She heard the call and rose with willing feet;
But thinking it not otherwise than meet
For such a bidding to put on her best,
She is gone from us for a few short hours
Into her bridal closet, there to wait
For the unfolding of the palace gate
That gives her entrance to the blissful bowers.
We have not seen her yet, though we have been
Full often to her chamber door, and oft
Have listen'd underneath the postern green,
And laid fresh flowers, and whisper'd short and soft.
But she hath made no answer, and the day
From the clear west is fading fast away.
Sir Samuel Ferguson. 1810-1886
712. Cean Dubh Deelish
PUT your head, darling, darling, darling,
Your darling black head my heart above;
O mouth of honey, with thyme for fragrance,
Who, with heart in breast, could deny you love?
O many and many a young girl for me is pining,
Letting her locks of gold to the cold wind free,
For me, the foremost of our gay young fellows;
But I'd leave a hundred, pure love, for thee!
Then put your head, darling, darling, darling,
Your darling black head my heart above;
O mouth of honey, with thyme for fragrance,
Who, with heart in breast, could deny you love?
Cean dubh deelish] darling black head.
Sir Samuel Ferguson. 1810-1886
713. Cashel of Munster
FROM THE IRISH
I'D wed you without herds, without money or rich array,
And I'd wed you on a dewy morn at day-dawn gray;
My bitter woe it is, love, that we are not far away
In Cashel town, tho' the bare deal board were our marriage-bed this
day!
O fair maid, remember the green hill-side,
Remember how I hunted about the valleys wide;
Time now has worn me; my locks are turn'd to gray;
The year is scarce and I am poor--but send me not, love, away!
O deem not my blood is of base strain, my girl;
O think not my birth was as the birth of a churl;
Marry me and prove me, and say soon you will
That noble blood is written on my right side still.
My purse holds no red gold, no coin of the silver white;
No herds are mine to drive through the long twilight;
But the pretty girl that would take me, all bare tho' I be and lone,
O, I'd take her with me kindly to the county Tyrone!
O my girl, I can see 'tis in trouble you are;
And O my girl, I see 'tis your people's reproach you bear!
--I am a girl in trouble for his sake with whom I fly,
And, O, may no other maiden know such reproach as I!
Sir Samuel Ferguson. 1810-1886
714. The Fair Hills of Ireland
FROM THE IRISH
A PLENTEOUS place is Ireland for hospitable cheer,
Uileacan dubh O!
Where the wholesome fruit is bursting from the yellow barley ear;
Uileacan dubh O!
There is honey in the trees where her misty vales expand,
And her forest paths in summer are by falling waters fann'd,
There is dew at high noontide there, and springs i' the yellow sand,
On the fair hills of holy Ireland.
Curl'd he is and ringleted, and plaited to the knee--
Uileacan dubh O!
Each captain who comes sailing across the Irish Sea;
Uileacan dubh O!
And I will make my journey, if life and health but stand,
Unto that pleasant country, that fresh and fragrant strand,
And leave your boasted braveries, your wealth and high command,
For the fair hills of holy Ireland.
Large and profitable are the stacks upon the ground,
Uileacan dubh O!
The butter and the cream do wondrously abound;
Uileacan dubh O!
The cresses on the water and the sorrels are at hand,
And the cuckoo 's calling daily his note of music bland,
And the bold thrush sings so bravely his song i' the forests grand,
On the fair hills of holy Ireland.
Robert Browning. 1812-1889
715. Song from 'Paracelsus'
HEAP cassia, sandal-buds and stripes
Of labdanum, and aloe-balls,
Smear'd with dull nard an Indian wipes
From out her hair: such balsam falls
Down sea-side mountain pedestals,
From tree-tops where tired winds are fain,
Spent with the vast and howling main,
To treasure half their island-gain.
And strew faint sweetness from some old
Egyptian's fine worm-eaten shroud
Which breaks to dust when once unroll'd;
Or shredded perfume, like a cloud
From closet long to quiet vow'd,
With moth'd and dropping arras hung,
Mouldering her lute and books among,
As when a queen, long dead, was young.
Robert Browning. 1812-1889
716. The Wanderers
OVER the sea our galleys went,
With cleaving prows in order brave
To a speeding wind and a bounding wave--
A gallant armament:
Each bark built out of a forest-tree
Left leafy and rough as first it grew,
And nail'd all over the gaping sides,
Within and without, with black bull-hides,
Seethed in fat and suppled in flame,
To bear the playful billows' game;
So, each good ship was rude to see,
Rude and bare to the outward view.
But each upbore a stately tent
Where cedar pales in scented row
Kept out the flakes of the dancing brine,
And an awning droop'd the mast below,
In fold on fold of the purple fine,
That neither noontide nor star-shine
Nor moonlight cold which maketh mad,
Might pierce the regal tenement.
When the sun dawn'd, O, gay and glad
We set the sail and plied the oar;
But when the night-wind blew like breath,
For joy of one day's voyage more,
We sang together on the wide sea,
Like men at peace on a peaceful shore;
Each sail was loosed to the wind so free,
Each helm made sure by the twilight star,
And in a sleep as calm as death,
We, the voyagers from afar,
Lay stretch'd along, each weary crew
In a circle round its wondrous tent
Whence gleam'd soft light and curl'd rich scent,
And with light and perfume, music too:
So the stars wheel'd round, and the darkness past,
And at morn we started beside the mast,
And still each ship was sailing fast!
Now, one morn, land appear'd--a speck
Dim trembling betwixt sea and sky--
'Avoid it,' cried our pilot, 'check
The shout, restrain the eager eye!'
But the heaving sea was black behind
For many a night and many a day,
And land, though but a rock, drew nigh;
So we broke the cedar pales away,
Let the purple awning flap in the wind,
And a statue bright was on every deck!
We shouted, every man of us,
And steer'd right into the harbour thus,
With pomp and paean glorious.
A hundred shapes of lucid stone!
All day we built its shrine for each,
A shrine of rock for ever one,
Nor paused till in the westering sun
We sat together on the beach
To sing because our task was done;
When lo! what shouts and merry songs!
What laughter all the distance stirs!
A loaded raft with happy throngs
Of gentle islanders!
'Our isles are just at hand,' they cried,
'Like cloudlets faint in even sleeping;
Our temple-gates are open'd wide,
Our olive-groves thick shade are keeping
For these majestic forms'--they cried.
O, then we awoke with sudden start
From our deep dream, and knew, too late,
How bare the rock, how desolate,
Which had received our precious freight:
Yet we call'd out--'Depart!
Our gifts, once given, must here abide:
Our work is done; we have no heart
To mar our work,'--we cried.
Robert Browning. 1812-1889
717. Thus the Mayne glideth
THUS the Mayne glideth
Where my Love abideth;
Sleep 's no softer: it proceeds
On through lawns, on through meads,
On and on, whate'er befall,
Meandering and musical,
Though the niggard pasturage
Bears not on its shaven ledge
Aught but weeds and waving grasses
To view the river as it passes,
Save here and there a scanty patch
Of primroses too faint to catch
A weary bee.... And scarce it pushes
Its gentle way through strangling rushes
Where the glossy kingfisher
Flutters when noon-heats are near,
Glad the shelving banks to shun,
Red and steaming in the sun,
Where the shrew-mouse with pale throat
Burrows, and the speckled stoat;
Where the quick sandpipers flit
In and out the marl and grit
That seems to breed them, brown as they:
Naught disturbs its quiet way,
Save some lazy stork that springs,
Trailing it with legs and wings,
Whom the shy fox from the hill
Rouses, creep he ne'er so still.
Robert Browning. 1812-1889
718. Pippa's Song
THE year 's at the spring,
And day 's at the morn;
Morning 's at seven;
The hill-side 's dew-pearl'd;
The lark 's on the wing;
The snail 's on the thorn;
God 's in His heaven--
All 's right with the world!
Robert Browning. 1812-1889
719. You'll love Me yet
YOU'LL love me yet!--and I can tarry
Your love's protracted growing:
June rear'd that bunch of flowers you carry,
From seeds of April's sowing.
I plant a heartful now: some seed
At least is sure to strike,
And yield--what you'll not pluck indeed,
Not love, but, may be, like.
You'll look at least on love's remains,
A grave 's one violet:
Your look?--that pays a thousand pains.
What 's death? You'll love me yet!
Robert Browning. 1812-1889
720. Porphyria's Lover
THE rain set early in to-night,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
I listen'd with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneel'd and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soil'd gloves by, untied
Her hat and let the damp hair fall,
And, last, she sat down by my side
And call'd me. When no voice replied,
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there,
And spread, o'er all, her yellow hair,
Murmuring how she loved me--she
Too weak, for all her heart's endeavour,
To set its struggling passion free
From pride, and vainer ties dissever,
And give herself to me for ever.
But passion sometimes would prevail,
Nor could to-night's gay feast restrain
A sudden thought of one so pale
For love of her, and all in vain:
So, she was come through wind and rain.
Be sure I look'd up at her eyes
Happy and proud; at last I knew
Porphyria worshipp'd me; surprise
Made my heart swell, and still it grew
While I debated what to do.
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string I wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laugh'd the blue eyes without a stain.
And I untighten'd next the tress
About her neck; her cheek once more
Blush'd bright beneath my burning kiss:
I propp'd her head up as before,
Only, this time my shoulder bore
Her head, which droops upon it still:
The smiling rosy little head,
So glad it has its utmost will,
That all it scorn'd at once is fled,
And I, its love, am gain'd instead!
Porphyria's love: she guess'd not how
Her darling one wish would be heard.
And thus we sit together now,
And all night long we have not stirr'd,
And yet God has not said a word!
Robert Browning. 1812-1889
721. Song
NAY but you, who do not love her,
Is she not pure gold, my mistress?
Holds earth aught--speak truth--above her?
Aught like this tress, see, and this tress,
And this last fairest tress of all,
So fair, see, ere I let it fall?
Because, you spend your lives in praising;
To praise, you search the wide world over:
Then why not witness, calmly gazing,
If earth holds aught--speak truth--above her?
Above this tress, and this, I touch
But cannot praise, I love so much!
Robert Browning. 1812-1889
722. Earl Mertoun's Song
THERE 's a woman like a dewdrop, she 's so purer than the purest;
And her noble heart 's the noblest, yes, and her sure faith's the
surest:
And her eyes are dark and humid, like the depth on depth of lustre
Hid i' the harebell, while her tresses, sunnier than the wild-grape
cluster,
Gush in golden-tinted plenty down her neck's rose-misted marble:
Then her voice's music ... call it the well's bubbling, the bird's
warble!
And this woman says, 'My days were sunless and my nights were
moonless,
Parch'd the pleasant April herbage, and the lark's heart's outbreak
tuneless,
If you loved me not!' And I who (ah, for words of flame!) adore her,
Who am mad to lay my spirit prostrate palpably before her--
I may enter at her portal soon, as now her lattice takes me,
And by noontide as by midnight make her mine, as hers she makes me!
Robert Browning. 1812-1889
723. In a Gondola
THE moth's kiss, first!
Kiss me as if you made me believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide ope I burst.
The bee's kiss, now!
Kiss me as if you enter'd gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is render'd up,
And passively its shatter'd cup
Over your head to sleep I bow.
Robert Browning. 1812-1889
724. Meeting at Night
THE gray sea and the long black land;
And the yellow half-moon large and low;
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i' the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, thro' its joys and fears,
Than the two hearts beating each to each!
Robert Browning. 1812-1889
725. Parting at Morning
ROUND the cape of a sudden came the sea,
And the sun look'd over the mountain's rim:
And straight was a path of gold for him,
And the need of a world of men for me.
Robert Browning. 1812-1889
726. The Lost Mistress
ALL 's over, then: does truth sound bitter
As one at first believes?
Hark, 'tis the sparrows' good-night twitter
About your cottage eaves!
And the leaf-buds on the vine are woolly,
I noticed that, to-day;
One day more bursts them open fully
--You know the red turns gray.
To-morrow we meet the same then, dearest?
May I take your hand in mine?
Mere friends are we,--well, friends the merest
Keep much that I resign:
For each glance of the eye so bright and black,
Though I keep with heart's endeavour,--
Your voice, when you wish the snowdrops back,
Though it stay in my soul for ever!--
Yet I will but say what mere friends say,
Or only a thought stronger;
I will hold your hand but as long as all may,
Or so very little longer!
Robert Browning. 1812-1889
727. The Last Ride together
I SAID--Then, dearest, since 'tis so,
Since now at length my fate I know,
Since nothing all my love avails,
Since all, my life seem'd meant for, fails,
Since this was written and needs must be--
My whole heart rises up to bless
Your name in pride and thankfulness!
