_Drift_, a play in four acts by Villiers Wentworth, turned out to be a

fair specimen of that now antiquated genre, The New Drama. It had the

monosyllabic title, the insistent realism, the contempt for form and

dramatic convention, the arid conversation with lapses of brilliance,

the admirable acting, and, above all, the Great Gloom. It was

naturally a play with a point, showing, justly and forcibly, the

hopeless inadequacy of modern life to provide the average man and woman

with anything like a Unity of Interest. The characters drifted from

home which they dreaded to work which they loathed and in the evening

they made the return journey. Nothing held their lives together,

nothing remained as a permanent, unifying interest. There was love,

but, as Mr Villiers Wentworth pointed out, the young man is barred

socially and economically from indulging in anything but

hole-and-corner affairs just when he most needs real sympathy.

"Not a good play," said Martin as they walked out into the flaring

streets and joined the joyous welter of confusion at Piccadilly. "The

man's got no sense of humour and he thinks that everyone is miserable

who hasn't got two hundred a year. The poor are just as happy as the

rich. Of course they oughtn't to be, but they are."

"But there was a point," said Freda, "about unity of interest. It may

be obvious, but it's true. Didn't you drift? Haven't I drifted?"

They turned into a restaurant.

As they supped they forgot about the play. But later Martin's mind

returned to the subject.

"Come back," said Freda suddenly. "Penny."

"Hand over," he answered, smiling as he started.

"Well, what is it?"

"You, of course."

"I'm sorry for that. You looked so sad."

"I'm feeling ashamed," he confessed.

"What of?"

"Of the way I've thought of you. I've been so selfish. I only cared

for my own escape from drifting. It's been my work, my life, my love.

I have been thinking of you as the person who would make my life

perfect. It's been all me, me, me. When we first met I thought of you

and your work. Now it's only me and my work."

"That's as it should be."

"No, no, it isn't. A year ago I should have hated myself for thinking

like this."

"Perhaps you have learned as well as lived."

"I've been a brute and there's an end of it." He was deriving a secret

pleasure from his self-depreciation. There was bliss in humiliating

himself before her, in grovelling at the feet of her whom he adored.

If he could not get the conventional thrill from the confession of past

affairs and failings, he would achieve the ecstasy of self-torture by

laying bare a loftier mistake.

But she laughed at him. "Silly Billy," she said. "Pay the waiter and

I'll tell you."

She told him as they drove back together in their taxi.

"After all," she began, "compare my work with yours. Mine is drudgery.

Yours is big and important. It doesn't matter what becomes of mine,

but it matters a lot what becomes of yours, I hate mine and I love

yours. I want to give myself up to yours, to make it easier and

better. Can't you see, Martin dear, that isn't selfishness or

unselfishness. Those words don't count in such a case. If we love,

then I'm you and you're me, and one person can't give to himself or

take away from himself surely."

"It sounds so specious," he said. "And yet I still feel greedy, as

though I were denying your right to be yourself."

"I don't want to be myself. I want to be different. I'm as greedy as

you are and more so, only differently. As it is, the word isn't real.

We're both giving and both taking and there's an end of it."

He was silent for a moment. "It's no use my trying to say how perfect

you are," he said at last.

"Dear, delightful, serious, conscience-stricken gloomkins," she laughed

at him. "What does all this matter ... how we share things, I mean?

The only real thing is enthusiasm, wanting and feeling and loving. You

were at a loose end until you began to feel; you couldn't work, you

couldn't do anything. Nor could I. And now work is all changed and

seems better and easier. The office is a palace for me, India a

pleasure garden for you. Do stop worrying and be sensible."

"I'm sorry," he said. "I'll try and be good. You're always right.

This taxi goes far too fast. We're in your street."

"Bother," she said.

"Let's tell him to drive on somewhere else and come back in another

one."

"No. You've spent far too much and we've done that often enough. I'm

going to be a good girl to-night."

"Tyrant."

"Wastrel."

"He's stopping. One more kiss."

Through streets that more than ever resembled enchanted pathways in a

forest of shadow and silver, Martin went back exulting to his hotel.

IX

It was the second week in January when Martin went down to The

Steading: he merely stayed to collect books and clothes and returned at

once to London. While he was there he told his uncle and aunt that he

was engaged to be married.

That night John Berrisford discussed the matter with his wife. "Well,"

he began, "what about our young Martin?"

