CHAPTER VI

THE TROUBLES OF A WAR CORRESPONDENT IN THE BALKANS

Being a war correspondent with the Bulgarian army gave one far better

opportunities of studying Balkan scenery and natural characteristics

than war operations. After getting through to Staff headquarters at

Stara Zagora and to Mustapha Pasha, which was about twelve miles from

the operations against Adrianople, I found myself a kind of prisoner of

the censor, and recall putting my complaint into writing on November 7:

It is the dullest of posts, this, at the tail of an army which is

moving forward and doing brave deeds whilst we are cooped up by the

censor, thirsting for news, and given an occasional bulletin which

tells us just what it is thought that we should be told. True, we

are not prisoners exactly. We may go out within a mile radius. That

is the rule which must be faithfully kept under pain of being sent

back to headquarters. Perhaps, now and again, a desperate

correspondent, thinking that it would not be such a sad thing

after all to be sent back to headquarters, takes a generous view of

what a mile is. (Perhaps he has been used to Irish miles, which are

of the elastic kind; short when you pay a car fare, long, very

long, at other times.) But, supposing, with great energy and at

dread risk of being sent back to headquarters a correspondent _has_

walked one mile and one yard; or his horse, which cannot read

notices, has unwittingly carried him on; and supposing that he has

made all kinds of brilliant observations, analysing a speck of

shining metal showing there, a puff of smoke elsewhere, a flash, or

a scar on the earth, still there remains the censor. A courteous

gentleman is the censor, with a manner even deferential. He cuts

off the head of your news with the most malignant courtesy. "I am

sorry, my dear sir, but that refers to movements of troops; it is

forbidden. And that might be useful to the enemy. Ah, that

observation is excellent; but it cannot go."

Afterwards, there remains in your mind an impression of your

wickedness in having troubled so amiable a gentleman, and on your

telegraph form nothing, just nothing. Of course, if you like, you

can pass along the camp chatter, the stories brought in by Greeks

anxious to curry favour, the descriptions of the capture of

Constantinople by peasants whose first cousins were staying at the

Pera Hotel the day it happened. The censor is too wise a gentleman

to interfere with the harmless amusement of sending that on. It

does not harm; it may entertain somebody.

So at the rear of the army, which is making the Christian arm more

respected than it has been for some time in this Balkan Peninsula,

we sit and growl. Those of us who are convinced that we possess

that supreme capacity of a general "to see what is going on behind

the next hill" are particularly sad. There are so many precious

observations being wasted, theories which cannot be expressed,

sagacious "I told you so's" which are smothered. We are at the rear

of an army, and endless trains of transport move on; and if we can

by chance catch the sound of a distant gun we are happy for a day,

since it suggests the real thing. Some of us are optimists, and

feel sure that we shall go forward in a day or two; that we shall

be allowed to see the bombardment of Adrianople; if not that, then

its capture; if not that, then something. Others are pessimists,

and have gone home.

It is easy to understand the anxiety of the Bulgarians. They are

engaged in a big war. They know that some of the Great Powers are

watching its progress with something more than interest and

something less than sympathy. It is their impression that they can

beat the Turks; but that afterwards they may have to meet an

attempt to neutralise their victory. So they are anxious to mask

every detail of their organisation. Secrecy applies to the past as

well as to the present and the future. But it is very irritating;

and one goes home, or holds on in the hope that something better

will come after a time.

Meanwhile one may learn a little of the country and its

people--this country which has been riven by many wars. The

map--with its names in several languages--gives indications of the

wounds they inflicted. In Bulgaria, too, it shows how determined is

the nationality of the people who have within a generation

reasserted their right to be a nation. They permit no Turkish names

to remain on their maps. Not only do the Arabic characters go, but

also the Turkish names. Eski Sagrah, for example, gives place to

the title it has on the best English maps. "Sagrah" means in

Turkish a "dell," a place sheltered by a wood. "Eski" means "old."

The Bulgarian has changed that to Stara Zagora, Bulgarian words

with exactly the same significance. He wishes to wipe away all

traces of the defiling hand of the Turk from his country, though

tolerant of his Turkish fellow-subjects.

Almost completely he succeeds, but not quite completely. The

Turkish sweetmeats, the Turkish coffee keep their hold on the taste

of the people, and away from the towns, among the peasants who till

rich fields with wooden ploughs, there remain traces of the Eastern

disregard for time. But even in the country the people are waking

up to modern ideas, aroused in part by the American "drummer"

selling agricultural machinery. But in his city of Sofia, "the

little Paris," as he likes to hear it called, and in his towns the

Bulgarian has become keen and bustling. He rather aspires to be

thought Parisian in manner. A "middle class" begins to grow up. The

Bulgarian prospers mightily as a trader, and when he makes money he

devotes his son to a profession, to the staff of the army, the law,

to public life. Also the Bulgarian is keen to add manufacturing

industries to his agricultural resources, and there are cotton

mills and other factories springing up in different places. The

Bulgarian has a great faith in himself. Thinking over what he has

done within forty years, it is easy to share that belief and to

think of him one day with a great seaport on the Mediterranean

aspiring to a place in the family council of Europe.