Take back the hope you gave,--I claim
Only a memory of the same,
--And this beside, if you will not blame;
Your leave for one more last ride with me.
My mistress bent that brow of hers,
Those deep dark eyes where pride demurs
When pity would be softening through,
Fix'd me a breathing-while or two
With life or death in the balance: right!
The blood replenish'd me again;
My last thought was at least not vain:
I and my mistress, side by side
Shall be together, breathe and ride,
So, one day more am I deified.
Who knows but the world may end to-night?
Hush! if you saw some western cloud
All billowy-bosom'd, over-bow'd
By many benedictions--sun's
And moon's and evening-star's at once--
And so, you, looking and loving best,
Conscious grew, your passion drew
Cloud, sunset, moonrise, star-shine too,
Down on you, near and yet more near,
Till flesh must fade for heaven was here!--
Thus leant she and linger'd--joy and fear!
Thus lay she a moment on my breast.
Then we began to ride. My soul
Smooth'd itself out, a long-cramp'd scroll
Freshening and fluttering in the wind.
Past hopes already lay behind.
What need to strive with a life awry?
Had I said that, had I done this,
So might I gain, so might I miss.
Might she have loved me? just as well
She might have hated, who can tell!
Where had I been now if the worst befell?
And here we are riding, she and I.
Fail I alone, in words and deeds?
Why, all men strive and who succeeds?
We rode; it seem'd my spirit flew,
Saw other regions, cities new,
As the world rush'd by on either side.
I thought,--All labour, yet no less
Bear up beneath their unsuccess.
Look at the end of work, contrast
The petty done, the undone vast,
This present of theirs with the hopeful past!
I hoped she would love me; here we ride.
What hand and brain went ever pair'd?
What heart alike conceived and dared?
What act proved all its thought had been?
What will but felt the fleshly screen?
We ride and I see her bosom heave.
There 's many a crown for who can reach.
Ten lines, a statesman's life in each!
The flag stuck on a heap of bones,
A soldier's doing! what atones?
They scratch his name on the Abbey-stones.
My riding is better, by their leave.
What does it all mean, poet? Well,
Your brains beat into rhythm, you tell
What we felt only; you express'd
You hold things beautiful the best,
And pace them in rhyme so, side by side.
'Tis something, nay 'tis much: but then,
Have you yourself what 's best for men?
Are you--poor, sick, old ere your time--
Nearer one whit your own sublime
Than we who never have turn'd a rhyme?
Sing, riding 's a joy! For me, I ride.
And you, great sculptor--so, you gave
A score of years to Art, her slave,
And that 's your Venus, whence we turn
To yonder girl that fords the burn!
You acquiesce, and shall I repine?
What, man of music, you grown gray
With notes and nothing else to say,
Is this your sole praise from a friend,
'Greatly his opera's strains intend,
But in music we know how fashions end!'
I gave my youth: but we ride, in fine.
Who knows what 's fit for us? Had fate
Proposed bliss here should sublimate
My being--had I sign'd the bond--
Still one must lead some life beyond,
Have a bliss to die with, dim-descried.
This foot once planted on the goal,
This glory-garland round my soul,
Could I descry such? Try and test!
I sink back shuddering from the quest.
Earth being so good, would heaven seem best?
Now, heaven and she are beyond this ride.
And yet--she has not spoke so long!
What if heaven be that, fair and strong
At life's best, with our eyes upturn'd
Whither life's flower is first discern'd,
We, fix'd so, ever should so abide?
What if we still ride on, we two
With life for ever old yet new,
Changed not in kind but in degree,
The instant made eternity,--
And heaven just prove that I and she
Ride, ride together, for ever ride?
Robert Browning. 1812-1889
728. Misconceptions
THIS is a spray the Bird clung to,
Making it blossom with pleasure,
Ere the high tree-top she sprung to,
Fit for her nest and her treasure.
O, what a hope beyond measure
Was the poor spray's, which the flying feet hung to,--
So to be singled out, built in, and sung to!
This is a heart the Queen leant on,
Thrill'd in a minute erratic,
Ere the true bosom she bent on,
Meet for love's regal dalmatic.
O, what a fancy ecstatic
Was the poor heart's, ere the wanderer went on--
Love to be saved for it, proffer'd to, spent on!
Robert Browning. 1812-1889
729. Home-thoughts, from Abroad
O, TO be in England
Now that April 's there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England--now!
And after April, when May follows,
And the whitethroat builds, and all the swallows!
Hark, where my blossom'd pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops--at the bent spray's edge--
That 's the wise thrush; he sings each song twice over,
Lest you should think he never could recapture
The first fine careless rapture!
And though the fields look rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children's dower
--Far brighter than this gaudy melon-flower!
Robert Browning. 1812-1889
730. Home-thoughts, from the Sea
NOBLY, nobly Cape Saint Vincent to the North-west died away;
Sunset ran, one glorious blood-red, reeking into Cadiz Bay;
Bluish 'mid the burning water, full in face Trafalgar lay;
In the dimmest North-east distance dawn'd Gibraltar grand and gray;
'Here and here did England help me: how can I help England?'--say,
Whoso turns as I, this evening, turn to God to praise and pray,
While Jove's planet rises yonder, silent over Africa.
William Bell Scott. 1812-1890
731. The Which's Ballad
O, I hae come from far away,
From a warm land far away,
A southern land across the sea,
With sailor-lads about the mast,
Merry and canny, and kind to me.
And I hae been to yon town
To try my luck in yon town;
Nort, and Mysie, Elspie too.
Right braw we were to pass the gate,
Wi' gowden clasps on girdles blue.
Mysie smiled wi' miminy mouth,
Innocent mouth, miminy mouth;
Elspie wore a scarlet gown,
Nort's grey eyes were unco' gleg.
My Castile comb was like a crown.
We walk'd abreast all up the street,
Into the market up the street;
Our hair with marigolds was wound,
Our bodices with love-knots laced,
Our merchandise with tansy bound.
Nort had chickens, I had cocks,
Gamesome cocks, loud-crowing cocks;
Mysie ducks, and Elspie drakes,--
For a wee groat or a pound;
We lost nae time wi' gives and takes.
--Lost nae time, for well we knew,
In our sleeves full well we knew,
When the gloaming came that night,
Duck nor drake, nor hen nor cock
Would be found by candle-light.
And when our chaffering all was done,
All was paid for, sold and done,
We drew a glove on ilka hand,
We sweetly curtsied, each to each,
And deftly danced a saraband.
The market-lassies look'd and laugh'd,
Left their gear, and look'd and laugh'd;
They made as they would join the game,
But soon their mithers, wild and wud,
With whack and screech they stopp'd the same.
Sae loud the tongues o' randies grew,
The flytin' and the skirlin' grew,
At all the windows in the place,
Wi' spoons or knives, wi' needle or awl,
Was thrust out every hand and face.
And down each stair they throng'd anon,
Gentle, semple, throng'd anon:
Souter and tailor, frowsy Nan,
The ancient widow young again,
Simpering behind her fan.
Without a choice, against their will,
Doited, dazed, against their will,
The market lassie and her mither,
The farmer and his husbandman,
Hand in hand dance a' thegither.
Slow at first, but faster soon,
Still increasing, wild and fast,
Hoods and mantles, hats and hose,
Blindly doff'd and cast away,
Left them naked, heads and toes.
They would have torn us limb from limb,
Dainty limb from dainty limb;
But never one of them could win
Across the line that I had drawn
With bleeding thumb a-widdershin.
But there was Jeff the provost's son,
Jeff the provost's only son;
There was Father Auld himsel',
The Lombard frae the hostelry,
And the lawyer Peter Fell.
All goodly men we singled out,
Waled them well, and singled out,
And drew them by the left hand in;
Mysie the priest, and Elspie won
The Lombard, Nort the lawyer carle,
I mysel' the provost's son.
Then, with cantrip kisses seven,
Three times round with kisses seven,
Warp'd and woven there spun we
Arms and legs and flaming hair,
Like a whirlwind on the sea.
Like a wind that sucks the sea,
Over and in and on the sea,
Good sooth it was a mad delight;
And every man of all the four
Shut his eyes and laugh'd outright.
Laugh'd as long as they had breath,
Laugh'd while they had sense or breath;
And close about us coil'd a mist
Of gnats and midges, wasps and flies,
Like the whirlwind shaft it rist.
Drawn up I was right off my feet,
Into the mist and off my feet;
And, dancing on each chimney-top,
I saw a thousand darling imps
Keeping time with skip and hop.
And on the provost's brave ridge-tile,
On the provost's grand ridge-tile,
The Blackamoor first to master me
I saw, I saw that winsome smile,
The mouth that did my heart beguile,
And spoke the great Word over me,
In the land beyond the sea.
I call'd his name, I call'd aloud,
Alas! I call'd on him aloud;
And then he fill'd his hand with stour,
And threw it towards me in the air;
My mouse flew out, I lost my pow'r!
My lusty strength, my power were gone;
Power was gone, and all was gone.
He will not let me love him more!
Of bell and whip and horse's tail
He cares not if I find a store.
But I am proud if he is fierce!
I am as proud as he is fierce;
I'll turn about and backward go,
If I meet again that Blackamoor,
And he'll help us then, for he shall know
I seek another paramour.
And we'll gang once more to yon town,
Wi' better luck to yon town;
We'll walk in silk and cramoisie,
And I shall wed the provost's son
My lady of the town I'll be!
For I was born a crown'd king's child,
Born and nursed a king's child,
King o' a land ayont the sea,
Where the Blackamoor kiss'd me first,
And taught me art and glamourie.
Each one in her wame shall hide
Her hairy mouse, her wary mouse,
Fed on madwort and agramie,--
Wear amber beads between her breasts,
And blind-worm's skin about her knee.
The Lombard shall be Elspie's man,
Elspie's gowden husband-man;
Nort shall take the lawyer's hand;
The priest shall swear another vow:
We'll dance again the saraband!
miminy] prim, demure. gleg] bright, sharp. wud] mad. randies]
viragoes. flytin'] scolding. skirlin'] shrieking. souter]
cobbler. doited] mazed. a-widdershin] the wrong way of the sun:
or E. to W. through N. waled] chose. cantrip] magic. stour]
dust. cramoisie] crimson. ayont] beyond. glamourie] wizardry.
Aubrey De Vere. 1814-1902
732. Serenade
SOFTLY, O midnight Hours!
Move softly o'er the bowers
Where lies in happy sleep a girl so fair!
For ye have power, men say,
Our hearts in sleep to sway,
And cage cold fancies in a moonlight snare.
Round ivory neck and arm
Enclasp a separate charm;
Hang o'er her poised, but breathe nor sigh nor prayer:
Silently ye may smile,
But hold your breath the while,
And let the wind sweep back your cloudy hair!
Bend down your glittering urns,
Ere yet the dawn returns,
And star with dew the lawn her feet shall tread;
Upon the air rain balm,
Bid all the woods be calm,
Ambrosial dreams with healthful slumbers wed;
That so the Maiden may
With smiles your care repay,
When from her couch she lifts her golden head;
Waking with earliest birds,
Ere yet the misty herds
Leave warm 'mid the gray grass their dusky bed.
Aubrey De Vere. 1814-1902
733. Sorrow
COUNT each affliction, whether light or grave,
God's messenger sent down to thee; do thou
With courtesy receive him; rise and bow;
And, ere his shadow pass thy threshold, crave
Permission first his heavenly feet to lave;
Then lay before him all thou hast; allow
No cloud of passion to usurp thy brow,
Or mar thy hospitality; no wave
Of mortal tumult to obliterate
The soul's marmoreal calmness: Grief should be,
Like joy, majestic, equable, sedate;
Confirming, cleansing, raising, making free;
Strong to consume small troubles; to commend
Great thoughts, grave thoughts, thoughts lasting to the end.
George Fox. 1815-?
734. The County of Mayo
FROM THE IRISH OF THOMAS LAVELLE
ON the deck of Patrick Lynch's boat I sat in woful plight,
Through my sighing all the weary day and weeping all the night;
Were it not that full of sorrow from my people forth I go,
By the blessed sun! 'tis royally I'd sing thy praise, Mayo!
When I dwelt at home in plenty, and my gold did much abound,
In the company of fair young maids the Spanish ale went round--
'Tis a bitter change from those gay days that now I'm forced to go
And must leave my bones in Santa Cruz, far from my own Mayo.
They are alter'd girls in Irrul now; 'tis proud they're grown and
high,
With their hair-bags and their top-knots, for I pass their buckles
by--
But it 's little now I heed their airs, for God will have it so,
That I must depart for foreign lands and leave my sweet Mayo.
