CHAPTER SEVEN--ON THE PAVEMENT

Fyne was not willing to talk; but as I had been already let into the

secret, the fair-minded little man recognized that I had some right to

information if I insisted on it. And I did insist, after the third game.

We were yet some way from the end of our journey.

"Oh, if you want to know," was his somewhat impatient opening. And then

he talked rather volubly. First of all his wife had not given him to

read the letter received from Flora (I had suspected him of having it in

his pocket), but had told him all about the contents. It was not at all

what it should have been even if the girl had wished to affirm her right

to disregard the feelings of all the world. Her own had been trampled in

the dirt out of all shape. Extraordinary thing to say--I would admit,

for a young girl of her age. The whole tone of that letter was wrong,

quite wrong. It was certainly not the product of a--say, of a

well-balanced mind.

"If she were given some sort of footing in this world," I said, "if only

no bigger than the palm of my hand, she would probably learn to keep a

better balance."

Fyne ignored this little remark. His wife, he said, was not the sort of

person to be addressed mockingly on a serious subject. There was an

unpleasant strain of levity in that letter, extending even to the

references to Captain Anthony himself. Such a disposition was enough,

his wife had pointed out to him, to alarm one for the future, had all the

circumstances of that preposterous project been as satisfactory as in

fact they were not. Other parts of the letter seemed to have a

challenging tone--as if daring them (the Fynes) to approve her conduct.

And at the same time implying that she did not care, that it was for

their own sakes that she hoped they would "go against the world--the

horrid world which had crushed poor papa."

Fyne called upon me to admit that this was pretty cool--considering. And

there was another thing, too. It seems that for the last six months (she

had been assisting two ladies who kept a kindergarten school in

Bayswater--a mere pittance), Flora had insisted on devoting all her spare

time to the study of the trial. She had been looking up files of old

newspapers, and working herself up into a state of indignation with what

she called the injustice and the hypocrisy of the prosecution. Her

father, Fyne reminded me, had made some palpable hits in his answers in

Court, and she had fastened on them triumphantly. She had reached the

conclusion of her father's innocence, and had been brooding over it. Mrs.

Fyne had pointed out to him the danger of this.

The train ran into the station and Fyne, jumping out directly it came to

a standstill, seemed glad to cut short the conversation. We walked in

silence a little way, boarded a bus, then walked again. I don't suppose

that since the days of his childhood, when surely he was taken to see the

Tower, he had been once east of Temple Bar. He looked about him

sullenly; and when I pointed out in the distance the rounded front of the

Eastern Hotel at the bifurcation of two very broad, mean, shabby

thoroughfares, rising like a grey stucco tower above the lowly roofs of

the dirty-yellow, two-storey houses, he only grunted disapprovingly.

"I wouldn't lay too much stress on what you have been telling me," I

observed quietly as we approached that unattractive building. "No man

will believe a girl who has just accepted his suit to be not well

balanced,--you know."

"Oh! Accepted his suit," muttered Fyne, who seemed to have been very

thoroughly convinced indeed. "It may have been the other way about." And

then he added: "I am going through with it."

I said that this was very praiseworthy but that a certain moderation of

statement . . . He waved his hand at me and mended his pace. I guessed

that he was anxious to get his mission over as quickly as possible. He

barely gave himself time to shake hands with me and made a rush at the

narrow glass door with the words Hotel Entrance on it. It swung to

behind his back with no more noise than the snap of a toothless jaw.

The absurd temptation to remain and see what would come of it got over my

better judgment. I hung about irresolute, wondering how long an embassy

of that sort would take, and whether Fyne on coming out would consent to

be communicative. I feared he would be shocked at finding me there,

would consider my conduct incorrect, conceivably treat me with contempt.

I walked off a few paces. Perhaps it would be possible to read something

on Fyne's face as he came out; and, if necessary, I could always eclipse

myself discreetly through the door of one of the bars. The ground floor

of the Eastern Hotel was an unabashed pub, with plate-glass fronts, a

display of brass rails, and divided into many compartments each having

its own entrance.

