outburst. A long week of strain, of mutual revelation and discovery,
of mingled pleasure and annoyance, was bound to tell.
They had at least the satisfaction of making things clear.
"You only cared for me as a martyr," she ended.
"I didn't, you know I didn't," he protested on the spur of the moment.
But both knew that it was more than half the truth.
Their letters of renunciation crossed.
Chance and John Berrisford had been powerful allies.
X
On a still October afternoon Martin lay where the first slopes of Grey
Knotts go sweeping up to the great mountain mass of The Gables and the
Scawfells. He looked down upon Seatoller, diminutive below him, and on
the curving beauty of Borrowdale, burnished with late bracken, aflame
with autumnal trees. Behind him he knew, he felt, were the mountains
that he loved, stretching crag upon crag to the desolate screes of Wast
Water and the glimpse of the shimmering sea. Borrowdale ... there
flashed suddenly upon his mind the verse of the Elfreyan poet and he
quoted it now to the winds and rocks and a curious stone-finch:
"'The flaming bracken fires the breast
Of bosky Borrowdale,
Down swoops the sun in a riot of red
Behind Scawfell to a watery bed,
And the moon hath clomb o'er Skiddaw's head,
So perfect and so pale."
With that pathetic verse came other memories, flowing torrentially
through the opened flood-gates of his mind. For five years he had
forgotten Elfrey and Berney's and all his schoolday toils and triumphs.
Only one week-end had he spent there and that in his 'fresher' year.
He had forgotten because Oxford had been so generous and had given him
so much to think and feel and say. But now his recollections seemed
strangely vivid despite their long storage in the lumber-room of his
mind. Foskett had made another step on the pathway of prosperity, but
Berney was still at work: Vickers had moved to higher things, but Barmy
Walters lingered on, for he had reached the dotage in which years add
nothing to decay. The same old jokes would be played, the crashing of
the instrument-boxes, the passing of fruit-bags and biscuit tins, and
the pollution of his water with ink. And somehow, against the
promptings of conscience, Martin felt that it was right for these
things to go on. Poor Barmy! But with his uncle he believed in
Institutions.
Then the amazing disappearance of people broke in upon his mind.
Spots, for instance. His career had flickered out at Cambridge, where
they had despised his athletics. Drink, perhaps. Cullen and Neave,
surely they must be in the motor trade. Gregson had vanished utterly.
Everything demanded that he should be writing for the Rationalist
Press, but where was he? Anstey was at the Bar, Rayner a subaltern in
India. 'Granny' had recently been head of Berney's, Granny whom Martin
had loathed and swiped. It seemed unreal and impossible. But now, as
he looked back over that gap of five years, he realised that Elfrey
with all its troubles and its narrowness had been kind. The avenging
of Gideon and the night of pitchers, the bowling of "googlies," the
friendship of Finney ... astonishing that things so good should have
slipped away. Lazily chewing the long sweet stems of grass, he
refought a hundred skirmishes.
More recent memories came floating down upon the stream. Galer and his
'deemagogues,' the Push, Chard and his career: very soon he would be
paying a long farewell to all this world of evanescence. For such a
world it was, good but transitory. It was not real as life's work
would be real. True that Chard had taken his Union career as seriously
as death itself, true that the Push had been serious about their
discussions, those night-long tussles about God and Woman and the
Universe: and anything taken seriously has value of a kind. But had
their value been greater than that of an amusing prologue or a
curtain-raiser which it would have been unfortunate to miss? It was
good that these things should have been: it was not good that they
should be for ever.
And Freda? World of evanescence again! She had passed so utterly away
that Martin could scarcely believe in the events and emotions of the
winter. He had no regrets, and he believed that she had none: of late
his plans and prospects had moved at such a pace that wounds could not
linger and were easily forgotten. They had rendered each other mutual
service and mutual relief. Once he had thought that he loved, but now
he knew of his mistake: Freda had spoken the obvious truth when she
said: "You aren't really in love with me, you're in love with love."
