At about half-past one, then, the work of the day was done, and hosts

and guests met in the _salon_, and went in to dinner--the famous dinner,

exquisitely arranged and appointed; servants numerous, noiseless, and

perfectly _au fait_ in their duties; the most delicate wines, and the

most irreproachable of _chefs_. A couple of Englishmen, perhaps, and

half a dozen French men and women had driven down to it from Paris.

There were generally from twelve to fifteen persons at table, and

sometimes more. Good as the fare was--much too good for the health of

some of the diners--‘the only intoxication’ at this table ‘was of

ideas.’

The talk ranged from the history and customs of the Chinese to the final

annihilation of the human race. Sometimes it lit on ‘Clarissa Harlowe,’

and the company divided itself into For and Against Sentiment as

understood by the bookseller Richardson. Occasionally the meal was given

up to buffoonery, and Madame d’Aine led the way with jokes of such a

character that if Morellet is conscientious in declaring in his

‘Memoirs’ that all freedoms, except freedoms as to speculation, were

banished from d’Holbach’s gatherings, he must certainly have been deaf.

One day, a story going the round of the Paris cafés, holds the table

curious and laughing. The Baron, says Grimm, was as amusingly credulous

of gossip as he was sceptical of everything else. Another day, it is a

question of _ton_ or of _mode_; and a third, of art or of literature.

There was scarcely one of d’Holbach’s _convives_--there was not one of

Voltaire’s co-operators--who did not contribute, at one time or another,

a masterpiece, or at least a Book of the Moment, for d’Holbach’s table

to discuss.

In 1755, it is the famous article on ‘Existence’ in the Encyclopædia, by

young Turgot, our shy, rare guest, which brings the heads of the older

Encyclopædists together over the walnuts and the wine, and inspires them

with prophecies of a great future for its quiet author. Three or four

years later, the great suppression of that Encyclopædia itself inflames

the passions of the party, goads Diderot to fury, and d’Alembert to

despair.

In 1759, the ‘Candide’ of the Master sets the table in a roar of

delight. ‘The Social Contract’ of our impossible, impassioned Jean

Jacques sounds for us, in 1762, the trumpet-note of battle in that

sonorous opening sentence: ‘Man is born free, and is everywhere in

chains.’ The next year, the guests give their ever-generous admiration

to a far wiser work--one of the mightiest weapons ever forged against

‘the greatest of human curses’--‘The Treatise on Tolerance.’ In 1765,

d’Alembert comes out of his shell again with his ‘History of the

Destruction of the Jesuits;’ while Diderot is for ever finger deep in

ink--up to the neck in ideas.

Only, at the head of the table, d’Holbach, host and president, always

applauding, encouraging, (and sometimes also financing) the producers,

himself produces nothing. Yet it is not because he does not go, as it

were, with his guests. He goes far beyond them. Here, the women of the

party left the table after dinner as they do in England, to exchange

what Diderot called their ‘little confidences.’ Then the conversation

took, not the kind of freedoms which Morellet declared he did not hear,

but speculative liberties which, said he, ‘would have brought down

thunderbolts on the house a hundred times if they ever fell for that.’

At d’Holbach’s table, with d’Holbach pushing, urging, with a quiet,

invincible persistence, with Diderot waving the flag, leading, pleading,

inciting, the ‘club holbachique’ dragged every dogma, every so-called

fact of existence, every creed, into court before them; judged by the

tribunal of their own reason, and cast away all that failed to satisfy

it, as fagots for the burning.

Grandval did not speculate, as did Voltaire and his guests at Ferney, on

the attributes of God and the nature of the Soul. It began where he left

off: asked not, What is God? but, Is there a God? not, What is the Soul?

but, Have we a Soul? and in each case answered, No.

Gagged for hundreds of years, Grandval used the newly seized freedom of

thought and speech as a very little later the mob used its social and

political liberty. The bloody extremes of the Terror, and the

speculative extremes of d’Holbach’s table, were alike the result of long

slavery and repression.

That d’Holbach at least was strongly and honestly persuaded of the truth

of his own unbelief, and was convinced that he did well to destroy in

men those faiths which, looking back on history, he saw were responsible

for the intolerable miseries of religious persecution, is not doubtful.

D’Holbach was an honest man. It is true, indeed, that he was not one of

the highest intellectual capacity. His seems to have been just the kind

of clever mind--much more common among women than men--which is the dupe

of its own cleverness, and easily led by it into absurdities which both

wise people, and very simple ones, detect and avoid.

