CHAPTER XXVII

VAN DE VERE'S

Van de Vere's was a unique shop. It had grown from a single ill-lighted

sort of studio into a very smart and beautifully equipped establishment,

conveniently located in the shopping district. It looked like a private

house, had been, originally. There were no show windows. The door-plate

bore simply the sign V. de V's. A maid in black and white met you at the

door (you had to ring), and while she went to summon Miss Van de Vere or

her assistant, you were asked to be seated in a reception-room, done in

black and white stripes.

Virginia Van de Vere was as unique as her shop. She wore long, loose

clinging gowns, with heavy, silver chains clanking about her neck or

waist. She wore an enormous ring on her forefinger. Her hair, done very

low and parted, covered both her ears. It was black, so were her eyes.

She hadn't any color. She led a smart and fashionable life outside

business hours, going out to dinner a good deal (I had seen her once at

Mrs. Sewall's) and making an impression with free and daring speech. She

lived in a gorgeous apartment of her own, and for diversion had adopted

a little curly-headed Greek boy, for whom she engaged the services of a

French nurse. She was very temperamental.

Mrs. Scot-Williams had found Virginia Van de Vere some half dozen years

before, languishing in the ill-lighted studio, on the verge of shutting

up shop and going home for want of patronage. It was just that kind of

talented girl that Mrs. Scot-Williams liked to help and encourage. She

established Virginia Van de Vere.

Mrs. Scot-Williams is a philanthropic woman, and enormously wealthy. Her

pet charity is what she calls "the little-business woman." New York is

filled with small industries run by women, in this loft, or that

shop--clever women, too, talented, many of them, and it is to that class

that Mrs. Scot-Williams devotes herself. She takes keen delight in

studying the tricks and secrets of business success. When some young

woman to whom she has lent capital to start a cake and candy shop

complains of dull trade, or a little French corsetier finds her

customers falling off, Mrs. Scot-Williams likes to investigate the

difficulties and suggest remedies--more advertising, a better location,

a new superintendent in the workshop, one thing or another--perhaps even

a little more capital, which, if she lends and loses it, she simply puts

down under the head of charity in her distribution of expenses.

I had occurred to Mrs. Scot-Williams as a possible means for improving

conditions at Van de Vere's. Miss Van de Vere possessed so highly a

developed artistic temperament that her manner sometimes antagonized.

Her assistant's duty, therefore, would be that of a cleverly constructed

fly, concealing beneath tact and pretty manners ("and pretty gowns, my

dear," added Mrs. Scot-Williams) a hook to catch reluctant customers.

I was fitted for such a position. I had been used as bait before, for

other kind of fish. I purchased my fine feathers. Within a fortnight

after my interview with Mrs. Scot-Williams, I was cast upon the waters.

There was no jealousy between Virginia Van de Vere and me. Beauty to her

was something pulsing and alive. If any one suggested marring it, it

tortured her. I was not so sensitive. The result was, I took charge of

the customers who mentioned leatherette dens and Moorish libraries, and

Virginia's genius was spared injury. She loved me for it. We worked

beautifully together.

Van de Vere's was my great chance. It was indeed my pot of gold. I had

always loved beautiful things, and here I was in the midst of their

creating! Heaven had been kind. The joy of waking in the morning to a

day of congenial work, setting forth to labor that was constructing for

me a trade of my own, was like a daily tonic. I was very happy, full of

ambition. I used to lie awake nights planning how I could make myself

able and efficient. I discovered a course I could take evenings in

Design and Interior Architecture, and I took advantage of it. I read

volumes at the library on period furniture and decorating. I haunted

antique shops. I perused articles on good salesmanship. Mornings I was

up with the birds (the pigeons, that is) and half-way to my place of

business by eight o'clock. It agreed with me. I grew fat on it. I

regained the pounds of flesh that I had lost at the hospital with

prodigious speed. Color came back to my cheeks, song to my lips.

Esther's book actually towered. It wasn't necessary for her to keep her

position in the publishing house any longer. It wasn't necessary for her

to conceal from me the price of our room. My salary was generous, and

with Esther's little income we were rich indeed. We could drink all the

egg-nogs we wanted to. We could even fare on chicken and green

vegetables occasionally. We could buy one of Rosa's paintings for

twenty-five dollars, and lend fifteen, now and then, if one of the girls

was in a tight place. We could afford to canvass for suffrage for

nothing. We could engage a bungalow for two or three weeks at the sea

next year.

As soon as I felt that my success at Van de Vere's was assured, I wrote

to my family and asked them to drop in and see me. The first of the

family to arrive was Edith, one day in February. Isabel, the maid,

announced Mrs. Alexander Vars to me. I sent down for her to come up.

The second floor of Van de Vere's looks almost like a private house--a

dining-room with a fine old sideboard, bedroom hung with English chintz,

a living-room with books and low lamps--sample rooms, of course, all of

them, but with very little of the atmosphere of shop or warehouse.

I met Edith in the living-room.

"Hello, Edith," I said. She looked just the same, very modish, in some

brand-new New York clothes, I suppose.

"Toots!" she exclaimed, and put both arms about me and kissed me. Then

to cover up a little sign of mistiness in her eyes that would show, she

exclaimed, "You're just as good-looking as ever. I declare you are!"

"So are you, too, Edith!" I said, misty-eyed, too, for some reason. I

had fought, bled and died with Edith once.

"Oh, no, I'm not. I've got a streak of gray right up the front."

"Really? Well, it doesn't show one bit," I quavered, and then, "It's

terribly good to see some one from home."

Edith got out her handkerchief.

"I, for one, just hate squabbles," she announced.