He had wanted sympathy and in his quest had idealised the first woman
who gave it him. Only a fortnight ago his uncle had said: "Remember
you're still only twenty-three. You haven't found out everything about
life--or love." He had said it kindly and he had been right.
Now indeed he had fiercely reacted against his search for sympathy.
Surely a man should be able to face his work and go through with it,
even if it was agony to do so, without running to a woman's arms for
comfort. He was ashamed of his cowardice of the winter. Upon the
hillside with the exhilaration of autumn in his blood it seemed so easy
to face things and be resolute. This love! It was like religion, just
Funk. Then he paused, angry with himself. He was erring as much on
the one side as he had lately erred on the other. He could understand
passionate desire: he could understand sentimentality, for he had not
forgotten Lawrence's defence of The Little Grey Home. But this
Love--of which one heard and read--what was it? Perhaps some day...
He surrendered to his visions ... and he would come back with her to a
good house in Devon, very square and grey, with smooth lawns and
paddocks and covert-clad hills behind. There would he become an
initiate in the avuncular mystery of Ham and Eggs. That religion at
least he had it in him to respect.
Rendell and Lawrence were coming up the hill; they had been together
for a week at Seatoller, renewing last year's successful holiday, and
to-morrow they were to separate. It was the last reunion, for Martin
was to sail next month. The other two had stayed in after lunch to
answer letters: Martin was to await them on the hill and then they
would walk.
As he watched them plodding up to him his mind wandered to the future.
When they reached him they were out of breath and demanded a moment's
rest before they moved on. They lay in silence, basking in the strong
October sun.
"I've been thinking," exclaimed Martin suddenly.
"Good," said Rendell. "Let's have it."
"It's about this India business. I think I'm glad on the whole."
"Well, I've had a year of the city," muttered Lawrence, "and I don't
recommend it."
"After all, it's doing something," Martin went on. "Good or bad, it's
action, administration, government of a sort. If I stayed in London, I
would find it jolly hard to work: I'd probably do as the rest, just
loaf."
"Thank you," said Rendell.
"I wasn't alluding to you. You haven't the talent for loafing, and I
think I have, in a mild kind of way. It won't be bad for me to desert
the world of conversations and ideas."
The other two remained silent, gazing at the wonderful valley below.
Martin wished they would speak. He did not know whether he really
believed in what he was saying or whether he was trying to believe in
it because there was comfort in such faith. If only one of them would
confirm his opinions!
"Don't you ever feel that it's all petty and limited?" Martin
continued. "Living in London, I mean, and never seeing the world and
how it's run and the different tastes of men and the tendencies and
forces? I want to get into the middle of it and, if I've got to do
Government work, then I don't mind doing that. It isn't merely
negative, like most of a barrister's work."
Eternal honesty and reliability of man with man! A woman would have
caught his anxious tones and given him sympathy and confirmation at the
expense of belying her convictions. Rendell merely said what he felt
and later Martin was glad of it.
"If that is the case," Rendell answered quietly, "you're plainly the
man for the job. It isn't often that the Empire gets an intelligent
person who cares about his work."
"I believe I'll like it when I'm there," Martin added. "Of course I
know there will be gaps and times of despair. But I feel that I have
had my seven fat years and it's up to me to face seven lean ones. Then
fatness ought to come again."
"Which, being interpreted," said Lawrence, "means seven years or so in
the wilderness and then better jobs and a big screw and no end of a
career."
"I won't be as detailed as that. But as I've got to eat the pie I
shall dig about for the plums. What do you think, Rendell, K.C., M.P.?"
"I agree."
"And you, Lord Mayor?"
"I have every intention of making at least five thousand a year. My
god, yes. If I go into that city I'll damned well fetch something out."
"Anyhow," said Martin after a pause, "we have had years of plenty. It
was all good, the Push and digs and everything."