But of course all this was silly. The marriage, the love, the affairs of

Captain Anthony were none of my business. I was on the point of moving

down the street for good when my attention was attracted by a girl

approaching the hotel entrance from the west. She was dressed very

modestly in black. It was the white straw hat of a good form and trimmed

with a bunch of pale roses which had caught my eye. The whole figure

seemed familiar. Of course! Flora de Barral. She was making for the

hotel, she was going in. And Fyne was with Captain Anthony! To meet him

could not be pleasant for her. I wished to save her from the

awkwardness, and as I hesitated what to do she looked up and our eyes

happened to meet just as she was turning off the pavement into the hotel

doorway. Instinctively I extended my arm. It was enough to make her

stop. I suppose she had some faint notion that she had seen me before

somewhere. She walked slowly forward, prudent and attentive, watching my

faint smile.

"Excuse me," I said directly she had approached me near enough. "Perhaps

you would like to know that Mr. Fyne is upstairs with Captain Anthony at

this moment."

She uttered a faint "Ah! Mr. Fyne!" I could read in her eyes that she

had recognized me now. Her serious expression extinguished the imbecile

grin of which I was conscious. I raised my hat. She responded with a

slow inclination of the head while her luminous, mistrustful, maiden's

glance seemed to whisper, "What is this one doing here?"

"I came up to town with Fyne this morning," I said in a businesslike

tone. "I have to see a friend in East India Dock. Fyne and I parted

this moment at the door here . . . " The girl regarded me with

darkening eyes . . . "Mrs. Fyne did not come with her husband," I went

on, then hesitated before that white face so still in the pearly shadow

thrown down by the hat-brim. "But she sent him," I murmured by way of

warning.

Her eyelids fluttered slowly over the fixed stare. I imagine she was not

much disconcerted by this development. "I live a long way from here,"

she whispered.

I said perfunctorily, "Do you?" And we remained gazing at each other.

The uniform paleness of her complexion was not that of an anaemic girl.

It had a transparent vitality and at that particular moment the faintest

possible rosy tinge, the merest suspicion of colour; an equivalent, I

suppose, in any other girl to blushing like a peony while she told me

that Captain Anthony had arranged to show her the ship that morning.

It was easy to understand that she did not want to meet Fyne. And when I

mentioned in a discreet murmur that he had come because of her letter she

glanced at the hotel door quickly, and moved off a few steps to a

position where she could watch the entrance without being seen. I

followed her. At the junction of the two thoroughfares she stopped in

the thin traffic of the broad pavement and turned to me with an air of

challenge. "And so you know."

I told her that I had not seen the letter. I had only heard of it. She

was a little impatient. "I mean all about me."

Yes. I knew all about her. The distress of Mr. and Mrs. Fyne--especially

of Mrs. Fyne--was so great that they would have shared it with anybody

almost--not belonging to their circle of friends. I happened to be at

hand--that was all.

"You understand that I am not their friend. I am only a holiday

acquaintance."

"She was not very much upset?" queried Flora de Barral, meaning, of

course, Mrs. Fyne. And I admitted that she was less so than her

husband--and even less than myself. Mrs. Fyne was a very self-possessed

person which nothing could startle out of her extreme theoretical

position. She did not seem startled when Fyne and I proposed going to

the quarry.

"You put that notion into their heads," the girl said.

I advanced that the notion was in their heads already. But it was much

more vividly in my head since I had seen her up there with my own eyes,

tempting Providence.

She was looking at me with extreme attention, and murmured:

"Is that what you called it to them? Tempting . . . "

"No. I told them that you were making up your mind and I came along just

then. I told them that you were saved by me. My shout checked you . . .

" She moved her head gently from right to left in negation . . . "No?

Well, have it your own way."

I thought to myself: She has found another issue. She wants to forget

now. And no wonder. She wants to persuade herself that she had never

known such an ugly and poignant minute in her life. "After all," I

conceded aloud, "things are not always what they seem."