'Tis my grief that Patrick Loughlin is not Earl of Irrul still,
And that Brian Duff no longer rules as Lord upon the hill:
And that Colonel Hugh McGrady should be lying dead and low,
And I sailing, sailing swiftly from the county of Mayo.
Emily Bronte. 1818-1848
735. My Lady's Grave
THE linnet in the rocky dells,
The moor-lark in the air,
The bee among the heather bells
That hide my lady fair:
The wild deer browse above her breast;
The wild birds raise their brood;
And they, her smiles of love caress'd,
Have left her solitude!
I ween that when the grave's dark wall
Did first her form retain,
They thought their hearts could ne'er recall
The light of joy again.
They thought the tide of grief would flow
Uncheck'd through future years;
But where is all their anguish now,
And where are all their tears?
Well, let them fight for honour's breath,
Or pleasure's shade pursue--
The dweller in the land of death
Is changed and careless too.
And if their eyes should watch and weep
Till sorrow's source were dry,
She would not, in her tranquil sleep,
Return a single sigh!
Blow, west wind, by the lonely mound:
And murmur, summer streams!
There is no need of other sound
To soothe my lady's dreams.
Emily Bronte. 1818-1848
736. Remembrance
COLD in the earth--and the deep snow piled above thee,
Far, far removed, cold in the dreary grave!
Have I forgot, my only Love, to love thee,
Sever'd at last by Time's all-severing wave?
Now, when alone, do my thoughts no longer hover
Over the mountains, on that northern shore,
Resting their wings where heath and fern-leaves cover
Thy noble heart for ever, ever more?
Cold in the earth--and fifteen wild Decembers
From those brown hills have melted into spring:
Faithful, indeed, is the spirit that remembers
After such years of change and suffering!
Sweet Love of youth, forgive, if I forget thee,
While the world's tide is bearing me along;
Other desires and other hopes beset me,
Hopes which obscure, but cannot do thee wrong!
No later light has lighten'd up my heaven,
No second morn has ever shone for me;
All my life's bliss from thy dear life was given,
All my life's bliss is in the grave with thee.
But when the days of golden dreams had perish'd,
And even Despair was powerless to destroy;
Then did I learn how existence could be cherish'd,
Strengthen'd and fed without the aid of joy.
Then did I check the tears of useless passion--
Wean'd my young soul from yearning after thine;
Sternly denied its burning wish to hasten
Down to that tomb already more than mine.
And, even yet, I dare not let it languish,
Dare not indulge in memory's rapturous pain;
Once drinking deep of that divinest anguish,
How could I seek the empty world again?
Emily Bronte. 1818-1848
737. The Prisoner
STILL let my tyrants know, I am not doom'd to wear
Year after year in gloom and desolate despair;
A messenger of Hope comes every night to me,
And offers for short life, eternal liberty.
He comes with Western winds, with evening's wandering airs,
With that clear dusk of heaven that brings the thickest stars:
Winds take a pensive tone, and stars a tender fire,
And visions rise, and change, that kill me with desire.
Desire for nothing known in my maturer years,
When Joy grew mad with awe, at counting future tears:
When, if my spirit's sky was full of flashes warm,
I knew not whence they came, from sun or thunder-storm.
But first, a hush of peace--a soundless calm descends;
The struggle of distress and fierce impatience ends.
Mute music soothes my breast--unutter'd harmony
That I could never dream, till Earth was lost to me.
Then dawns the Invisible; the Unseen its truth reveals;
My outward sense is gone, my inward essence feels;
Its wings are almost free--its home, its harbour found,
Measuring the gulf, it stoops, and dares the final bound.
O dreadful is the check--intense the agony--
When the ear begins to hear, and the eye begins to see;
When the pulse begins to throb--the brain to think again--
The soul to feel the flesh, and the flesh to feel the chain.
Yet I would lose no sting, would wish no torture less;
The more that anguish racks, the earlier it will bless;
And robed in fires of hell, or bright with heavenly shine,
If it but herald Death, the vision is divine.
Emily Bronte. 1818-1848
738. Last Lines
NO coward soul is mine,
No trembler in the world's storm-troubled sphere:
I see Heaven's glories shine,
And faith shines equal, arming me from fear.
O God within my breast,
Almighty, ever-present Deity!
Life--that in me has rest,
As I--undying Life--have power in Thee!
Vain are the thousand creeds
That move men's hearts: unutterably vain;
Worthless as wither'd weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchor'd on
The steadfast rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes cease to be,
And Thou were left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou--Thou art Being and Breath,
And what Thou art may never be destroyed.
Charles Kingsley. 1819-1875
739. Airly Beacon
AIRLY Beacon, Airly Beacon;
O the pleasant sight to see
Shires and towns from Airly Beacon,
While my love climb'd up to me!
Airly Beacon, Airly Beacon;
O the happy hours we lay
Deep in fern on Airly Beacon,
Courting through the summer's day!
Airly Beacon, Airly Beacon;
O the weary haunt for me,
All alone on Airly Beacon,
With his baby on my knee!
Charles Kingsley. 1819-1875
740. The Sands of Dee
'O MARY, go and call the cattle home,
And call the cattle home,
And call the cattle home,
Across the sands of Dee.'
The western wind was wild and dark with foam,
And all alone went she.
The western tide crept up along the sand,
And o'er and o'er the sand,
And round and round the sand,
As far as eye could see.
The rolling mist came down and hid the land:
And never home came she.
'O is it weed, or fish, or floating hair--
A tress of golden hair,
A drowned maiden's hair,
Above the nets at sea?'
Was never salmon yet that shone so fair
Among the stakes of Dee.
They row'd her in across the rolling foam,
The cruel crawling foam,
The cruel hungry foam,
To her grave beside the sea.
But still the boatmen hear her call the cattle home,
Across the sands of Dee.
Arthur Hugh Clough. 1819-1861
741. Say not the Struggle Naught availeth
SAY not the struggle naught availeth,
The labour and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been they remain.
If hopes were dupes, fears may be liars;
It may be, in yon smoke conceal'd,
Your comrades chase e'en now the fliers,
And, but for you, possess the field.
For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.
And not by eastern windows only,
When daylight comes, comes in the light;
In front the sun climbs slow, how slowly!
But westward, look, the land is bright!
Walt Whitman. 1819-1892
742. The Imprisoned Soul
AT the last, tenderly,
From the walls of the powerful, fortress'd house,
From the clasp of the knitted locks--from the keep of the well-closed
doors,
Let me be wafted.
Let me glide noiselessly forth;
With the key of softness unlock the locks--with a whisper
Set ope the doors, O soul!
Tenderly! be not impatient!
(Strong is your hold, O mortal flesh!
Strong is your hold, O love!)
Walt Whitman. 1819-1892
743. O Captain! My Captain!
O CAPTAIN! my Captain! our fearful trip is done,
The ship has weather'd every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red!
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up--for you the flag is flung--for you the bugle trills,
For you bouquets and ribbon'd wreaths--for you the shores crowding,
For you they call, the swaying mass, their eager faces turning;
Here, Captain! dear father!
This arm beneath your head!
It is some dream that on the deck
You've fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will;
The ship is anchor'd safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult, O shores! and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
John Ruskin. 1819-1900
744. Trust Thou Thy Love
TRUST thou thy Love: if she be proud, is she not sweet?
Trust thou thy Love: if she be mute, is she not pure?
Lay thou thy soul full in her hands, low at her feet;
Fail, Sun and Breath!--yet, for thy peace, She shall endure.
Ebenezer Jones. 1820-1860
745. When the World is burning
WHEN the world is burning,
Fired within, yet turning
Round with face unscathed;
Ere fierce flames, uprushing,
O'er all lands leap, crushing,
Till earth fall, fire-swathed;
Up amidst the meadows,
Gently through the shadows,
Gentle flames will glide,
Small, and blue, and golden.
Though by bard beholden,
When in calm dreams folden,--
Calm his dreams will bide.
Where the dance is sweeping,
Through the greensward peeping,
Shall the soft lights start;
Laughing maids, unstaying,
Deeming it trick-playing,
High their robes upswaying,
O'er the lights shall dart;
And the woodland haunter
Shall not cease to saunter
When, far down some glade,
Of the great world's burning,
One soft flame upturning
Seems, to his discerning,
Crocus in the shade.
Frederick Locker-Lampson. 1821-1895
746. At Her Window
BEATING Heart! we come again
Where my Love reposes;
This is Mabel's window-pane;
These are Mabel's roses.
Is she nested? Does she kneel
In the twilight stilly,
Lily clad from throat to heel,
She, my virgin Lily?
Soon the wan, the wistful stars,
Fading, will forsake her;
Elves of light, on beamy bars,
Whisper then, and wake her.
Let this friendly pebble plead
At her flowery grating;
If she hear me will she heed?
Mabel, I am waiting.
Mabel will be deck'd anon,
Zoned in bride's apparel;
Happy zone! O hark to yon
Passion-shaken carol!
Sing thy song, thou tranced thrush,
Pipe thy best, thy clearest;--
Hush, her lattice moves, O hush--
Dearest Mabel!--dearest...
Matthew Arnold. 1822-1888
747. The Forsaken Merman
COME, dear children, let us away;
Down and away below.
Now my brothers call from the bay;
Now the great winds shoreward blow;
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away.
This way, this way!
Call her once before you go.
Call once yet.
In a voice that she will know:
'Margaret! Margaret!'
Children's voices should be dear
(Call once more) to a mother's ear;
Children's voices, wild with pain.
Surely she will come again.
Call her once and come away.
This way, this way!
'Mother dear, we cannot stay.'
The wild white horses foam and fret.
Margaret! Margaret!
Come, dear children, come away down.
Call no more.
One last look at the white-wall'd town,
And the little grey church on the windy shore.
Then come down.
She will not come though you call all day.
Come away, come away.
Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam;
Where the salt weed sways in the stream;
Where the sea-beasts, ranged all round,
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail, and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?
Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She comb'd its bright hair, and she tended it well,
When down swung the sound of the far-off bell.
She sigh'd, she look'd up through the clear green sea.
She said, 'I must go, for my kinsfolk pray
In the little grey church on the shore to-day.
'Twill be Easter-time in the world--ah me!
And I lose my poor soul, Merman, here with thee.'
I said, 'Go up, dear heart, through the waves.
Say thy prayer, and come back to the kind sea-caves.'
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday?
Children dear, were we long alone?
'The sea grows stormy, the little ones moan.
Long prayers,' I said, 'in the world they say.
Come,' I said, and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-wall'd town.
Through the narrow paved streets, where all was still,
To the little grey church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold-blowing airs.
We climb'd on the graves, on the stones worn with rains,
And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her dear:
'Margaret, hist! come quick, we are here.
Dear heart,' I said, 'we are long alone.
The sea grows stormy, the little ones moan.'
But, ah! she gave me never a look,
For her eyes were seal'd to the holy book.
Loud prays the priest; shut stands the door.
Came away, children, call no more.
Come away, come down, call no more.
Down, down, down;
Down to the depths of the sea.
She sits at her wheel in the humming town,
Singing most joyfully.
Hark what she sings: 'O joy, O joy,
For the humming street, and the child with its toy.
For the priest, and the bell, and the holy well.
For the wheel where I spun,
And the blessed light of the sun.'
And so she sings her fill,
Singing most joyfully,
Till the shuttle falls from her hand,
And the whizzing wheel stands still.
She steals to the window, and looks at the sand;
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh
For the cold strange eyes of a little Mermaiden,
And the gleam of her golden hair.
Come away, away, children.
Come children, come down.
The hoarse wind blows colder;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing, 'Here came a mortal,
But faithless was she:
And alone dwell for ever
The kings of the sea.'
But, children, at midnight,
When soft the winds blow;
When clear falls the moonlight;
When spring-tides are low:
When sweet airs come seaward
From heaths starr'd with broom;
And high rocks throw mildly
On the blanch'd sands a gloom:
Up the still, glistening beaches,
Up the creeks we will hie;
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-side--
And then come back down.
Singing, 'There dwells a loved one,
But cruel is she.
She left lonely for ever
The kings of the sea.'
Matthew Arnold. 1822-1888
748. The Song of Callicles
THROUGH the black, rushing smoke-bursts,
Thick breaks the red flame.
All Etna heaves fiercely
Her forest-clothed frame.
Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea.
Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!
On the sward at the cliff-top,
Lie strewn the white flocks;
On the cliff-side, the pigeons
Roost deep in the rocks.
In the moonlight the shepherds,
Soft lull'd by the rills,
Lie wrapt in their blankets,
Asleep on the hills.
--What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower'd broom?