And "So do I," I agreed.

Later we sat down together on the sofa. She looked around curiously.

"What sort of a place is this, anyhow?" she asked in old, characteristic

frankness. "I didn't know what I was getting into. It seems sort of--I

don't know--not quite--not quite--I feel as if I might be shut up in

here and not let out."

I laughed. Later I took her up to our showrooms on the top floor.

"Good heavens, do you sell people things, Ruth?" she demanded.

"Of course I do," I assured her.

"Just the same as over a counter almost?"

"Yes--not much difference."

"But don't you feel--oh, dear--that seems so queer--what _is_ your

social position?"

"Oh, I don't know. I've cut loose from all that."

"I know, but still you've got to think about the future. For instance,

how would we feel if Malcolm wrote he was going to marry a clerk--or

somebody like that--or a manicurist?"

"If she had education to match his--I should think it was very nice."

"Oh, no, you wouldn't. That's talk. Most people wouldn't anyhow. You are

awfully queer, Ruth. You aren't a bit like anybody I know. Don't you

sometimes feel hungry for relations with people of your own class?

Friendly relations, I mean? Something different from the relations of a

clerk to a customer? I would. You are just queer." Then suddenly she

exclaimed, "Who's that?"

Virginia had passed through the room.

"Oh, that's Virginia. That's Miss Van de Vere."

"My dear," said Edith, impressed, "she was a guest at Mrs. Sewall's

once, when you were out West. She's so striking! I saw her at the

station when she arrived--Van de Vere--yes, that was the name. It was

in the paper. They spoke of her as a talented artist. Everybody was just

crazy about her in Hilton. She was at Mrs. Sewall's two weeks. She was

reported engaged to a duke Mrs. Sewall had hanging around. I remember

distinctly. What is she doing around here?"

"Why, she and I run this establishment," I announced.

"Good heavens! Does she sell people things?"

"Why, of course, Edith, why not?"

"Well--of all things! I don't know what we're coming to. I should think

England _would_ call us barbarians. Why, in England, even a man who is

in trade has a hard time getting into society. But do introduce me to

her if there's a chance before I go."

Later Edith exclaimed, "By the way, my dear, you'll be interested to

know I've turned suffrage."

"How did that happen?"

"Of course I wouldn't march or anything like that, and I think militancy

is simply awful, but you'd be surprised how popular suffrage is getting

at home. I gave a bridge in interest of it. Lots of prominent people are

taking it up. Look here," she broke off abruptly, "when can you come up

for a Sunday? I'm just crazy to get hold of you and have a good old

talk."

"Oh, almost any time. I'm anxious to see nice old Hilton again."

"Well, we must plan it. How would you like to bring that Miss Van de

Vere? In the spring when the summer people get here. She has quite a

number of admirers among them. I'd just love to give you a little tea

or something."

Same old Edith! A wave of tenderness swept over me for her--faults and

all. "Of course we'll come," I laughed. "I'll arrange it."

I knew in a flash that I should never quarrel with my sister-in-law

again. She was no more to blame than a child with a taste for sweets.

Why feel bitterness and rancor? She was only a victim of her environment

after all. My tenderness--was a revelation. I hadn't realized that

tolerance had been part of my soul's growth--tolerance even toward the

principles from which I had once fled in righteous indignation.

Tom dropped in at Van de Vere's some time in the spring.

"Looks like a woman's business," he almost sneered, critically surveying

the striped walls of the reception-room; and later, "Impractical and

affected, I call it," he said. "If I was building a house I'd steer

clear of any such place as this."

"Wait a minute," I replied pleasantly. "Come with me," and I took Tom

into the well-lighted rooms at the rear, where our workers were engaged,

at the time, on a rush order. "Does that look affected, Tom?" I asked.

"Every one of those girls is living a decent and self-respecting life,

many of them are helping in their family finances; and besides, the few

stockholders of Van de Vere's are going to get a ten per cent dividend

on their holdings next year. Does that strike you as impractical and

affected, too?"

Tom looked at me, shut his mouth very tight, and shook his head. "I

suppose all this takes the place of babies in your life. It wouldn't

satisfy some women ten minutes. Elise wouldn't give up one of her babies

for a business paying thirty per cent."

"But Tom," I replied calmly. "We all can't marry. Some of us----"

"_You_ could have. This is not natural. 'Tisn't according to nature. No,

sir. Abnormal. Down here in New York living like a man. What do you want

to copy men for? Why don't you devote yourself to becoming an ideal

woman, Ruth? That's what I want to know. I don't approve of this sort of

thing at all."

I felt no anger. I felt no impulse to strike back. I had reached such an

elevation on my mountain of Self-discovery, as Esther would have put it,

that I commanded vision at last. Tom and his ideas did not obstruct my

progress, like the huge blow-down that he had once been in my way,

against which I had blindly beaten my fists raw. I had found my way

around Tom. I could look down now and see him in correct proportion to

other objects in the world about me. I saw from my height that such

obstructions as Tom could be circumvented--a path worn around him, as

more and more girls pursued the way I had chosen. I looked down and

perceived, already, girls trooping after me. There was no use hacking

away at Tom any more. Nature herself removes blow-downs on

mountain-trails in time, by a process of slow rot and disintegration.

When time accomplishes the same with the Toms of the world then we

shan't need even to walk around. We can walk over!

So, "I know you don't approve, Tom," I replied almost gently, "and

there's truth in what you say--that women are made to run homes and

families, instead of businesses, most of them. Of course Elise wouldn't

give up one of her babies! She's one of the 'most-of-them.' How are the

babies anyway?"

The Fifth Wheel: A Novel · 第 27 / 32 章