Set the problem of deriving Everything from Nothing, it is not

marvellous that the Grandval talkers descended sometimes to the wildest

nonsense. Horace Walpole said acidly that they soon turned _his_ head

with ‘a new system of antediluvian deluges which they have invented to

prove the eternity of matter.... Nonsense for nonsense, I prefer the

Jesuits.’ No wonder poor little Galiani (he _was_ an Abbé, though he

very often forgot it) fled to the more circumspect gatherings of Madame

Geoffrin, that the wise Turgot also turned away from Grandval, and

d’Alembert drew back from an atheism so positive and arrogant.

By the time the philosophers joined the women it was four, five, or even

six o’clock. It _does_ take some hours to construct Man and the Universe

out of Chaos, with nothing but blind Force to help us! Then came for the

host himself, and some few of the other men of the party, a walk in the

beautiful gardens. Most of the Baron’s guests, however, sat indoors with

the women, Nature and exercise being both greatly out of fashion in the

eighteenth century.

When the walkers returned the evening was drawing in, and there were

lights and cards on the table. Some of the guests rested on long chairs.

Some played picquet, some billiards, some tric-trac. Some visited their

host’s picture gallery or his famous cabinet of natural history. He was

himself always pleasant, courteous, cheerful. He loved to rally gently

‘the old mummy,’ as he called Father Hoop, and, perhaps, other Fathers,

certain Jesuit priests, whom, in defiance of all his own principles, he

generously made free of his house.

Old Madame d’Aine entertained the whole company with her perfectly

indecorous and perfectly good-natured wit. Madame d’Holbach, always

‘douce et honnête,’ ‘très aimable,’ and exquisitely dressed (the

description is Madame d’Épinay’s), accepted her mother’s buffooneries

with absolute complacency.

Coarse as this society was in its speech--worse as it was in its easy

condonation of vice than the worst social sets of our own day--in one

respect at least it was immeasurably superior. Except for an occasional

desultory game proposed by their hosts, the guests at Grandval were

expected to bring, and did bring, their own entertainment with them in

their own heads. To be bored would have been to confess oneself stupid.

For the costly freaks of amusement, the elaborately idiotic devices of

modern times to prevent the visitor having to fall back for an instant

on his own resources or intelligence, Grandval had no need. If

materialism was its creed, there was, as has been justly said, a great

deal of ‘indirect spiritualism’ in its practice. Its lengthy dinners

_were_ feasts of reason (in spite of those intellectual extravagances)

as well as of costly meats and wines, and the ill-flavoured jests were

only interludes in the midst of brilliant and fruitful talk on

literature, history, politics, and the new world beginning for France.

Supper came about nine--‘wit, gaiety, and champagne,’ Diderot described

it. Then more conversation, until sometimes the party were still

ardently philosophising with their bedroom candle-sticks in their hands.

When d’Holbach had been entertaining, apparently without a break, for at

least ten years, he took what seemed to his friends the foolhardy, not

to say desperate, resolve of crossing the Channel. To bury himself in

what Diderot called ‘the depths of England’ for two months is a very

different thing, the Baron will find, from entertaining Englishmen (and

those quite the most enlightened of their species) in Paris! He did find

it so. If England delighted Voltaire, soothed wounded Helvétius, and

pleased even critical Grimm, she thoroughly disgusted d’Holbach. He gave

Diderot his vivid first impressions of her, and Diderot retailed them,

red-hot, for Sophie Volland and for posterity.

The Baron was hospitably received and entertained in this island by a

rich and generous host, whose name has not transpired; he had the best

of health during his visit, and he paid that visit in August, when even

the British climate can be very tolerable; he had the pleasure of

calling on his guest, Garrick; he went to Oxford and Cambridge;

travelled in some of the prettiest English counties, and he was

bored--to extinction.

Our confessedly bad manners he found worse than anyone had ever found

them before, and was dreadfully disgusted with people ‘on whose faces

one never sees friendliness, confidence, or gaiety, but which all wear

the inscription, “What is there in common between you and me?”’ The

aristocracy struck him as cold and haughty, the common people as rough

and violent. As for the dinner parties, ‘where people sit according to

their rank, and formality and ceremony are beside each guest,’ after the

gracious ease of Grandval, the Baron may be forgiven for finding them

intolerable.