What sweet-breathing Presence
Out-perfumes the thyme?
What voices enrapture
The night's balmy prime?--
'Tis Apollo comes leading
His choir, The Nine.
--The Leader is fairest,
But all are divine.
They are lost in the hollows.
They stream up again.
What seeks on this mountain
The glorified train?--
They bathe on this mountain,
In the spring by their road.
Then on to Olympus,
Their endless abode.
--Whose praise do they mention:
Of what is it told?--
What will be for ever.
What was from of old.
First hymn they the Father
Of all things: and then,
The rest of Immortals,
The action of men.
The Day in his hotness,
The strife with the palm;
The Night in her silence,
The Stars in their calm.
Matthew Arnold. 1822-1888
749. To Marguerite
YES: in the sea of life enisled,
With echoing straits between us thrown.
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.
But when the moon their hollows lights,
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing;
And lovely notes, from shore to shore,
Across the sounds and channels pour;
O then a longing like despair
Is to their farthest caverns sent!
For surely once, they feel, we were
Parts of a single continent.
Now round us spreads the watery plain--
O might our marges meet again!
Who order'd that their longing's fire
Should be, as soon as kindled, cool'd?
Who renders vain their deep desire?--
A God, a God their severance ruled;
And bade betwixt their shores to be
The unplumb'd, salt, estranging sea.
Matthew Arnold. 1822-1888
750. Requiescat
STREW on her roses, roses,
And never a spray of yew.
In quiet she reposes:
Ah! would that I did too.
Her mirth the world required:
She bathed it in smiles of glee.
But her heart was tired, tired,
And now they let her be.
Her life was turning, turning,
In mazes of heat and sound.
But for peace her soul was yearning,
And now peace laps her round.
Her cabin'd, ample Spirit,
It flutter'd and fail'd for breath.
To-night it doth inherit
The vasty hall of Death.
Matthew Arnold. 1822-1888
751. The Scholar-Gipsy
GO, for they call you, Shepherd, from the hill;
Go, Shepherd, and untie the wattled cotes:
No longer leave thy wistful flock unfed,
Nor let thy bawling fellows rack their throats,
Nor the cropp'd grasses shoot another head.
But when the fields are still,
And the tired men and dogs all gone to rest,
And only the white sheep are sometimes seen
Cross and recross the strips of moon-blanch'd green;
Come Shepherd, and again begin the quest.
Here, where the reaper was at work of late,
In this high field's dark corner, where he leaves
His coat, his basket, and his earthen cruise,
And in the sun all morning binds the sheaves,
Then here, at noon, comes back his stores to use;
Here will I sit and wait,
While to my ear from uplands far away
The bleating of the folded flocks is borne,
With distant cries of reapers in the corn--
All the live murmur of a summer's day.
Screen'd is this nook o'er the high, half-reap'd field,
And here till sundown, Shepherd, will I be.
Through the thick corn the scarlet poppies peep,
And round green roots and yellowing stalks I see
Pale blue convolvulus in tendrils creep:
And air-swept lindens yield
Their scent, and rustle down their perfumed showers
Of bloom on the bent grass where I am laid,
And bower me from the August sun with shade;
And the eye travels down to Oxford's towers:
And near me on the grass lies Glanvil's book--
Come, let me read the oft-read tale again:
The story of that Oxford scholar poor,
Of pregnant parts and quick inventive brain,
Who, tired of knocking at Preferment's door,
One summer morn forsook
His friends, and went to learn the Gipsy lore,
And roam'd the world with that wild brotherhood,
And came, as most men deem'd, to little good,
But came to Oxford and his friends no more.
But once, years after, in the country lanes,
Two scholars, whom at college erst he knew,
Met him, and of his way of life inquired.
Whereat he answer'd that the Gipsy crew,
His mates, had arts to rule as they desired
The workings of men's brains;
And they can bind them to what thoughts they will:
'And I,' he said, 'the secret of their art,
When fully learn'd, will to the world impart:
But it needs Heaven-sent moments for this skill!'
This said, he left them, and return'd no more,
But rumours hung about the country-side,
That the lost Scholar long was seen to stray,
Seen by rare glimpses, pensive and tongue-tied,
In hat of antique shape, and cloak of grey,
The same the Gipsies wore.
Shepherds had met him on the Hurst in spring;
At some lone alehouse in the Berkshire moors,
On the warm ingle-bench, the smock-frock'd boors
Had found him seated at their entering,
But 'mid their drink and clatter, he would fly:
And I myself seem half to know thy looks,
And put the shepherds, Wanderer, on thy trace;
And boys who in lone wheatfields scare the rooks
I ask if thou hast pass'd their quiet place;
Or in my boat I lie
Moor'd to the cool bank in the summer heats,
'Mid wide grass meadows which the sunshine fills,
And watch the warm green-muffled Cumnor hills,
And wonder if thou haunt'st their shy retreats.
For most, I know, thou lov'st retired ground.
Thee, at the ferry, Oxford riders blithe,
Returning home on summer nights, have met
Crossing the stripling Thames at Bablock-hithe,
Trailing in the cool stream thy fingers wet,
As the slow punt swings round:
And leaning backwards in a pensive dream,
And fostering in thy lap a heap of flowers
Pluck'd in shy fields and distant Wychwood bowers,
And thine eyes resting on the moonlit stream:
And then they land, and thou art seen no more.
Maidens who from the distant hamlets come
To dance around the Fyfield elm in May,
Oft through the darkening fields have seen thee roam,
Or cross a stile into the public way.
Oft thou hast given them store
Of flowers--the frail-leaf'd, white anemone--
Dark bluebells drench'd with dews of summer eves,
And purple orchises with spotted leaves--
But none has words she can report of thee.
And, above Godstow Bridge, when hay-time 's here
In June, and many a scythe in sunshine flames,
Men who through those wide fields of breezy grass
Where black-wing'd swallows haunt the glittering Thames,
To bathe in the abandon'd lasher pass,
Have often pass'd thee near
Sitting upon the river bank o'ergrown:
Mark'd thine outlandish garb, thy figure spare,
Thy dark vague eyes, and soft abstracted air;
But, when they came from bathing, thou wert gone.
At some lone homestead in the Cumnor hills,
Where at her open door the housewife darns,
Thou hast been seen, or hanging on a gate
To watch the threshers in the mossy barns.
Children, who early range these slopes and late
For cresses from the rills,
Have known thee watching, all an April day,
The springing pastures and the feeding kine;
And mark'd thee, when the stars come out and shine,
Through the long dewy grass move slow away.
In autumn, on the skirts of Bagley Wood,
Where most the Gipsies by the turf-edged way
Pitch their smoked tents, and every bush you see
With scarlet patches tagg'd and shreds of gray,
Above the forest-ground call'd Thessaly--
The blackbird picking food
Sees thee, nor stops his meal, nor fears at all;
So often has he known thee past him stray
Rapt, twirling in thy hand a wither'd spray,
And waiting for the spark from Heaven to fall.
And once, in winter, on the causeway chill
Where home through flooded fields foot-travellers go,
Have I not pass'd thee on the wooden bridge
Wrapt in thy cloak and battling with the snow,
Thy face towards Hinksey and its wintry ridge?
And thou hast climb'd the hill
And gain'd the white brow of the Cumnor range;
Turn'd once to watch, while thick the snowflakes fall,
The line of festal light in Christ Church hall--
Then sought thy straw in some sequester'd grange.
But what--I dream! Two hundred years are flown
Since first thy story ran through Oxford halls,
And the grave Glanvil did the tale inscribe
That thou wert wander'd from the studious walls
To learn strange arts, and join a Gipsy tribe:
And thou from earth art gone
Long since and in some quiet churchyard laid;
Some country nook, where o'er thy unknown grave
Tall grasses and white flowering nettles wave--
Under a dark red-fruited yew-tree's shade.
--No, no, thou hast not felt the lapse of hours.
For what wears out the life of mortal men?
'Tis that from change to change their being rolls:
'Tis that repeated shocks, again, again,
Exhaust the energy of strongest souls,
And numb the elastic powers.
Till having used our nerves with bliss and teen,
And tired upon a thousand schemes our wit,
To the just-pausing Genius we remit
Our worn-out life, and are--what we have been.
Thou hast not lived, why shouldst thou perish, so?
Thou hadst one aim, one business, one desire:
Else wert thou long since number'd with the dead--
Else hadst thou spent, like other men, thy fire.
The generations of thy peers are fled,
And we ourselves shall go;
But thou possessest an immortal lot,
And we imagine thee exempt from age
And living as thou liv'st on Glanvil's page,
Because thou hadst--what we, alas, have not!
For early didst thou leave the world, with powers
Fresh, undiverted to the world without,
Firm to their mark, not spent on other things;
Free from the sick fatigue, the languid doubt,
Which much to have tried, in much been baffled, brings.
O Life unlike to ours!
Who fluctuate idly without term or scope,
Of whom each strives, nor knows for what he strives,
And each half lives a hundred different lives;
Who wait like thee, but not, like thee, in hope.
Thou waitest for the spark from Heaven: and we,
Vague half-believers of our casual creeds,
Who never deeply felt, nor clearly will'd,
Whose insight never has borne fruit in deeds,
Whose weak resolves never have been fulfill'd;
For whom each year we see
Breeds new beginnings, disappointments new;
Who hesitate and falter life away,
And lose to-morrow the ground won to-day--
Ah, do not we, Wanderer, await it too?
Yes, we await it, but it still delays,
And then we suffer; and amongst us One,
Who most has suffer'd, takes dejectedly
His seat upon the intellectual throne;
And all his store of sad experience he
Lays bare of wretched days;
Tells us his misery's birth and growth and signs,
And how the dying spark of hope was fed,
And how the breast was soothed, and how the head,
And all his hourly varied anodynes.
This for our wisest: and we others pine,
And wish the long unhappy dream would end,
And waive all claim to bliss, and try to bear,
With close-lipp'd Patience for our only friend,
Sad Patience, too near neighbour to Despair:
But none has hope like thine.
Thou through the fields and through the woods dost stray,
Roaming the country-side, a truant boy,
Nursing thy project in unclouded joy,
And every doubt long blown by time away.
O born in days when wits were fresh and clear,
And life ran gaily as the sparkling Thames;
Before this strange disease of modern life,
With its sick hurry, its divided aims,
Its heads o'ertax'd, its palsied hearts, was rife--
Fly hence, our contact fear!
Still fly, plunge deeper in the bowering wood!
Averse, as Dido did with gesture stern
From her false friend's approach in Hades turn,
Wave us away, and keep thy solitude.
Still nursing the unconquerable hope,
Still clutching the inviolable shade,
With a free onward impulse brushing through,
By night, the silver'd branches of the glade--
Far on the forest-skirts, where none pursue,
On some mild pastoral slope
Emerge, and resting on the moonlit pales,
Freshen they flowers, as in former years,
With dew, or listen with enchanted ears,
From the dark dingles, to the nightingales.
But fly our paths, our feverish contact fly!
For strong the infection of our mental strife,
Which, though it gives no bliss, yet spoils for rest;
And we should win thee from they own fair life,
Like us distracted, and like us unblest.
Soon, soon thy cheer would die,
Thy hopes grow timorous, and unfix'd they powers,
And they clear aims be cross and shifting made:
And then thy glad perennial youth would fade,
Fade, and grow old at last, and die like ours.
Then fly our greetings, fly our speech and smiles!
--As some grave Tyrian trader, from the sea,
Descried at sunrise an emerging prow
Lifting the cool-hair'd creepers stealthily,
The fringes of a southward-facing brow
Among the Aegean isles;
And saw the merry Grecian coaster come,
Freighted with amber grapes, and Chian wine,
Green bursting figs, and tunnies steep'd in brine;
And knew the intruders on his ancient home,
The young light-hearted Masters of the waves;
And snatch'd his rudder, and shook out more sail,
And day and night held on indignantly
O'er the blue Midland waters with the gale,
Betwixt the Syrtes and soft Sicily,
To where the Atlantic raves
Outside the Western Straits, and unbent sails
There, where down cloudy cliffs, through sheets of foam,
Shy traffickers, the dark Iberians come;
And on the beach undid his corded bales.
Matthew Arnold. 1822-1888
752. Philomela
HARK! ah, the Nightingale!
The tawny-throated!
Hark! from that moonlit cedar what a burst!
What triumph! hark--what pain!
O Wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewilder'd brain
That wild, unquench'd, deep-sunken, old-world pain--
Say, will it never heal?
And can this fragrant lawn
With its cool trees, and night,
And the sweet, tranquil Thames,
And moonshine, and the dew,
To thy rack'd heart and brain
Afford no balm?
