Of emerald and ruby stone,
And bade it, sparkling on thy hand,
Tell thee sweet tales of one
Whose constant memory
Was full of loveliness, and thee.
A shell was graven on its gold,--
'Twas Cupid fix'd without his wings--
To Helene once it would have told
More than was ever told by rings:
But now all 's past and gone,
Her love is buried with that stone.
Thou shalt not see the tears that start
From eyes by thoughts like these beguiled;
Thou shalt not know the beating heart,
Ever a victim and a child:
Yet Helene, love, believe
The heart that never could deceive.
I'll hear thy voice of melody
In the sweet whispers of the air;
I'll see the brightness of thine eye
In the blue evening's dewy star;
In crystal streams thy purity;
And look on Heaven to look on thee.
George Darley. 1795-1846
642. The Fallen Star
A STAR is gone! a star is gone!
There is a blank in Heaven;
One of the cherub choir has done
His airy course this even.
He sat upon the orb of fire
That hung for ages there,
And lent his music to the choir
That haunts the nightly air.
But when his thousand years are pass'd,
With a cherubic sigh
He vanish'd with his car at last,
For even cherubs die!
Hear how his angel-brothers mourn--
The minstrels of the spheres--
Each chiming sadly in his turn
And dropping splendid tears.
The planetary sisters all
Join in the fatal song,
And weep this hapless brother's fall,
Who sang with them so long.
But deepest of the choral band
The Lunar Spirit sings,
And with a bass-according hand
Sweeps all her sullen strings.
From the deep chambers of the dome
Where sleepless Uriel lies,
His rude harmonic thunders come
Mingled with mighty sighs.
The thousand car-bourne cherubim,
The wandering eleven,
All join to chant the dirge of him
Who fell just now from Heaven.
Hartley Coleridge. 1796-1849
643. The Solitary-Hearted
SHE was a queen of noble Nature's crowning,
A smile of hers was like an act of grace;
She had no winsome looks, no pretty frowning,
Like daily beauties of the vulgar race:
But if she smiled, a light was on her face,
A clear, cool kindliness, a lunar beam
Of peaceful radiance, silvering o'er the stream
Of human thought with unabiding glory;
Not quite a waking truth, not quite a dream,
A visitation, bright and transitory.
But she is changed,--hath felt the touch of sorrow,
No love hath she, no understanding friend;
O grief! when Heaven is forced of earth to borrow
What the poor niggard earth has not to lend;
But when the stalk is snapt, the rose must bend.
The tallest flower that skyward rears its head
Grows from the common ground, and there must shed
Its delicate petals. Cruel fate, too surely,
That they should find so base a bridal bed,
Who lived in virgin pride, so sweet and purely.
She had a brother, and a tender father,
And she was loved, but not as others are
From whom we ask return of love,--but rather
As one might love a dream; a phantom fair
Of something exquisitely strange and rare,
Which all were glad to look on, men and maids,
Yet no one claim'd--as oft, in dewy glades,
The peering primrose, like a sudden gladness,
Gleams on the soul, yet unregarded fades;--
The joy is ours, but all its own the sadness.
'Tis vain to say--her worst of grief is only
The common lot, which all the world have known;
To her 'tis more, because her heart is lonely,
And yet she hath no strength to stand alone,--
Once she had playmates, fancies of her own,
And she did love them. They are past away
As Fairies vanish at the break of day;
And like a spectre of an age departed,
Or unsphered Angel wofully astray,
She glides along--the solitary-hearted.
Hartley Coleridge. 1796-1849
644. Song
SHE is not fair to outward view
As many maidens be,
Her loveliness I never knew
Until she smiled on me;
O, then I saw her eye was bright,
A well of love, a spring of light!
But now her looks are coy and cold,
To mine they ne'er reply,
And yet I cease not to behold
The love-light in her eye:
Her very frowns are fairer far
Than smiles of other maidens are.
Hartley Coleridge. 1796-1849
645. Early Death
SHE pass'd away like morning dew
Before the sun was high;
So brief her time, she scarcely knew
The meaning of a sigh.
As round the rose its soft perfume,
Sweet love around her floated;
Admired she grew--while mortal doom
Crept on, unfear'd, unnoted.
Love was her guardian Angel here,
But Love to Death resign'd her;
Tho' Love was kind, why should we fear
But holy Death is kinder?
Hartley Coleridge. 1796-1849
646. Friendship
WHEN we were idlers with the loitering rills,
The need of human love we little noted:
Our love was nature; and the peace that floated
On the white mist, and dwelt upon the hills,
To sweet accord subdued our wayward wills:
One soul was ours, one mind, one heart devoted,
That, wisely doting, ask'd not why it doted,
And ours the unknown joy, which knowing kills.
But now I find how dear thou wert to me;
That man is more than half of nature's treasure,
Of that fair beauty which no eye can see,
Of that sweet music which no ear can measure;
And now the streams may sing for others' pleasure,
The hills sleep on in their eternity.
Thomas Hood. 1798-1845
647. Autumn
I SAW old Autumn in the misty morn
Stand shadowless like Silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn,
Nor lowly hedge nor solitary thorn;--
Shaking his languid locks all dewy bright
With tangled gossamer that fell by night,
Pearling his coronet of golden corn.
Where are the songs of Summer?--With the sun,
Oping the dusky eyelids of the south,
Till shade and silence waken up as one,
And Morning sings with a warm odorous mouth.
Where are the merry birds?--Away, away,
On panting wings through the inclement skies,
Lest owls should prey
Undazzled at noonday,
And tear with horny beak their lustrous eyes.
Where are the blooms of Summer?--In the west,
Blushing their last to the last sunny hours,
When the mild Eve by sudden Night is prest
Like tearful Proserpine, snatch'd from her flow'rs
To a most gloomy breast.
Where is the pride of Summer,--the green prime,--
The many, many leaves all twinkling?--Three
On the moss'd elm; three on the naked lime
Trembling,--and one upon the old oak-tree!
Where is the Dryad's immortality?--
Gone into mournful cypress and dark yew,
Or wearing the long gloomy Winter through
In the smooth holly's green eternity.
The squirrel gloats on his accomplish'd hoard,
The ants have brimm'd their garners with ripe grain,
And honey bees have stored
The sweets of Summer in their luscious cells;
The swallows all have wing'd across the main;
But here the Autumn melancholy dwells,
And sighs her tearful spells
Amongst the sunless shadows of the plain.
Alone, alone,
Upon a mossy stone,
She sits and reckons up the dead and gone
With the last leaves for a love-rosary,
Whilst all the wither'd world looks drearily,
Like a dim picture of the drowned past
In the hush'd mind's mysterious far away,
Doubtful what ghostly thing will steal the last
Into that distance, gray upon the gray.
O go and sit with her, and be o'ershaded
Under the languid downfall of her hair:
She wears a coronal of flowers faded
Upon her forehead, and a face of care;--
There is enough of wither'd everywhere
To make her bower,--and enough of gloom;
There is enough of sadness to invite,
If only for the rose that died, whose doom
Is Beauty's,--she that with the living bloom
Of conscious cheeks most beautifies the light:
There is enough of sorrowing, and quite
Enough of bitter fruits the earth doth bear,--
Enough of chilly droppings for her bowl;
Enough of fear and shadowy despair,
To frame her cloudy prison for the soul!
Thomas Hood. 1798-1845
648. Silence
THERE is a silence where hath been no sound,
There is a silence where no sound may be,
In the cold grave--under the deep, deep sea,
Or in wide desert where no life is found,
Which hath been mute, and still must sleep profound;
No voice is hush'd--no life treads silently,
But clouds and cloudy shadows wander free,
That never spoke, over the idle ground:
But in green ruins, in the desolate walls
Of antique palaces, where Man hath been,
Though the dun fox or wild hyaena calls,
And owls, that flit continually between,
Shriek to the echo, and the low winds moan--
There the true Silence is, self-conscious and alone.
Thomas Hood. 1798-1845
649. Death
IT is not death, that sometime in a sigh
This eloquent breath shall take its speechless flight;
That sometime these bright stars, that now reply
In sunlight to the sun, shall set in night;
That this warm conscious flesh shall perish quite,
And all life's ruddy springs forget to flow;
That thoughts shall cease, and the immortal sprite
Be lapp'd in alien clay and laid below;
It is not death to know this--but to know
That pious thoughts, which visit at new graves
In tender pilgrimage, will cease to go
So duly and so oft--and when grass waves
Over the pass'd-away, there may be then
No resurrection in the minds of men.
Thomas Hood. 1798-1845
650. Fair Ines
O SAW ye not fair Ines?
She 's gone into the West,
To dazzle when the sun is down,
And rob the world of rest:
She took our daylight with her,
The smiles that we love best,
With morning blushes on her cheek,
And pearls upon her breast.
O turn again, fair Ines,
Before the fall of night,
For fear the Moon should shine alone,
And stars unrivall'd bright;
And blessed will the lover be
That walks beneath their light,
And breathes the love against thy cheek
I dare not even write!
Would I had been, fair Ines,
That gallant cavalier,
Who rode so gaily by thy side,
And whisper'd thee so near!
Were there no bonny dames at home,
Or no true lovers here,
That he should cross the seas to win
The dearest of the dear?
I saw thee, lovely Ines,
Descend along the shore,
With bands of noble gentlemen,
And banners waved before;
And gentle youth and maidens gay,
And snowy plumes they wore:
It would have been a beauteous dream,--
If it had been no more!
Alas, alas! fair Ines,
She went away with song,
With Music waiting on her steps,
And shoutings of the throng;
But some were sad, and felt no mirth,
But only Music's wrong,
In sounds that sang Farewell, farewell,
To her you've loved so long.
