CHAPTER XXXVI

THE MOMO-YAMA EPOCH

MOMO-YAMA

THE epochs of Japanese history from the eighth century until the fall

of the Ashikaga shogunate are generally divided into the Nara, the

Heian, the Kamakura, the Muromachi, and the Higashi-yama. To these

has now to be added the Momo-yama (Peach Hill), a term derived from

the name of a palatial residence built by Hideyoshi in the Fushimi

suburb of Kyoto. The project was conceived in 1593, that is to say,

during the course of the Korean campaign, and the business of

collecting materials was managed on such a colossal scale that the

foundations could be laid by September in the same year. Two months

sufficed not only to construct a mansion of extraordinary

magnificence and most elaborate interior decoration, but also to

surround it with a spacious park presenting all the choicest features

of Japanese landscape gardens. The annals state that fifty thousand

men were engaged on the work, and the assertion ceases to seem

extravagant when we consider the nature of the task and the

singularly brief period devoted to its completion. It was Hideyoshi's

foible to surpass all his predecessors and contemporaries alike in

the magnitude of his designs and in the celerity of their

achievement. Even his pastimes were conceived on the same stupendous

scale. Thus, in 1594, at the very time when his armies in Korea were

conducting an oversea campaign of unprecedented magnitude, he planned

a flower-viewing fete which will live in the pages of history as more

sumptuous and more magnificent than the hitherto unrivalled

festivities of Yoshimasa. The places visited were the cherry-clad

hills of Yoshino and the venerable monastery of Koya, and some idea

of the scale of the fete may be gathered from the fact that to a

shrine on Koya-san, dedicated to the memory of his mother, Hideyoshi

presented a sum equivalent to £14,000 or $68,000.

Still more lavish was a party organized four years later to visit the

cherry blossoms at Daigo in the suburbs of Kyoto. This involved the

rebuilding of a large Buddhist temple (Sambo-in) to accommodate

Hideyoshi and his party as a temporary resting-place, and involved

also the complete enclosing of the roads from Momo-yama to Daigo, as

well as of a wide space surrounding the slopes of the cherry-clad

hills, with fences festooned in silk curtains. Numerous tea pavilions

were erected, and Hideyoshi, having sent home all his male guests and

attendants, remained himself among a multitude of gorgeously

apparelled ladies, and passed from pavilion to pavilion, listening to

music, witnessing dancing, and viewing works of art.

HIDEYOSHI'S FAMILY

A conspicuous figure at the Daigo fete was Hideyori, the

five-year-old son of Hideyoshi. Fate treated Hideyoshi harshly in the

matter of a successor. His younger brother, Hidenaga, perished on the

threshold of a career that promised to be illustrious; his infant

son, Tsurumatsu, passed away in September, 1591, and Hideyoshi, being

then in his fifty-fourth year, saw little prospect of becoming again

a father. He therefore adopted his nephew, Hidetsugu, ceding to him

the office of regent (kwampaku), and thus himself taking the title of

Taiko, which by usage attached to an ex-regent.* Hidetsugu, then in

his twenty-fourth year, had literary gifts and polite accomplishments

much above the average. But traditions--of somewhat doubtful

veracity, it must be admitted--attributed to him an inhuman love of

taking life, and tell of the indulgence of that mood in shocking

ways. On the other hand, if credence be due to these tales, it seems

strange that they were not included in the accusations preferred

finally against Hidetsugu by the Taiko, when the former's overthrow

became advisable in the latter's eyes. For it did so become. Within

less than two years of Hidetsugu's elevation to the post of regent,

another son was born to Hideyoshi by the same lady, Yodo, the demise

of whose child, Tsurumatsu, had caused Hideyoshi to despair of being

succeeded by an heir of his own lineage. A niece of Oda Nobunaga,

this lady was the eldest of three daughters whose mother shared the

suicide of her husband, the great general, Shibata Katsuiye.