Her little head with its deep blue eyes, eyes of tenderness and anger

under the black arch of fine eyebrows was very still. The mouth looked

very red in the white face peeping from under the veil, the little

pointed chin had in its form something aggressive. Slight and even

angular in her modest black dress she was an appealing and--yes--she was

a desirable little figure.

Her lips moved very fast asking me:

"And they believed you at once?"

"Yes, they believed me at once. Mrs. Fyne's word to us was "Go!"

A white gleam between the red lips was so short that I remained uncertain

whether it was a smile or a ferocious baring of little even teeth. The

rest of the face preserved its innocent, tense and enigmatical

expression. She spoke rapidly.

"No, it wasn't your shout. I had been there some time before you saw me.

And I was not there to tempt Providence, as you call it. I went up there

for--for what you thought I was going to do. Yes. I climbed two fences.

I did not mean to leave anything to Providence. There seem to be people

for whom Providence can do nothing. I suppose you are shocked to hear me

talk like that?"

I shook my head. I was not shocked. What had kept her back all that

time, till I appeared on the scene below, she went on, was neither fear

nor any other kind of hesitation. One reaches a point, she said with

appalling youthful simplicity, where nothing that concerns one matters

any longer. But something did keep her back. I should have never

guessed what it was. She herself confessed that it seemed absurd to say.

It was the Fyne dog.

Flora de Barral paused, looking at me, with a peculiar expression and

then went on. You see, she imagined the dog had become extremely

attached to her. She took it into her head that he might fall over or

jump down after her. She tried to drive him away. She spoke sternly to

him. It only made him more frisky. He barked and jumped about her skirt

in his usual, idiotic, high spirits. He scampered away in circles

between the pines charging upon her and leaping as high as her waist. She

commanded, "Go away. Go home." She even picked up from the ground a bit

of a broken branch and threw it at him. At this his delight knew no

bounds; his rushes became faster, his yapping louder; he seemed to be

having the time of his life. She was convinced that the moment she threw

herself down he would spring over after her as if it were part of the

game. She was vexed almost to tears. She was touched too. And when he

stood still at some distance as if suddenly rooted to the ground wagging

his tail slowly and watching her intensely with his shining eyes another

fear came to her. She imagined herself gone and the creature sitting on

the brink, its head thrown up to the sky and howling for hours. This

thought was not to be borne. Then my shout reached her ears.

She told me all this with simplicity. My voice had destroyed her

poise--the suicide poise of her mind. Every act of ours, the most

criminal, the most mad presupposes a balance of thought, feeling and

will, like a correct attitude for an effective stroke in a game. And I

had destroyed it. She was no longer in proper form for the act. She was

not very much annoyed. Next day would do. She would have to slip away

without attracting the notice of the dog. She thought of the necessity

almost tenderly. She came down the path carrying her despair with lucid

calmness. But when she saw herself deserted by the dog, she had an

impulse to turn round, go up again and be done with it. Not even that

animal cared for her--in the end.

"I really did think that he was attached to me. What did he want to

pretend for, like this? I thought nothing could hurt me any more. Oh

yes. I would have gone up, but I felt suddenly so tired. So tired. And

then you were there. I didn't know what you would do. You might have

tried to follow me and I didn't think I could run--not up hill--not

then."

She had raised her white face a little, and it was queer to hear her say

these things. At that time of the morning there are comparatively few

people out in that part of the town. The broad interminable perspective

of the East India Dock Road, the great perspective of drab brick walls,

of grey pavement, of muddy roadway rumbling dismally with loaded carts

and vans lost itself in the distance, imposing and shabby in its spacious

meanness of aspect, in its immeasurable poverty of forms, of colouring,

of life--under a harsh, unconcerned sky dried by the wind to a clear

blue. It had been raining during the night. The sunshine itself seemed

poor. From time to time a few bits of paper, a little dust and straw

whirled past us on the broad flat promontory of the pavement before the

rounded front of the hotel.

Flora de Barral was silent for a while. I said:

"And next day you thought better of it."