"I suppose it's all right," said Mrs Berrisford quietly. "He's very

young, but that seems to be the fashion nowadays."

"Yes, that doesn't matter. Long engagements are tragic, unhealthy

things, but they'll be apart and he ought to be able to marry almost at

once. Quite a lot of civilians do."

"And she's quite a nice girl."

John Berrisford gave the slight wriggle of the shoulders for which we

have only the excessive word "shrug."

"Don't you approve?" added his wife.

"Yes and no. On the whole, no." He kicked at the fire testily.

"She's quite a nice girl and clever and reasonable beyond the average.

If Martin were going to hang about in town, well and good. But really

is she the wife of an Indian Civilian?"

"But, John, surely! You with your ideas about freedom! You don't

believe in the marriage of convenience, I know. Isn't Martin to have

his choice?"

"Of course he shall have every choice. I'm not one to bluster or give

orders or interfere. He's going to marry the girl, not I. I know

that. But I'd like him to think a little first. Do consider the

facts. Freda is clever and quick. Perhaps she really cares for

Martin, perhaps she's only sick to death of the hellish existence

decreed by modern civilisation for penniless orphans of the female sex.

But she has lived in a groove, she has never met people--not the kind

of people she'd run up against in India. She doesn't like games or

society. She likes talking and arguing and lying in bed. She'd hate

the Anglo-Indian just as she hates any kind of pomp and circumstance.

She hasn't the vaguest notion as to what they'll expect of her. Worse

still, she hasn't even health. She would be invalided home in a year

and Martin with a salary of three or perhaps four hundred a year would

have to support a wife whom he only saw on leave. You've got to

consider his career and his general happiness. There is no reason why

he shouldn't find a woman who understands the kind of life and

behaviour, a woman who could fit in, and yet has brains and charm

enough for an intelligent person."

"Mary Brodrick?" suggested Mrs Berrisford. "The kind of girl who sings

about her caravan resting after dinner?"

"We needn't go as far as that. Something between the two."

"You're a heartless old schemer, John. We must respect his choice."

"Absolutely. But I'm fairly confident about the result. Anyhow there

is plenty of time and it's Martin's first affair."

"Are you sure?"

"I have watched the signs of times. This is the first time he has

taken a month to see the varsity match."

"But he is stubborn when he has once settled on a thing. He doesn't

decide quickly, I know, but when he has he is firm."

"We'll see. As it is, I suppose you must have her down for Easter. I

got her her present job and I know her employers well. I can easily

get them to allow her a holiday then. And when we've got them, we must

leave them very much alone."

"But surely----"

"My dear, it's the only hope. Keep them apart, hint at the

unsuitability of marriage, and they'll elope on nothing in a

fortnight's time. That's quite certain. My idea is to bang them

together fairly hard. I don't want it to hurt, but I do want them to

have a clear idea as to what they are both made of."

"Do you think it's quite fair?"

"Isn't it what they would want themselves? It's the only possible

thing we can do. And also," he added quietly, "it will give a certain

interest to next Easter."

But there was no need to beg a holiday for Freda. In February, when

the winds came driving up the Channel and brought to England a

month-long burden of rain and sleet, her health gave way again and she

was warned that she was not strong enough for the wear and tear of an

office life. For most people it is true that colds are not liable to

the laws of cause and effect: they happen or they don't and to be

soaked to the skin is no more fatal than to bask in the sun. But for

Freda to arrive at the office with feet wet and cold meant certain

visitation. And by six o'clock she was always worn out. Now she would

have to rely on an uncle and aunt. The uncle had money and had offered

already to release Freda from the misery of work, but she had refused,

so intolerable had seemed his great Victorian mansion on Sheffield's

edge. She had wanted, in her youthful courage, to work and to be free.

But now there was no use in fighting and she yielded partly from a

consideration of hard fact, partly because her uncle had retired from

his business and was coming to London. Idleness in town with an

allowance! By privation she had been taught the meaning and the value

of both. So it was as a woman of moderate means and unlimited leisure

that Freda came to The Steading for Easter.

Martin came from Oxford jaded and tired out. He had had to work hard

in order to make up for a vacation of complete indolence. The wet

February had brought floods and stinted exercise and despondency: it

had been tedious work, toiling over a new language in those lonely Ship

Street rooms. His soul hungered for sympathy, his body for the

infinite swell and splendour of the moor and for the cold sting of the

winds that whirled across it like the thongs of a lash.

