Riding, as part of education, 128.
Rowing, as part of education, 128.
St. Albans, Duke of, reads paper for author at Mansfield, 166 _n._
St. Louis' chapel at Carcassonne, painting, 86.
Salvation, not to be limited to a class, 182.
School Board, the, 177.
Schools of art, bare schoolrooms do not fix the attention, 105.
" " decoration of, reasons for, 104.
" " proposals for, 132.
Science, controversy in, too much nowadays, 175.
" education in, 128.
" the bridal city of, 175.
Selection, Natural, and Social Policy, paper by author, 175.
Shakespeare's Cliff, 89.
Siena, frescoes of Antonio Lorenzetti, 57.
Smith, Adam, 1857 _pref._
Soldiers of the ploughshare as well as of the sword, 15.
Speculation, commercial, 151.
Spider, web of a, 170.
Street, Mr., on the Ducal Palace, 141 _n._
Students in art, not to aim at being great masters, 168.
Surfaces, drawing of round, &c., 161.
Sympathy, the cleverness of, 170.
Systems, not easily grasped, 128.
Taste, defined, 154.
" education of, 160.
Tennyson, _In Mem._ LV. "Of fifty seeds, she often brings but one to bear,"
133 (_cp._ Time and Tide, 67).
Thought, not to take the place of fact, 141.
Time, man is the true destroyer, not, 74.
_Times_, The, Nov. 23, 1857, referred to, 138 _n._
Tintoret's St. Sebastian (Venice), perishing, 86.
Titian, eternally right, 157.
" sketch by (Florence), 164.
" woodcuts of, 70.
Tombs, English waste of money on, 78.
Trade, art-faculty, its employment in design in, 30.
" freedom from rivalry, healthful, 110 _seq._
" government direction of, 129.
" guilds, decoration of their buildings, 110 _seq._
Trade, guilds, _continued_:--
" " under public management, 114.
" secrecy of, bad, 110 _seq._
" true co-operation in, what, 112.
" youths to learn some manual, 128.
Tradesmen, their modern social position wrong, 114.
Truth, dependent on justice and love, 152.
Turner, prices of his pictures, when a boy, 98.
" his want of gentle training, 28.
Ugliness, is evil, 177.
Usury, a "mortal sin," 185.
Utility, not to be the sole object of life, 10.
Vellum, for water-colour drawing, 43.
Venice, art of, aided by beautiful dress, 54.
" Ducal Palace, chronology of the capital, 141 _n._
Verona, amphitheatre of, 76.
" battle-fields of, 77.
" greatest art-treasury in the world, 76 _seq._
" typical of Gothic architecture, 76.
Veronese, P., eternally right, 157.
" "Family of Darius," purchased by National Gallery, for £14,000, 55.
Verrocchio, a goldsmith, 46.
" master of Leonardo, 46.
Virtues, the, fresco of, by A. Lorenzetti, at Siena, 57.
" winged (Siena), _ib._ _seq._
Wages, fixed rate of, advocated, 113, 129.
Wall-paper, 159.
Wants, the invention of new, 138.
War, destruction of works of art by, 75.
Water-colour drawings, perishable, and why, 42.
" " to be on vellum, not paper, 43.
Wealth, author's respect for true, 1.
" duty and, 119-20.
" earned and inherited, 143.
Wealth, _continued_:--
" freedom of spending, to be allowed, 142.
" how gained, 117.
" means well-being, 147.
" mediæval view of, 4.
" modern honour paid to, 1, 2.
" power of, 4.
" principles of, 114 _seq._
" works of art, how far they are, 132 _n._
Wealthy, the, "pilots of the State," 119, 142.
" " claims of the poor on, 143.
" " way in which they should spend their money, 143.
Wisdom, preciousness of, 174.
Women, education of, drawing, 158-9.
" J. S. Mill on the position of, 180.
Woodcuts, cheap and nasty, 40.
Wordsworth's essay on the Poor Law Amendment Bill, 16 _n._
Workhouses, to be worthy their name, 114.
Working-men's College, drawing at the, 156.
Youth, encouragement good for, 26 _seq._
" of a nation, to be guarded, 134.
" work of a, necessarily imperfect, but blameable, if bold or slovenly, 25.
THE END.
Printed by BALLANTYNE, HANSON & CO.
Edinburgh & London