Farewell, farewell, fair Ines!
That vessel never bore
So fair a lady on its deck,
Nor danced so light before,--
Alas for pleasure on the sea,
And sorrow on the shore!
The smile that bless'd one lover's heart
Has broken many more!
Thomas Hood. 1798-1845
651. Time of Roses
IT was not in the Winter
Our loving lot was cast;
It was the time of roses--
We pluck'd them as we pass'd!
That churlish season never frown'd
On early lovers yet:
O no--the world was newly crown'd
With flowers when first we met!
'Twas twilight, and I bade you go,
But still you held me fast;
It was the time of roses--
We pluck'd them as we pass'd!
Thomas Hood. 1798-1845
652. Ruth
SHE stood breast-high amid the corn,
Clasp'd by the golden light of morn,
Like the sweetheart of the sun,
Who many a glowing kiss had won.
On her cheek an autumn flush,
Deeply ripen'd;--such a blush
In the midst of brown was born,
Like red poppies grown with corn.
Round her eyes her tresses fell,
Which were blackest none could tell,
But long lashes veil'd a light,
That had else been all too bright.
And her hat, with shady brim,
Made her tressy forehead dim;
Thus she stood amid the stooks,
Praising God with sweetest looks:--
Sure, I said, Heav'n did not mean,
Where I reap thou shouldst but glean,
Lay thy sheaf adown and come,
Share my harvest and my home.
Thomas Hood. 1798-1845
653. The Death-bed
WE watch'd her breathing thro' the night,
Her breathing soft and low,
As in her breast the wave of life
Kept heaving to and fro.
So silently we seem'd to speak,
So slowly moved about,
As we had lent her half our powers
To eke her living out.
Our very hopes belied our fears,
Our fears our hopes belied--
We thought her dying when she slept,
And sleeping when she died.
For when the morn came dim and sad,
And chill with early showers,
Her quiet eyelids closed--she had
Another morn than ours.
Thomas Hood. 1798-1845
654. The Bridge of Sighs
ONE more Unfortunate,
Weary of breath,
Rashly importunate,
Gone to her death!
Take her up tenderly,
Lift her with care;
Fashion'd so slenderly
Young, and so fair!
Look at her garments
Clinging like cerements;
Whilst the wave constantly
Drips from her clothing;
Take her up instantly,
Loving, not loathing.
Touch her not scornfully;
Think of her mournfully,
Gently and humanly;
Not of the stains of her,
All that remains of her
Now is pure womanly.
Make no deep scrutiny
Into her mutiny
Rash and undutiful:
Past all dishonour,
Death has left on her
Only the beautiful.
Still, for all slips of hers,
One of Eve's family--
Wipe those poor lips of hers
Oozing so clammily.
Loop up her tresses
Escaped from the comb,
Her fair auburn tresses;
Whilst wonderment guesses
Where was her home?
Who was her father?
Who was her mother?
Had she a sister?
Had she a brother?
Or was there a dearer one
Still, and a nearer one
Yet, than all other?
Alas! for the rarity
Of Christian charity
Under the sun!
O, it was pitiful!
Near a whole city full,
Home she had none.
Sisterly, brotherly,
Fatherly, motherly
Feelings had changed:
Love, by harsh evidence,
Thrown from its eminence;
Even God's providence
Seeming estranged.
Where the lamps quiver
So far in the river,
With many a light
From window and casement,
From garret to basement,
She stood, with amazement,
Houseless by night.
The bleak wind of March
Made her tremble and shiver;
But not the dark arch,
Or the black flowing river:
Mad from life's history,
Glad to death's mystery,
Swift to be hurl'd--
Anywhere, anywhere
Out of the world!
In she plunged boldly--
No matter how coldly
The rough river ran--
Over the brink of it,
Picture it--think of it,
Dissolute Man!
Lave in it, drink of it,
Then, if you can!
Take her up tenderly,
Lift her with care;
Fashion'd so slenderly,
Young, and so fair!
Ere her limbs frigidly
Stiffen too rigidly,
Decently, kindly,
Smooth and compose them;
And her eyes, close them,
Staring so blindly!
Dreadfully staring
Thro' muddy impurity,
As when with the daring
Last look of despairing
Fix'd on futurity.
Perishing gloomily,
Spurr'd by contumely,
Cold inhumanity,
Burning insanity,
Into her rest.--
Cross her hands humbly
As if praying dumbly,
Over her breast!
Owning her weakness,
Her evil behaviour,
And leaving, with meekness,
Her sins to her Saviour!
William Thom. 1798-1848
655. The Blind Boy's Pranks
MEN grew sae cauld, maids sae unkind,
Love kentna whaur to stay:
Wi' fient an arrow, bow, or string--
Wi' droopin' heart an' drizzled wing,
He faught his lonely way.
'Is there nae mair in Garioch fair
Ae spotless hame for me?
Hae politics an' corn an' kye
Ilk bosom stappit? Fie, O fie!
I'll swithe me o'er the sea.'
He launch'd a leaf o' jessamine,
On whilk he daur'd to swim,
An' pillow'd his head on a wee rosebud,
Syne laithfu', lanely, Love 'gan scud
Down Ury's waefu' stream.
The birds sang bonnie as Love drew near,
But dowie when he gaed by;
Till lull'd wi' the sough o' monie a sang,
He sleepit fu' soun' and sail'd alang
'Neath Heaven's gowden sky.
'Twas just whaur creeping Ury greets
Its mountain cousin Don,
There wander'd forth a weelfaur'd dame,
Wha listless gazed on the bonnie stream,
As it flirted an' play'd with a sunny beam
That flicker'd its bosom upon.
Love happit his head, I trow, that time
The jessamine bark drew nigh,
The lassie espied the wee rosebud,
An' aye her heart gae thud for thud,
An' quiet it wadna lie.
'O gin I but had yon wearie wee flower
That floats on the Ury sae fair!'--
She lootit her hand for the silly rose-leaf,
But little wist she o' the pawkie thief
That was lurkin' an' laughin' there!
Love glower'd when he saw her bonnie dark e'e,
An' swore by Heaven's grace
He ne'er had seen nor thought to see,
Since e'er he left the Paphian lea,
Sae lovely a dwallin'-place.
Syne first of a' in her blythesome breast
He built a bower, I ween;
An' what did the waefu' devilick neist?
But kindled a gleam like the rosy east,
That sparkled frae baith her e'en.
An' then beneath ilk high e'e-bree
He placed a quiver there;
His bow? What but her shinin' brow?
An' O sic deadly strings he drew
Frae out her silken hair!
Guid be our guard! Sic deeds waur deen
Roun' a' our countrie then;
An' monie a hangin' lug was seen
'Mang farmers fat, an' lawyers lean,
An' herds o' common men!
kentna] knew not. wi' fient an arrow] i. q. with deuce an
arrow. swithe] hie quickly. laithfu'] regretful. dowie]
dejectedly. weelfaur'd] well-favoured, comely. happit] covered
up. lootit] lowered. pawkie] sly. glower'd] stared. e'e-bree]
eyebrow. lug] ear.
Sir Henry Taylor. 1800-1866
656. Elena's Song
QUOTH tongue of neither maid nor wife
To heart of neither wife nor maid--
Lead we not here a jolly life
Betwixt the shine and shade?
Quoth heart of neither maid nor wife
To tongue of neither wife nor maid--
Thou wagg'st, but I am worn with strife,
And feel like flowers that fade.
Thomas Babington Macaulay, Lord Macaulay. 1800-1859
657. A Jacobite's Epitaph
TO my true king I offer'd free from stain
Courage and faith; vain faith, and courage vain.
For him I threw lands, honours, wealth, away,
And one dear hope, that was more prized than they.
For him I languish'd in a foreign clime,
Gray-hair'd with sorrow in my manhood's prime;
Heard on Lavernia Scargill's whispering trees,
And pined by Arno for my lovelier Tees;
Beheld each night my home in fever'd sleep,
Each morning started from the dream to weep;
Till God, who saw me tried too sorely, gave
The resting-place I ask'd, an early grave.
O thou, whom chance leads to this nameless stone,
From that proud country which was once mine own,
By those white cliffs I never more must see,
By that dear language which I spake like thee,
Forget all feuds, and shed one English tear
O'er English dust. A broken heart lies here.
William Barnes. 1801-1886
658. Mater Dolorosa
I'D a dream to-night
As I fell asleep,
O! the touching sight
Makes me still to weep:
Of my little lad,
Gone to leave me sad,
Ay, the child I had,
But was not to keep.
As in heaven high,
I my child did seek,
There in train came by
Children fair and meek,
Each in lily white,
With a lamp alight;
Each was clear to sight,
But they did not speak.
Then, a little sad,
Came my child in turn,
But the lamp he had,
O it did not burn!
He, to clear my doubt,
Said, half turn'd about,
'Your tears put it out;
Mother, never mourn.'
William Barnes. 1801-1886
659. The Wife a-lost
SINCE I noo mwore do zee your feäce,
Up steärs or down below,
I'll zit me in the lwonesome pleäce,
Where flat-bough'd beech do grow;
Below the beeches' bough, my love,
Where you did never come,
An' I don't look to meet ye now,
As I do look at hwome.
Since you noo mwore be at my zide,
In walks in zummer het,
I'll goo alwone where mist do ride,
Droo trees a-drippen wet;
Below the raïn-wet bough, my love,
Where you did never come,
An' I don't grieve to miss ye now,
As I do grieve at hwome.