For a week he stayed about the house and strolled in the near woods

with Freda, whose recent illness had left her far too weak for real

walking. She hadn't the strength nor could she risk a strain or chill.

So Martin lingered with her all day, while they built fantastic castles

of hopes and visions. Then the inactivity grew intolerable to his

body, tore at his nerves, and made him ravenous for the moor and the

golf-links. Freda despised golf and could not understand how any sane

person could be bothered with it. They squabbled about it gently,

never suspecting that it might come to matter.

Fate fought against Freda.

Martin, whenever during these days he handled a club, found that he

could do nothing wrong: he was "on his game." And the Cartmells came

down for the Easter recess. Godfrey had captured the seat two years

ago and had settled down comfortably on a back bench from which his

wife intended to oust him. But the back-bencher may live strenuous

nights and days: he too was tired and wanted air and exercise. And so

in the afternoons Martin was called upon as much by civility as by the

craving of his heart to motor with them to the golf-course and join in

a foursome. Desperate warfare took place in which Martin was Viola's,

Godfrey Margaret Berrisford's ally. And Martin was wonderful. His

drives flew far and low, straight for the flag or the direction post:

no ugly jarring told him of the topped iron-shot: his short putts ran

straight into the middle of the hole. He dug his partner's foozled

drives out of heather and hedge and laid her wild approaches dead with

a niblick. Up on that lonely course with only the wind and the white

clouds for neighbours, with no one to keep them back or hurry them on,

with turf so springy that a foot could never tire, so spongy-soft that

a brassie might be lightly taken and effectively wielded, with the

exquisite strain of even conflict, with matches taken to the last green

and won, perhaps by Martin's inimitable 'run-up'--yes, it was golf.

The joy of it was almost insupportable. Martin began to live for those

afternoons; yet, if he had been off his game, had sliced with his

driver and topped with his irons, as was indeed his wont, the golf-club

would have lost its appeal: there is little pleasure in playing golf

badly, but there is all the world in playing above your form.

Once Freda came up to watch them and walk as far as she could. But she

was plainly bored, pleaded fatigue, and went back to the little

club-house where she sat reading. To Martin, in his present mood of

triumphant exultation, it seemed incredible that anyone could fail to

see the point of it.

He tried to convince her. "Perhaps you can't imagine the thrill that

conies from a really true hit: really it's one of the few good things

in the world. The ball goes off clean and sweet and leaves you with a

faint tingling that lets you know you've done the trick. And then you

climb a ridge and there's the ball white and glistening on the green.

That means you've done exactly what you set out to do and that you've

got a long putt to beat Bogey. And if you ram it in!"

"Baby!" she said, laughing. "Did 'ums like 'ums bouncey ball."

At first he laughed too and told himself that naturally they couldn't

share all the same tastes. In the morning and evening he stayed with

her, neglecting his work. But gradually he came to feel that there was

something more than jocosity in her denunciation of the bouncey ball.

Soon after Easter one of Freda's colds kept her in bed for breakfast.

It was the Cartmells' last day but one and everything pointed to a

final test of strength. They went over in the morning and stayed to

lunch at the club-house. There were two great matches, of which each

side gained one. Martin had not yet lost his skill: he had dreaded the

day of torture when he would go "right off."

"Let's have another nine holes," said Viola Cartmell as they took an

early tea. "We aren't keeping Martin from his duty. And it's our last

chance and such an evening."

They agreed to play and nerved themselves for faultless execution.

An hour later Martin lay upon the steep bank at the edge of the ninth

green. Now he had grasped most certainly, what Freda would never

grasp, the mystery of Ham and Eggs. In the fine light of sunset the

moor seemed to tower inimitably above them, crowned with its eternal

tors, clear-cut as by a razor's edge against the vast blue emptiness

behind. The April breeze was whispering in the grass and timid larks

soared and plunged and hung singing in the void. Before him was the

smooth-shaven green, true as a billiard cloth but humped with testing

undulations. And there were the three other players awaiting with

tense anxiety the future of the match. Godfrey was kneeling to take

the line of his putt: the ball would end its journey along the side of

a veritable mountain, a glorious stroke to achieve! Farther back were

Margaret and Viola. Suddenly the breeze caught them, snatched at a

stray wisp of hair, played with their skirts, and gave a last caress to

cheeks already kissed to flame. There were grace and strength knit

perfectly: to Martin they seemed, after the slight form of Freda,

tremendous. Yet why shouldn't women be strong? He wanted them to be

strong, to walk with him, to fear neither wind nor weather. And

Freda...