Dost thou to-night behold
Here, through the moonlight on this English grass,
The unfriendly palace in the Thracian wild?
Dost thou again peruse
With hot cheeks and sear'd eyes
The too clear web, and thy dumb Sister's shame?
Dost thou once more assay
Thy flight, and feel come over thee,
Poor Fugitive, the feathery change
Once more, and once more seem to make resound
With love and hate, triumph and agony,
Lone Daulis, and the high Cephissian vale?
Listen, Eugenia--
How thick the bursts come crowding through the leaves!
Again--thou hearest!
Eternal Passion!
Eternal Pain!
Matthew Arnold. 1822-1888
753. Shakespeare
OTHERS abide our question. Thou art free.
We ask and ask: Thou smilest and art still,
Out-topping knowledge. For the loftiest hill
That to the stars uncrowns his majesty,
Planting his steadfast footsteps in the sea,
Making the heaven of heavens his dwelling-place,
Spares but the cloudy border of his base
To the foil'd searching of mortality;
And thou, who didst the stars and sunbeams know,
Self-school'd, self-scann'd, self-honour'd, self-secure,
Didst walk on earth unguess'd at. Better so!
All pains the immortal spirit must endure,
All weakness that impairs, all griefs that bow,
Find their sole voice in that victorious brow.
Matthew Arnold. 1822-1888
754. From the Hymn of Empedocles
IS it so small a thing
To have enjoy'd the sun,
To have lived light in the spring,
To have loved, to have thought, to have done;
To have advanced true friends, and beat down baffling foes;
That we must feign a bliss
Of doubtful future date,
And while we dream on this
Lose all our present state,
And relegate to worlds yet distant our repose?
Not much, I know, you prize
What pleasures may be had,
Who look on life with eyes
Estranged, like mine, and sad:
And yet the village churl feels the truth more than you;
Who 's loth to leave this life
Which to him little yields:
His hard-task'd sunburnt wife,
His often-labour'd fields;
The boors with whom he talk'd, the country spots he knew.
But thou, because thou hear'st
Men scoff at Heaven and Fate;
Because the gods thou fear'st
Fail to make blest thy state,
Tremblest, and wilt not dare to trust the joys there are.
I say, Fear not! life still
Leaves human effort scope.
But, since life teems with ill,
Nurse no extravagant hope.
Because thou must not dream, thou need'st not then despair.
William Brighty Rands. 1823-1880
755. The Flowers
WHEN Love arose in heart and deed
To wake the world to greater joy,
'What can she give me now?' said Greed,
Who thought to win some costly toy.
He rose, he ran, he stoop'd, he clutch'd;
And soon the Flowers, that Love let fall,
In Greed's hot grasp were fray'd and smutch'd,
And Greed said, 'Flowers! Can this be all?'
He flung them down and went his way,
He cared no jot for thyme or rose;
But boys and girls came out to play,
And some took these and some took those--
Red, blue, and white, and green and gold;
And at their touch the dew return'd,
And all the bloom a thousandfold--
So red, so ripe, the roses burn'd!
William Brighty Rands. 1823-1880
756. The Thought
INTO the skies, one summer's day,
I sent a little Thought away;
Up to where, in the blue round,
The sun sat shining without sound.
Then my Thought came back to me.--
Little Thought, what did you see
In the regions whence you come?
And when I spoke, my Thought was dumb.
But she breathed of what was there,
In the pure bright upper air;
And, because my Thought so shone,
I knew she had been shone upon.
Next, by night a Thought I sent
Up into the firmament;
When the eager stars were out,
And the still moon shone about.
And my Thought went past the moon
In between the stars, but soon
Held her breath and durst not stir,
For the fear that covered her;
Then she thought, in this demur:
'Dare I look beneath the shade,
Into where the worlds are made;
Where the suns and stars are wrought?
Shall I meet another Thought?
'Will that other Thought have wings?
Shall I meet strange, heavenly things?
Thought of Thoughts, and Light of Lights,
Breath of Breaths, and Night of Nights?'
Then my Thought began to hark
In the illuminated dark,
Till the silence, over, under,
Made her heart beat more than thunder.
And my Thought, came trembling back,
But with something on her track,
And with something at her side;
Nor till she has lived and died,
Lived and died, and lived again,
Will that awful thing seem plain.
William Philpot. 1823-1889
757. Maritae Suae
I
OF all the flowers rising now,
Thou only saw'st the head
Of that unopen'd drop of snow
I placed beside thy bed.
In all the blooms that blow so fast,
Thou hast no further part,
Save those the hour I saw thee last,
I laid above thy heart.
Two snowdrops for our boy and girl,
A primrose blown for me,
Wreathed with one often-play'd-with curl
From each bright head for thee.
And so I graced thee for thy grave,
And made these tokens fast
With that old silver heart I gave,
My first gift--and my last.
II
I dream'd, her babe upon her breast,
Here she might lie and calmly rest
Her happy eyes on that far hill
That backs the landscape fresh and still.
I hoped her thoughts would thrid the boughs
Where careless birds on love carouse,
And gaze those apple-blossoms through
To revel in the boundless blue.
But now her faculty of sight
Is elder sister to the light,
And travels free and unconfined
Through dense and rare, through form and mind.
Or else her life to be complete
Hath found new channels full and meet--
Then, O, what eyes are leaning o'er,
If fairer than they were before!
William (Johnson) Cory. 1823-1892
758. Mimnermus in Church
YOU promise heavens free from strife,
Pure truth, and perfect change of will;
But sweet, sweet is this human life,
So sweet, I fain would breathe it still;
Your chilly stars I can forgo,
This warm kind world is all I know.
You say there is no substance here,
One great reality above:
Back from that void I shrink in fear,
And child-like hide myself in love:
Show me what angels feel. Till then
I cling, a mere weak man, to men.
You bid me lift my mean desires
From faltering lips and fitful veins
To sexless souls, ideal quires,
Unwearied voices, wordless strains:
My mind with fonder welcome owns
One dear dead friend's remember'd tones.
Forsooth the present we must give
To that which cannot pass away;
All beauteous things for which we live
By laws of time and space decay.
But O, the very reason why
I clasp them, is because they die.
William (Johnson) Cory. 1823-1892
759. Heraclitus
THEY told me, Heraclitus, they told me you were dead,
They brought me bitter news to hear and bitter tears to shed.
I wept as I remember'd how often you and I
Had tired the sun with talking and sent him down the sky.
And now that thou art lying, my dear old Carian guest,
A handful of grey ashes, long, long ago at rest,
Still are thy pleasant voices, thy nightingales, awake;
For Death, he taketh all away, but them he cannot take.
Coventry Patmore. 1823-1896
760. The Married Lover
WHY, having won her, do I woo?
Because her spirit's vestal grace
Provokes me always to pursue,
But, spirit-like, eludes embrace;
Because her womanhood is such
That, as on court-days subjects kiss
The Queen's hand, yet so near a touch
Affirms no mean familiarness;
Nay, rather marks more fair the height
Which can with safety so neglect
To dread, as lower ladies might,
That grace could meet with disrespect;
Thus she with happy favour feeds
Allegiance from a love so high
That thence no false conceit proceeds
Of difference bridged, or state put by;
Because although in act and word
As lowly as a wife can be,
Her manners, when they call me lord,
Remind me 'tis by courtesy;
Not with her least consent of will,
Which would my proud affection hurt,
But by the noble style that still
Imputes an unattain'd desert;
Because her gay and lofty brows,
When all is won which hope can ask,
Reflect a light of hopeless snows
That bright in virgin ether bask;
Because, though free of the outer court
I am, this Temple keeps its shrine
Sacred to Heaven; because, in short,
She 's not and never can be mine.
Coventry Patmore. 1823-1896
761. 'If I were dead'
'IF I were dead, you'd sometimes say, Poor Child!'
The dear lips quiver'd as they spake,
And the tears brake
From eyes which, not to grieve me, brightly smiled.
Poor Child, poor Child!
I seem to hear your laugh, your talk, your song.
It is not true that Love will do no wrong.
Poor Child!
And did you think, when you so cried and smiled,
How I, in lonely nights, should lie awake,
And of those words your full avengers make?
Poor Child, poor Child!
And now, unless it be
That sweet amends thrice told are come to thee,
O God, have Thou no mercy upon me!
Poor Child!
Coventry Patmore. 1823-1896
762. Departure
IT was not like your great and gracious ways!
Do you, that have naught other to lament,
Never, my Love, repent
Of how, that July afternoon,
You went,
With sudden, unintelligible phrase,
And frighten'd eye,
Upon your journey of so many days
Without a single kiss, or a good-bye?
I knew, indeed, that you were parting soon;
And so we sate, within the low sun's rays,
You whispering to me, for your voice was weak,
Your harrowing praise.
Well, it was well
To hear you such things speak,
And I could tell
What made your eyes a growing gloom of love,
As a warm South-wind sombres a March grove.
And it was like your great and gracious ways
To turn your talk on daily things, my Dear,
Lifting the luminous, pathetic lash
To let the laughter flash,
Whilst I drew near,
Because you spoke so low that I could scarcely hear.
But all at once to leave me at the last,
More at the wonder than the loss aghast,
With huddled, unintelligible phrase,
And frighten'd eye,
And go your journey of all days
With not one kiss, or a good-bye,
And the only loveless look the look with which you pass'd:
'Twas all unlike your great and gracious ways.
Coventry Patmore. 1823-1896
763. The Toys
MY little Son, who look'd from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobey'd,
I struck him, and dismiss'd
With hard words and unkiss'd,
--His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darken'd eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
He had put, within his reach,
A box of counters and a red-vein'd stone,
A piece of glass abraded by the beach,
And six or seven shells,
A bottle with bluebells,
And two French copper coins, ranged there with careful art,
To comfort his sad heart.
So when that night I pray'd
To God, I wept, and said:
Ah, when at last we lie with tranced breath,
Not vexing Thee in death,
And Thou rememberest of what toys
We made our joys,
How weakly understood
Thy great commanded good,
Then, fatherly not less
Than I whom Thou hast moulded from the clay,
Thou'lt leave Thy wrath, and say,
'I will be sorry for their childishness.'
Coventry Patmore. 1823-1896
764. A Farewell
WITH all my will, but much against my heart,
We two now part.
My Very Dear,
Our solace is, the sad road lies so clear.
It needs no art,
With faint, averted feet
And many a tear,
In our opposed paths to persevere.
Go thou to East, I West.
We will not say
There 's any hope, it is so far away.
But, O, my Best,
When the one darling of our widowhead,
The nursling Grief,
Is dead,
And no dews blur our eyes
To see the peach-bloom come in evening skies,
Perchance we may,
Where now this night is day,
And even through faith of still averted feet,
Making full circle of our banishment,
Amazed meet;
The bitter journey to the bourne so sweet
Seasoning the termless feast of our content
With tears of recognition never dry.
Sydney Dobell. 1824-1874
765. The Ballad of Keith of Ravelston
THE murmur of the mourning ghost
That keeps the shadowy kine,
'O Keith of Ravelston,
The sorrows of thy line!'
Ravelston, Ravelston,
The merry path that leads
Down the golden morning hill,
And thro' the silver meads;
Ravelston, Ravelston,
The stile beneath the tree,
The maid that kept her mother's kine,
The song that sang she!
She sang her song, she kept her kine,
She sat beneath the thorn,
When Andrew Keith of Ravelston
Rode thro' the Monday morn.
His henchman sing, his hawk-bells ring,
His belted jewels shine;
O Keith of Ravelston,
The sorrows of thy line!
Year after year, where Andrew came,
Comes evening down the glade,
And still there sits a moonshine ghost
Where sat the sunshine maid.
Her misty hair is faint and fair,
She keeps the shadowy kine;
O Keith of Ravelston,
The sorrows of thy line!
I lay my hand upon the stile,
The stile is lone and cold,
The burnie that goes babbling by
Says naught that can be told.
Yet, stranger! here, from year to year,
She keeps her shadowy kine;
O Keith of Ravelston,
The sorrows of thy line!
Step out three steps, where Andrew stood--
Why blanch thy cheeks for fear?
The ancient stile is not alone,
'Tis not the burn I hear!
She makes her immemorial moan,
She keeps her shadowy kine;
O Keith of Ravelston,
The sorrows of thy line!
Sydney Dobell. 1824-1874
766. Return!
RETURN, return! all night my lamp is burning,
All night, like it, my wide eyes watch and burn;
Like it, I fade and pale, when day returning
Bears witness that the absent can return,
Return, return.
Like it, I lessen with a lengthening sadness,
Like it, I burn to waste and waste to burn,
Like it, I spend the golden oil of gladness
To feed the sorrowy signal for return,
Return, return.