Since now bezide my dinner-bwoard
Your vaïce do never sound,
I'll eat the bit I can avword
A-vield upon the ground;
Below the darksome bough, my love,
Where you did never dine,
An' I don't grieve to miss ye now,
As I at hwome do pine.
Since I do miss your vaïce an' feäce
In prayer at eventide,
I'll pray wi' woone sad vaïce vor greäce
To goo where you do bide;
Above the tree an' bough, my love,
Where you be gone avore,
An' be a-waïten vor me now,
To come vor evermwore.
Winthrop Mackworth Praed. 1802-1839
660. Fairy Song
HE has conn'd the lesson now;
He has read the book of pain:
There are furrows on his brow;
I must make it smooth again.
Lo! I knock the spurs away;
Lo! I loosen belt and brand;
Hark! I hear the courser neigh
For his stall in Fairy-land.
Bring the cap, and bring the vest;
Buckle on his sandal shoon;
Fetch his memory from the chest
In the treasury of the moon.
I have taught him to be wise
For a little maiden's sake;--
Lo! he opens his glad eyes,
Softly, slowly: Minstrel, wake!
Sara Coleridge. 1802-1850
661. O sleep, my Babe
O SLEEP, my babe, hear not the rippling wave,
Nor feel the breeze that round thee ling'ring strays
To drink thy balmy breath,
And sigh one long farewell.
Soon shall it mourn above thy wat'ry bed,
And whisper to me, on the wave-beat shore,
Deep murm'ring in reproach,
Thy sad untimely fate.
Ere those dear eyes had open'd on the light,
In vain to plead, thy coming life was sold,
O waken'd but to sleep,
Whence it can wake no more!
A thousand and a thousand silken leaves
The tufted beech unfolds in early spring,
All clad in tenderest green,
All of the self-same shape:
A thousand infant faces, soft and sweet,
Each year sends forth, yet every mother views
Her last not least beloved
Like its dear self alone.
No musing mind hath ever yet foreshaped
The face to-morrow's sun shall first reveal,
No heart hath e'er conceived
What love that face will bring.
O sleep, my babe, nor heed how mourns the gale
To part with thy soft locks and fragrant breath,
As when it deeply sighs
O'er autumn's latest bloom.
Sara Coleridge. 1802-1850
662. The Child
SEE yon blithe child that dances in our sight!
Can gloomy shadows fall from one so bright?
Fond mother, whence these fears?
While buoyantly he rushes o'er the lawn,
Dream not of clouds to stain his manhood's dawn,
Nor dim that sight with tears.
No cloud he spies in brightly glowing hours,
But feels as if the newly vested bowers
For him could never fade:
Too well we know that vernal pleasures fleet,
But having him, so gladsome, fair, and sweet,
Our loss is overpaid.
Amid the balmiest flowers that earth can give
Some bitter drops distil, and all that live
A mingled portion share;
But, while he learns these truths which we lament,
Such fortitude as ours will sure be sent,
Such solace to his care.
Gerald Griffin. 1803-1840
663. Eileen Aroon
WHEN like the early rose,
Eileen Aroon!
Beauty in childhood blows,
Eileen Aroon!
When, like a diadem,
Buds blush around the stem,
Which is the fairest gem?--
Eileen Aroon!
Is it the laughing eye,
Eileen Aroon!
Is it the timid sigh,
Eileen Aroon!
Is it the tender tone,
Soft as the string'd harp's moan?
O, it is truth alone,--
Eileen Aroon!
When like the rising day,
Eileen Aroon!
Love sends his early ray,
Eileen Aroon!
What makes his dawning glow,
Changeless through joy or woe?
Only the constant know:--
Eileen Aroon!
I know a valley fair,
Eileen Aroon!
I knew a cottage there,
Eileen Aroon!
Far in that valley's shade
I knew a gentle maid,
Flower of a hazel glade,--
Eileen Aroon!
Who in the song so sweet?
Eileen Aroon!
Who in the dance so fleet?
Eileen Aroon!
Dear were her charms to me,
Dearer her laughter free,
Dearest her constancy,--
Eileen Aroon!
Were she no longer true,
Eileen Aroon!
What should her lover do?
Eileen Aroon!
Fly with his broken chain
Far o'er the sounding main,
Never to love again,--
Eileen Aroon!
Youth must with time decay,
Eileen Aroon!
Beauty must fade away,
Eileen Aroon!
Castles are sack'd in war,
Chieftains are scatter'd far,
Truth is a fixed star,--
Eileen Aroon!
James Clarence Mangan. 1803-1849
664. Dark Rosaleen
O MY Dark Rosaleen,
Do not sigh, do not weep!
The priests are on the ocean green,
They march along the deep.
There 's wine from the royal Pope,
Upon the ocean green;
And Spanish ale shall give you hope,
My Dark Rosaleen!
My own Rosaleen!
Shall glad your heart, shall give you hope,
Shall give you health, and help, and hope,
My Dark Rosaleen!
Over hills, and thro' dales,
Have I roam'd for your sake;
All yesterday I sail'd with sails
On river and on lake.
The Erne, at its highest flood,
I dash'd across unseen,
For there was lightning in my blood,
My Dark Rosaleen!
My own Rosaleen!
O, there was lightning in my blood,
Red lightning lighten'd thro' my blood.
My Dark Rosaleen!
All day long, in unrest,
To and fro, do I move.
The very soul within my breast
Is wasted for you, love!
The heart in my bosom faints
To think of you, my Queen,
My life of life, my saint of saints,
My Dark Rosaleen!
My own Rosaleen!
To hear your sweet and sad complaints,
My life, my love, my saint of saints,
My Dark Rosaleen!
Woe and pain, pain and woe,
Are my lot, night and noon,
To see your bright face clouded so,
Like to the mournful moon.
But yet will I rear your throne
Again in golden sheen;
'Tis you shall reign, shall reign alone,
My Dark Rosaleen!
My own Rosaleen!
'Tis you shall have the golden throne,
'Tis you shall reign, and reign alone,
My Dark Rosaleen!
Over dews, over sands,
Will I fly, for your weal:
Your holy delicate white hands
Shall girdle me with steel.
At home, in your emerald bowers,
From morning's dawn till e'en,
You'll pray for me, my flower of flowers,
My Dark Rosaleen!
My fond Rosaleen!
You'll think of me through daylight hours,
My virgin flower, my flower of flowers,
My Dark Rosaleen!
I could scale the blue air,
I could plough the high hills,
O, I could kneel all night in prayer,
To heal your many ills!
And one beamy smile from you
Would float like light between
My toils and me, my own, my true,
My Dark Rosaleen!
My fond Rosaleen!
Would give me life and soul anew,
A second life, a soul anew,
My Dark Rosaleen!
O, the Erne shall run red,
With redundance of blood,
The earth shall rock beneath our tread,
And flames wrap hill and wood,
And gun-peal and slogan-cry
Wake many a glen serene,
Ere you shall fade, ere you shall die,
My Dark Rosaleen!
My own Rosaleen!
The Judgement Hour must first be nigh,
Ere you can fade, ere you can die,
My Dark Rosaleen!
James Clarence Mangan. 1803-1849
665. The Nameless One
ROLL forth, my song, like the rushing river,
That sweeps along to the mighty sea;
God will inspire me while I deliver
My soul of thee!
Tell thou the world, when my bones lie whitening
Amid the last homes of youth and eld,
That once there was one whose veins ran lightning
No eye beheld.
Tell how his boyhood was one drear night-hour,
How shone for him, through his griefs and gloom,
No star of all heaven sends to light our
Path to the tomb.
Roll on, my song, and to after ages
Tell how, disdaining all earth can give,
He would have taught men, from wisdom's pages,
The way to live.
And tell how trampled, derided, hated,
And worn by weakness, disease, and wrong,
He fled for shelter to God, who mated
His soul with song.
--With song which alway, sublime or vapid,
Flow'd like a rill in the morning beam,
Perchance not deep, but intense and rapid--
A mountain stream.
Tell how this Nameless, condemn'd for years long
To herd with demons from hell beneath,
Saw things that made him, with groans and tears, long
For even death.
Go on to tell how, with genius wasted,
Betray'd in friendship, befool'd in love,
With spirit shipwreck'd, and young hopes blasted,
He still, still strove;
Till, spent with toil, dreeing death for others
(And some whose hands should have wrought for him,
If children live not for sires and mothers),
His mind grew dim;
And he fell far through that pit abysmal,
The gulf and grave of Maginn and Burns,
And pawn'd his soul for the devil's dismal
Stock of returns.
But yet redeem'd it in days of darkness,
And shapes and signs of the final wrath,
When death, in hideous and ghastly starkness,
Stood on his path.
And tell how now, amid wreck and sorrow,
And want, and sickness, and houseless nights,
He bides in calmness the silent morrow,
That no ray lights.
And lives he still, then? Yes! Old and hoary
At thirty-nine, from despair and woe,
He lives, enduring what future story
Will never know.
Him grant a grave to, ye pitying noble,
Deep in your bosoms: there let him dwell!
He, too, had tears for all souls in trouble,
Here and in hell.
Thomas Lovell Beddoes. 1803-1849
666. Wolfram's Dirge
IF thou wilt ease thine heart
Of love and all its smart,
Then sleep, dear, sleep;
And not a sorrow
Hang any tear on your eyelashes;
Lie still and deep,
Sad soul, until the sea-wave washes
The rim o' the sun to-morrow,
In eastern sky.
But wilt thou cure thine heart
Of love and all its smart,
Then die, dear, die;
'Tis deeper, sweeter,
Than on a rose-bank to lie dreaming
With folded eye;
And there alone, amid the beaming
Of Love's stars, thou'lt meet her
In eastern sky.