Then the public entertainments: ‘This people is sad and melancholy,

especially in places built for pleasure. You can hear a pin drop. A

hundred stiff and silent women promenade round an orchestra discoursing

the most delicious music,’ and the promenade can only be compared to

‘the processions of the Egyptians round the mausoleum of Osiris.’

Then the gambling: ‘Englishmen lose incredible sums in perfect silence.

By thirty they have exhausted all the pleasures, even beneficence. Ennui

... conducts them to the Thames, unless they prefer a pistol.’

At the universities, the good Baron found many ‘rich do-nothings

drinking and sleeping half the day;’ at Court, corruption; among the

people, no public education and great inequality of riches. The King, to

be sure, was powerful chiefly to do good, but still he was much the

master. With regard to religion, ‘the Christian religion,’ said the

Baron, ‘is almost extinct in England.’ This was an advantage from his

point of view. But then, though there were innumerable Deists, like

Hume, there was not an atheist, or not an avowed one. The travelling

facilities he praised--there were always post-horses in plenty; and at

the meals at inns, he found himself ‘served promptly, but with no

affability.’ It must be owned that now and again the Baron has us on the

hip.

But, after all, there was very great good in England: it made one so

delighted to get back to France. D’Holbach, who had left Paris about

August 1, 1765, had returned there by September 20. He dined that same

evening with his dear Diderot and a whole colony of English, ‘who had

left their _morgue_ and sadness on the banks of the Thames.’

Two years after his return, there appeared, not only to the horror of

Court, Church, and Government, but to the horror of the philosophers

also, a book called ‘Christianity Unveiled, or an Examination of the

Principles and Effects of Revealed Religion.’

It purported to be by a person called Boulanger. It asserted

Christianity to be unnecessary for the maintenance of law and order;

declared its dogmas incoherent, its morals fit only to make enthusiasts

and fanatics, and its political results infinitely fatal and disastrous.

Voltaire fell upon the thing tooth and nail. ‘Impiety Unveiled,’ he

called it. It was not Christianity, but the perversions of Christianity,

with which _he_ quarrelled. In the margin of his own copy of the book he

wrote criticisms as scathing as they are brief. That it was both

discussed and condemned at d’Holbach’s table, is practically certain.

Galiani at least professed Christianity; Turgot practised it. There are

many men--there were some even round d’Holbach’s board--who, having

themselves relinquished a faith, are yet greatly averse to hearing that

faith blasphemed; and who would fain leave for the souls of others the

consolations their reason denies to their own. D’Holbach, to be sure,

would commend the thing. ‘A proselytising atheist,’ as his friends had

long known him to be--he _must_ approve this daring effort to make men

think as he did.

Soon came talk of other books--from the same hand it might be--certainly

from a hand as bold. In 1767 appeared a pamphlet called ‘The Mind of the

Clergy;’ in 1768 ‘Priests Unmasked,’ and ‘Portable Theology.’ The last

was condemned to be burnt.

Then came whispers of yet another work on the same lines, but on a far

larger scale, written with an even greater daring, with ‘the zeal of a

missionary for atheism,’ with a passion, a fanaticism, an enthusiasm,

usually associated with the ‘heated pulpiteer’ of some narrow sect; and

yet having in it, too, something of the serenity, the calm and confident

faith of the believer wholly satisfied with his belief. Who has written

it? A. M. Mirabaud, Perpetual Secretary to the French Academy, is to be

the name, it is said, on the title-page. But the real author? Diderot,

whose Encyclopædic labours bring him in touch with all the literary men

in Paris, is impulsively positive that he has not the slightest idea.

Naigeon--Naigeon, the Baron’s factotum--is abroad on some business of

the Baron’s and cannot be appealed to. Most of the company condemn the

book unseen. The extremists of the party are always the worst enemies

the party has to dread. At the head of his table, fingering his glass

thoughtfully, the Baron, with his benevolent, leisurely air, is only

following his usual custom in saying little and listening much.

In August 1770, there was published in London and Amsterdam ‘The System

of Nature, or The Laws of the Physical and Moral World,’ by Mirabaud,

Perpetual Secretary to the French Academy.

The best kept literary secret in history is the authorship of the

‘Letters of Junius,’ for that remains a secret still. But the Baron

d’Holbach’s authorship of ‘The System of Nature’ is certainly among the

most piquant concealments in literature.