Hideyoshi placed her among his consorts, bestowing upon her the

castle of Yodo, hence her name, Yodogimi. Her rare beauty captivated

the veteran statesman and soldier, and won for her suggestions a

measure of deference which they did not intrinsically deserve. Soon

the court became divided into two cliques, distinguished as the

"civil" and the "military." At the head of the latter stood

Hideyoshi's wife, Yae, a lady gifted with large discernment, who had

shared all the vicissitudes of her husband's fortunes, and acted as

his shrewd and loyal adviser on many occasions. With her were Kato

Kiyomasa and other generals and nobles of distinction. The civil

party espoused the cause of the lady Yodo, and among its followers

was Ishida Katsushige, to whom chiefly the ultimate catastrophe is

attributed by history.

*It is by this title, "Taiko," that Hideyoshi is most frequently

spoken of in History.

The birth of Hideyori on August 29, 1593, immediately actuated the

dissensions among these two cliques. Ishida Katsushige, acting in

Hideyori's interests, set himself to convince the Taiko that

Hidetsugu harboured treacherous designs, and Hideyoshi, too readily

allowing himself to credit tales which promised to remove the one

obstacle to his son's succession, ordered Hidetsugu to commit

suicide, and at the same time (August 8, 1595), sentenced his

concubines to be executed in the dry bed of the river Sanjo. Their

heads, together with that of Hidetsugu himself, were buried in the

same grave, over which was set a tablet bearing the inscription,

"Tomb of the Traitor, Hidetsugu." To this day, historians remain

uncertain as to Hidetsugu's guilt. If the evidence sufficed to

convict him, it does not appear to have been transmitted to

posterity. The Taiko was not by nature a cruel man. Occasionally fits

of passion betrayed him to deeds of great violence. Thus, on one

occasion he ordered the crucifixion of twenty youths whose sole

offence consisted in scribbling on the gate-posts of the Juraku

palace. But in cold blood he always showed himself forebearing, and

letters written by his own hand to his mother, his wife, and others

disclose an affectionate and sympathetic disposition. It would be

unjust to assume that without full testimony such a man sentenced a

whole family of his own relatives to be executed.

ENGRAVING: MAEDA TOSHIIYE

HIDEYOSHI'S DEATH

A few months after the Daigo fete, Hideyoshi was overtaken by mortal

sickness. His last days were tormented by the thought that all his

skill as an organizer and all his power as a ruler were incompetent

to devise a system such as would secure the succession to his child.

In June, 1596, he had procured the investiture of Hideyori, then

three years old, with the title of regent, and when, just two years

later, his own sickness began to develop alarming features, he

resolved to place all his trust in Ieyasu. After much thought three

boards were ordered to be formed: one consisted of five senior

ministers (dairo), its personnel being Tokugawa Ieyasu, Mori

Terumoto, Ukita Hideiye, Maeda Toshiiye, and Uesugi Kagekatsu. By

these five statesmen the great affairs of the empire were to be

managed. The second board was formed with three nobles of lesser

note. They were designated the "middle ministers" (churo), whose duty

was to arbitrate between the board of senior ministers and the third

board, namely that of five "administrators" (bugyo). This third board

had been originally organized by Hideyoshi in 1585, but it had not,

of course, been associated with the other two boards which came into

existence after Hideyoshi's death, though its personnel and its

functions remained throughout the same as they had been originally.

Again and again, with almost pitiable iteration, the Taiko conjured

the thirteen nobles forming these boards to protect Hideyori and to

ensure to him the heirship of his father's great fortunes. Each was

required to subscribe a written oath of eight articles:

(1) That they would serve Hideyori with the same single-minded

loyalty they had shown to his father.

(2) That the rules of Hideyoshi's house were not to be altered; and

that if, in the administration of public affairs, the five bugyo were

unable to determine a course of action, they should consult Hideyori

through Ieyasu and Toshiie; or, if necessary before taking action,

the Emperor was to be consulted.

(3) That there were to be no factions among them, personal

considerations and partiality of every kind being excluded from their

councils.

(4) That they must endeavour to work together in the discharge of

their duties, suppressing all petty jealousies and differences.