Like it, like it, whene'er the east wind sings,
I bend and shake; like it, I quake and yearn,
When Hope's late butterflies, with whispering wings,
Fly in out of the dark, to fall and burn--
Burn in the watchfire of return,
Return, return.
Like it, the very flame whereby I pine
Consumes me to its nature. While I mourn
My soul becomes a better soul than mine,
And from its brightening beacon I discern
My starry love go forth from me, and shine
Across the seas a path for thy return,
Return, return.
Return, return! all night I see it burn,
All night it prays like me, and lifts a twin
Of palmed praying hands that meet and yearn--
Yearn to the impleaded skies for thy return.
Day, like a golden fetter, locks them in,
And wans the light that withers, tho' it burn
As warmly still for thy return;
Still thro' the splendid load uplifts the thin
Pale, paler, palest patience that can learn
Naught but that votive sign for thy return--
That single suppliant sign for thy return,
Return, return.
Return, return! lest haply, love, or e'er
Thou touch the lamp the light have ceased to burn,
And thou, who thro' the window didst discern
The wonted flame, shalt reach the topmost stair
To find no wide eyes watching there,
No wither'd welcome waiting thy return!
A passing ghost, a smoke-wreath in the air,
The flameless ashes, and the soulless urn,
Warm with the famish'd fire that lived to burn--
Burn out its lingering life for thy return,
Its last of lingering life for thy return,
Its last of lingering life to light thy late return,
Return, return.
Sydney Dobell. 1824-1874
767. A Chanted Calendar
FIRST came the primrose,
On the bank high,
Like a maiden looking forth
From the window of a tower
When the battle rolls below,
So look'd she,
And saw the storms go by.
Then came the wind-flower
In the valley left behind,
As a wounded maiden, pale
With purple streaks of woe,
When the battle has roll'd by
Wanders to and fro,
So totter'd she,
Dishevell'd in the wind.
Then came the daisies,
On the first of May,
Like a banner'd show's advance
While the crowd runs by the way,
With ten thousand flowers about them they came trooping through the
fields.
As a happy people come,
So came they,
As a happy people come
When the war has roll'd away,
With dance and tabor, pipe and drum,
And all make holiday.
Then came the cowslip,
Like a dancer in the fair,
She spread her little mat of green,
And on it danced she.
With a fillet bound about her brow,
A fillet round her happy brow,
A golden fillet round her brow,
And rubies in her hair.
Sydney Dobell. 1824-1874
768. Laus Deo
IN the hall the coffin waits, and the idle armourer stands.
At his belt the coffin nails, and the hammer in his hands.
The bed of state is hung with crape--the grand old bed where she was
wed--
And like an upright corpse she sitteth gazing dumbly at the bed.
Hour by hour her serving-men enter by the curtain'd door,
And with steps of muffled woe pass breathless o'er the silent floor,
And marshal mutely round, and look from each to each with eyelids red;
'Touch him not,' she shriek'd and cried, 'he is but newly dead!'
'O my own dear mistress,' the ancient Nurse did say,
'Seven long days and seven long nights you have watch'd him where he
lay.'
'Seven long days and seven long nights,' the hoary Steward said;
'Seven long days and seven long nights,' groan'd the Warrener gray;
'Seven,' said the old Henchman, and bow'd his aged head;
'On your lives!' she shriek'd and cried, 'he is but newly dead!'
Then a father Priest they sought,
The Priest that taught her all she knew,
And they told him of her loss.
'For she is mild and sweet of will,
She loved him, and his words are peace,
And he shall heal her ill.'
But her watch she did not cease.
He bless'd her where she sat distraught,
And show'd her holy cross,--
The cross she kiss'd from year to year--
But she neither saw nor heard;
And said he in her deaf ear
All he had been wont to teach,
All she had been fond to hear,
Missall'd prayer, and solemn speech,
But she answer'd not a word.
Only when he turn'd to speak with those who wept about the bed,
'On your lives!' she shriek'd and cried, 'he is but newly dead!'
Then how sadly he turn'd from her, it were wonderful to tell,
And he stood beside the death-bed as by one who slumbers well,
And he lean'd o'er him who lay there, and in cautious whisper low,
'He is not dead, but sleepeth,' said the Priest, and smooth'd his
brow.
'Sleepeth?' said she, looking up, and the sun rose in her face!
'He must be better than I thought, for the sleep is very sound.'
'He is better,' said the Priest, and call'd her maidens round.
With them came that ancient dame who nursed her when a child;
O Nurse!' she sigh'd, 'O Nurse!' she cried 'O Nurse!' and then she
smiled,
And then she wept; with that they drew
About her, as of old;
Her dying eyes were sweet and blue,
Her trembling touch was cold;
But she said, 'My maidens true,
No more weeping and well-away;
Let them kill the feast.
I would be happy in my soul.
"He is better," saith the Priest;
He did but sleep the weary day,
And will waken whole.
Carry me to his dear side,
And let the halls be trim;
Whistly, whistly,' said she,
'I am wan with watching and wail,
He must not wake to see me pale,
Let me sleep with him.
See you keep the tryst for me,
I would rest till he awake
And rise up like a bride.
But whistly, whistly!' said she.
'Yet rejoice your Lord doth live;
And for His dear sake
Say Laus, Domine.'
Silent they cast down their eyes,
And every breast a sob did rive,
She lifted her in wild surprise
And they dared not disobey.
'Laus Deo,' said the Steward, hoary when her days were new;
'Laus Deo,' said the Warrener, whiter than the warren snows;
'Laus Deo,' the bald Henchman, who had nursed her on his knee.
The old Nurse moved her lips in vain,
And she stood among the train
Like a dead tree shaking dew.
Then the Priest he softly stept
Midway in the little band,
And he took the Lady's hand.
'Laus Deo,' he said aloud,
'Laus Deo,' they said again,
Yet again, and yet again,
Humbly cross'd and lowly bow'd,
Till in wont and fear it rose
To the Sabbath strain.
But she neither turn'd her head
Nor 'Whistly, whistly,' said she.
Her hands were folded as in grace,
We laid her with her ancient race
And all the village wept.
William Allingham. 1824-1889
769. The Fairies
UP the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!
Down along the rocky shore
Some make their home,
They live on crispy pancakes
Of yellow tide-foam;
Some in the reeds
Of the black mountain lake,
With frogs for their watch-dogs,
All night awake.
High on the hill-top
The old King sits;
He is now so old and gray
He 's nigh lost his wits.
With a bridge of white mist
Columbkill he crosses,
On his stately journeys
From Slieveleague to Rosses;
Or going up with music
On cold starry nights
To sup with the Queen
Of the gay Northern Lights.
They stole little Bridget
For seven years long;
When she came down again
Her friends were all gone.
They took her lightly back,
Between the night and morrow,
They thought that she was fast asleep,
But she was dead with sorrow.
They have kept her ever since
Deep within the lake,
On a bed of flag-leaves,
Watching till she wake.
By the craggy hill-side,
Through the mosses bare,
They have planted thorn-trees
For pleasure here and there.
If any man so daring
As dig them up in spite,
He shall find their sharpest thorns
In his bed at night.
Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!
George MacDonald. 1824-1905
770. That Holy Thing
THEY all were looking for a king
To slay their foes and lift them high:
Thou cam'st, a little baby thing
That made a woman cry.
O Son of Man, to right my lot
Naught but Thy presence can avail;
Yet on the road Thy wheels are not,
Nor on the sea Thy sail!
My how or when Thou wilt not heed,
But come down Thine own secret stair,
That Thou mayst answer all my need--
Yea, every bygone prayer.
Dante Gabriel Rossetti. 1828-1882
771. The Blessed Damozel
THE blessed Damozel lean'd out
From the gold bar of Heaven:
Her blue grave eyes were deeper much
Than a deep water, even.
She had three lilies in her hand,
And the stars in her hair were seven.
Her robe, ungirt from clasp to hem,
No wrought flowers did adorn,
But a white rose of Mary's gift
On the neck meetly worn;
And her hair, lying down her back,
Was yellow like ripe corn.
Herseem'd she scarce had been a day
One of God's choristers;
The wonder was not yet quite gone
From that still look of hers;
Albeit, to them she left, her day
Had counted as ten years.
(To one it is ten years of years:
...Yet now, here in this place,
Surely she lean'd o'er me,--her hair
Fell all about my face....
Nothing: the Autumn-fall of leaves.
The whole year sets apace.)
It was the terrace of God's house
That she was standing on,--
By God built over the sheer depth
In which Space is begun;
So high, that looking downward thence,
She scarce could see the sun.
It lies from Heaven across the flood
Of ether, as a bridge.
Beneath, the tides of day and night
With flame and darkness ridge
The void, as low as where this earth
Spins like a fretful midge.
But in those tracts, with her, it was
The peace of utter light
And silence. For no breeze may stir
Along the steady flight
Of seraphim; no echo there,
Beyond all depth or height.
Heard hardly, some of her new friends,
Playing at holy games,
Spake gentle-mouth'd, among themselves,
Their virginal chaste names;
And the souls, mounting up to God,
Went by her like thin flames.
And still she bow'd herself, and stoop'd
Into the vast waste calm;
Till her bosom's pressure must have made
The bar she lean'd on warm,
And the lilies lay as if asleep
Along her bended arm.
From the fixt lull of Heaven, she saw
Time, like a pulse, shake fierce
Through all the worlds. Her gaze still strove,
In that steep gulf, to pierce
The swarm; and then she spoke, as when
The stars sang in their spheres.
'I wish that he were come to me,
For he will come,' she said.
'Have I not pray'd in solemn Heaven?
On earth, has he not pray'd?
Are not two prayers a perfect strength?
And shall I feel afraid?
'When round his head the aureole clings,
And he is clothed in white,
I'll take his hand, and go with him
To the deep wells of light,
And we will step down as to a stream
And bathe there in God's sight.
'We two will stand beside that shrine,
Occult, withheld, untrod,
Whose lamps tremble continually
With prayer sent up to God;
And where each need, reveal'd, expects
Its patient period.
'We two will lie i' the shadow of
That living mystic tree
Within whose secret growth the Dove
Sometimes is felt to be,
While every leaf that His plumes touch
Saith His name audibly.
'And I myself will teach to him,--
I myself, lying so,--
The songs I sing here; which his mouth
Shall pause in, hush'd and slow,
Finding some knowledge at each pause,
And some new thing to know.'
(Alas! to her wise simple mind
These things were all but known
Before: they trembled on her sense,--
Her voice had caught their tone.
Alas for lonely Heaven! Alas
For life wrung out alone!
Alas, and though the end were reach'd?...
Was thy part understood
Or borne in trust? And for her sake
Shall this too be found good?--
May the close lips that knew not prayer
Praise ever, though they would?)
'We two,' she said, 'will seek the groves
Where the lady Mary is,
With her five handmaidens, whose names
Are five sweet symphonies:--
Cecily, Gertrude, Magdalen,
Margaret and Rosalys.
'Circle-wise sit they, with bound locks
And bosoms covered;
Into the fine cloth, white like flame,
Weaving the golden thread,
To fashion the birth-robes for them
Who are just born, being dead.
'He shall fear, haply, and be dumb.
Then I will lay my cheek
To his, and tell about our love,
Not once abash'd or weak:
And the dear Mother will approve
My pride, and let me speak.
'Herself shall bring us, hand in hand,
To Him round whom all souls
Kneel--the unnumber'd solemn heads
Bow'd with their aureoles:
And Angels, meeting us, shall sing
To their citherns and citoles.
'There will I ask of Christ the Lord
Thus much for him and me:--
To have more blessing than on earth
In nowise; but to be
As then we were,--being as then
At peace. Yea, verily.
'Yea, verily; when he is come
We will do thus and thus:
Till this my vigil seem quite strange
And almost fabulous;
We two will live at once, one life;
And peace shall be with us.'
She gazed, and listen'd, and then said,
Less sad of speech than mild,--
'All this is when he comes.' She ceased:
The light thrill'd past her, fill'd
With Angels, in strong level lapse.
Her eyes pray'd, and she smiled.
(I saw her smile.) But soon their flight
Was vague 'mid the poised spheres.
And then she cast her arms along
The golden barriers,
And laid her face between her hands,
And wept. (I heard her tears.)
George Meredith. 1828-1909
772. Love in the Valley
UNDER yonder beech-tree single on the green-sward,
Couch'd with her arms behind her golden head,
Knees and tresses folded to slip and ripple idly,
Lies my young love sleeping in the shade.