Rendell agreed. "It couldn't have been managed much better," he said.
"We had some capital times."
Lawrence yawned vastly. "You emotional lads," he said, "will soon be
calling the Old School Ithaca and talking about 'stern nurses of men'
and 'dreaming spires.' I can't allow it. Let's walk."
They rose and went up silently into the hills like men who understand
about walking.
THE END
THE RIVERSIDE PRESS LIMITED, EDINBURGH
SINISTER
STREET
_By Compton Mackenzie_
_In Two Volumes. Crown 8vo Containing_
_in all 1152 pages. Price Six Shillings each_
CONTENTS OF VOLUME ONE
_Book One: The Prison House_
I. THE NEW WORLD
II. BITTERSWEET
III. FEARS AND FANTASIES
IV. UNENDING CHILDHOOD
V. THE FIRST FAIRY PRINCESS
VI. THE ENCHANTED PALACE
VII. RANDELL HOUSE
VIII. SIAMESE STAMPS
IX. HOLIDAYS IN FRANCE
_Book Two: Classic Education_
I. THE JACOBEAN
II. THE QUADRUPLE INTRIGUE
III. PASTORAL
IV. BOYHOOD'S GLORY
V. INCENSE
VI. PAX
VII. CLOVEN HOOFMARKS
VIII. MIRRORS
IX. THE YELLOW AGE
X. STELLA
XI. ACTION AND REACTION
XII. ALAN
XIII. SENTIMENT
XIV. ARABESQUE
XV. GREY EYES
XVI. BLUE EYES
XVII. LILY
XVIII. EIGHTEEN YEARS AGO
XIX. PARENTS
XX. MUSIC
512 pages
CONTENTS OF VOLUME TWO
_Book Three: Dreaming Spires_
I. THE FIRST DAY
II. THE FIRST WEEK
III. THE FIRST TERM
IV. CHEYNE WALK
V. YOUTH'S DOMINATION
VI. GREY AND BLUE
VII. VENNER'S
VIII. THE OXFORD LOOKING-GLASS
IX. THE LESSON OF SPAIN
X. STELLA IN OXFORD
XI. SYMPATHY
XII. 202 HIGH
XIII. PLASHERS MEAD
XIV. 99 ST. GILES
XV. THE LAST TERM
XVI. THE LAST WEEK
XVII. THE LAST DAY
_Book Four: Romantic Education_
I. OSTIA DITIS
II. NEPTUNE CRESCENT
III. THE CAFE D'ORANGE
IV. LEPPARD STREET
V. THE INNERMOST CIRCLE
VI. TINDERBOX LANE
VII. THE GATE OF IVORY
VIII. SEEDS OF POMEGRANATE
IX. THE GATE OF HORN
X. THE OLD WORLD
640 pages
Books by the Same Author
THE PASSIONATE ELOPEMENT
CARNIVAL
GUY AND PAULINE (_in preparation_)
KENSINGTON RHYMES
_NOTE_
_Mr. Campion Mackenzie's Books are
published by Martin Secker: Number
Five John Street: Adelphi: London_
MARTIN SECKER'S
COMPLETE CATALOGUE OF
BOOKS PUBLISHED BY HIM AT
NUMBER FIVE JOHN STREET
ADELPHI LONDON
AUTUMN
MCMXIV
_The Books in this list should be obtainable from all Booksellers and
Libraries, and if any difficulty is experienced the Publisher will be
glad to be informed of the fact. He will also be glad if those
interested in receiving from time to time Announcement Lists,
Prospectuses, &c., of new and forthcoming books from Number Five John
Street, will send their names and addresses to him for this purpose.
Any book in this list may be obtained on approval through the
booksellers, or direct from the Publisher, on remitting him the
published price, plus the postage._
_Telephone City_ 4779
_Telegraphic Address:_
_Psophidian London_
_Martin Secker's Catalogue of Books Published at Number Five John
Street Adelphi_
PART I
INDEX OF AUTHORS
ABERCROMBIE, LASCELLES
SPECULATIVE DIALOGUES. Wide Crown 8vo. 5s. net.