Afterwards, when by dint of hard begging, hard travelling, hard living,

and some hard swearing, I had forced my way through to the front, I

concluded that with the exception of Mustapha Pasha--where the Second

Army had failed at its task and was set to work on a dull siege, and was

consequently very bad-tempered--the famous censorship of the Bulgarian

Army was not so vexatious to the correspondents as to their editors. The

censors were usually polite, and tried to make a difficult position

agreeable.

When the correspondents were despatched it was thought that the Balkan

States, needing a "good Press," would be fairly kind. The expectation

was realised in the case of the Montenegrins and the Greeks. The

Serbians allowed the correspondents to see nothing. The Bulgarian idea

was to allow nothing to be seen and nothing to be despatched except the

"Te Deums." It was an aggravation of the Japanese censorship, and if it

is accepted as a model for future combatant States the "war

correspondent" will become extinct. I am not disposed to claim that an

army in the field should carry on its operations under the eyes of

newspaper correspondents; and there were special circumstances in regard

to the campaign of the Bulgarian army (which was a desperate rush

against a big people of a little people operating with the slenderest of

resources) that made a severe censorship absolutely necessary. But, that

allowed, there are still some points of criticism justified.

One correspondent, and one only, was exempted from censorship, and he

was not at the front but at Sofia. His special position as an informal

member of the Cabinet led to a concession which, to a man of honour, was

more of a responsibility than a privilege. At the outset the Russian and

French correspondents were highly favoured, and two English

correspondents--who were working jointly--were granted passes of credit

to all the armies. That privilege was afterwards granted to me towards

the end of the war. It should have been granted to all or none. A

censorship which is harsh but has no favouritism may be criticised, but

it cannot be held suspect. Throughout the campaign there was some

favouritism, the Russians having first place, the French next, the

English and Americans next, the Italians, Germans, Austrians, and others

coming last. The differentiation between nations was comprehensible

enough, in view of the political situation in Europe, but

differentiations between different papers of equal standing of the same

country cannot be defended. As I ended the campaign one of the three

favoured English correspondents, I speak on this point without

bitterness. Indeed, I found no valid grounds for abusing the censorship

until just as I was leaving Sofia, when I found that some of my messages

from Kirk Kilisse to the _Morning Post_ had been seriously (and, it

would seem, deliberately) mutilated _after_ they had passed the censor.

They were of some importance as sent--one the first account from the

Bulgarian side of the battle of Chatalja, the other a frank statement of

the position following that battle, which I did not submit to the censor

until after close consultation with high authority, and which was passed

then with some modifications, and, after being passed, was mutilated

until it had little or no meaning.

[Illustration: _Exclusive News Agency_

SOFIA

Commercial Road from Commercial Square]

In lighter vein I may record some of the humours of the censorship,

mostly from Mustapha Pasha, where the Second Army was held up and

everybody was in the worst of tempers. Mustapha Pasha would not allow ox

wagons to be mentioned, would not allow photographs of reservists to be

sent forward because they were not in full uniform, would not allow the

fact that Serbian troops were before Adrianople to be recorded. Indeed,

the censorship there was full of strange prohibitions. Going down to

Mustapha Pasha I noticed aeroplane equipment. The censor objected to

that being recorded then, though two days after the official bulletin

trumpeted the fact.

At Mustapha Pasha the custom was after the war correspondent had written

a despatch to bring it to the censor, who held his court in a room

surrounded by a crowd of correspondents. The censor insisted that the

correspondent should read the despatch aloud to him. Then the censor

read it over again aloud to him to make sure that all heard. Thus we all

learned how the other man's imagination was working, and telegraphing

was reduced to a complete farce. Private letters had to pass through the

same ordeal, and one correspondent, with a turn of humour, wrote an

imaginary private letter full of the most fervent love messages, which

was read out to a furiously blushing censor and to a batch of

journalists, who at first did not see the joke and tried to look as if

they were not listening. I have described the early days of Mustapha

Pasha. Later, when most of the men had gone away, conditions improved.

The "second censorship"--the most disingenuous and condemnable part of

the Bulgarian system--was applied with full force to Mustapha Pasha.

