NO. XIX.

SCENE--_The Tombs of the SCALIGERS at Verona. A seedy and

voluble Cicerone, who has insisted upon volunteering his

services, is accompanying Miss TROTTER, BOB PRENDERGAST,

and CULCHARD. It is a warm afternoon, and CULCHARD, who

has been intrusted with Miss T.'s recent purchases--two

Italian blankets, and a huge pot of hammered copper--is

not in the most amiable of moods._

_The Cicerone_ (_in polyglot_). Ecco, Signore (_pointing out the

interlaced ladders in the wrought-iron railings_), l'échelle, la

scala, c'est tout flexible--(_He shakes the trellis_)--molto, molto

curioso!

_Culch._ (_bitterly, to the other two_). I _warned_ you how it would

be! We shall have this sort of thing all the afternoon _now_!

_Miss T._ Well, I don't mind; he's real polite and obliging--and

that's something, anyway!

[Illustration: "Bellissimo scultore!"]

_Culch._ Polite and obliging! Now I _ask_ you--has he given us the

slightest atom of valuable information _yet_?

_Miss T._ I guess he's too full of tact to wish to interfere with your

special department!

_The Cic._ (_to CULCHARD, who looks another way_). Ici le tombeau di

GIOVANNI DELLA SCALA, Signore. Verri grazioso molto magnifique, joli

conservé! (_He skins up on the pedestal, and touches a sarcophagus_.)

Non bronzo--verde-antique!

[_Nods at CULCHARD, with a beaming smile._

_Culch._ (_with a growl_). Va bene, va bene--_we_ know all about it!

_Bob P. You_ may; but you might give Miss TROTTER and me a chance, you

know!

_The Cic._ Zees, Marmor di Carrara; _zat_, Marmor di Verona--Verona

marbre. MARTINO PRIMO a fait bàtir. (_Counting on his fingers for

CULCHARD's benefit._) Quattuor dichièmé secolo--_fotteen_!

_Culch._ Will you kindly understand that I am quite capable of

estimating the precise period of this sculpture for myself.

_The Cic._ Si-si, Signore. Scultore BONINO DA CAMPIGLIONE. (_With a

wriggle of deferential enthusiasm._) Bellissimo scultore!

_Miss T._ He's got an idea you find him vurry instructive, Mr.

CULCHARD, and I guess, if you want to disabuse him, you'd better do it

in Italian.

_Culch._ I think my Italian is equal to conveying an impression that

I can willingly dispense with his society. (_To the Cic._) Andate

via--do you understand? An-da-te _via_!

_The Cic._ (_hurt, and surprised_). Ah, Signore!

[_He breaks into a fervent vindication of his value as guide,

philosopher, and friend._

_Miss T._ I guess he's endeavouring to intimate that his wounded

self-respect isn't going to be healed under haff a dollar. And every

red cent I had went on that old pot! Mr. CULCHARD, will you give him a

couple of francs for me?

_Culch._ I--er--really see no necessity. He's done nothing whatever to

deserve it!

_Bob P._ (_eagerly_). May _I_. Miss TROTTER? (_Producing a ten-lire

note_.) This is the smallest change I've got.

_Miss T._ No. I guess ten francs would start him with more

self-respect than he's got any use for. Mr. CULCHARD will give him

three--that's one apiece--to punish him for being so real mean!

_Culch._ (_indignantly_). Mean? because I--! (_He pays and dismisses

the Cic._) Now we can examine these monuments in peace--they are

really--er--unique examples of the sepulchral pomp of Italian

mediævalism.

_Miss T._ They're handsome tombs enough--but considerable cramped. I

should have thought these old Scallywags would have looked around

for a roomier burying lot. (_To CULCHARD, who shivers_.) You aren't

feeling sick any?

_Culch._ No--only pained by such a travesty of a noble name.

"Scallywags" for SCALIGERS seems to me, if I may say so, a very cheap

form of humour!

_Miss T._ Well, it's more than cheap--it isn't going to cost you a

cent, so I should think you'd appreciate it!

_Bob P._ Haw--score for _you_, Miss TROTTER!

_Culch._ I should have thought myself that mere personality is hardly

enough to give point to any repartee--there is a slight difference

between brilliancy and--er--_brutality_!

_Bob P._ Hullo! You and I are being sat upon pretty heavily, Miss

TROTTER.

_Miss T._ I guess our Schoolmaster's abroad. But why Mr. CULCHARD

should want to make himself a train out of my coverlets, I don't just

see--he looks majestic enough without that.

[_CULCHARD catches up a blanket which is trailing, and says

bad words under his breath._

_AT THE TOMB OF JULIET._

_Culch._ (_who is gradually recovering his equanimity_). Think of

it! the actual spot on which _Romeo_ and _Juliet_--SHAKSPEARE's

_Juliet_--drew their last breath! Does it not realise the tragedy for

you?

_Miss T._ Well, no--it's a disappointing tomb. I reckoned it would

look less like a horse-trough. I should have expected _Juliet's_ Poppa

and Momma would want, considering all the facts of the case, to throw

more style into her monument!

_Culch._ (_languidly_). May not its very simplicity--er--attest the

sincerity of their remorse?