THOMAS HARDY: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
THE EPIC (The Art and Craft of Letters). F'cap 8vo. 1s. net.
AFLALO, F. G.
BEHIND THE RANGES. Wide Demy 8vo. 10s. 6d. net.
REGILDING THE CRESCENT. Demy 8vo. 10s. 6d. net.
BIRDS IN THE CALENDAR. Crown 8vo. 3s. 6d. net.
ALLSHORN, LIONEL
STUPOR MUNDI. Medium Octavo. 16s. net.
APPERSON, G. L.
THE SOCIAL HISTORY OF SMOKING. Post 8vo. 6s. net.
ARMSTRONG, DONALD
THE MARRIAGE OF QUIXOTE. Crown 8vo. 6s.
BARRINGTON, MICHAEL
GRAHAME OF CLAVERHOUSE. Imperial 8vo. 30s. net.
Edition de Luxe 63s. net.
BENNETT, ARNOLD
THOSE UNITED STATES. Post 8vo. 5s. net.
BLACK, CLEMENTINA
THE LINLEYS OF BATH. Medium 8vo. 16s. net.
THE CUMBERLAND LETTERS. Medium 8vo. 16s. net.
BOULGER, D. C.
THE BATTLE OF THE BOYNE. Med. 8vo. 21s. net.
THE IRISH EXILES AT ST. GERMAINS. Med. 8vo. 21s. net.
BOTTOME, PHYLLIS
THE COMMON CHORD. Crown 8vo. 6s.
BURROW, C. KENNETT
CARMINA VARIA. F'cap 8vo. 2s. 6d. net.
CALDERON, GEORGE (With St. John Hankin)
THOMPSON: A Comedy. Sq. Cr. 8vo. 2s. net.
CANNAN, GILBERT
ROUND THE CORNER. Crown 8vo. 6s.
OLD MOLE. Crown 8vo. 6s.
SAMUEL BUTLER: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
SATIRE (The Art and Craft of Letters). F'cap 8vo. 1s. net.
CHESTERTON, G. K.
MAGIC: A Fantastic Comedy. Sq. Cr. 8vo. 2s. net.
CLAYTON, JOSEPH
THE UNDERMAN. Crown 8vo. 6s.
LEADERS OF THE PEOPLE. Demy 8vo. 12s. 6d. net.
ROBERT KETT AND THE NORFOLK RISING. Demy 8vo. 8s. 6d. net.
COKE, DESMOND
THE ART OF SILHOUETTE. Demy 8vo. 10s. 6d. net.
CRAVEN, A. SCOTT
THE FOOL'S TRAGEDY. F'cap 8vo. 6s.
DE SELINCOURT, BASIL
WALT WHITMAN: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
DRINKWATER, JOHN
WILLIAM MORRIS: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
D. G. ROSSETTI: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
THE LYRIC (The Art and Craft of Letters). F'cap 8vo. 1s. net.
DOUGLAS, NORMAN
FOUNTAINS IN THE SAND. Wide Demy 8vo. 7s. 6d. net.
OLD CALABRIA. Demy 8vo. 10s. 6d. net.
DOUGLAS, THEO
WHITE WEBS. Crown 8vo. 6s.
FEA, ALLAN
OLD ENGLISH HOUSES. Demy 8vo. 10s. 6d. net.
NOOKS AND CORNERS OF OLD ENGLAND. Small Crown 8vo. 5s. net.
THE REAL CAPTAIN CLEVELAND. Demy 8vo. 8s. 6d. net.
FRANCIS, RENE
EGYPTIAN AESTHETICS. Wide Demy 8vo. 7s. 6d. net.
FREEMAN, A. M.
THOMAS LOVE PEACOCK: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
GRETTON, R. H.