His thoughts returned swiftly to the match. Godfrey was on the point

of playing: he had this, a ten footer, to halve the hole and the match.

There was silence and then the gentle tap of the club on a rubber-cored

ball. One gazed, one shouted. The ball had lipped the hole and swung

out to the left.

In the car they fought the whole match over again.

"If only I hadn't given you the sixteenth this morning----"

"No, it was my fault. If I miss two-foot putts, you can't be

expected----"

And thus during the whole journey superb concentration on an end to be

won, superb oblivion to work and wealth and weariness.

Martin found Freda yawning in the porch.

"I thought you were staying upstairs all day," he began.

"Who said so?"

"The maid, I think."

"Well, I never said anything about it. You don't seem very glad to see

me."

"Of course I am. Only I meant that I would have come back earlier if I

had known."

"I wouldn't keep you from your golf."

He sat beside her, but she did not welcome him. She was hurt.

"If I'd only known, I wouldn't----"

"Day after day," she whispered. "I know you like to be out and about.

I don't claim you always, do I? But sometimes, surely."

"I didn't know," he repeated remorsefully. "I didn't know."

"Yesterday you went and to-morrow you'll go."

"No, I won't. Freda, I'm a brute. I've been rotten to you. I've

nothing to say for myself."

"You've got to go to-morrow."

"I won't. You don't want me to go."

"You must go. I'm not going to keep you, if you don't stay of your own

accord. The ball is much more amusing than I am."

He pleaded, he fought against her, but she insisted on his going.

The punishment was effective. He went in anguish and played with no

zest for the game. He sliced, he topped, he missed short putts. The

match fizzled out on the fourteenth green, a fiasco.

The Cartmells hurried back to London and Martin remained to make peace

with Freda. He had been unspeakably pained by the sordidness and waste

of energy and peace that quarrelling had entailed. He hated the

suspicions and embarrassments that must linger on: he was passionately

desirous of restoring the old intimacy and yet ... somehow or other the

wound remained. He couldn't forget that evening on the ninth green.

Why wouldn't Freda see the point of these things? Why wouldn't she

walk? She was strong enough now for a mile or two. Almost he was

angry with her for having been ill, for it is an odd feature of

humanity that we sometimes dislike people for their sufferings, hate

them for a cough or sniff. And now Martin was on the point of blaming

Freda for the weakness he had once adored. Why wasn't she strong like

Margaret or Viola? Why didn't she understand about the moor and

wind-swept spaces and the miracle of hitting a golf-ball?

While he was bearing the olive branch these questions, dreaded and

strongly combated, kept forcing themselves into the narrow passes of

his mind as the Persian host flooded into Thermopylae. It was futile

to feign deafness: in time they would force a hearing. And there were

other less easily worded doubts and apprehensions.

Perhaps the summer-time came as a release. More than he would have

cared to admit, Martin wanted to be alone, to see Freda

dispassionately, from a distance. And so to Oxford.

Freda, while undergoing all unconsciously this dispassionate

appreciation, retired to London. But within a few weeks' time she had

received another invitation to Devonshire, and tired not so much of

town as of her relations she gladly accepted.

At The Steading were a Mr and Mrs Brodrick with their daughter. Arthur

Brodrick had been contemporary with John Berrisford at Oxford and had

passed high into the Indian Civil Service. Just before his time for a

pension was due he had been invalided home and had missed the full

reward of his service. The Brodricks lived at Sutton in a remote

mediocrity of wealth more galling than actual poverty.

Was it Chance again, the Chance that had brought a perfect Easter and

put Martin on his game, that now seemed to keep the conversation on

Oriental diseases and the rigours of imperial service? Certainly Freda

heard more of fever in distant stations than of health and company at

Simla. But the Brodricks had not been divorced from patriotism by the

hardness of their lot: they still believed in the flag, in the pomp and

state of the British Raj, in stately dinners at Government House where

the couples went down to the feast in order of social precedence, and

they recounted squabbles, petty but bitter antagonisms, of rival ladies

who considered themselves insulted by their positions in the troop of

diners.

Freda listened silently and learned.

