⏑̇ ⏑] # ⏖ ⏑́ ⏑ | ⏖ ⏑̇ ⏑ | ⏖ ⏑́ ⏑ |

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