(5) That, in settling matters, the opinion of the majority was

usually to be followed, but, at the same time, if the opinion of the

minority showed no sign of being dictated by personal interests, it

should be duly considered. That without permission from Hideyori no

administrator should dispose of any of his (the administrator's)

territory to another person.

(6) That all accounts were to be kept in a manner above suspicion;

that there were to be no irregularities and no pursuing of personal

interests; that no questions concerning landed estates should be

dealt with during the minority of Hideyori; that no petitions should

be presented to him, and that Ieyasu himself would neither ask for

changes to be made in the matter of land-ownership nor accept any

gift of land from Hideyori during the latter's minority.

(7) That whatever Hideyori desired to have kept secret, whether

connected with his private life or with the Government, must on no

account be allowed to leak out.

(8) That if any of the administrators or their subordinates found

that they had unwittingly acted contrary to orders, they should at

once report the fact to their superiors, who would then deal

leniently with them.

The above document was solemnly endorsed, the gods being called upon

to punish any one violating its provisions. It was further ordered

that Hidetada, son of Ieyasu, should give his daughter in marriage to

Hideyori; that Ieyasu, residing in the Fushimi palace, should act as

regent until Hideyori reached the age of fifteen, and that Maeda

Toshiiye, governing the castle of Osaka, should act as guardian of

Hideyori. It is recorded by some historians that the taiko conferred

on Ieyasu discretionary power in the matter of Hideyori's succession,

authorizing the Tokugawa baron to be guided by his own estimate of

Hideyori's character as to whether the latter might be safely trusted

to discharge the high duties that would devolve on him when he

reached his majority. But the truth of this allegation is open to

doubt. It may well have been invented, subsequently, by apologists

for the line adopted by Ieyasu. Hideyoshi died on September 18, 1598.

His last thoughts were directed to the troops in Korea. He is said to

have addressed to Asano Nagamasa and Ishida Katsushige orders to go

in person to the peninsula, and to provide that "the spirits of one

hundred thousand Japanese soldiers serving there should not become

disembodied in a foreign land." For a time the death of the great

statesman was kept secret, but within three months the newly created

boards found themselves strong enough to cope with the situation, and

the remains of Hideyoshi were publicly interred at the shrine of

Amida-ga-mine, near Kyoto.

HIDEYOSHI'S CHARACTER

In modern times many distinguished Japanese historians have

undertaken to analyze Hideyoshi's character and attainments. They are

divided in their estimate of his literary capacity. Some point to his

letters, which, while they display a not inconsiderable familiarity

with Chinese ideographs, show also some flagrant neglect of the uses

of that script. Others refer to his alleged fondness for composing

Japanese poems and adduce a verselet said to have been written by him

on his death-bed:

Ah! as the dew I fall,

As the dew I vanish.

Even Osaka fortress

Is a dream within a dream.

It is not certain, however, that Hideyoshi composed this couplet, and

probably the truth is that his labours as a soldier and a statesman

prevented him from paying more than transitory attention to

literature. But there can be no question that he possessed an almost

marvellous power of reading character, and that in devising the best

exit from serious dilemmas and the wisest means of utilizing great

occasions, he has had few equals in the history of the world. He knew

well, also, how to employ pomp and circumstance and when to dispense

with all formalities. Above all, in his choice of agents he never

allowed himself to be trammelled by questions of birth or lineage,

but chose his officers solely for the sake of their ability and

attainments, and neither tradition nor convention had any influence

on the appointments he made. He was passionate but not resentful, and

he possessed the noble quality of not shrinking from confession of

error. As for his military genius and his statecraft, it is only

necessary to consider his achievements. They entitle him to stand in

the very front of the world's greatest men. Turning to his

legislation, we find much that illustrates the ethics of the time. It

was in 1585 that he organized the board of five administrators, and

the gist of the regulations issued in the following year for their

guidance was as follows:

(1) No subordinate shall leave his liege lord without the latter's

permission, nor shall anyone give employment to a violator of this

rule.

(2) Farmers must remain on the land assigned to them and must never

leave it untilled. On the other hand, landowners should visit their

tenants and should investigate in company with the latter the actual

amount of the harvest reaped. One-third of this should be left to the

farmer and two-thirds should go to the owner of the land.