HISTORY (The Art and Craft of Letters). F'cap 8vo. 1s. net.
HANKIN, ST. JOHN
THE DRAMATIC WORKS, with an Introduction by
John Drinkwater. Small 4to. Definitive Limited
Edition in Three Volumes. 25s. net.
THE RETURN OF THE PRODIGAL. Sq. Cr. 8vo. 2s. net.
THE CASSILIS ENGAGEMENT. Sq. Cr. 8vo. 2s. net.
THE CHARITY THAT BEGAN AT HOME. Sq. Cr. 8vo. 2s. net.
THE CONSTANT LOVER, ETC. Sq. Cr. 8vo. 2s. net.
HAUPTMANN, GERHART
THE COMPLETE DRAMATIC WORKS. 6 vols. Crown 8vo. 8s. net per volume.
HEWLETT, WILLIAM
TELLING THE TRUTH. Crown 8vo. 6s.
UNCLE'S ADVICE: A NOVEL IN LETTERS. Cr. 8vo. 6s.
HORSNELL, HORACE
THE BANKRUPT. Crown 8vo. 6s.
HOWE, P.P.
THE REPERTORY THEATRE. Cr. 8vo. 2s. 6d. net.
DRAMATIC PORTRAITS. Crown 8vo. 5s. net.
BERNARD SHAW: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
J. M. SYNGE: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
CRITICISM (The Art and Craft of Letters). F'cap 8vo. 1s. net.
HUEFFER, FORD MADOX
HENRY JAMES: A CRITICAL STUDY. Demy 8vo. 8s. 6d. net.
IBSEN, HENRIK
PEER GYNT. A New Translation by R. Ellis Roberts.
Wide Crown 8vo. 5s. net.
JACOB, HAROLD
PERFUMES OF ARABY. Wide Demy 8vo. 7s. 6d. net.
LAMONT, L. M.
A CORONAL: AN ANTHOLOGY. F'cap 8vo. 2s. 6d. net.
THOMAS ARMSTRONG, C.B.: A MEMOIR. Demy 8vo. 10s. 6d. net.
LLUELLYN, RICHARD
THE IMPERFECT BRANCH. Crown 8vo. 6s.
LOW, IVY
THE QUESTING BEAST. Crown 8vo. 6s.
MACHEN, ARTHUR
HIEROGLYPHICS: A NOTE UPON ECSTASY IN LITERATURE.
F'cap 8vo. 2s. 6d. net.
MACKENZIE, COMPTON
CARNIVAL. Crown 8vo. 6s. and 1s. net.
SINISTER STREET. I. Crown 8vo. 6s.
SINISTER STREET. II. Crown 8vo. 6s.
THE PASSIONATE ELOPEMENT. Crown 8vo. 6s. and 2s. net.
POEMS. Crown 8vo. 5s. net.
KENSINGTON RHYMES. Crown 4to. 5s. net.
MAKOWER, S. V.
THE OUTWARD APPEARANCE. Crown 8vo. 6s.
MAVROGORDATO, JOHN
LETTERS FROM GREECE. F'cap 8vo. 2s. net.
MELVILLE, LEWIS
SOME ECCENTRICS AND A WOMAN. Demy 8vo. 10s. 6d. net.
METHLEY, VIOLET
CAMILLE DESMOULINS: A Biography. Demy 8vo. 15s. net.
MEYNELL, VIOLA
LOT BARROW. Crown 8vo. 6s.
MODERN LOVERS. Crown 8vo. 6s.
NIVEN, FREDERICK
A WILDERNESS OF MONKEYS. Crown 8vo. 6s.
ABOVE YOUR HEADS. Crown 8vo. 6s.
DEAD MEN'S BELLS. Crown 8vo. 6s.
THE PORCELAIN LADY. Crown 8vo. 6s.
HANDS UP! Crown 8vo. 6s.