_Miss T._ Do you attach any particular meaning to that observation

now? (_CULCHARD bites his lip._) I notice this tomb is full of

visiting cards--my! but ain't that curious?

_Culch._ (_instructively_). It only shows that this place is not

without its pathos and interest for _most_ visitors, no matter what

their nationality may be. You don't feel inclined yourself to--?

_Miss T._ To leave a pasteboard? Why I shouldn't sleep any all night,

for fear she'd return my call!

_Culch._ (_producing a note-book_). It's fanciful, perhaps but, if you

don't mind waiting a little, I should like to contribute--not my card,

but a sonnet. I feel one on its way.

_Bob P._ Better make sure the tomb's _genuine_ first, hadn't you? Some

say it _isn't_.

_Culch._ (_exasperated_). I _knew_ you'd make some matter-of-fact

remark of that kind! There--it's no use! Let us go.

_Miss T._ Why, your sonnets seem as skeery as those lizards there! I

hope JULIET won't ever know what she's missed. But likely you'll mail

those verses on to her later.

[_She and BOB P. pass on, laughing._

_Culch._ (_following_). She only affects this vulgar flippancy to

torment me. If I didn't know _that_--There, I've left that infernal

pot behind now!

[_Goes back for it, wrathfully._

_In the Amphitheatre; Miss PRENDERGAST, PODBURY, and VAN

BOODELER, are seated on an upper tier._

_Podb._ (_meditatively_). I suppose they charged highest for the

lowest seats. Wonder whether a lion ever nipped up and helped himself

to some fat old buffer in the Stalls when the martyrs turned out a

leaner lot than usual!

_Van. B._ There's an ingenuous modernity about our friend's historical

speculations that is highly refreshing.

_Miss P._ There is, indeed--though he might have spared himself and

_us_ the trouble of them if he had only remembered that the _podium_

was invariably protected by a railing, and occasionally by _euripi_,

or trenches. You surely learnt that at school. Mr. PODBURY?

_Podb._ I--I daresay. Forgotten all I learnt at school, you know!

_Van. B._ I should infer now, from that statement, that you enjoyed

the advantages of a pretty liberal education?

_Podb._ If that's meant to be cutting. I should save it up for that

novel of yours; it may seem smart--_there_!

_Miss P._ Really, Mr. PODBURY, if you choose to resent a playful

remark in that manner, you had better go away.

_Podb._ Perhaps I had. (_Rises, and moves off huffily_). D---- his

playfulness! 'Pon my word, poor old CULCHARD was _nothing_ to

that beggar! And she backs him up! But there--it's all part of my

probation! (_Here CULCHARD suddenly appears, laden with burdens._)

Hullo! are you _moving_, or what?

_Culch._ I am merely carrying a few things for Miss TROTTER. (_Drops

the copper pot, which bounds down into the arena._) Dash the thing!...

(_Returning with it_.) It's natural that, in my position, I should

have these--er--privileges. (_He trips over a blanket._) Conf--Have

you happened to see Miss TROTTER about, by the way?

_Podb._ Fancy I saw her down below just now--with BOB. I expect

they're walking round under the arches.

_Culch._ Just so. Do you know, PODBURY, I almost think I'll go down

and find her. I--I'm curious to hear what her impressions of a place

like this are. Such a scene, you know,--so full of associations

with--er--the splendours and cruelties of a corrupt past--must produce

a powerful effect upon the fresh untutored mind of an American girl,

eh?

_Miss T.'s voice_ (_distinctly from arena_). I'd like ever so much to

see Buffalo BILL run his Show in here--he'd just make this old circus

hum!

_Miss P.'s voice_ (_indistinctly from topmost tier_). Almost fancy

it all.... Senators--_equites--populus--pullati_... yellow sunlight

striking down through _vellarium_ ... crimsoned sand ... _mirmillo_

fleeing before _secutor_ ... DIOCLETIAN himself, perhaps, lolling over

there on _cubiculum_ ... &c., &c., &c.

_Culch._ The place appears to excite Miss PRENDERGAST's enthusiasm, at

all events! [_Sighs._

_Podb._ Rath-er! But then she's no end of a classical swell, you know!

[_Sighs._

_Culch._ (_putting his arm through PODBURY's._) Ah, well, my dear

PODBURY, one mustn't expect too much, must one?)

_Podb._ I _don't_, old chap--only I'm afraid _she_ does. Suppose we

toddle back to the hotel, eh? Getting near _table d'hôte_ time.

[_They go out arm-in-arm._

* * * * *

'ARRY IN ROME AND LONDON.

A kind Correspondent calls _Mr. Punch's_ attention to the fact that

'ARRY the Ubiquitous crops up even in the Classics, as ARRIUS, in

fact, in _Carmen_ lxxxiv. of CATULLUS. How proud 'ARRY will be to hear

of his classical prototype! Our Correspondent "dropping into verse,"

exclaims:--

[Illustration: 'Arry the Classic in his Swell Toga-ry]

Yes! Your Cockney is eternal;

ARRIUS speaks in 'ARRY still:

Vaunts 'is "hincome" by paternal

"Hartful" tricks hup 'Olborn 'Ill.

How well he is justified may be seen by a glance at the text of

CATULLUS:--

Punch, or the London Charivari, Volume 101, December 19, 1891 · 第 14 / 29 题