(3) If owing to natural calamity the harvest be less than two bushels

per acre, the whole of the yield shall go to the farmer. But if the

harvest exceed that figure, it shall be divided in the proportions

indicated in (2).

(4) No farmer shall move away from his holding to avoid the land-tax

or to escape forced labour. Anyone harbouring a violator of this rule

shall expose to punishment not only himself but also the inhabitants

of the entire village where he resides.

(5) The lord of a fief must issue such instructions as shall

guarantee his agricultural vassals against trouble or annoyance, and

shall himself investigate local affairs instead of entrusting that

duty to a substitute. Landowners who issue unreasonable orders to

farmers shall be punished.

(6) In calculating cubic contents, the regulated unit of measure

shall be used, and two per cent, shall be the maximum allowance for

shortage.

(7) Embankments injured by floods and other mischief wrought by

natural calamities must be repaired during the first month of the

year when agriculturists are at leisure. In the case, however, of

damage which exceeds the farmers' capacity to repair, the facts

should be reported to the taiko who will grant necessary assistance.

There follow various sumptuary regulations. We have next a series of

interesting instructions known as "wall-writings" of the castle of

Osaka:

(1) Intermarriages between daimyo's families require the previous

consent of the Taiko.

(2) Neither daimyo nor shomyo is permitted to enter into secret

engagements or to exchange written oaths, or to give or take

hostages.

(3) In a quarrel the one who forebears shall be recognized as having

reason.

(4) No man, whatever his income, should keep a large number of

concubines.

(5) The amount of sake imbibed should be limited to one's capacity.

(6) The use of sedan-chairs shall be confined to Ieyasu, Toshiie,

Kagekatsu, Terumoto, Takakage, the court nobles, and high priests.

Even a daimyo, when young, should ride on horseback. Those over fifty

years of age may use a sedan-chair when they have to travel a

distance of over one ri (two and a half miles). Priests are exempted

from this veto.

Very interesting, too, is the Taiko Shikimoku, consisting of

seventy-three articles, of which thirteen are translated as follows:

(1) Free yourself from the thraldom of passion.

(2) Avoid heavy drinking.

(3) Be on your guard against women.

(4) Be not contentious or disputatious.

(5) Rise early.

(6) Beware of practical jokes.

(7) Think of your own future.

(8) Do not tire of things.

(9) Beware of thoughtless people.

(10) Beware of fire.

(11) Stand in awe of the law.

(12) Set up fences in your hearts against wandering or extravagant

thoughts.

(13) Hold nobody in contempt.

The sumptuary rules referred to above were that, so far as a man's

means permitted, all garments except those worn in winter should be

lined with silk, and that this exception did not apply to the members

of the Toyotomi family a strange provision showing that Hideyoshi did

not expect his own kith and kin to set an example of economy, however

desirable that virtue might be in the case of society at large.

Further, it was provided that no wadded garment should be worn after

the 1st of April--corresponding to about the 1st of May in the

Gregorian calendar; that pantaloons and socks must not be lined; that

men of inferior position must not wear leather socks, and that

samurai must use only half-foot sandals, a specially inexpensive kind

of footgear. Finally, no one was permitted to employ a crest composed

with the chrysanthemum and the Paulownia imperialis unless specially

permitted by the Taiko, who used this design himself, though

originally it was limited to the members of the Imperial family. So

strict was this injunction that even in the case of renovating a

garment which carried the kiku-kiri crest by permission, the badge

might not be repeated on the restored garment. Supplementary

regulations enjoined members of the priesthood, whether Buddhist or

Shinto, to devote themselves to the study of literature and science,

and to practise what they preached. Moreover, men of small means were

urged not to keep more than one concubine, and to assign for even

this one a separate house. It was strictly forbidden that anyone

should go about with face concealed, a custom which had prevailed

largely in previous eras.