NORTH, LAURENCE
IMPATIENT GRISELDA. Crown 8vo. 6s.
THE GOLIGHTLYS: FATHER AND SON. Cr. 8vo. 6s.
ONIONS, OLIVER
WIDDERSHINS. Crown 8vo. 6s.
IN ACCORDANCE WITH THE EVIDENCE. Cr. 8vo. 6s.
THE DEBIT ACCOUNT. Crown 8vo. 6s.
THE STORY OF LOUIE. Crown 8vo. 6s.
PAIN, BARRY
ONE KIND AND ANOTHER. Crown 8vo. 6s.
THE SHORT STORY (The Art and Craft of Letters). F'cap 8vo. 1s. net.
PALMER, JOHN
COMEDY (The Art and Craft of Letters). F'cap 8vo. 1s. net.
PERUGINI, MARK
THE ART OF BALLET. Demy 8vo. 10s. 6d. net.
PRESTON, ANNA
THE RECORD OF A SILENT LIFE. Cr. 8vo. 6s.
ROBERTS, R. ELLIS
HENRIK IBSEN: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
PEER GYNT: A NEW TRANSLATION. Wide Crown 8vo. 5s. net.
SAND, MAURICE
THE HISTORY OF THE HARLEQUINADE. Two Volumes. Med. 8vo. 24s. net.
SCOTT-JAMES, R. A.
PERSONALITY IN LITERATURE. Demy 8vo. 7s. 6d. net.
SIDGWICK, FRANK
THE BALLAD (The Art and Craft of Letters). F'cap 8vo. 1s. net.
STONE, CHRISTOPHER
THE BURNT HOUSE. Crown 8vo. 6s.
PARODY (The Art and Craft of Letters). F'cap 8vo. 1s. net.
STRAUS, RALPH
CARRIAGES AND COACHES. Med. 8vo. 18s. net.
STREET, G. S.
PEOPLE AND QUESTIONS. Wide Cr. 8vo. 5s. net.
SWINNERTON, FRANK
GEORGE GISSING: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
R. L. STEVENSON: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
TAYLOR, G. R. STIRLING
MARY WOLLSTONECRAFT: A STUDY IN ECONOMICS AND ROMANCE.
Demy 8vo. 7s. 6d. net.
TAYLOR, UNA
MAURICE MAETERLINCK: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
THOMAS, EDWARD
FEMININE INFLUENCE ON THE POETS. Demy 8vo. 10s. 6d. net.
A. C. SWINBURNE: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
WALTER PATER: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
THE TENTH MUSE. F'cap 8vo. 2s. 6d. net.
VAUGHAN, H. M.
AN AUSTRALASIAN WANDER-YEAR. Demy 8vo. 10s. 6d. net.
WALPOLE, HUGH
FORTITUDE. Crown 8vo. 6s.
THE DUCHESS OF WREXE. Crown 8vo. 6s.
WATT, L. M.
THE HOUSE OF SANDS. Crown 8vo. 6s.
WILLIAMS, ORLO
VIE DE BOHEME. Demy 8vo. 15s. net.
GEORGE MEREDITH: A CRITICAL STUDY. 8vo. 7s. 6d. net.
THE ESSAY (The Art and Craft of Letters). 8vo. 1s. net.
YOUNG, FILSON
NEW LEAVES. Wide Crown 8vo. 5s. net.
A CHRISTMAS CARD. Demy 16mo. 1s. net.
PUNCTUATION (_The Art and Craft of Letters_). F'cap 8vo. 1s. net.
YOUNG, FRANCIS BRETT
DEEP SEA. Crown 8vo. 6s.
YOUNG, F. & E. BRETT
UNDERGROWTH. Crown 8vo. 6s.
ROBERT BRIDGES: A CRITICAL STUDY. Demy 8vo. 7s. 6d. net.
PART II
INDEX OF TITLES
_General Literature_
ARMSTRONG, THOMAS, C.B. A Memoir. Reminiscences
of Du Maurier and Whistler. Edited by L. M. Lamont.