Thomas Lovell Beddoes. 1803-1849
667. Dream-Pedlary
IF there were dreams to sell,
What would you buy?
Some cost a passing bell;
Some a light sigh,
That shakes from Life's fresh crown
Only a rose-leaf down.
If there were dreams to sell,
Merry and sad to tell,
And the crier rang the bell,
What would you buy?
A cottage lone and still,
With bowers nigh,
Shadowy, my woes to still,
Until I die.
Such pearl from Life's fresh crown
Fain would I shake me down.
Were dreams to have at will,
This would best heal my ill,
This would I buy.
Thomas Lovell Beddoes. 1803-1849
668. Song
HOW many times do I love thee, dear?
Tell me how many thoughts there be
In the atmosphere
Of a new-fall'n year,
Whose white and sable hours appear
The latest flake of Eternity:
So many times do I love thee, dear.
How many times do I love again?
Tell me how many beads there are
In a silver chain
Of evening rain,
Unravell'd from the tumbling main,
And threading the eye of a yellow star:
So many times do I love again.
Ralph Waldo Emerson. 1803-1882
669. Give All to Love
GIVE all to love;
Obey thy heart;
Friends, kindred, days,
Estate, good fame,
Plans, credit, and the Muse--
Nothing refuse.
'Tis a brave master;
Let it have scope:
Follow it utterly,
Hope beyond hope:
High and more high
It dives into noon,
With wing unspent,
Untold intent;
But it is a god,
Knows its own path,
And the outlets of the sky.
It was never for the mean;
It requireth courage stout,
Souls above doubt,
Valour unbending:
Such 'twill reward;--
They shall return
More than they were,
And ever ascending.
Leave all for love;
Yet, hear me, yet,
One word more thy heart behoved,
One pulse more of firm endeavour--
Keep thee to-day,
To-morrow, for ever,
Free as an Arab
Of thy beloved.
Cling with life to the maid;
But when the surprise,
First vague shadow of surmise,
Flits across her bosom young,
Of a joy apart from thee,
Free be she, fancy-free;
Nor thou detain her vesture's hem,
Nor the palest rose she flung
From her summer diadem.
Though thou loved her as thyself,
As a self of purer clay;
Though her parting dims the day,
Stealing grace from all alive;
Heartily know,
When half-gods go
The gods arrive.
Ralph Waldo Emerson. 1803-1882
670. Uriel
IT fell in the ancient periods
Which the brooding soul surveys,
Or ever the wild Time coin'd itself
Into calendar months and days.
This was the lapse of Uriel,
Which in Paradise befell.
Once, among the Pleiads walking,
Sayd overheard the young gods talking;
And the treason, too long pent,
To his ears was evident.
The young deities discuss'd
Laws of form, and metre just,
Orb, quintessence, and sunbeams,
What subsisteth, and what seems.
One, with low tones that decide,
And doubt and reverend use defied,
With a look that solved the sphere,
And stirr'd the devils everywhere,
Gave his sentiment divine
Against the being of a line.
'Line in nature is not found;
Unit and universe are round;
In vain produced, all rays return;
Evil will bless, and ice will burn.'
As Uriel spoke with piercing eye,
A shudder ran around the sky;
The stern old war-gods shook their heads;
The seraphs frown'd from myrtle-beds;
Seem'd to the holy festival
The rash word boded ill to all;
The balance-beam of Fate was bent;
The bounds of good and ill were rent;
Strong Hades could not keep his own,
But all slid to confusion.
A sad self-knowledge withering fell
On the beauty of Uriel;
In heaven once eminent, the god
Withdrew that hour into his cloud;
Whether doom'd to long gyration
In the sea of generation,
Or by knowledge grown too bright
To hit the nerve of feebler sight.
Straightway a forgetting wind
Stole over the celestial kind,
And their lips the secret kept,
If in ashes the fire-seed slept.
But, now and then, truth-speaking things
Shamed the angels' veiling wings;
And, shrilling from the solar course,
Or from fruit of chemic force,
Procession of a soul in matter,
Or the speeding change of water,
Or out of the good of evil born,
Came Uriel's voice of cherub scorn,
And a blush tinged the upper sky,
And the gods shook, they knew not why.
Ralph Waldo Emerson. 1803-1882
671. Bacchus
BRING me wine, but wine which never grew
In the belly of the grape,
Or grew on vine whose tap-roots, reaching through
Under the Andes to the Cape,
Suffer'd no savour of the earth to 'scape.
Let its grapes the morn salute
From a nocturnal root,
Which feels the acrid juice
Of Styx and Erebus;
And turns the woe of Night,
By its own craft, to a more rich delight.
We buy ashes for bread;
We buy diluted wine;
Give me of the true,
Whose ample leaves and tendrils curl'd
Among the silver hills of heaven
Draw everlasting dew;
Wine of wine,
Blood of the world,
Form of forms, and mould of statures,
That I intoxicated,
And by the draught assimilated,
May float at pleasure through all natures;
The bird-language rightly spell,
And that which roses say so well:
Wine that is shed
Like the torrents of the sun
Up the horizon walls,
Or like the Atlantic streams, which run
When the South Sea calls.
Water and bread,
Food which needs no transmuting,
Rainbow-flowering, wisdom-fruiting,
Wine which is already man,
Food which teach and reason can.
Wine which Music is,--
Music and wine are one,--
That I, drinking this,
Shall hear far Chaos talk with me;
Kings unborn shall walk with me;
And the poor grass shall plot and plan
What it will do when it is man.
Quicken'd so, will I unlock
Every crypt of every rock.
I thank the joyful juice
For all I know;
Winds of remembering
Of the ancient being blow,
And seeming-solid walls of use
Open and flow.
Pour, Bacchus! the remembering wine;
Retrieve the loss of me and mine!
Vine for vine be antidote,
And the grape requite the lote!
Haste to cure the old despair;
Reason in Nature's lotus drench'd--
The memory of ages quench'd--
Give them again to shine;
Let wine repair what this undid;
And where the infection slid,
A dazzling memory revive;
Refresh the faded tints,
Recut the aged prints,
And write my old adventures with the pen
Which on the first day drew,
Upon the tablets blue,
The dancing Pleiads and eternal men.
Ralph Waldo Emerson. 1803-1882
672. Brahma
IF the red slayer think he slays,
Or if the slain think he is slain,
They know not well the subtle ways
I keep, and pass, and turn again.
Far or forgot to me is near;
Shadow and sunlight are the same;
The vanish'd gods to me appear;
And one to me are shame and fame.
They reckon ill who leave me out;
When me they fly, I am the wings;
I am the doubter and the doubt,
And I the hymn the Brahmin sings.
The strong gods pine for my abode,
And pine in vain the sacred Seven;
But thou, meek lover of the good!
Find me, and turn thy back on heaven.
Richard Henry Horne. 1803-1884
673. The Plough
A LANDSCAPE IN BERKSHIRE
ABOVE yon sombre swell of land
Thou see'st the dawn's grave orange hue,
With one pale streak like yellow sand,
And over that a vein of blue.
The air is cold above the woods;
All silent is the earth and sky,
Except with his own lonely moods
The blackbird holds a colloquy.
Over the broad hill creeps a beam,
Like hope that gilds a good man's brow;
And now ascends the nostril-stream
Of stalwart horses come to plough.
Ye rigid Ploughmen, bear in mind
Your labour is for future hours:
Advance--spare not--nor look behind--
Plough deep and straight with all your powers!
Robert Stephen Hawker. 1804-1875
674. King Arthur's Waes-hael
WAES-HAEL for knight and dame!
O merry be their dole!
Drink-hael! in Jesu's name
We fill the tawny bowl;
But cover down the curving crest,
Mould of the Orient Lady's breast.
Waes-hael! yet lift no lid:
Drain ye the reeds for wine.
Drink-hael! the milk was hid
That soothed that Babe divine;
Hush'd, as this hollow channel flows,
He drew the balsam from the rose.
Waes-hael! thus glow'd the breast
Where a God yearn'd to cling;
Drink-hael! so Jesu press'd
Life from its mystic spring;
Then hush and bend in reverent sign
And breathe the thrilling reeds for wine.
Waes-hael! in shadowy scene
Lo! Christmas children we:
Drink-hael! behold we lean
At a far Mother's knee;
To dream that thus her bosom smiled,
And learn the lip of Bethlehem's Child.
Robert Stephen Hawker. 1804-1875
675. Are they not all Ministering Spirits?
WE see them not--we cannot hear
The music of their wing--
Yet know we that they sojourn near,
The Angels of the spring!
They glide along this lovely ground
When the first violet grows;
Their graceful hands have just unbound
The zone of yonder rose.
I gather it for thy dear breast,
From stain and shadow free:
That which an Angel's touch hath blest
Is meet, my love, for thee!
Thomas Wade. 1805-1875
676. The Half-asleep
O FOR the mighty wakening that aroused
The old-time Prophets to their missions high;
And to blind Homer's inward sunlike eye
Show'd the heart's universe where he caroused
Radiantly; the Fishers poor unhoused,
And sent them forth to preach divinity;
And made our Milton his great dark defy,
To the light of one immortal theme espoused!
But half asleep are those now most awake;
And save calm-thoughted Wordsworth, we have none
Who for eternity put time at stake,
And hold a constant course as doth the sun:
We yield but drops that no deep thirstings slake;
And feebly cease ere we have well begun.
Francis Mahony. 1805-1866
677. The Bells of Shandon
WITH deep affection,
And recollection,
I often think of
Those Shandon bells,
Whose sounds so wild would,
In the days of childhood,
Fling around my cradle
Their magic spells.