After correspondents, who were forbidden to go a mile out of the town

and forbidden to talk with soldiers, had passed their pitiful little

messages through the censor, those messages were not telegraphed, but

posted on to the Staff headquarters and then censored again, sometimes

stopped. Certes, the treasures of strategical observation and vivid

description thus lost were not very great, but the whole proceeding was

unfair and underhand. The censor's seal once affixed a message should go

unchanged. Otherwise it might be twisted into actual false information.

In almost all cases the individual censors were gentlemen, and

personally I never had trouble with any of them; but the system was

faulty at the outset, inasmuch as it was not frank, and was made worse

when it became necessary to change the plan of campaign and abandon the

idea of capturing Adrianople. Then the Press correspondents who had been

allowed down to Mustapha Pasha in the expectation that after two days

they would be permitted to follow the victorious army into Adrianople,

had to be kept in that town, and had to be prevented from knowing

anything of what was going on. The courageous course would have been to

have put them under a definite embargo for a period. That was not

followed, and the same end was sought by a series of irritating tricks

and evasions. The facts argue against the continuance of the war

correspondent. An army really can never be sure of its victory until the

battle is over. If it allows the journalists to come forward to see an

expected victory and the victory does not come, then awkward facts are

necessarily disclosed, and the moving back of those correspondents is

tantamount to a confession of a movement of retreat. If I were a general

in the field I should allow no war correspondents with the troops except

reliable men, who would agree to see the war out, to send no despatches

until the conclusion of an operation, and to observe any interdiction

which might be necessary then. Under these circumstances there would be

very few correspondents, but there would be no deceit and no

ill-feeling.

The holding up of practically all private telegraphic messages by the

authorities at the front was a real grievance. It was impossible to

communicate with one's office to get instructions. One correspondent,

arriving at Sofia at the end of the campaign, found that he had been

recalled a full month before. The unnecessary mystery about the locality

of Staff headquarters added to the difficulty of keeping in touch with

one's office.

The Bulgarian people made some "bad friends" on the Press because of the

censorship; but the sore feeling was not always justifiable. The worst

that can be said is that the military authorities did in rather a weak

and disingenuous way what they should have had the moral courage to do

in a firm way at the outset. The Bulgarian enterprise against the Turks

was so audacious, the need of secrecy in regard to equipment was so

pressing, that there was no place for the journalist. Under the

circumstances a nation with more experience of affairs and more

confidence in herself would have accredited no correspondents. Bulgaria

sought the same end as that which would have served secrecy by an

evasive way. Englishmen, with centuries of greatness to give moral

courage, may not complain too harshly when the circumstances of this

new-come nation are considered.

When the army of Press correspondents were gathered, it was seen that

there were several Austrians and Roumanians, and these countries were at

the time threatening mobilisation against the Balkan States. It was

impossible to expect that the Bulgarian forces should allow Roumanian

journalists and Austrian journalists to see anything of their operations

which might be useful to Austria or Roumania in a future campaign. Yet

it would not have been proper to have allowed correspondents other than

the Austrians and Roumanians to go to the front, because that would

perhaps have created a diplomatic question, which would have increased

the tension. It certainly would have given offence to Austria and to

Roumania. It would have been said that there was an idea that war was

intended against those nations; and diplomacy was anxious to avoid

giving expression to any such idea. The military attachés were in

exactly the same position.

There were the Austrian attaché and the Roumanian attaché, and their

duty was to report to their Governments all they could find out that

would be to the advantage of the military forces of their Governments.

The Bulgarians naturally would not allow the Roumanian nor the Austrian

attaché to see anything of what went on. The attachés were even worse

treated than the correspondents, because, as the campaign developed, the

Bulgarians got to understand that some of us were trustworthy, and we

were given certain facilities for seeing. But we were still without

facilities for the despatch of what we had seen. But the military

attachés were kept right in the rear all the time. They were taken over

the battle-fields after the battles had been fought, so that they might

see what victories had been gained by the Bulgarians.

The Bulgarians were much strengthened in their attitude towards the war

correspondents by the fact that they admitted receiving much help in

their operations from the news published in London and in French

newspapers from the Turkish side. The Turkish army, when the period of

rout began, was in the position that it was able to exercise little

check on its war correspondents; and the Bulgarians had everything which

was recorded as being done in the Turkish army sent on to them. They

said it was a great help to them. I think the outlook for war

correspondents in the future is a gloomy one, and the outlook for the

military attaché also. In the future, no army carrying on anything

except minor operations with savage nations, no army whose interests

might be vitally affected by information leaking out, is likely to allow

military attachés or war correspondents to see anything at all.