So this was the life for which she had bargained. Eternal fever--so

they implied--eternal society of the Brodricks and their kind! For

Martin with his work to love and his career to think about such things

might be well enough! But for her! How could she blend with this

unknown, this unparalleled society?

Then the Berrisfords suggested that they should all go to Oxford for

Eights Week. Mr and Mrs Berrisford had to be in town: would Mary

Brodrick come? And, naturally, Freda? Both the girls accepted

eagerly. It was soon settled and rooms were engaged at the Mitre.

On reading the letter announcing their plans Martin groaned in the

spirit. It wasn't, of course it wasn't, that he did not want to see

Freda. Did he not write to her as eagerly as ever? Did she not

answer? But Eights Week of all times!

Martin was sufficiently a lover of Oxford, summery Oxford of the still

water-ways, to loathe and despise Eights Week, that Whitsuntide holiday

of the wealthy, when the city is invaded by a host of rich trippers,

whose tripping has not even the justification of beer-bottles and

hearty bestiality. He did not wish to eat salmon mayonnaise, to drink

champagne cup, to propel, in faultless flannels, a punt among a solid

mass of punts, to go for picnics where all London was revelling. His

choice would have been to launch a vessel on the upper river, to find

some tranquil backwater past Eynsham, with a canopy of willow and the

scene of flowering meadows; or else to make use of deserted tennis

courts and to enjoy things properly. Now they were going to break in

upon him: and indeed another idle vacation had left him work enough to

do. They had not come when he was a fresher and such things were

allowable, and the Berrisfords knew Oxford well. Presumably they

desired to show Freda the city and its ways. But why, oh why, in

Eights Week? It wasn't like the Berrisfords.

They arrived duly and lived in state at the Mitre: they mingled with

the crowds, tramped the colleges, and demanded to have things pointed

out to them. Mary Brodrick said all the right things. Martin

shuddered as the phrases came out in turn:

"Can we see the kitchens?" (at Christ Church).

"Where are the Prince's rooms?" (at Magdalen).

"Isn't this the clever college?" (at Balliol).

It was a gloomy ceremony.

There was Freda. And she ... well, he had to admit that she didn't

harmonise with this world of fine raiment and expensive bean-feasts.

The Freda who glittered in the punt, the Freda clothed sumptuously at

her uncle's expense was undeniably different from the insignificant

wisp of a girl in plain blue coat and skirt who had hurried out of the

office at six and come to Martin for rest and comfort. To have

explained his feelings accurately would have been an impossible task

for Martin, but he could not put aside a vague sensation that Freda was

wrongly placed in this world, that she was pre-eminently a martyr and a

rebel, not a woman of leisure.

She did not even know what to say. There is a particular kind of

speech appropriate to these occasions: it is neither flirtation nor

conversation in the proper sense, but a discreet blend, a mixture as

insipid as it is inevitable. It does not demand brains or wit, but a

certain quality, a training. Mary Brodrick, with all her limitations,

knew the game; she was jolly and made things go. Freda hung back or,

when she came forward, made mistakes. Odd that Martin should have been

angry with Freda for her inability to play a game which he himself

despised. Yet it did pain him that she didn't "fit in."

As a strange word whose meaning has recently been discovered seems to

the reader to occur on every page he reads, so Freda suddenly revealed

to Martin in a hundred ways her incapacity for "fitting in." And it

was to the society of countless Brodricks that Martin would have to

take her.

On the Wednesday evening, when the river was rendered invisible by the

press of vessels and fair women, when the supporters of the victorious

college swam across the river and dived from barge and boathouse, when

supper-parties began to disappear up the Cherwell and gramophones to

tinkle in shady recesses, Mary Brodrick caught her train to town, Mr

and Mrs Berrisford went to see the Irish Players, and Martin took Freda

on the river.

To avoid the crowd they were going to the Cherwell above the rollers.

She kept him waiting in the taxi that was to take them to Tims'.

At Tims' she found the punt dirty, said the cushions were filthy, and

would ruin her dress.

"Eights Week," said Martin. "We've got to be thankful to get any kind

of a punt."

Still she grumbled. Martin ran into a projecting bush and, before she

knew what had occurred, her hat had been pushed over her eyes, her hair

disarranged, and her face scratched. She said nothing at all. Worse

than any expostulation! It grew cold and a chilly breeze sprang up.

Years of Plenty · 第 16 / 17 段