Again she raised her eyes to mine with that peculiar expression of

informed innocence; and again her white cheeks took on the faintest tinge

of pink--the merest shadow of a blush.

"Next day," she uttered distinctly, "I didn't think. I remembered. That

was enough. I remembered what I should never have forgotten. Never. And

Captain Anthony arrived at the cottage in the evening."

"Ah yes. Captain Anthony," I murmured. And she repeated also in a

murmur, "Yes! Captain Anthony." The faint flush of warm life left her

face. I subdued my voice still more and not looking at her: "You found

him sympathetic?" I ventured.

Her long dark lashes went down a little with an air of calculated

discretion. At least so it seemed to me. And yet no one could say that

I was inimical to that girl. But there you are! Explain it as you may,

in this world the friendless, like the poor, are always a little suspect,

as if honesty and delicacy were only possible to the privileged few.

"Why do you ask?" she said after a time, raising her eyes suddenly to

mine in an effect of candour which on the same principle (of the

disinherited not being to be trusted) might have been judged equivocal.

"If you mean what right I have . . . " She move slightly a hand in a

worn brown glove as much as to say she could not question anyone's right

against such an outcast as herself.

I ought to have been moved perhaps; but I only noted the total absence of

humility . . . "No right at all," I continued, "but just interest. Mrs.

Fyne--it's too difficult to explain how it came about--has talked to me

of you--well--extensively."

No doubt Mrs. Fyne had told me the truth, Flora said brusquely with an

unexpected hoarseness of tone. This very dress she was wearing had been

given her by Mrs. Fyne. Of course I looked at it. It could not have

been a recent gift. Close-fitting and black, with heliotrope silk

facings under a figured net, it looked far from new, just on this side of

shabbiness; in fact, it accentuated the slightness of her figure, it went

well in its suggestion of half mourning with the white face in which the

unsmiling red lips alone seemed warm with the rich blood of life and

passion.

Little Fyne was staying up there an unconscionable time. Was he arguing,

preaching, remonstrating? Had he discovered in himself a capacity and a

taste for that sort of thing? Or was he perhaps, in an intense dislike

for the job, beating about the bush and only puzzling Captain Anthony,

the providential man, who, if he expected the girl to appear at any

moment, must have been on tenterhooks all the time, and beside himself

with impatience to see the back of his brother-in-law. How was it that

he had not got rid of Fyne long before in any case? I don't mean by

actually throwing him out of the window, but in some other resolute

manner.

Surely Fyne had not impressed him. That he was an impressionable man I

could not doubt. The presence of the girl there on the pavement before

me proved this up to the hilt--and, well, yes, touchingly enough.

It so happened that in their wanderings to and fro our glances met. They

met and remained in contact more familiar than a hand-clasp, more

communicative, more expressive. There was something comic too in the

whole situation, in the poor girl and myself waiting together on the

broad pavement at a corner public-house for the issue of Fyne's

ridiculous mission. But the comic when it is human becomes quickly

painful. Yes, she was infinitely anxious. And I was asking myself

whether this poignant tension of her suspense depended--to put it

plainly--on hunger or love.

The answer would have been of some interest to Captain Anthony. For my

part, in the presence of a young girl I always become convinced that the

dreams of sentiment--like the consoling mysteries of Faith--are

invincible; that it is never never reason which governs men and women.

Yet what sentiment could there have been on her part? I remembered her

tone only a moment since when she said: "That evening Captain Anthony

arrived at the cottage." And considering, too, what the arrival of

Captain Anthony meant in this connection, I wondered at the calmness with

which she could mention that fact. He arrived at the cottage. In the

evening. I knew that late train. He probably walked from the station.

The evening would be well advanced. I could almost see a dark indistinct

figure opening the wicket gate of the garden. Where was she? Did she

see him enter? Was she somewhere near by and did she hear without the

slightest premonition his chance and fateful footsteps on the flagged

path leading to the cottage door? In the shadow of the night made more

cruelly sombre for her by the very shadow of death he must have appeared

too strange, too remote, too unknown to impress himself on her thought as

a living force--such a force as a man can bring to bear on a woman's

destiny.

