TROCHAIC RHYTHMS.

2628. These are descending rhythms in 3/8 time. The fundamental foot is

the trochee -́ ⏑, for which its metrical equivalent the tribrach ⏑́ ⏑, the

irrational spondee -́ >, the cyclic dactyl -́ ⏑, the irrational anapaest

⏑́ ⏑ >, and (rarely) the proceleusmatic ⏑́ ⏑ ⏑, are sometimes substituted.

[Erratum:

2628 ... the tribrach ⏑́ ⏑, the irrational spondee

⏑́ ⏑ the]

THE TROCHAIC TETRAMETER CATALECTIC (or _Septenarius_).

2629. The TROCHAIC TETRAMETER CATALECTIC is, next to the iambic

trimeter, the verse most frequently used by the early Roman dramatists.

It consists of seven and a half trochaic feet, or four trochaic dipodies

(the last one being incomplete). The ictus on the second thesis of each

dipody was probably weaker than that on the first thesis. The normal

scheme is:--

-́ ⏑ | -̇ ⏑ | -́ ⏑ | -̇ ⏑ | -́ ⏑ | -̇ ⏑ | -́ ⏑ | -̇ ⌃

As in the case of the senarius, we may distinguish two periods in the

usage:--

(A.) Early Period.

2630. The tribrach is admitted in any of the complete feet, and the

irrational spondee, cyclic dactyl, and irrational anapaest in any of the

first six feet. Terence does not admit the proceleusmatic in the

Septenarius (nor in any other kind of trochaic verse), but Plautus

admits it in the first foot. The seventh foot of the Septenarius is

usually a trochee, but the tribrach sometimes occurs there. The

principal break in the line is usually a diaeresis after the fourth foot

(which in that case must not be a dactyl), often accompanied by a

secondary diaeresis after the second foot. Sometimes, however, the

principal break is a diaeresis after the fifth foot, in which case there

is generally a secondary diaeresis after the third foot or a caesura in

the fourth. The full scheme of substitutions is:--

-́ ⏑͐ | -̇ ⏑͐ | -́ ⏑͐ | -̇ ⏑͐ | -́ ⏑͐ | -̇ ⏑͐ | -́ ⏑ | -̇ ⌃

⏑́ ⏑ | ⏑̇ ⏑ | ⏑́ ⏑ | ⏑̇ ⏑ | ⏑́ ⏑ | ⏑̇ ⏑ | ⏑́ ⏑ |

-́ ⏖ | -̇ ⏖ | -́ ⏖ | -̇ ⏖ | -́ ⏖ | -̇ ⏖ | [-́ ⏖]

⏑́ ⏑ > | ⏑̇ ⏑ > | ⏑́ ⏑ > | ⏑̇ ⏑ > | ⏑́ ⏑ > | ⏑̇ ⏑ > |

[⏑́ ⏑ ⏖] |

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