Lines without a principal caesura are rare. An instance is

Nōn quīvīs videt inmodulāta poēmata iūdex (H. _AP._ 263).

2561. The great flexibility of the hexameter makes it an admirable

vehicle of poetic expression. Accumulated spondees give the verse a slow

and ponderous movement: as in the line

Ill(ī) in|ter sē|sē ‖ ma|gnā vī | bracchia | tollunt

(V. _G._ 4, 174).

The multiplication of dactyls imparts to the verse a comparatively rapid

and impetuous motion, as in the famous verse

Quadrupe|dante pu|trem ‖ soni|tū quatit | ungula | campum

(V. 8, 596).

But even when dactyls are numerous, the Latin hexameter, “the stateliest

measure ever moulded by the lips of man,” should not be read with the

jerky 3/8 movement which is characteristic of the English hexameter.

2562. The following passage may serve to illustrate the movement of the

hexameter, and to show how the use of the different caesuras imparts

variety to the measure:

Ō soci|ī ‖ --nequ(e) e|n(im) īgnā|rī ‖ sumus | ante ma|lōrum--

ō pas|sī gravi|ōra, ‖ da|bit deus | hīs quoque | fīnem.

Vōs et | Scyllae|am ‖ rabi|em ‖ peni|tusque so|nantēs

accē|stis scopu|lōs, ‖ vōs | et Cȳ|clōpea | saxa

exper|tī; ‖ revo|cāt(e) ani|mōs, ‖ mae|stumque ti|mōrem

mittite: | forsan et | haec ‖ ō|lim ‖ memi|nisse iu|vābit.

(V. 1, 198).

Compare in English:

Rolls and rages amain the restless, billowy ocean,

While with a roar that soundeth afar the white-maned breakers

Leap up against the cliffs, like foemen madly rejoicing.

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