She glanced towards the hotel door again; I followed suit and then our

eyes met once more, this time intentionally. A tentative, uncertain

intimacy was springing up between us two. She said simply: "You are

waiting for Mr. Fyne to come out; are you?"

I admitted to her that I was waiting to see Mr. Fyne come out. That was

all. I had nothing to say to him.

"I have said yesterday all I had to say to him," I added meaningly. "I

have said it to them both, in fact. I have also heard all they had to

say."

"About me?" she murmured.

"Yes. The conversation was about you."

"I wonder if they told you everything."

If she wondered I could do nothing else but wonder too. But I did not

tell her that. I only smiled. The material point was that Captain

Anthony should be told everything. But as to that I was very certain

that the good sister would see to it. Was there anything more to

disclose--some other misery, some other deception of which that girl had

been a victim? It seemed hardly probable. It was not even easy to

imagine. What struck me most was her--I suppose I must call

it--composure. One could not tell whether she understood what she had

done. One wondered. She was not so much unreadable as blank; and I did

not know whether to admire her for it or dismiss her from my thoughts as

a passive butt of ferocious misfortune.

Looking back at the occasion when we first got on speaking terms on the

road by the quarry, I had to admit that she presented some points of a

problematic appearance. I don't know why I imagined Captain Anthony as

the sort of man who would not be likely to take the initiative; not

perhaps from indifference but from that peculiar timidity before women

which often enough is found in conjunction with chivalrous instincts,

with a great need for affection and great stability of feelings. Such

men are easily moved. At the least encouragement they go forward with

the eagerness, with the recklessness of starvation. This accounted for

the suddenness of the affair. No! With all her inexperience this girl

could not have found any great difficulty in her conquering enterprise.

She must have begun it. And yet there she was, patient, almost unmoved,

almost pitiful, waiting outside like a beggar, without a right to

anything but compassion, for a promised dole.

Every moment people were passing close by us, singly, in two and threes;

the inhabitants of that end of the town where life goes on unadorned by

grace or splendour; they passed us in their shabby garments, with sallow

faces, haggard, anxious or weary, or simply without expression, in an

unsmiling sombre stream not made up of lives but of mere unconsidered

existences whose joys, struggles, thoughts, sorrows and their very hopes

were miserable, glamourless, and of no account in the world. And when

one thought of their reality to themselves one's heart became oppressed.

But of all the individuals who passed by none appeared to me for the

moment so pathetic in unconscious patience as the girl standing before

me; none more difficult to understand. It is perhaps because I was

thinking of things which I could not ask her about.

In fact we had nothing to say to each other; but we two, strangers as we

really were to each other, had dealt with the most intimate and final of

subjects, the subject of death. It had created a sort of bond between

us. It made our silence weighty and uneasy. I ought to have left her

there and then; but, as I think I've told you before, the fact of having

shouted her away from the edge of a precipice seemed somehow to have

engaged my responsibility as to this other leap. And so we had still an

intimate subject between us to lend more weight and more uneasiness to

our silence. The subject of marriage. I use the word not so much in

reference to the ceremony itself (I had no doubt of this, Captain Anthony

being a decent fellow) or in view of the social institution in general,

as to which I have no opinion, but in regard to the human relation. The

first two views are not particularly interesting. The ceremony, I

suppose, is adequate; the institution, I dare say, is useful or it would

not have endured. But the human relation thus recognized is a mysterious

thing in its origins, character and consequences. Unfortunately you

can't buttonhole familiarly a young girl as you would a young fellow. I

don't think that even another woman could really do it. She would not be

trusted. There is not between women that fund of at least conditional

loyalty which men may depend on in their dealings with each other. I

believe that any woman would rather trust a man. The difficulty in such

a delicate case was how to get on terms.

So we held our peace in the odious uproar of that wide roadway thronged

with heavy carts. Great vans carrying enormous piled-up loads advanced

swaying like mountains. It was as if the whole world existed only for

selling and buying and those who had nothing to do with the movement of

merchandise were of no account.