Had I the heart to slide an arm beneath her,
Press her parting lips as her waist I gather slow,
Waking in amazement she could not but embrace me:
Then would she hold me and never let me go?
. . .
Shy as the squirrel and wayward as the swallow,
Swift as the swallow along the river's light
Circleting the surface to meet his mirror'd winglets,
Fleeter she seems in her stay than in her flight.
Shy as the squirrel that leaps among the pine-tops,
Wayward as the swallow overhead at set of sun,
She whom I love is hard to catch and conquer,
Hard, but O the glory of the winning were she won!
. . .
When her mother tends her before the laughing mirror,
Tying up her laces, looping up her hair,
Often she thinks, were this wild thing wedded,
More love should I have, and much less care.
When her mother tends her before the lighted mirror,
Loosening her laces, combing down her curls,
Often she thinks, were this wild thing wedded,
I should miss but one for many boys and girls.
. . .
Heartless she is as the shadow in the meadows
Flying to the hills on a blue and breezy noon.
No, she is athirst and drinking up her wonder:
Earth to her is young as the slip of the new moon.
Deals she an unkindness, 'tis but her rapid measure,
Even as in a dance; and her smile can heal no less:
Like the swinging May-cloud that pelts the flowers with hailstones
Off a sunny border, she was made to bruise and bless.
. . .
Lovely are the curves of the white owl sweeping
Wavy in the dusk lit by one large star.
Lone on the fir-branch, his rattle-note unvaried,
Brooding o'er the gloom, spins the brown evejar.
Darker grows the valley, more and more forgetting:
So were it with me if forgetting could be will'd.
Tell the grassy hollow that holds the bubbling well-spring,
Tell it to forget the source that keeps it fill'd.
. . .
Stepping down the hill with her fair companions,
Arm in arm, all against the raying West,
Boldly she sings, to the merry tune she marches,
Brave is her shape, and sweeter unpossess'd.
Sweeter, for she is what my heart first awaking
Whisper'd the world was; morning light is she.
Love that so desires would fain keep her changeless;
Fain would fling the net, and fain have her free.
. . .
Happy happy time, when the white star hovers
Low over dim fields fresh with bloomy dew,
Near the face of dawn, that draws athwart the darkness,
Threading it with colour, like yewberries the yew.
Thicker crowd the shades as the grave East deepens
Glowing, and with crimson a long cloud swells.
Maiden still the morn is; and strange she is, and secret;
Strange her eyes; her cheeks are cold as cold sea-shells.
. . .
Sunrays, leaning on our southern hills and lighting
Wild cloud-mountains that drag the hills along,
Oft ends the day of your shifting brilliant laughter
Chill as a dull face frowning on a song.
Ay, but shows the South-west a ripple-feather'd bosom
Blown to silver while the clouds are shaken and ascend
Scaling the mid-heavens as they stream, there comes a sunset
Rich, deep like love in beauty without end.
. . .
When at dawn she sighs, and like an infant to the window
Turns grave eyes craving light, released from dreams,
Beautiful she looks, like a white water-lily
Bursting out of bud in havens of the streams.
When from bed she rises clothed from neck to ankle
In her long nightgown sweet as boughs of May,
Beautiful she looks, like a tall garden-lily
Pure from the night, and splendid for the day.
. . .
Mother of the dews, dark eye-lash'd twilight,
Low-lidded twilight, o'er the valley's brim,
Rounding on thy breast sings the dew-delighted skylark,
Clear as though the dewdrops had their voice in him.
Hidden where the rose-flush drinks the rayless planet,
Fountain-full he pours the spraying fountain-showers.
Let me hear her laughter, I would have her ever
Cool as dew in twilight, the lark above the flowers.
. . .
All the girls are out with their baskets for the primrose;
Up lanes, woods through, they troop in joyful bands.
My sweet leads: she knows not why, but now she loiters,
Eyes the bent anemones, and hangs her hands.
Such a look will tell that the violets are peeping,
Coming the rose: and unaware a cry
Springs in her bosom for odours and for colour,
Covert and the nightingale; she knows not why.
. . .
Kerchief'd head and chin she darts between her tulips,
Streaming like a willow gray in arrowy rain:
Some bend beaten cheek to gravel, and their angel
She will be; she lifts them, and on she speeds again.
Black the driving raincloud breasts the iron gateway:
She is forth to cheer a neighbour lacking mirth.
So when sky and grass met rolling dumb for thunder
Saw I once a white dove, sole light of earth.
Prim little scholars are the flowers of her garden,
Train'd to stand in rows, and asking if they please.
I might love them well but for loving more the wild ones:
O my wild ones! they tell me more than these.
You, my wild one, you tell of honied field-rose,
Violet, blushing eglantine in life; and even as they,
They by the wayside are earnest of your goodness,
You are of life's, on the banks that line the way.
. . .
Peering at her chamber the white crowns the red rose,
Jasmine winds the porch with stars two and three.
Parted is the window; she sleeps; the starry jasmine
Breathes a falling breath that carries thoughts of me.
Sweeter unpossess'd, have I said of her my sweetest?
Not while she sleeps: while she sleeps the jasmine breathes,
Luring her to love; she sleeps; the starry jasmine
Bears me to her pillow under white rose-wreaths.
. . .
Yellow with birdfoot-trefoil are the grass-glades;
Yellow with cinquefoil of the dew-gray leaf;
Yellow with stonecrop; the moss-mounds are yellow;
Blue-neck'd the wheat sways, yellowing to the sheaf.
Green-yellow, bursts from the copse the laughing yaffle;
Sharp as a sickle is the edge of shade and shine:
Earth in her heart laughs looking at the heavens,
Thinking of the harvest: I look and think of mine.
. . .
This I may know: her dressing and undressing
Such a change of light shows as when the skies in sport
Shift from cloud to moonlight; or edging over thunder
Slips a ray of sun; or sweeping into port
White sails furl; or on the ocean borders
White sails lean along the waves leaping green.
Visions of her shower before me, but from eyesight
Guarded she would be like the sun were she seen.
. . .
Front door and back of the moss'd old farmhouse
Open with the morn, and in a breezy link
Freshly sparkles garden to stripe-shadow'd orchard,
Green across a rill where on sand the minnows wink.
Busy in the grass the early sun of summer
Swarms, and the blackbird's mellow fluting notes
Call my darling up with round and roguish challenge:
Quaintest, richest carol of all the singing throats!
. . .
Cool was the woodside; cool as her white diary
Keeping sweet the cream-pan; and there the boys from school,
Cricketing below, rush'd brown and red with sunshine;
O the dark translucence of the deep-eyed cool!
Spying from the farm, herself she fetch'd a pitcher
Full of milk, and tilted for each in turn the beak.
Then a little fellow, mouth up and on tiptoe,
Said, 'I will kiss you': she laugh'd and lean'd her cheek.
. . .
Doves of the fir-wood walling high our red roof
Through the long noon coo, crooning through the coo.
Loose droop the leaves, and down the sleepy roadway
Sometimes pipes a chaffinch; loose droops the blue.
Cows flap a show tail knee-deep in the river,
Breathless, given up to sun and gnat and fly.
Nowhere is she seen; and if I see her nowhere,
Lighting may come, straight rains and tiger sky.
. . .
O the golden sheaf, the rustling treasure-armful!
O the nutbrown tresses nodding interlaced!
O the treasure-tresses one another over
Nodding! O the girdle slack about the waist!
Slain are the poppies that shot their random scarlet
Quick amid the wheat-ears: wound about the waist,
Gather'd, see these brides of Earth one blush of ripeness!
O the nutbrown tresses nodding interlaced!
. . .
Large and smoky red the sun's cold disk drops,
Clipp'd by naked hills, on violet shaded snow:
Eastward large and still lights up a bower of moonrise,
Whence at her leisure steps the moon aglow.
Nightlong on black print-branches our beech-tree
Gazes in this whiteness: nightlong could I.
Here may life on death or death on life be painted.
Let me clasp her soul to know she cannot die!
. . .
Gossips count her faults; they scour a narrow chamber
Where there is no window, read not heaven or her.
'When she was a tiny,' one aged woman quavers,
Plucks at my heart and leads me by the ear.
Faults she had once as she learn'd to run and tumbled:
Faults of feature some see, beauty not complete.
Yet, good gossips, beauty that makes holy
Earth and air, may have faults from head to feet.
. . .
Hither she comes; she comes to me; she lingers,
Deepens her brown eyebrows, while in new surprise
High rise the lashes in wonder of a stranger;
Yet am I the light and living of her eyes.
Something friends have told her fills her heart to brimming,
Nets her in her blushes, and wounds her, and tames.--
Sure of her haven, O like a dove alighting,
Arms up, she dropp'd: our souls were in our names.
. . .
Soon will she lie like a white frost sunrise.
Yellow oats and brown wheat, barley pale as rye,
Long since your sheaves have yielded to the thresher,
Felt the girdle loosen'd, seen the tresses fly.
Soon will she lie like a blood-red sunset.
Swift with the to-morrow, green-wing'd Spring!
Sing from the South-west, bring her back the truants,
Nightingale and swallow, song and dipping wing.
. . .
Soft new beech-leaves, up to beamy April
Spreading bough on bough a primrose mountain, you
Lucid in the moon, raise lilies to the skyfields,
Youngest green transfused in silver shining through:
Fairer than the lily, than the wild white cherry:
Fair as in image my seraph love appears
Borne to me by dreams when dawn is at my eyelids:
Fair as in the flesh she swims to me on tears.
. . .
Could I find a place to be alone with heaven,
I would speak my heart out: heaven is my need.
Every woodland tree is flushing like the dogwood,
Flashing like the whitebeam, swaying like the reed.
Flushing like the dogwood crimson in October;
Streaming like the flag-reed South-west blown;
Flashing as in gusts the sudden-lighted whitebeam:
All seem to know what is for heaven alone.
George Meredith. 1828-1909
773. Phoebus with Admetus
WHEN by Zeus relenting the mandate was revoked,
Sentencing to exile the bright Sun-God,
Mindful were the ploughmen of who the steer had yoked,
Who: and what a track show'd the upturn'd sod!
Mindful were the shepherds, as now the noon severe
Bent a burning eyebrow to brown evetide,
How the rustic flute drew the silver to the sphere,
Sister of his own, till her rays fell wide.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Chirping none, the scarlet cicalas crouch'd in ranks:
Slack the thistle-head piled its down-silk gray:
Scarce the stony lizard suck'd hollows in his flanks:
Thick on spots of umbrage our drowsed flocks lay.
Sudden bow'd the chestnuts beneath a wind unheard,
Lengthen'd ran the grasses, the sky grew slate:
Then amid a swift flight of wing'd seed white as curd,
Clear of limb a Youth smote the master's gate.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Water, first of singers, o'er rocky mount and mead,
First of earthly singers, the sun-loved rill,
Sang of him, and flooded the ripples on the reed,
Seeking whom to waken and what ear fill.
Water, sweetest soother to kiss a wound and cool,
Sweetest and divinest, the sky-born brook,
Chuckled, with a whimper, and made a mirror-pool
Round the guest we welcomed, the strange hand shook.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Many swarms of wild bees descended on our fields:
Stately stood the wheatstalk with head bent high:
Big of heart we labour'd at storing mighty yields,
Wool and corn, and clusters to make men cry!
Hand-like rush'd the vintage; we strung the bellied skins
Plump, and at the sealing the Youth's voice rose:
Maidens clung in circle, on little fists their chins;
Gentle beasties through push'd a cold long nose.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Foot to fire in snowtime we trimm'd the slender shaft:
Often down the pit spied the lean wolf's teeth
Grin against his will, trapp'd by masterstrokes of craft;
Helpless in his froth-wrath as green logs seethe!
Safe the tender lambs tugg'd the teats, and winter sped
Whirl'd before the crocus, the year's new gold.
Hung the hooky beak up aloft, the arrowhead
Redden'd through his feathers for our dear fold.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Tales we drank of giants at war with gods above:
Rocks were they to look on, and earth climb'd air!
Tales of search for simples, and those who sought of love
Ease because the creature was all too fair.
Pleasant ran our thinking that while our work was good.
Sure as fruits for sweat would the praise come fast.
He that wrestled stoutest and tamed the billow-brood
Danced in rings with girls, like a sail-flapp'd mast.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Lo, the herb of healing, when once the herb is known,
Shines in shady woods bright as new-sprung flame.
Ere the string was tighten'd we heard the mellow tone,
After he had taught how the sweet sounds came.
Stretch'd about his feet, labour done, 'twas as you see
Red pomegranates tumble and burst hard rind.
So began contention to give delight and be
Excellent in things aim'd to make life kind.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
You with shelly horns, rams! and, promontory goats,
You whose browsing beards dip in coldest dew!