MOTIVES OF LEGISLATION

The 7th of August, 1595, was the day of the Hidetsugu tragedy, and

the above regulations and instructions were promulgated for the most

part early in September of the same year. It is not difficult to

trace a connexion. The provision against secret alliances and

unsanctioned marriages between great families; the veto against

passing from the service of one feudal chief to that of another

without special permission, and the injunction against keeping many

concubines were obviously inspired with the purpose of averting a

repetition of the Hidetsugu catastrophe. Indirectly, the spirit of

such legislation suggests that the signatories of these

laws--Takakage, Terumoto, Toshiiye, Hideiye, and Ieyasu--attached

some measure of credence to the indictment of treason preferred

against Hidetsugu.

AGRARIAN LAWS

The agrarian legislation of Hideyoshi is worthy of special attention.

It shows a marked departure from the days when the unit of rice

measurement was a "handful" and when thirty-six handfuls made a

"sheaf," the latter being the tenth part of the produce of a tan. In

Hideyoshi's system, all cubic measurements were made by means of a

box of accurately fixed capacity--10 go, which was the tenth part of

a koku (5.13 bushels)--the allowance for short measure was limited to

two per cent., and the rule of 360 tsubo to the tan (a quarter of an

acre) was changed to 300 tsubo.

At the same time (1583), land surveyors (kendenshi) were appointed to

compile a map of the entire country. A similar step had been taken by

the Ashikaga shogun, Yoshiteru, in 1553, but the processes adopted on

that occasion were not by any means so accurate or scientific as

those prescribed by the Taiko. The latter entrusted the work of

survey to Nazuka Masaiye, with whom was associated the best

mathematician of the era, Zejobo, and it is recorded that owing to

the minute measures pursued by these surveyors and to the system of

taking two-thirds of the produce for the landlord instead of one-half

or even less, and owing, finally, to estimating the tan at 300 tsubo

instead of at 360 without altering its taxable liability, the

official revenue derived from the land throughout the empire showed a

total increase of eight million koku, equivalent to about £11,000,000

or $54,000,000.

Hideyoshi has been charged with extortion on account of these

innovations. Certainly, there is a striking contrast between the

system of Tenchi and that of Toyotomi. The former, genuinely

socialistic, divided the whole of the land throughout the empire in

equal portions among the units of the nation, and imposed a land-tax

not in any case exceeding five per cent, of the gross produce. The

latter, frankly feudalistic, parcelled out the land into great

estates held by feudal chiefs, who allotted it in small areas to

farmers on condition that the latter paid sixty-six per cent, of the

crops to the lord of the soil. But in justice to Hideyoshi, it must

be owned that he did not devise this system. He was not even the

originator of its new methods, namely, the abbreviation of the tan

and the expansion of the rate. Both had already been put into

practice by other daimyo. It must further be noted that Hideyoshi's

era was essentially one of war. The outlays that he was obliged to

make were enormous and perpetual. He became accustomed, as did his

contemporary barons, to look lightly at vast expenditure. Not

otherwise can we account for the fact that, within the brief period

of eleven years, he undertook and completed five great works

involving enormous cost. These works were the Osaka Castle, in 1583;

a palace for the retiring Emperor Okimachi, in 1586; the palace of

Juraku, in 1587; the Kyoto Daibutsu, in 1586, and the Momo-yama

Palace, in 1594. What sum these outlays aggregated no attempt has

been made to calculate accurately, but the figure must have been

immense. In fact, when Hideyoshi's financial measures are considered,

it should always be in the context of his achievements and his

necessities.

COINS

Another important feature of Hideyoshi's era was the use of coins.