"You must be tired," I said. One had to say something if only to assert

oneself against that wearisome, passionless and crushing uproar. She

raised her eyes for a moment. No, she was not. Not very. She had not

walked all the way. She came by train as far as Whitechapel Station and

had only walked from there.

She had had an ugly pilgrimage; but whether of love or of necessity who

could tell? And that precisely was what I should have liked to get at.

This was not however a question to be asked point-blank, and I could not

think of any effective circumlocution. It occurred to me too that she

might conceivably know nothing of it herself--I mean by reflection. That

young woman had been obviously considering death. She had gone the

length of forming some conception of it. But as to its companion

fatality--love, she, I was certain, had never reflected upon its meaning.

With that man in the hotel, whom I did not know, and this girl standing

before me in the street I felt that it was an exceptional case. He had

broken away from his surroundings; she stood outside the pale. One

aspect of conventions which people who declaim against them lose sight of

is that conventions make both joy and suffering easier to bear in a

becoming manner. But those two were outside all conventions. They would

be as untrammelled in a sense as the first man and the first woman. The

trouble was that I could not imagine anything about Flora de Barral and

the brother of Mrs. Fyne. Or, if you like, I could imagine _anything_

which comes practically to the same thing. Darkness and chaos are first

cousins. I should have liked to ask the girl for a word which would give

my imagination its line. But how was one to venture so far? I can be

rough sometimes but I am not naturally impertinent. I would have liked

to ask her for instance: "Do you know what you have done with yourself?"

A question like that. Anyhow it was time for one of us to say something.

A question it must be. And the question I asked was: "So he's going to

show you the ship?"

She seemed glad I had spoken at last and glad of the opportunity to speak

herself.

"Yes. He said he would--this morning. Did you say you did not know

Captain Anthony?"

"No. I don't know him. Is he anything like his sister?"

She looked startled and murmured "Sister!" in a puzzled tone which

astonished me. "Oh! Mrs. Fyne," she exclaimed, recollecting herself,

and avoiding my eyes while I looked at her curiously.

What an extraordinary detachment! And all the time the stream of shabby

people was hastening by us, with the continuous dreary shuffling of weary

footsteps on the flagstones. The sunshine falling on the grime of

surfaces, on the poverty of tones and forms seemed of an inferior

quality, its joy faded, its brilliance tarnished and dusty. I had to

raise my voice in the dull vibrating noise of the roadway.

"You don't mean to say you have forgotten the connection?"

She cried readily enough: "I wasn't thinking." And then, while I

wondered what could have been the images occupying her brain at this

time, she asked me: "You didn't see my letter to Mrs. Fyne--did you?"

"No. I didn't," I shouted. Just then the racket was distracting, a pair-

horse trolly lightly loaded with loose rods of iron passing slowly very

near us. "I wasn't trusted so far." And remembering Mrs. Fyne's hints

that the girl was unbalanced, I added: "Was it an unreserved confession

you wrote?"

She did not answer me for a time, and as I waited I thought that there's

nothing like a confession to make one look mad; and that of all

confessions a written one is the most detrimental all round. Never

confess! Never, never! An untimely joke is a source of bitter regret

always. Sometimes it may ruin a man; not because it is a joke, but

because it is untimely. And a confession of whatever sort is always

untimely. The only thing which makes it supportable for a while is

curiosity. You smile? Ah, but it is so, or else people would be sent to

the rightabout at the second sentence. How many sympathetic souls can

you reckon on in the world? One in ten, one in a hundred--in a

thousand--in ten thousand? Ah! What a sell these confessions are! What

a horrible sell! You seek sympathy, and all you get is the most

evanescent sense of relief--if you get that much. For a confession,

whatever it may be, stirs the secret depths of the hearer's character.

Often depths that he himself is but dimly aware of. And so the righteous

triumph secretly, the lucky are amused, the strong are disgusted, the

weak either upset or irritated with you according to the measure of their

sincerity with themselves. And all of them in their hearts brand you for

either mad or impudent . . . "

I had seldom seen Marlow so vehement, so pessimistic, so earnestly

cynical before. I cut his declamation short by asking what answer Flora

de Barral had given to his question. "Did the poor girl admit firing off

her confidences at Mrs. Fyne--eight pages of close writing--that sort of

thing?"