He had begun by sitting and listening to criticisms, mostly adverse, on

his ‘Christianity Unveiled’ and the pamphlets which followed it, which

were all from his pen. Many people start a literary career under as

thick a veil of anonymity. A few have died still under the disguise. But

no book has ever attracted such howls of rage and imprecation, such a

storm of universal loathing and opprobrium as did ‘The System of

Nature,’ while its author sat in perfect peace and comfort, beloved by

all his fellows, safe, unsuspected, and serene. D’Holbach, said Grimm

long after, when d’Holbach was dead and the secret out, never ran any

danger from his books, save the danger of being bored by them.

Naigeon, La Grange, and Diderot were in his confidence. Diderot was more

than in it. To most of the Baron’s works--certainly to ‘The System of

Nature’--he lent some of the colour and fire of his genius. Poor Diderot

was always suspect of anything rash and extreme. ‘The System of Nature’

was published quite early in August. On the 10th of that month, Denis

slipped off to Langres and the baths of Bourbonne. The Baron went on

having dinner parties. On the 18th, the book was condemned to be burnt.

The Baron continued to dine in peace. Then, as men read it, and passed

it secretly from one to the other, the murmurs of horror and hatred

swelled to a roar--the roar of the great multitude, always deafening and

terrible. Above it, d’Holbach heard, close, distinct, and scathing, the

bitter condemnations of his own guests and friends. He went on dining to

that accompaniment.

From Ferney, Voltaire pronounced the work ‘a philippic against God’ and

‘a sin against nature;’ swore it had wrought irreparable harm to

philosophy; passionately refuted it in his article on ‘God’ in the

Philosophical Dictionary; while it wrung from him, in a letter to the

Duc de Richelieu, that famous confession: ‘_I_ think it very good to

sustain the doctrine of the existence of a punishing and rewarding God:

society has need of this opinion.’ Galiani declared ‘this Mirabaud’ to

be ‘the Abbé Terrai of metaphysics: he causes the bankruptcy of

knowledge, of happiness, and of the human mind.’ La Harpe called it

‘this infamous book.’ Young Goethe said he fled from it as from a

spectre. It caused Frederick the Great to break with the philosophic

party. Grimm, indeed--but this was after d’Holbach’s death, when it was

no longer dangerous to hold such opinions--praised the purity of its

author’s intentions, and the passages of ‘imposing eloquence’ the book

contained--though these, he added, Grimm-like, ‘were by Diderot.’

Who reads ‘The System of Nature’ now? It never was in any sense a great

book. But it certainly was one of the three or four most famous books of

an age richer in them than any other age in history. It was, after all,

simply the logical outcome, the natural, though the extreme result of

the rationalistic criticism of the fifty or sixty years which preceded

it. The philosophers had sought to define God. D’Holbach said aloud,

what the fool of David’s time said in his heart, ‘THERE IS NO GOD.’

In Part I. he disposed of Kings as effete, luxurious, war-making, and

tyrannical. Then he expounded his views on Happiness. Men will never be

happy till they are enlightened, and never enlightened till they have

ceased to believe in a God. Study Nature, and obey Nature’s laws--that

is the way to felicity, if way there be. Then he went on to Mind. All

Mind is Matter. Of Free Will he denied the existence, as twelve years

earlier his friend Helvétius had denied it in his book ‘On the Mind.’

Still, even if one cannot help one’s wrong-doing, punishments there must

be, for the good of society; only such punishments should be reformative

and never cruel. In his protest against torture and the brutalising

effect of public executions, one sees for a moment the man behind the

book. With regard to the Immortality of the Soul, since there is no such

thing as soul, it cannot be immortal. The false doctrine of Hell is

useless even as a deterrent from sin.

Part II. contains what is certainly the most burning and outspoken

attack on the Existence of God to be found in literature. That there is

a Force behind Matter, I admit. He who does not admit this, must be a

madman. But further I will not go. As for morality depending on a belief

in a Deity--not at all. Nature bids man do right as his own best

interest. Let each try to do his utmost for the greatest good of the

greatest number, and there stands established a high and an unselfish

ideal.

Preached, as these doctrines were, in a style not a little vehement and

abundant, with much Teutonic pomposity and rhetoric, it could soon be

said of d’Holbach that he had ‘accommodated atheism to chambermaids and

to hairdressers.’ More learned critics disliked his manner as much as

his matter. ‘Four times too many words in the book,’ says Voltaire

acidly. But the uneducated, or the half-educated, prefer both their

oratory and their literature rich and fruity.