On this I ponder
Where'er I wander,
And thus grow fonder,
Sweet Cork, of thee;
With thy bells of Shandon,
That sound so grand on
The pleasant waters
Of the River Lee.
I've heard bells chiming
Full many a clime in,
Tolling sublime in
Cathedral shrine,
While at a glib rate
Brass tongues would vibrate--
But all their music
Spoke naught like thine;
For memory, dwelling
On each proud swelling
Of the belfry knelling
Its bold notes free,
Made the bells of Shandon
Sound far more grand on
The pleasant waters
Of the River Lee.
I've heard bells tolling
Old Adrian's Mole in,
Their thunder rolling
From the Vatican,
And cymbals glorious
Swinging uproarious
In the gorgeous turrets
Of Notre Dame;
But thy sounds were sweeter
Than the dome of Peter
Flings o'er the Tiber,
Pealing solemnly--
O, the bells of Shandon
Sound far more grand on
The pleasant waters
Of the River Lee.
There 's a bell in Moscow,
While on tower and kiosk O!
In Saint Sophia
The Turkman gets,
And loud in air
Calls men to prayer
From the tapering summits
Of tall minarets.
Such empty phantom
I freely grant them;
But there 's an anthem
More dear to me,--
'Tis the bells of Shandon,
That sound so grand on
The pleasant waters
Of the River Lee.
Elizabeth Barrett Browning. 1806-1861
678. Rosalind's Scroll
I LEFT thee last, a child at heart,
A woman scarce in years:
I come to thee, a solemn corpse
Which neither feels nor fears.
I have no breath to use in sighs;
They laid the dead-weights on mine eyes
To seal them safe from tears.
Look on me with thine own calm look:
I meet it calm as thou.
No look of thine can change this smile,
Or break thy sinful vow:
I tell thee that my poor scorn'd heart
Is of thine earth--thine earth--a part:
It cannot vex thee now.
I have pray'd for thee with bursting sob
When passion's course was free;
I have pray'd for thee with silent lips
In the anguish none could see;
They whisper'd oft, 'She sleepeth soft'--
But I only pray'd for thee.
Go to! I pray for thee no more:
The corpse's tongue is still;
Its folded fingers point to heaven,
But point there stiff and chill:
No farther wrong, no farther woe
Hath licence from the sin below
Its tranquil heart to thrill.
I charge thee, by the living's prayer,
And the dead's silentness,
To wring from out thy soul a cry
Which God shall hear and bless!
Lest Heaven's own palm droop in my hand,
And pale among the saints I stand,
A saint companionless.
Elizabeth Barrett Browning. 1806-1861
679. The Deserted Garden
I MIND me in the days departed,
How often underneath the sun
With childish bounds I used to run
To a garden long deserted.
The beds and walks were vanish'd quite;
And wheresoe'er had struck the spade,
The greenest grasses Nature laid,
To sanctify her right.
I call'd the place my wilderness,
For no one enter'd there but I.
The sheep look'd in, the grass to espy,
And pass'd it ne'ertheless.
The trees were interwoven wild,
And spread their boughs enough about
To keep both sheep and shepherd out,
But not a happy child.
Adventurous joy it was for me!
I crept beneath the boughs, and found
A circle smooth of mossy ground
Beneath a poplar-tree.
Old garden rose-trees hedged it in,
Bedropt with roses waxen-white,
Well satisfied with dew and light,
And careless to be seen.
Long years ago, it might befall,
When all the garden flowers were trim,
The grave old gardener prided him
On these the most of all.
Some Lady, stately overmuch,
Here moving with a silken noise,
Has blush'd beside them at the voice
That liken'd her to such.
Or these, to make a diadem,
She often may have pluck'd and twined;
Half-smiling as it came to mind,
That few would look at them.
O, little thought that Lady proud,
A child would watch her fair white rose,
When buried lay her whiter brows,
And silk was changed for shroud!--
Nor thought that gardener (full of scorns
For men unlearn'd and simple phrase)
A child would bring it all its praise,
By creeping through the thorns!
To me upon my low moss seat,
Though never a dream the roses sent
Of science or love's compliment,
I ween they smelt as sweet.
It did not move my grief to see
The trace of human step departed:
Because the garden was deserted,
The blither place for me!
Friends, blame me not! a narrow ken
Hath childhood 'twixt the sun and sward:
We draw the moral afterward--
We feel the gladness then.
And gladdest hours for me did glide
In silence at the rose-tree wall:
A thrush made gladness musical
Upon the other side.
Nor he nor I did e'er incline
To peck or pluck the blossoms white:--
How should I know but that they might
Lead lives as glad as mine?
To make my hermit-home complete,
I brought clear water from the spring
Praised in its own low murmuring,
And cresses glossy wet.
And so, I thought, my likeness grew
(Without the melancholy tale)
To 'gentle hermit of the dale,'
And Angelina too.
For oft I read within my nook
Such minstrel stories; till the breeze
Made sounds poetic in the trees,
And then I shut the book.
If I shut this wherein I write,
I hear no more the wind athwart
Those trees, nor feel that childish heart
Delighting in delight.
My childhood from my life is parted,
My footstep from the moss which drew
Its fairy circle round: anew
The garden is deserted.
Another thrush may there rehearse
The madrigals which sweetest are;
No more for me!--myself afar
Do sing a sadder verse.
Ah me! ah me! when erst I lay
In that child's-nest so greenly wrought,
I laugh'd unto myself and thought,
'The time will pass away.'
And still I laugh'd, and did not fear
But that, whene'er was pass'd away
The childish time, some happier play
My womanhood would cheer.
I knew the time would pass away;
And yet, beside the rose-tree wall,
Dear God, how seldom, if at all,
Did I look up to pray!
The time is past: and now that grows
The cypress high among the trees,
And I behold white sepulchres
As well as the white rose,--
When wiser, meeker thoughts are given,
And I have learnt to lift my face,
Reminded how earth's greenest place
The colour draws from heaven,--
It something saith for earthly pain,
But more for heavenly promise free,
That I who was, would shrink to be
That happy child again.
Elizabeth Barrett Browning. 1806-1861
680. Consolation
ALL are not taken; there are left behind
Living Beloveds, tender looks to bring
And make the daylight still a happy thing,
And tender voices, to make soft the wind:
But if it were not so--if I could find
No love in all this world for comforting,
Nor any path but hollowly did ring
Where 'dust to dust' the love from life disjoin'd;
And if, before those sepulchres unmoving
I stood alone (as some forsaken lamb
Goes bleating up the moors in weary dearth)
Crying 'Where are ye, O my loved and loving?'--
I know a voice would sound, 'Daughter, I AM.
Can I suffice for Heaven and not for earth?'
Elizabeth Barrett Browning. 1806-1861
681. Grief
I TELL you, hopeless grief is passionless;
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God's throne in loud access
Of shrieking and reproach. Full desertness
In souls as countries lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute Heavens. Deep-hearted man, express
Grief for thy Dead in silence like to death--
Most like a monumental statue set
In everlasting watch and moveless woe
Till itself crumble to the dust beneath.
Touch it; the marble eyelids are not wet:
If it could weep, it could arise and go.
Elizabeth Barrett Browning. 1806-1861
682. Sonnets from the Portuguese
i
I THOUGHT once how Theocritus had sung
Of the sweet years, the dear and wish'd-for years,
Who each one in a gracious hand appears
To bear a gift for mortals old or young:
And, as I mused it in his antique tongue,
I saw in gradual vision through my tears
The sweet, sad years, the melancholy years--
Those of my own life, who by turns had flung
A shadow across me. Straightway I was 'ware,
So weeping, how a mystic Shape did move
Behind me, and drew me backward by the hair;
And a voice said in mastery, while I strove,
'Guess now who holds thee?'--'Death,' I said. But there
The silver answer rang--'Not Death, but Love.'
Elizabeth Barrett Browning. 1806-1861
683. Sonnets from the Portuguese
ii
UNLIKE are we, unlike, O princely Heart!
Unlike our uses and our destinies.
Our ministering two angels look surprise
On one another, as they strike athwart
Their wings in passing. Thou, bethink thee, art
A guest for queens to social pageantries,
With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
With looking from the lattice-lights at me--
A poor, tired, wandering singer, singing through
The dark, and leaning up a cypress tree?
The chrism is on thine head--on mine the dew--
And Death must dig the level where these agree.
Elizabeth Barrett Browning. 1806-1861
684. Sonnets from the Portuguese
iii
GO from me. Yet I feel that I shall stand
Henceforward in thy shadow. Nevermore
Alone upon the threshold of my door
Of individual life I shall command
The uses of my soul, nor lift my hand
Serenely in the sunshine as before,
Without the sense of that which I forbore--
Thy touch upon the palm. The widest land
Doom takes to part us, leaves thy heart in mine
With pulses that beat double. What I do
And what I dream include thee, as the wine
Must taste of its own grapes. And when I sue
God for myself, He hears that name of thine,
And sees within my eyes the tears of two.
Elizabeth Barrett Browning. 1806-1861
685. Sonnets from the Portuguese
iv
IF thou must love me, let it be for naught
Except for love's sake only. Do not say,
'I love her for her smile--her look--her way
Of speaking gently,--for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day'--
For these things in themselves, Beloved, may
Be changed, or change for thee--and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity's wiping my cheeks dry:
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love's sake, that evermore
Thou mayst love on, through love's eternity.