Marlow shook his head.

"She did not tell me. I accepted her silence, as a kind of answer and

remarked that it would have been better if she had simply announced the

fact to Mrs. Fyne at the cottage. "Why didn't you do it?" I asked point-

blank.

She said: "I am not a very plucky girl." She looked up at me and added

meaningly: "And _you_ know it. And you know why."

I must remark that she seemed to have become very subdued since our first

meeting at the quarry. Almost a different person from the defiant, angry

and despairing girl with quivering lips and resentful glances.

"I thought it was very sensible of you to get away from that sheer drop,"

I said.

She looked up with something of that old expression.

"That's not what I mean. I see you will have it that you saved my life.

Nothing of the kind. I was concerned for that vile little beast of a

dog. No! It was the idea of--of doing away with myself which was

cowardly. That's what I meant by saying I am not a very plucky girl."

"Oh!" I retorted airily. "That little dog. He isn't really a bad little

dog." But she lowered her eyelids and went on:

"I was so miserable that I could think only of myself. This was mean. It

was cruel too. And besides I had _not_ given it up--not then."

* * * * *

Marlow changed his tone.

"I don't know much of the psychology of self-destruction. It's a sort of

subject one has few opportunities to study closely. I knew a man once

who came to my rooms one evening, and while smoking a cigar confessed to

me moodily that he was trying to discover some graceful way of retiring

out of existence. I didn't study his case, but I had a glimpse of him

the other day at a cricket match, with some women, having a good time.

That seems a fairly reasonable attitude. Considered as a sin, it is a

case for repentance before the throne of a merciful God. But I imagine

that Flora de Barral's religion under the care of the distinguished

governess could have been nothing but outward formality. Remorse in the

sense of gnawing shame and unavailing regret is only understandable to me

when some wrong had been done to a fellow-creature. But why she, that

girl who existed on sufferance, so to speak--why she should writhe

inwardly with remorse because she had once thought of getting rid of a

life which was nothing in every respect but a curse--that I could not

understand. I thought it was very likely some obscure influence of

common forms of speech, some traditional or inherited feeling--a vague

notion that suicide is a legal crime; words of old moralists and

preachers which remain in the air and help to form all the authorized

moral conventions. Yes, I was surprised at her remorse. But lowering

her glance unexpectedly till her dark eye-lashes seemed to rest against

her white cheeks she presented a perfectly demure aspect. It was so

attractive that I could not help a faint smile. That Flora de Barral

should ever, in any aspect, have the power to evoke a smile was the very

last thing I should have believed. She went on after a slight

hesitation:

"One day I started for there, for that place."

Look at the influence of a mere play of physiognomy! If you remember

what we were talking about you will hardly believe that I caught myself

grinning down at that demure little girl. I must say too that I felt

more friendly to her at the moment than ever before.

"Oh, you did? To take that jump? You are a determined young person.

Well, what happened that time?"

An almost imperceptible alteration in her bearing; a slight droop of her

head perhaps--a mere nothing--made her look more demure than ever.

"I had left the cottage," she began a little hurriedly. "I was walking

along the road--you know, _the_ road. I had made up my mind I was not

coming back this time."

I won't deny that these words spoken from under the brim of her hat (oh

yes, certainly, her head was down--she had put it down) gave me a thrill;

for indeed I had never doubted her sincerity. It could never have been a

make-believe despair.

"Yes," I whispered. "You were going along the road."

"When . . . " Again she hesitated with an effect of innocent shyness

worlds asunder from tragic issues; then glided on . . . "When suddenly

Captain Anthony came through a gate out of a field."