Simple and learned alike would, or should, had they known him, have

given the author credit for the certain fact that ‘no sordid end, no

personal consideration, attached him to his dismal system.’ If his

anonymity shielded him from danger, it kept from him fame and celebrity

too, and gave him the wholesome, but not soothing, experience of hearing

expressed to his face criticisms of the kind generally only made behind

one’s back. He did not gain even the painful glories of martyrdom; and

had money been an object to him, by the publication of such works as

his, he can only have lost it.

Long before the tumult ‘The System of Nature’ raised had passed away,

the Baron was busy supplementing it. In 1772 appeared ‘Good Sense, or

Natural Ideas opposed to Supernatural Ideas,’ which was a sort of

simplification of ‘The System of Nature.’ It was burnt. Then appeared

‘The Social System,’ which tried to establish a rule of morality totally

unfounded on religion. That was burnt too. Then there was a translation

from Hobbes. The last, or one of the last, of d’Holbach’s published

works was entitled ‘Universal Morality, or the Duties of Man founded on

his Nature.’ This appeared in 1776. He had the pleasure of watching all

the bonfires from a distance where there was not the least danger of

scorching.

In 1781 one of his daughters was married. Her father was now

fifty-eight years old. Did philosophy, as Galiani inquired (Galiani had

returned to Italy in 1769), still eat at his table with its old

appetite? Grimm said--in Grimm’s caustic fashion--that the guests fell

off somewhat when the Baron had to retrench his expenses to establish

his children. Some of the _convives_ had gone before that, to solve for

themselves those questions on a future world, and the existence of the

soul, which they had discussed so often. In 1771 died Helvétius; in 1778

Voltaire himself. In 1783, d’Alembert, who had indeed long ceased to

frequent the Baron’s society, or any society, laid down the burden of

his life. In the next year, Diderot, the friend of his heart, the

fruitful inspiration of his work, was called away from d’Holbach’s side

for ever.

It must have been with this society, as it is with all societies at

last: the sight of vacant chairs stops the mirth, and among the living

guests glide others, dear and dead. When one has more memories than

hopes, the time has come to give up such gatherings. That time came even

to _the_ Host of his generation. By his own fireside he had to the end

the wife he loved. She long survived him. He had, too, that tranquil and

even disposition which is surely one of the best of assets--a possession

indeed.

The Baron was as prudent in the time of his death as he had been in the

conduct of his life. He died on January 21 of that _annus mirabilis_,

1789. Five years more, and he would have seen his own principles

enthroned with the Goddess of Reason at Notre-Dame, and as, in part at

least, the consequence of her reign, the streets of Paris running with

blood. Directly after his death, the secret of his authorship became

public property.

It is permissible only to think of d’Holbach now as his guests and

friends thought of him in life--not as the author of ‘The System of

Nature’ at all, but as the liberal patron of letters, the best and

kindliest of good, easy men. One may be permitted to hate as bitterly as

Voltaire did the unreasonableness of his philosophy of pure reason; and

yet to regard the philosopher with gratitude and appreciation, as the

man who played in the great intellectual revival of his time one of the

homeliest, yet one of the most necessary of parts.

For d’Holbach provided the _rendez-vous_.

VI

_GRIMM: THE JOURNALIST_

The great Encyclopædia of Diderot and d’Alembert was to bring light to

the people; the ‘Literary Correspondence’ of Melchior Grimm was to bring

light to kings. The Encyclopædia was the conception of those who knew

that they were preparing mighty changes, but who did not live to see

them; the ‘Literary Correspondence’ was the work of a man whose shrewd

eyes foresaw little, but who lived to see all. The Encyclopædia

is dead, as a great man dies, having finished his work. The

‘Correspondence’--which could not cure those royal maladies, blindness,

ignorance, and hardness of heart--still lives a gay little life as the

most perfect contemporary record of any literary epoch in history.

* * * * *

In 1753, the sensibilities of sentimental Paris were most agreeably

touched by the pathetic story of a young gentleman who, having had his

suit rejected by a charming opera-dancer, Mademoiselle

[Illustration: FRÉDÉRIC-MELCHIOR GRIMM.

_From an Engraving, after Carmontelle, in the Bibliothèque Nationale,

Paris._]

The Friends of Voltaire · 第 7 / 16 段