Bulls, that walk the pastures in kingly-flashing coats!
Laurel, ivy, vine, wreathed for feasts not few!
You that build the shade-roof, and you that court the rays,
You that leap besprinkling the rock stream-rent:
He has been our fellow, the morning of our days;
Us he chose for housemates, and this way went.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
George Meredith. 1828-1909
774. Tardy Spring
NOW the North wind ceases,
The warm South-west awakes;
Swift fly the fleeces,
Thick the blossom-flakes.
Now hill to hill has made the stride,
And distance waves the without-end:
Now in the breast a door flings wide;
Our farthest smiles, our next is friend.
And song of England's rush of flowers
Is this full breeze with mellow stops,
That spins the lark for shine, for showers;
He drinks his hurried flight, and drops.
The stir in memory seem these things,
Which out of moisten'd turf and clay,
Astrain for light push patient rings,
Or leap to find the waterway.
'Tis equal to a wonder done,
Whatever simple lives renew
Their tricks beneath the father sun,
As though they caught a broken clue:
So hard was earth an eyewink back;
But now the common life has come,
The blotting cloud a dappled pack,
The grasses one vast underhum.
A City clothed in snow and soot,
With lamps for day in ghostly rows,
Breaks to the scene of hosts afoot,
The river that reflective flows:
And there did fog down crypts of street
Play spectre upon eye and mouth:--
Their faces are a glass to greet
This magic of the whirl for South.
A burly joy each creature swells
With sound of its own hungry quest;
Earth has to fill her empty wells,
And speed the service of the nest;
The phantom of the snow-wreath melt,
That haunts the farmer's look abroad,
Who sees what tomb a white night built,
Where flocks now bleat and sprouts the clod.
For iron Winter held her firm;
Across her sky he laid his hand;
And bird he starved, he stiffen'd worm;
A sightless heaven, a shaven land.
Her shivering Spring feign'd fast asleep,
The bitten buds dared not unfold:
We raced on roads and ice to keep
Thought of the girl we love from cold.
But now the North wind ceases,
The warm South-west awakes,
The heavens are out in fleeces,
And earth's green banner shakes.
George Meredith. 1828-1909
775. Love's Grave
MARK where the pressing wind shoots javelin-like,
Its skeleton shadow on the broad-back'd wave!
Here is a fitting spot to dig Love's grave;
Here where the ponderous breakers plunge and strike,
And dart their hissing tongues high up the sand:
In hearing of the ocean, and in sight
Of those ribb'd wind-streaks running into white.
If I the death of Love had deeply plann'd,
I never could have made it half so sure,
As by the unblest kisses which upbraid
The full-waked sense; or failing that, degrade!
'Tis morning: but no morning can restore
What we have forfeited. I see no sin:
The wrong is mix'd. In tragic life, God wot,
No villain need be! Passions spin the plot:
We are betray'd by what is false within.
George Meredith. 1828-1909
776. Lucifer in Starlight
ON a starr'd night Prince Lucifer uprose.
Tired of his dark dominion swung the fiend
Above the rolling ball in cloud part screen'd,
Where sinners hugg'd their spectre of repose.
Poor prey to his hot fit of pride were those.
And now upon his western wing he lean'd,
Now his huge bulk o'er Afric's sands careen'd,
Now the black planet shadow'd Arctic snows.
Soaring through wider zones that prick'd his scars
With memory of the old revolt from Awe,
He reach'd a middle height, and at the stars,
Which are the brain of heaven, he look'd, and sank.
Around the ancient track march'd, rank on rank,
The army of unalterable law.
Alexander Smith. 1829-1867
777. Love
THE fierce exulting worlds, the motes in rays,
The churlish thistles, scented briers,
The wind-swept bluebells on the sunny braes,
Down to the central fires,
Exist alike in Love. Love is a sea
Filling all the abysses dim
Of lornest space, in whose deeps regally
Suns and their bright broods swim.
This mighty sea of Love, with wondrous tides,
Is sternly just to sun and grain;
'Tis laving at this moment Saturn's sides,
'Tis in my blood and brain.
All things have something more than barren use;
There is a scent upon the brier,
A tremulous splendour in the autumn dews,
Cold morns are fringed with fire.
The clodded earth goes up in sweet-breath'd flowers;
In music dies poor human speech,
And into beauty blow those hearts of ours
When Love is born in each.
Daisies are white upon the churchyard sod,
Sweet tears the clouds lean down and give.
The world is very lovely. O my God,
I thank Thee that I live!
Alexander Smith. 1829-1867
778. Barbara
ON the Sabbath-day,
Through the churchyard old and gray,
Over the crisp and yellow leaves I held my rustling way;
And amid the words of mercy, falling on my soul like balms,
'Mid the gorgeous storms of music--in the mellow organ-calms,
'Mid the upward-streaming prayers, and the rich and solemn psalms,
I stood careless, Barbara.
My heart was otherwhere,
While the organ shook the air,
And the priest, with outspread hands, bless'd the people with a
prayer;
But when rising to go homeward, with a mild and saintlike shine
Gleam'd a face of airy beauty with its heavenly eyes on mine--
Gleam'd and vanish'd in a moment--O that face was surely thine
Out of heaven, Barbara!
O pallid, pallid face!
O earnest eyes of grace!
When last I saw thee, dearest, it was in another place.
You came running forth to meet me with my love-gift on your wrist:
The flutter of a long white dress, then all was lost in mist--
A purple stain of agony was on the mouth I kiss'd,
That wild morning, Barbara.
I search'd, in my despair,
Sunny noon and midnight air;
I could not drive away the thought that you were lingering there.
O many and many a winter night I sat when you were gone,
My worn face buried in my hands, beside the fire alone--
Within the dripping churchyard, the rain plashing on your stone,
You were sleeping, Barbara.
'Mong angels, do you think
Of the precious golden link
I clasp'd around your happy arm while sitting by yon brink?
Or when that night of gliding dance, of laughter and guitars,
Was emptied of its music, and we watch'd, through lattice-bars,
The silent midnight heaven creeping o'er us with its stars,
Till the day broke, Barbara?
In the years I've changed;
Wild and far my heart has ranged,
And many sins and errors now have been on me avenged;
But to you I have been faithful whatsoever good I lack'd:
I loved you, and above my life still hangs that love intact--
Your love the trembling rainbow, I the reckless cataract.
Still I love you. Barbara.
Yet, Love, I am unblest;
With many doubts opprest,
I wander like the desert wind without a place of rest.
Could I but win you for an hour from off that starry shore,
The hunger of my soul were still'd; for Death hath told you more
Than the melancholy world doth know--things deeper than all lore
You could teach me, Barbara.
In vain, in vain, in vain!
You will never come again.
There droops upon the dreary hills a mournful fringe of rain;
The gloaming closes slowly round, loud winds are in the tree,
Round selfish shores for ever moans the hurt and wounded sea;
There is no rest upon the earth, peace is with Death and thee--
Barbara!
Christina Georgina Rossetti. 1830-1894
779. Bride Song
FROM 'THE PRINCE'S PROGRESS'
TOO late for love, too late for joy,
Too late, too late!
You loiter'd on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate;
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.
Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leap'd,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.
Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair.
Now there are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?
We never saw her with a smile
Or with a frown;
Her bed seem'd never soft to her,
Though toss'd of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs show'd in her locks
That used to be so brown.
We never heard her speak in haste:
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.
You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep to-day
That she is dead?
Lo, we who love weep not to-day,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread.
Christina Georgina Rossetti. 1830-1894
780. A Birthday
MY heart is like a singing bird
Whose nest is in a water'd shoot;
My heart is like an apple-tree
Whose boughs are bent with thick-set fruit;
My heart is like a rainbow shell
That paddles in a halcyon sea;
My heart is gladder than all these,
Because my love is come to me.
Raise me a daïs of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.
Christina Georgina Rossetti. 1830-1894
781. Song
WHEN I am dead, my dearest,
Sing no sad songs for me;
Plant thou no roses at my head,
Nor shady cypress tree:
Be the green grass above me
With showers and dewdrops wet;
And if thou wilt, remember,
And if thou wilt, forget.
I shall not see the shadows,
I shall not feel the rain;
I shall not hear the nightingale
Sing on, as if in pain;
And dreaming through the twilight
That doth not rise nor set,
Haply I may remember,
And haply may forget.
Christina Georgina Rossetti. 1830-1894
782. Twice
I TOOK my heart in my hand
(O my love, O my love),
I said: Let me fall or stand,
Let me live or die,
But this once hear me speak
(O my love, O my love)--
Yet a woman's words are weak;
You should speak, not I.
You took my heart in your hand
With a friendly smile,
With a critical eye you scann'd,
Then set it down,
And said, 'It is still unripe,
Better wait awhile;
Wait while the skylarks pipe,
Till the corn grows brown.'
As you set it down it broke--
Broke, but I did not wince;
I smiled at the speech you spoke,
At your judgement I heard:
But I have not often smiled
Since then, nor question'd since,
Nor cared for cornflowers wild,
Nor sung with the singing bird.
I take my heart in my hand,
O my God, O my God,
My broken heart in my hand:
Thou hast seen, judge Thou.
My hope was written on sand,
O my God, O my God:
Now let thy judgement stand--
Yea, judge me now.
This contemn'd of a man,
This marr'd one heedless day,
This heart take thou to scan
Both within and without:
Refine with fire its gold,
Purge Thou its dross away--
Yea, hold it in Thy hold,
Whence none can pluck it out.
I take my heart in my hand--
I shall not die, but live--
Before Thy face I stand;
I, for Thou callest such:
All that I have I bring,
All that I am I give,
Smile Thou and I shall sing,
But shall not question much.
Christina Georgina Rossetti. 1830-1894
783. Uphill
DOES the road wind uphill all the way?
Yes, to the very end.
Will the day's journey take the whole long day?
From morn to night, my friend.
But is there for the night a resting-place?
A roof for when the slow, dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.
Shall I meet other wayfarers at night?
Those who have gone before.
Then must I knock, or call when just in sight?
They will not keep you waiting at that door.
Shall I find comfort, travel-sore and weak?
Of labour you shall find the sum.
Will there be beds for me and all who seek?
Yea, beds for all who come.
Christina Georgina Rossetti. 1830-1894
784. Passing Away
PASSING away, saith the World, passing away:
Chances, beauty and youth sapp'd day by day:
Thy life never continueth in one stay.
Is the eye waxen dim, is the dark hair changing to gray
That hath won neither laurel nor bay?
I shall clothe myself in Spring and bud in May:
Thou, root-stricken, shalt not rebuild thy decay
On my bosom for aye.
Then I answer'd: Yea.
Passing away, saith my Soul, passing away:
With its burden of fear and hope, of labour and play,
Hearken what the past doth witness and say:
Rust in thy gold, a moth is in thine array,
A canker is in thy bud, thy leaf must decay.
At midnight, at cockcrow, at morning, one certain day,
Lo, the Bridegroom shall come and shall not delay:
Watch thou and pray.
Then I answer'd: Yea.
Passing away, saith my God, passing away:
Winter passeth after the long delay:
New grapes on the vine, new figs on the tender spray,
Turtle calleth turtle in Heaven's May.
Though I tarry, wait for me, trust me, watch and pray.
Arise, come away; night is past, and lo, it is day;
My love, my sister, my spouse, thou shalt hear me say--
Then I answer'd: Yea.
Christina Georgina Rossetti. 1830-1894
785. Marvel of Marvels
MARVEL of marvels, if I myself shall behold
With mine own eyes my King in His city of gold;
Where the least of lambs is spotless white in the fold,
Where the least and last of saints in spotless white is stoled,
Where the dimmest head beyond a moon is aureoled.
O saints, my beloved, now mouldering to mould in the mould,
Shall I see you lift your heads, see your cerements unroll'd,
See with these very eyes? who now in darkness and cold
Tremble for the midnight cry, the rapture, the tale untold,--
The Bridegroom cometh, cometh, His Bride to enfold!
Cold it is, my beloved, since your funeral bell was toll'd:
Cold it is, O my King, how cold alone on the wold!
Christina Georgina Rossetti. 1830-1894
786. Is it Well with the Child?
SAFE where I cannot die yet,
Safe where I hope to lie too,
Safe from the fume and the fret;
You, and you,
Whom I never forget.
Safe from the frost and the snow,
Safe from the storm and the sun,
Safe where the seeds wait to grow
One by one,
And to come back in blow.
Christina Georgina Rossetti. 1830-1894
787. Remember
REMEMBER me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go, yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann'd:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.
Christina Georgina Rossetti. 1830-1894
788. Aloof