Elizabeth Barrett Browning. 1806-1861
686. Sonnets from the Portuguese
v
WHEN our two souls stand up erect and strong,
Face to face, silent, drawing nigh and nigher,
Until the lengthening wings break into fire
At either curving point,--what bitter wrong
Can the earth do us, that we should not long
Be here contented? Think! In mounting higher,
The angels would press on us, and aspire
To drop some golden orb of perfect song
Into our deep, dear silence. Let us stay
Rather on earth, Beloved--where the unfit
Contrarious moods of men recoil away
And isolate pure spirits, and permit
A place to stand and love in for a day,
With darkness and the death-hour rounding it.
Elizabeth Barrett Browning. 1806-1861
687. A Musical Instrument
WHAT was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.
He tore out a reed, the great god Pan,
From the deep cool bed of the river;
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.
High on the shore sat the great god Pan,
While turbidly flow'd the river;
And hack'd and hew'd as a great god can
With his hard bleak steel at the patient reed,
Till there was not a sign of the leaf indeed
To prove it fresh from the river.
He cut it short, did the great god Pan
(How tall it stood in the river!),
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notch'd the poor dry empty thing
In holes, as he sat by the river.
'This is the way,' laugh'd the great god Pan
(Laugh'd while he sat by the river),
'The only way, since gods began
To make sweet music, they could succeed.'
Then dropping his mouth to a hole in the reed,
He blew in power by the river.
Sweet, sweet, sweet, O Pan!
Piercing sweet by the river!
Blinding sweet, O great god Pan!
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.
Yet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man:
The true gods sigh for the cost and pain--
For the reed which grows nevermore again
As a reed with the reeds of the river.
Frederick Tennyson. 1807-1898
688. The Holy Tide
THE days are sad, it is the Holy tide:
The Winter morn is short, the Night is long;
So let the lifeless Hours be glorified
With deathless thoughts and echo'd in sweet song:
And through the sunset of this purple cup
They will resume the roses of their prime,
And the old Dead will hear us and wake up,
Pass with dim smiles and make our hearts sublime!
The days are sad, it is the Holy tide:
Be dusky mistletoes and hollies strown,
Sharp as the spear that pierced His sacred side,
Red as the drops upon His thorny crown;
No haggard Passion and no lawless Mirth
Fright off the solemn Muse,--tell sweet old tales,
Sing songs as we sit brooding o'er the hearth,
Till the lamp flickers, and the memory fails.
Henry Wadsworth Longfellow. 1807-1882
689. My Lost Youth
OFTEN I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I remember the black wharves and the slips,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I remember the bulwarks by the shore,
And the fort upon the hill;
The sunrise gun with its hollow roar,
The drum-beat repeated o'er and o'er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I remember the sea-fight far away,
How it thunder'd o'er the tide!
And the dead sea-captains, as they lay
In their graves o'erlooking the tranquil bay
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I can see the breezy dome of groves,
The shadows of Deering's woods;
And the friendships old and the early loves
Come back with a Sabbath sound, as of doves
In quiet neighbourhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I remember the gleams and glooms that dart
Across the schoolboy's brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
There are things of which I may not speak;
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o'ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
And Deering's woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
John Greenleaf Whittier. 1807-1892
690. Vesta
O CHRIST of God! whose life and death
Our own have reconciled,
Most quietly, most tenderly
Take home thy star-named child!
Thy grace is in her patient eyes,
Thy words are on her tongue;
The very silence round her seems
As if the angels sung.
Her smile is as a listening child's
Who hears its mother's call;
The lilies of Thy perfect peace
About her pillow fall.
She leans from out our clinging arms
To rest herself in Thine;
Alone to Thee, dear Lord, can we
Our well-beloved resign.
O, less for her than for ourselves
We bow our heads and pray;
Her setting star, like Bethlehem's,
To Thee shall point the way!
Helen Selina, Lady Dufferin. 1807-1867
691. Lament of the Irish Emigrant
I'M sittin' on the stile, Mary,
Where we sat side by side
On a bright May mornin' long ago,
When first you were my bride;
The corn was springin' fresh and green,
And the lark sang loud and high--
And the red was on your lip, Mary,
And the love-light in your eye.
The place is little changed, Mary,
The day is bright as then,
The lark's loud song is in my ear,
And the corn is green again;
But I miss the soft clasp of your hand,
And your breath warm on my cheek,
And I still keep list'ning for the words
You never more will speak.
'Tis but a step down yonder lane,
And the little church stands near,
The church where we were wed, Mary,
I see the spire from here.
But the graveyard lies between, Mary,
And my step might break your rest--
For I've laid you, darling! down to sleep,
With your baby on your breast.
I'm very lonely now, Mary,
For the poor make no new friends,
But, O, they love the better still,
The few our Father sends!
And you were all I had, Mary,
My blessin' and my pride:
There 's nothin' left to care for now,
Since my poor Mary died.
Yours was the good, brave heart, Mary,
That still kept hoping on,
When the trust in God had left my soul,
And my arm's young strength was gone:
There was comfort ever on your lip,
And the kind look on your brow--
I bless you, Mary, for that same,
Though you cannot hear me now.
I thank you for the patient smile
When your heart was fit to break,
When the hunger pain was gnawin' there,
And you hid it, for my sake!
I bless you for the pleasant word,
When your heart was sad and sore--
O, I'm thankful you are gone, Mary,
Where grief can't reach you more!
I'm biddin' you a long farewell,
My Mary--kind and true!
But I'll not forget you, darling!
In the land I'm goin' to;
They say there 's bread and work for all,
And the sun shines always there--
But I'll not forget old Ireland,
Were it fifty times as fair!
And often in those grand old woods
I'll sit, and shut my eyes,
And my heart will travel back again
To the place where Mary lies;
And I'll think I see the little stile
Where we sat side by side:
And the springin' corn, and the bright May morn,
When first you were my bride.
Caroline Elizabeth Sarah Norton. 1808-1876
692. I do not love Thee
I DO not love thee!--no! I do not love thee!
And yet when thou art absent I am sad;
And envy even the bright blue sky above thee,
Whose quiet stars may see thee and be glad.
I do not love thee!--yet, I know not why,
Whate'er thou dost seems still well done, to me:
And often in my solitude I sigh
That those I do love are not more like thee!
I do not love thee!--yet, when thou art gone,
I hate the sound (though those who speak be dear)
Which breaks the lingering echo of the tone
Thy voice of music leaves upon my ear.
I do not love thee!--yet thy speaking eyes,
With their deep, bright, and most expressive blue,
Between me and the midnight heaven arise,
Oftener than any eyes I ever knew.
I know I do not love thee! yet, alas!
Others will scarcely trust my candid heart;
And oft I catch them smiling as they pass,
Because they see me gazing where thou art.
Charles Tennyson Turner. 1808-1879
693. Letty's Globe
WHEN Letty had scarce pass'd her third glad year,
And her young artless words began to flow,
One day we gave the child a colour'd sphere
Of the wide earth, that she might mark and know,
By tint and outline, all its sea and land.
She patted all the world; old empires peep'd
Between her baby fingers; her soft hand
Was welcome at all frontiers. How she leap'd,
And laugh'd and prattled in her world-wide bliss;
But when we turn'd her sweet unlearned eye
On our own isle, she raised a joyous cry--
'Oh! yes, I see it, Letty's home is there!'
And while she hid all England with a kiss,
Bright over Europe fell her golden hair.
Edgar Allan Poe. 1809-1849
694. To Helen
HELEN, thy beauty is to me
Like those Nicean barks of yore
That gently, o'er a perfumed sea,
The weary way-worn wanderer bore
To his own native shore.
On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece,
And the grandeur that was Rome.
Lo, in yon brilliant window-niche
How statue-like I see thee stand,
The agate lamp within thy hand,
Ah! Psyche, from the regions which
Are holy land!
Edgar Allan Poe. 1809-1849
695. Annabel Lee
IT was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee.
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child
In this kingdom by the sea:
But we loved with a love that was more than love--
I and my Annabel Lee,
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee,
So that her high-born kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me--
Yes! that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud one night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we--
Of many far wiser than we--
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee:
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling--my darling--my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
Edgar Allan Poe. 1809-1849
696. For Annie
THANK Heaven! the crisis--
The danger is past,
And the lingering illness
Is over at last--
And the fever called 'Living'
Is conquer'd at last.
Sadly, I know
I am shorn of my strength,
And no muscle I move
As I lie at full length:
But no matter--I feel
I am better at length.
And I rest so composedly
Now, in my bed,
That any beholder
Might fancy me dead--
Might start at beholding me,
Thinking me dead.
The moaning and groaning,
The sighing and sobbing,
Are quieted now,
With that horrible throbbing
At heart--ah, that horrible,
Horrible throbbing!
The sickness--the nausea--
The pitiless pain--
Have ceased, with the fever
That madden'd my brain--
With the fever called 'Living'
That burn'd in my brain.
And O! of all tortures
That torture the worst
Has abated--the terrible
Torture of thirst
For the naphthaline river
Of Passion accurst--
I have drunk of a water
That quenches all thirst.
--Of a water that flows,
With a lullaby sound,
From a spring but a very few
Feet under ground--
From a cavern not very far
Down under ground.
And ah! let it never
Be foolishly said
That my room it is gloomy,
And narrow my bed;
For man never slept
In a different bed--
And, to sleep, you must slumber
In just such a bed.
My tantalized spirit
Here blandly reposes,
Forgetting, or never
Regretting its roses--
Its old agitations
Of myrtles and roses:
For now, while so quietly
Lying, it fancies
A holier odour
About it, of pansies--
A rosemary odour,
Commingled with pansies--
With rue and the beautiful
Puritan pansies.
And so it lies happily,
Bathing in many
A dream of the truth
And the beauty of Annie--
Drown'd in a bath
Of the tresses of Annie.