ART OF BALLET, THE. By Mark Perugini.
ART OF SILHOUETTE, THE. By Desmond Coke.
AUSTRALASIAN WANDER-YEAR, AN. By H. M. Vaughan.
BALLAD, THE. By Frank Sidgwick.
BATTLE OF THE BOYNE, THE. By D. C. Boulger.
BEHIND THE RANGES. By F. G. Aflalo.
BIRDS IN THE CALENDAR. By F. G. Aflalo.
BRIDGES: A CRITICAL STUDY. By F. E. Brett Young.
BUTLER: A CRITICAL STUDY. By Gilbert Cannan.
CAMILLE DESMOULINS. By Violet Methley.
CARMINA VARIA. By C. Kennett Burrow.
CARRIAGES AND COACHES: THEIR HISTORY AND THEIR
EVOLUTION. By Ralph Straus.
CHRISTMAS CARD, A. By Filson Young.
COMEDY. By John Palmer.
CORONAL, A. A New Anthology. By L. M. Lamont.
CRITICISM. By P. P. Howe.
CUMBERLAND LETTERS, THE. By Clementina Black.
D'EON DE BEAUMONT. Translated by Alfred Rieu.
DRAMATIC PORTRAITS. By P. P. Howe.
DRAMATIC WORKS OF GERHART HAUPTMANN. 6 vols.
DRAMATIC WORKS OF ST. JOHN HANKIN. Introduction
by John Drinkwater. 3 vols.
EGYPTIAN AESTHETICS. By Rene Francis.
EPIC, THE. By Lascelles Abercrombie.
ESSAY, THE. By Orlo Williams.
FEMININE INFLUENCE ON THE POETS. By Edward Thomas.
FOUNTAINS IN THE SAND. By Norman Douglas.
GISSING: A CRITICAL STUDY. By Frank Swinnerton.
GRAHAME OF CLAVERHOUSE. By Michael Barrington.
HARDY: A CRITICAL STUDY. By Lascelles Abercrombie.
HIEROGLYPHICS. By Arthur Machen.
HISTORY. By R. H. Gretton.
HISTORY OF THE HARLEQUINADE, THE. By Maurice Sand.
IBSEN: A CRITICAL STUDY. By R. Ellis Roberts.
IRISH EXILES AT ST. GERMAINS, THE. By D. C. Boulger.
JAMES: A CRITICAL STUDY. By F. M. Hueffer.
KENSINGTON RHYMES. By Compton Mackenzie.
LEADERS OF THE PEOPLE. By Joseph Clayton.
LETTERS FROM GREECE. By John Mavrogordato.
LINLEYS OF BATH, THE. By Clementina Black.
LYRIC, THE. By John Drinkwater.
MAETERLINCK: A CRITICAL STUDY. By Una Taylor.
MAGIC. By G. K. Chesterton.
MARY WOLLSTONECRAFT. By G. R. Stirling Taylor.
MEREDITH: A CRITICAL STUDY. By Orlo Williams.
MORRIS: A CRITICAL STUDY. By John Drinkwater.
NEW LEAVES. By Filson Young.
NOOKS AND CORNERS OF OLD ENGLAND. By Allan Fea.
OLD CALABRIA. By Norman Douglas.
OLD ENGLISH HOUSES. By Allan Fea.
PARODY. By Christopher Stone.
PATER: A CRITICAL STUDY. By Edward Thomas.
PEACOCK: A CRITICAL STUDY. By A. Martin Freeman.
PEER GYNT. Translated by R. Ellis Roberts.
PEOPLE AND QUESTIONS. By G. S. Street.
PERFUMES OF ARABY. By Harold Jacob.
PERSONALITY IN LITERATURE. By R. A. Scott-James.
POEMS. By Compton Mackenzie.
PUNCTUATION. By Filson Young.