During the time of the Ashikaga shogunate, two kinds of gold coins

were minted, and both were called after the name of the era when they

first went into circulation; they were known as the Shocho koban

(1428-1429) and the Tembun koban (1532-1555). But these coins were so

rare that they can scarcely be said to have been current. As tokens

of exchange, copper coins were imported from China, and were known in

Japan as Eiraku-sen, Eiraku being the Japanese pronunciation of the

Chinese era, Yunglo. These were of pure metal, and side by side with

them were circulated an essentially inferior iron coin struck in

Japan and known as bita-sen. Oda Nobunaga, appreciating the

disastrous effects produced by such currency confusion, had planned

remedial measures when death overtook him, and the task thus devolved

upon Hideyoshi. Fortunately, the production of gold and silver in

Japan increased greatly at this epoch, owing to the introduction of

scientific metallurgical methods from Europe. The gold mines of Sado

and the silver mines of Ikuno quadrupled or quintupled their output,

and Hideyoshi caused an unprecedented quantity of gold and silver

coins to be struck; the former known as the Tensho koban and the

Tensho oban,* and the latter as the silver bu (ichibu-giri) and the

silver half-bu (nishu-gin.)

*The oban was an oval plate measuring 7 inches by 4, and weighing 53

ounces. It contained 63.84 per cent, of gold and 20 per cent, of

silver. The koban was one-tenth of the value of the oban.

Gold and silver thenceforth became the standards of value, and as the

mines at Sado and Ikuno belonged to the Government, that is to say,

to Hideyoshi, his wealth suddenly received a conspicuous increase.

That he did possess great riches is proved by the fact that when, in

September, 1596, a terrible earthquake overthrew Momo-yama Castle and

wrecked all the great structures referred to above, involving for

Hideyoshi a loss of "three million pieces of gold," he is described

as having treated the incident with the utmost indifference, merely

directing that works of reparation should be taken in hand forthwith.

The records say that Osaka Castle, which had suffered seriously and

been rendered quite uninhabitable, was put in order and sumptuously

fitted up within the short space of six weeks. Of course, much of the

resulting expense had to be borne by the great feudatories, but the

share of Hideyoshi himself cannot have been inconsiderable.

LITERATURE, ART, AND COMMERCE

It has already been shown that in spite of the disorder and unrest

which marked the military era, that era saw the birth of a great art

movement under the Ashikaga shogun, Yoshimasa. It has now to be noted

that this movement was rapidly developed under the Taiko. "The latter

it was whose practical genius did most to popularize art. Although

his early training and the occupations of his life until a late

period were not calculated to educate esthetic taste, he devoted to

the cause of art a considerable portion of the sovereign power that

his great gifts as a military leader and a politician had brought

him." His earnest patronage of the tea ceremonial involved the

cultivation of literature, and although he himself did not excel in

that line, he did much to promote the taste for it in others. In the

field of industrial art, however, his influence was much more marked.

Not only did he bestow munificent allowances on skilled artists and

art artisans, but also he conferred on them distinctions which proved

stronger incentives than any pecuniary remuneration, and when he

built the celebrated mansions of Juraku and Momo-yama, so vast were

the sums that he lavished on their decoration, and such a certain

passport to his favour did artistic merit confer, that the little

town of Fushimi quickly became the art capital of the empire, and

many of the most skilful painters, lacquerers, metal-workers, and

wood-carvers within the Four Seas congregated there.

Historians speak with profound regret of the dismantling and

destruction of these splendid edifices a few years after the Taiko's

death; but it is more than probable that the permanent possession of

even such monuments of applied art could not have benefited the

country nearly as much as did their destruction. For the immediate

result was an exodus of all the experts who, settling at Fushimi, had

become famous for the sake of their Momo-yama work. They scattered

among the fiefs of the most powerful provincial nobles, who received

them hospitably and granted them liberal revenues. From that time,

namely, the close of the sixteenth century, there sprang up an

inter-fief rivalry of artistic production which materially promoted

the development of every branch of art and encouraged refinement of

life and manners. Not less noteworthy in the history of this military

epoch is the improvement that took place in the social status of the

merchant during the sixteenth century. Much was due to the liberal

views of the Taiko. He encouraged commercial voyages by his

countrymen to Macao and to Cambodia, to Annam, and to other places.

Nine ships engaged in this trade every year. They carried licences

bearing the Taiko's vermilion stamp, and the ports of departure were

Nagasaki, Osaka, and Sakai.

ENGRAVING: SIGNATURE OF TOKUGAWA IEYASU

ENGRAVING: MOUNTAIN "KAGO"

A history of the Japanese people · 第 38 / 51 章