I coughed down the beginning of a most improper fit of laughter, and felt

ashamed of myself. Her eyes raised for a moment seemed full of innocent

suffering and unexpressed menace in the depths of the dilated pupils

within the rings of sombre blue. It was--how shall I say it?--a night

effect when you seem to see vague shapes and don't know what reality you

may come upon at any time. Then she lowered her eyelids again, shutting

all mysteriousness out of the situation except for the sobering memory of

that glance, nightlike in the sunshine, expressively still in the brutal

unrest of the street.

"So Captain Anthony joined you--did he?"

"He opened a field-gate and walked out on the road. He crossed to my

side and went on with me. He had his pipe in his hand. He said: 'Are

you going far this morning?'"

These words (I was watching her white face as she spoke) gave me a slight

shudder. She remained demure, almost prim. And I remarked:

"You have been talking together before, of course."

"Not more than twenty words altogether since he arrived," she declared

without emphasis. "That day he had said 'Good morning' to me when we met

at breakfast two hours before. And I said good morning to him. I did

not see him afterwards till he came out on the road."

I thought to myself that this was not accidental. He had been observing

her. I felt certain also that he had not been asking any questions of

Mrs. Fyne.

"I wouldn't look at him," said Flora de Barral. "I had done with looking

at people. He said to me: 'My sister does not put herself out much for

us. We had better keep each other company. I have read every book there

is in that cottage.' I walked on. He did not leave me. I thought he

ought to. But he didn't. He didn't seem to notice that I would not talk

to him."

She was now perfectly still. The wretched little parasol hung down

against her dress from her joined hands. I was rigid with attention. It

isn't every day that one culls such a volunteered tale on a girl's lips.

The ugly street-noises swelling up for a moment covered the next few

words she said. It was vexing. The next word I heard was "worried."

"It worried you to have him there, walking by your side."

"Yes. Just that," she went on with downcast eyes. There was something

prettily comical in her attitude and her tone, while I pictured to myself

a poor white-faced girl walking to her death with an unconscious man

striding by her side. Unconscious? I don't know. First of all, I felt

certain that this was no chance meeting. Something had happened before.

Was he a man for a _coup-de-foudre_, the lightning stroke of love? I

don't think so. That sort of susceptibility is luckily rare. A world of

inflammable lovers of the Romeo and Juliet type would very soon end in

barbarism and misery. But it is a fact that in every man (not in every

woman) there lives a lover; a lover who is called out in all his

potentialities often by the most insignificant little things--as long as

they come at the psychological moment: the glimpse of a face at an

unusual angle, an evanescent attitude, the curve of a cheek often looked

at before, perhaps, but then, at the moment, charged with astonishing

significance. These are great mysteries, of course. Magic signs.

I don't know in what the sign consisted in this case. It might have been

her pallor (it wasn't pasty nor yet papery) that white face with eyes

like blue gleams of fire and lips like red coals. In certain lights, in

certain poises of head it suggested tragic sorrow. Or it might have been

her wavy hair. Or even just that pointed chin stuck out a little,

resentful and not particularly distinguished, doing away with the

mysterious aloofness of her fragile presence. But any way at a given

moment Anthony must have suddenly _seen_ the girl. And then, that

something had happened to him. Perhaps nothing more than the thought

coming into his head that this was "a possible woman."

Followed this waylaying! Its resolute character makes me think it was

the chin's doing; that "common mortal" touch which stands in such good

stead to some women. Because men, I mean really masculine men, those

whose generations have evolved an ideal woman, are often very timid. Who

wouldn't be before the ideal? It's your sentimental trifler, who has

just missed being nothing at all, who is enterprising, simply because it

is easy to appear enterprising when one does not mean to put one's belief

to the test.

Well, whatever it was that encouraged him, Captain Anthony stuck to Flora

de Barral in a manner which in a timid man might have been called heroic

if it had not been so simple. Whether policy, diplomacy, simplicity, or

just inspiration, he kept up his talk, rather deliberate, with very few

pauses. Then suddenly as if recollecting himself:

"It's funny. I don't think you are annoyed with me for giving you my

company unasked. But why don't you say something?"

Chance: A Tale in Two Parts(#1476) · 第 20 / 33 题