REAL CAPTAIN CLEVELAND, THE. By Allan Fea.
REGILDING THE CRESCENT. By F. G. Aflalo.
REPERTORY THEATRE, THE. By P. P. Howe.
ROBERT KETT AND THE NORFOLK RISING. By Joseph Clayton.
ROSSETTI: A CRITICAL STUDY. By John Drinkwater.
SATIRE. By Gilbert Cannan.
SHAW: A CRITICAL STUDY. By P. P. Howe.
SHORT STORY, THE. By Barry Pain.
SOCIAL HISTORY OF SMOKING, THE. By G. L. Apperson.
SOME ECCENTRICS AND A WOMAN. By Lewis Melville.
SPECULATIVE DIALOGUES. By Lascelles Abercrombie.
STEVENSON: A CRITICAL STUDY. By Frank Swinnerton.
STUPOR MUNDI. By Lionel Allshorn.
SWINBURNE: A CRITICAL STUDY. By Edward Thomas.
SYNGE: A CRITICAL STUDY. By P. P. Howe.
TENTH MUSE, THE. By Edward Thomas.
THOSE UNITED STATES. By Arnold Bennett.
THOMPSON. By St. John Hankin and G. Calderon.
VIE DE BOHEME. By Orlo Williams.
WHITMAN: A CRITICAL STUDY. By Basil de Selincourt.
_Fiction_
ABOVE YOUR HEADS. By Frederick Niven.
BANKRUPT, THE. By Horace Horsnell.
BURNT HOUSE, THE. By Christopher Stone.
CARNIVAL. By Compton Mackenzie.
COMMON CHORD, THE. By Phyllis Bottome.
DEAD MEN'S BELLS. By Frederick Niven.
DEBIT ACCOUNT, THE. By Oliver Onions.
DEEP SEA. By F. Brett Young.
DUCHESS OF WREXE, THE. By Hugh Walpole.
FOOL'S TRAGEDY, THE. By A. Scott Craven.
FORTITUDE. By Hugh Walpole.
GOLIGHTLYS, THE. By Laurence North.
HANDS UP! By Frederick Niven.
HOUSE OF SANDS, THE. By L. M. Watt.
IMPATIENT GRISELDA. By Laurence North.
IMPERFECT BRANCH, THE. By Richard Lluellyn.
IN ACCORDANCE WITH THE EVIDENCE. By Oliver Onions.
LOT BARROW. By Viola Meynell.
MARRIAGE OF QUIXOTE, THE. By Donald Armstrong.
MODERN LOVERS. By Viola Meynell.
OLD MOLE. By Gilbert Cannan.
ONE KIND AND ANOTHER. By Barry Pain.
OUTWARD APPEARANCE, THE. By Stanley V. Makower.
PASSIONATE ELOPEMENT, THE. By Compton Mackenzie.
PORCELAIN LADY, THE. By Frederick Niven.
QUESTING BEAST, THE. By Ivy Low.
RECORD OF A SILENT LIFE, THE. By Anna Preston.
ROUND THE CORNER. By Gilbert Cannan.
SINISTER STREET. I. By Compton Mackenzie.
SINISTER STREET. II. By Compton Mackenzie.
STORY OF LOUIE, THE. By Oliver Onions.
TELLING THE TRUTH. By William Hewlett.
UNCLE'S ADVICE. By William Hewlett.
UNDERGROWTH. By F. & E. Brett Young.
UNDERMAN, THE. By Joseph Clayton.
WHITE WEBS. By Theo Douglas.
WIDDERSHINS. By Oliver Onions.
WILDERNESS OF MONKEYS, A. By Frederick Niven.
MARTIN SECKER'S
COMPLETE CATALOGUE OF
BOOKS PUBLISHED BY HIM AT
NUMBER FIVE JOHN STREET
ADELPHI LONDON
AUTUMN
MCMXIV
BALLANTYNE
PRESS
LONDON