She tenderly kiss'd me,
She fondly caress'd,
And then I fell gently
To sleep on her breast--
Deeply to sleep
From the heaven of her breast.
When the light was extinguish'd,
She cover'd me warm,
And she pray'd to the angels
To keep me from harm--
To the queen of the angels
To shield me from harm.
And I lie so composedly,
Now, in my bed
(Knowing her love),
That you fancy me dead--
And I rest so contentedly,
Now, in my bed
(With her love at my breast),
That you fancy me dead--
That you shudder to look at me,
Thinking me dead.
But my heart it is brighter
Than all of the many
Stars in the sky,
For it sparkles with Annie--
It glows with the light
Of the love of my Annie--
With the thought of the light
Of the eyes of my Annie.
Edward Fitzgerald. 1809-1883
697. Old Song
TIS a dull sight
To see the year dying,
When winter winds
Set the yellow wood sighing:
Sighing, O sighing!
When such a time cometh
I do retire
Into an old room
Beside a bright fire:
O, pile a bright fire!
And there I sit
Reading old things,
Of knights and lorn damsels,
While the wind sings--
O, drearily sings!
I never look out
Nor attend to the blast;
For all to be seen
Is the leaves falling fast:
Falling, falling!
But close at the hearth,
Like a cricket, sit I,
Reading of summer
And chivalry--
Gallant chivalry!
Then with an old friend
I talk of our youth--
How 'twas gladsome, but often
Foolish, forsooth:
But gladsome, gladsome!
Or, to get merry,
We sing some old rhyme
That made the wood ring again
In summer time--
Sweet summer time!
Then go we smoking,
Silent and snug:
Naught passes between us,
Save a brown jug--
Sometimes!
And sometimes a tear
Will rise in each eye,
Seeing the two old friends
So merrily--
So merrily!
And ere to bed
Go we, go we,
Down on the ashes
We kneel on the knee,
Praying together!
Thus, then, live I
Till, 'mid all the gloom,
By Heaven! the bold sun
Is with me in the room
Shining, shining!
Then the clouds part,
Swallows soaring between;
The spring is alive,
And the meadows are green!
I jump up like mad,
Break the old pipe in twain,
And away to the meadows,
The meadows again!
Edward Fitzgerald. 1809-1883
698. From Omar Khayyám
I
A BOOK of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread--and Thou
Beside me singing in the Wilderness--
O, Wilderness were Paradise enow!
Some for the Glories of This World; and some
Sigh for the Prophet's Paradise to come;
Ah, take the Cash, and let the Credit go,
Nor heed the rumble of a distant Drum!
Look to the blowing Rose about us--'Lo,
Laughing,' she says, 'into the world I blow,
At once the silken tassel of my Purse
Tear, and its Treasure on the Garden throw.'
And those who husbanded the Golden grain
And those who flung it to the winds like Rain
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.
II
Think, in this batter'd Caravanserai
Whose Portals are alternate Night and Day,
How Sultán after Sultán with his Pomp
Abode his destined Hour, and went his way.
They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
And Bahrám, that great Hunter--the wild Ass
Stamps o'er his Head, but cannot break his Sleep.
I sometimes think that never blows so red
The Rose as where some buried Caesar bled;
That every Hyacinth the Garden wears
Dropt in her Lap from some once lovely Head.
And this reviving Herb whose tender Green
Fledges the River-Lip on which we lean--
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!
Ah, my Beloved, fill the Cup that clears
TO-DAY of past Regrets and Future Fears:
To-morrow!--Why, To-morrow I may be
Myself with Yesterday's Sev'n thousand Years.
For some we loved, the loveliest and the best
That from his Vintage rolling Time hath prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to rest.
And we, that now make merry in the Room
They left, and Summer dresses in new bloom,
Ourselves must we beneath the Couch of Earth
Descend--ourselves to make a Couch--for whom?
Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust unto Dust, and under Dust to lie,
Sans Wine, sans Song, sans Singer, and--sans End!
III
Ah, with the Grape my fading Life provide,
And wash my Body whence the Life has died,
And lay me, shrouded in the living Leaf,
By some not unfrequented Garden-side....
Yon rising Moon that looks for us again--
How oft hereafter will she wax and wane;
How oft hereafter rising look or us
Through this same Garden--and for one in vain!
And when like her O Sákí, you shall pass
Among the Guests star-scatter'd on the Grass,
And in your joyous errand reach the spot
Where I made One--turn down an empty Glass!
Alfred Tennyson, Lord Tennyson. 1809-1892
699. Mariana
WITH blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, 'My life is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, 'The night is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, 'The day is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, 'My life is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, 'The night is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors,
Old footsteps trod the upper floors,
Old voices call'd her from without.
She only said, 'My life is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,'
I would that I were dead!'
The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then, said she, 'I am very dreary,
He will not come,' she said;
She wept, 'I am aweary, aweary,
O God, that I were dead!'
Alfred Tennyson, Lord Tennyson. 1809-1892
700. The Lady of Shalott
PART I
ON either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow-veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ''Tis the fairy
Lady of Shalott.'
PART II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights,
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed;
'I am half sick of shadows,' said
The Lady of Shalott.
PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
'Tirra lirra,' by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
'The curse is come upon me!' cried
The Lady of Shalott.
PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.
And down the river's dim expanse--
Like some bold seer in a trance,
Seeing all his own mischance--
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Lying, robed in snowy white
That loosely flew to left and right--
The leaves upon her falling light--
Thro' the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot;
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, 'She has a lovely face;
God in His mercy lend her grace,
The Lady of Shalott.'
Alfred Tennyson, Lord Tennyson. 1809-1892
701. The Miller's Daughter
IT is the miller's daughter,
And she is grown so dear, so dear,
That I would be the jewel
That trembles in her ear:
For hid in ringlets day and night,
I'd touch her neck so warm and white.
And I would be the girdle
About her dainty dainty waist,
And her heart would beat against me,
In sorrow and in rest:
And I should know if it beat right,
I'd clasp it round so close and tight.
And I would be the necklace,
And all day long to fall and rise
Upon her balmy bosom,
With her laughter or her sighs:
And I would lie so light, so light,
I scarce should be unclasp'd at night.
Alfred Tennyson, Lord Tennyson. 1809-1892
702. Song of the Lotos-Eaters
THERE is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies,
Than tired eyelids upon tired eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep,
And thro' the moss the ivies creep,
And in the stream the long-leaved flowers weep,
And from the craggy ledge the poppy hangs in sleep.
Why are we weigh'd upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone,
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings,
Nor steep our brows in slumber's holy balm;
Nor harken what the inner spirit sings,
'There is no joy but calm!'--
Why should we only toil, the roof and crown of things?
Lo! in the middle of the wood,
The folded leaf is woo'd from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep'd at noon, and in the moon
Nightly dew-fed; and turning yellow
Falls, and floats adown the air.
Lo! sweeten'd with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days,
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.
Hateful is the dark-blue sky,
Vaulted o'er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone. Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone. What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful Past.
Let us alone. What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.
How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other's whisper'd speech;
Eating the Lotos day by day,
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory,
With those old faces of our infancy
Heap'd over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!
Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer'd change;
For surely now our household hearts are cold:
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years' war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
The Gods are hard to reconcile:
'Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto aged breath,
Sore task to hearts worn out with many wars
And eyes grown dim with gazing on the pilot-stars.
But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelids still,
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill--
To hear the dewy echoes calling
From cave to cave thro' the thick-twined vine--
To watch the emerald-colour'd water falling
Thro' many a wov'n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch'd out beneath the pine.
The Lotos blooms below the barren peak:
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro' every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we,
Roll'd to starboard, roll'd to larboard, when the surge was seething
free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie relined
On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl'd
Far below them in the valleys, and the clouds are lightly curl'd
Round their golden houses, girdled with the gleaming world:
Where the smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery
sands,
Clanging fights, and flaming towns, and sinking ships, and praying
hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho' the words are strong;
Chanted from an ill-used race of men that cleave the soil,
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer--some, 'tis whisper'd--down in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O rest ye, brother mariners, we will not wander more.
Alfred Tennyson, Lord Tennyson. 1809-1892
703. St. Agnes' Eve
DEEP on the convent-roof the snows
Are sparkling to the moon:
My breath to heaven like vapour goes:
May my soul follow soon!
The shadows of the convent-towers
Slant down the snowy sward,
Still creeping with the creeping hours
That lead me to my Lord:
Make Thou my spirit pure and clear
As are the frosty skies,
Or this first snowdrop of the year
That in my bosom lies.
As these white robes are soil'd and dark,
To yonder shining ground;
As this pale taper's earthly spark,
To yonder argent round;
So shows my soul before the Lamb,
My spirit before Thee;
So in mine earthly house I am,
To that I hope to be.
Break up the heavens, O Lord! and far,
Thro' all yon starlight keen,
Draw me, thy bride, a glittering star,
In raiment white and clean.
He lifts me to the golden doors;
The flashes come and go;
All heaven bursts her starry floors,
And strows her lights below,
And deepens on and up! the gates
Roll back, and far within
For me the Heavenly Bridegroom waits,
To make me pure of sin.
The sabbaths of Eternity,
One sabbath deep and wide--
A light upon the shining sea--
The Bridegroom with his bride!
Alfred Tennyson, Lord Tennyson. 1809-1892
704. Blow, Bugle, blow
THE splendour falls on castle walls
And snowy summits old in story:
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.
O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
Alfred Tennyson, Lord Tennyson. 1809-1892
705. Summer Night
NOW sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The firefly wakens: waken thou with me.
Now droops the milk-white peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the Earth all Danae to the stars,
And all thy heart lies open unto me.
Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.
Now folds the lily all her sweetness up,
And slips into the bosom of the lake:
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.
Alfred Tennyson, Lord Tennyson. 1809-1892
706. Come down, O Maid
COME down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang),
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke,
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro' the lawn,
The moan of doves in immemorial elms,
And murmuring of innumerable bees.
Alfred Tennyson, Lord Tennyson. 1809-1892
707. From 'In Memoriam'
(ARTHUR HENRY HALLAM, MDCCCXXXIII)
I
FAIR ship, that from the Italian shore
Sailest the placid ocean-plains
With my lost Arthur's loved remains,
Spread thy full wings, and waft him o'er.
So draw him home to those that mourn
In vain; a favourable speed
Ruffle thy mirror'd mast, and lead
Thro' prosperous floods his holy urn.
All night no ruder air perplex
Thy sliding keel, till Phosphor, bright
As our pure love, thro' early light
Shall glimmer on the dewy decks.
Sphere all your lights around, above;
Sleep, gentle heavens, before the prow;
Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
My Arthur, whom I shall not see
Till all my widow'd race be run;
Dear as the mother to the son,
More than my brothers are to me.
II
I hear the noise about thy keel;
I hear the bell struck in the night;
I see the cabin-window bright;
I see the sailor at the wheel.
Thou bring'st the sailor to his wife,
And travell'd men from foreign lands;
And letters unto trembling hands;
And, thy dark freight, a vanish'd life.
So bring him: we have idle dreams:
This look of quiet flatters thus
Our home-bred fancies: O to us,
The fools of habit, sweeter seems
To rest beneath the clover sod,
That takes the sunshine and the rains,
Or where the kneeling hamlet drains
The chalice of the grapes of God;
Than if with thee the roaring wells
Should gulf him fathom-deep in brine;
And hands so often clasp'd in mine,
Should toss with tangle and with shells.
III
Calm is the morn without a sound,
Calm as to suit a calmer grief,
And only thro' the faded leaf
The chestnut pattering to the ground:
Calm and deep peace on this high wold,
And on these dews that drench the furze,
And all the silvery gossamers
That twinkle into green and gold:
Calm and still light on yon great plain
That sweeps with all its autumn bowers,
And crowded farms and lessening towers,
To mingle with the bounding main:
Calm and deep peace in this wide air,
These leaves that redden to the fall;
And in my heart, if calm at all,
If any calm, a calm despair:
Calm on the seas, and silver sleep,
And waves that sway themselves in rest,
And dead calm in that noble breast
Which heaves but with the heaving deep.
IV
To-night the winds begin to rise
And roar from yonder dropping day:
The last red leaf is whirl'd away,
The rooks are blown about the skies;
The forest crack'd, the waters curl'd,
The cattle huddled on the lea;
And wildly dash'd on tower and tree
The sunbeam strikes along the world:
And but for fancies, which aver
That all thy motions gently pass
Athwart a plane of molten glass,
I scarce could brook the strain and stir
That makes the barren branches loud;
And but for fear it is not so,
The wild unrest that lives in woe
Would dote and pore on yonder cloud
That rises upward always higher,
And onward drags a labouring breast,
And topples round the dreary west,
A looming bastion fringed with fire.
V
Thou comest, much wept for: such a breeze
Compell'd thy canvas, and my prayer
Was as the whisper of an air
To breathe thee over lonely seas.
For I in spirit saw thee move
Thro' circles of the bounding sky,
Week after week: the days go by:
Come quick, thou bringest all I love.
Henceforth, wherever thou mayst roam
My blessing, like a line of light,
Is on the waters day and night,
And like a beacon guards thee home.
So may whatever tempest mars
Mid-ocean, spare thee, sacred bark;
And balmy drops in summer dark
Slide from the bosom of the stars.
So kind an office hath been done,
Such precious relics brought by thee;
The dust of him I shall not see
Till all my widow'd race be run.
VI
Now, sometimes in my sorrow shut,
Or breaking into song by fits,
Alone, alone, to where he sits,
The Shadow cloak'd from head to foot,
Who keeps the keys of all the creeds,
I wander, often falling lame,
And looking back to whence I came,
Or on to where the pathway leads;
And crying, How changed from where it ran
Thro' lands where not a leaf was dumb;
But all the lavish hills would hum
The murmur of a happy Pan:
When each by turns was guide to each,
And Fancy light from Fancy caught,
And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
And all we met was fair and good,
And all was good that Time could bring,
And all the secret of the Spring
Moved in the chambers of the blood;
And many an old philosophy
On Argive heights divinely sang,
And round us all the thicket rang
To many a flute of Arcady.
VII
How fares it with the happy dead?
For here the man is more and more;
But he forgets the days before
God shut the doorways of his head.
The days have vanish'd, tone and tint,
And yet perhaps the hoarding sense
Gives out at times (he knows not whence)
A little flash, a mystic hint;
And in the long harmonious years
(If Death so taste Lethean springs)
May some dim touch of earthly things
Surprise thee ranging with thy peers.
If such a dreamy touch should fall,
O turn thee round, resolve the doubt;
My guardian angel will speak out
In that high place, and tell thee all.
VIII
The wish, that of the living whole
No life may fail beyond the grave,
Derives it not from what we have
The likest God within the soul?
Are God and Nature then at strife,
That Nature lends such evil dreams?
So careful of the type she seems,
So careless of the single life;
That I, considering everywhere
Her secret meaning in her deeds,
And finding that of fifty seeds
She often brings but one to bear,
I falter where I firmly trod,
And falling with my weight of cares
Upon the great world's altar-stairs
That slope thro' darkness up to God,
I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope.
IX
'So careful of the type?' but no.
From scarped cliff and quarried stone
She cries, 'A thousand types are gone:
I care for nothing, all shall go.
Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.' And he, shall he,
Man, her last work, who seem'd so fair,
Such splendid purpose in his eyes,
Who roll'd the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation's final law--
Tho' Nature, red in tooth and claw
With ravine, shriek'd against his creed--
Who loved, who suffer'd countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal'd within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music match'd with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
X
Unwatch'd, the garden bough shall sway,
The tender blossom flutter down;
Unloved, that beech will gather brown,
This maple burn itself away;
Unloved, the sunflower, shining fair,
Ray round with flames her disk of seed,
And many a rose-carnation feed
With summer spice the humming air;
Unloved, by many a sandy bar,
The brook shall babble down the plain,
At noon or when the lesser wain
Is twisting round the polar star;
Uncared for, gird the windy grove,
And flood the haunts of hern and crake;
Or into silver arrows break
The sailing moon in creek and cove;
Till from the garden and the wild
A fresh association blow,
And year by year the landscape grow
Familiar to the stranger's child;
As year by year the labourer tills
His wonted glebe, or lops the glades;
And year by year our memory fades
From all the circle of the hills.
XI
Now fades the last long streak of snow,
Now burgeons every maze of quick
About the flowering squares, and thick
By ashen roots the violets blow.
Now rings the woodland loud and long,
The distance takes a lovelier hue,
And drown'd in yonder living blue
The lark becomes a sightless song.
Now dance the lights on lawn and lea,
The flocks are whiter down the vale,
And milkier every milky sail
On winding stream or distant sea;
Where now the seamew pipes, or dives
In yonder greening gleam, and fly
The happy birds, that change their sky
To build and brood; that live their lives
From land to land; and in my breast
Spring wakens too; and my regret
Becomes an April violet,
And buds and blossoms like the rest.
XII
Love is and was my Lord and King,
And in his presence I attend
To hear the tidings of my friend,
Which every hour his couriers bring.
Love is and was my King and Lord,
And will be, tho' as yet I keep
Within his court on earth, and sleep
Encompass'd by his faithful guard,
And hear at times a sentinel
Who moves about from place to place,
And whispers to the worlds of space,
In the deep night, that all is well.
Alfred Tennyson, Lord Tennyson. 1809-1892
708. Maud
COME into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune;
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, 'There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play.'
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.
I said to the rose, 'The brief night goes
In babble and revel and wine.
O young lord-lover, what sighs are those
For one that will never be thine?
But mine, but mine,' so I sware to the rose,
'For ever and ever, mine.'
And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewel-print of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls.
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, 'She is near, she is near;'
And the white rose weeps, 'She is late;'
The larkspur listens, 'I hear, I hear;'
And the lily whispers, 'I wait.'
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
Alfred Tennyson, Lord Tennyson. 1809-1892
709. O that 'twere possible
O THAT 'twere possible
After long grief and pain
To find the arms of my true love
Round me once again!...
A shadow flits before me,
Not thou, but like to thee:
Ah, Christ! that it were possible
For one short hour to see
The souls we loved, that they might tell us
What and where they be!
Richard Monckton Milnes, Lord Houghton. 1809-1885
710. Shadows
THEY seem'd, to those who saw them meet,
The casual friends of every day;
Her smile was undisturb'd and sweet,
His courtesy was free and gay.
But yet if one the other's name
In some unguarded moment heard,
The heart you thought so calm and tame
Would struggle like a captured bird:
And letters of mere formal phrase
Were blister'd with repeated tears,--
And this was not the work of days,
But had gone on for years and years!
Alas, that love was not too strong
For maiden shame and manly pride!
Alas, that they delay'd so long
The goal of mutual bliss beside!
Yet what no chance could then reveal,
And neither would be first to own,
Let fate and courage now conceal,
When truth could bring remorse alone.
Henry Alford. 1810-1871
711. The Bride