The Balkan War probably will close the book of the war correspondent. It

was in the wars of the "Near East" that that book was first opened in

the modern sense. Some of the greatest achievements of the craft were in

the Crimean War, the various Turco-Russian wars, and the Greco-Turkish

struggle. It is an incidental proof of the popularity of the Balkan

Peninsula as a war theatre that the history of the profession of the war

correspondent would be a record almost wholly of wars in the Near East.

Certainly if the "war correspondent" is to survive he will need to be of

a new type. I came to that conclusion when I returned to Kirk Kilisse

from the Bulgarian lines at Chatalja, and had amused myself in an odd

hour with burrowing among a great pile of newspapers in the censor's

office, and reading here and there the war news from English, French,

and Belgian papers.

Dazed, dismayed, I recognised that I had altogether mistaken the duties

of a war correspondent. For some six weeks I had been following an army

in breathless anxious chase of facts: wheedling censors to get some few

of those facts into a telegraph office; learning then, perhaps, that the

custom at that particular telegraph office was to forward telegrams to

Sofia, a ten days' journey, by bullock wagon and railway, to give them

time to mature. Now here, piping hot, were the stories of the war. There

was the touching prose poem about King Ferdinand following his troops to

the front in a military train, which was his temporary palace. One part

of the carriage, serving as his bed-chamber, was taken up with a

portrait of his mother, and to that picture he looked ever for

encouragement, for advice, for praise. Had there been that day a "Te

Deum" for a great victory? He looked at the picture and added, "Te

Matrem."

[Illustration: _Exclusive News Agency_

BUCHAREST

The Roumanian House of Representatives]

It was a beautiful story, and why should any one let loose a brutal

bulldog of a fact and point out that King Ferdinand during the

campaign lived in temporary palaces at Stara Zagora and Kirk Kilisse,

and when he travelled on a visit to some point near the front it was

usually by motor-car?

In a paper of another nationality there was a vivid story of the battle

of Chatalja. This story started the battle seven days too soon; had the

positions and the armies all wrong; the result all wrong; and the

picturesque details were in harmony. But for the purposes of the public

it was a very good story of a battle. Those men who, after great

hardships, were enabled to see the actual battle found that the poor

messages which the censor permitted them to send took ten days or more

in transmission to London. Why have taken all the trouble and expense of

going to the front? Buda-Pest, on the way there, is a lovely city;

Bucharest also; and charming Vienna was not at all too far away if you

had a good staff map and a lively military imagination.

In yet another paper there was a vivid picture--scenery, date, Greenwich

time, and all to give an air of artistic verisimilitude--of the signing

of the Peace armistice. The armistice had not been signed at the time,

was not signed for some days after. But it would have been absurd to

have waited, since "our special correspondent" had seen it all in

advance, right down to the embrace of the Turkish delegate and the

Bulgarian delegate, and knew that some of the conditions were that the

Turkish commissariat was to feed the Bulgarian troops at Chatalja and

the Bulgarian commissariat the Turkish troops in Adrianople. If his

paper had waited for the truth that most charming story would never have

seen the light.

So, in a little book I shall one day bring out in the "Attractive

Occupations" series on "How to be a War Correspondent," I shall give

this general advice:

1. Before operations begin, visit the army to which you are accredited,

and take notes of the general appearance of officers and men. Also learn

a few military phrases of their language. Ascertain all possible

particulars of a personal character concerning the generals and chief

officers.

2. Return then to a base outside the country. It must have good

telegraph communication with your newspaper. For the rest you may

decide its locality by the quality of the wine, or the beer, or the

cooking.

3. Secure a set of good maps of the scene of operations. It will be

handy also to have any books which have been published describing

campaigns over the same _terrain_.

4. Keep in touch with the official bulletins issued by the military

authorities from the scene of operations. But be on guard not to become

enslaved by them. If, for instance, you wait for official notices of

battles, you will be much hampered in your picturesque work. Fight

battles when they ought to be fought and how they ought to be fought.

The story's the thing.

5. A little sprinkling of personal experience is wise: for example, a

bivouac on the battle-field, toasting your bacon at a fire made of a

broken-down gun carriage with a bayonet taken from a dead soldier.

Mention the nationality of the bacon. You cannot be too precise in

details.

Ko-Ko's account of the execution of Nankipoo is, in short, the model for

the future war correspondent. The other sort of war correspondent, who

patiently studied and recorded operations, seems to be doomed. In the

nature of things it must be so. The more competent and the more

accurate he is, the greater the danger he is to the army which he

accompanies. His despatches, published in his newspaper and telegraphed

promptly to the other side, give to them at a cheap cost that

information of what is going on _behind_ their enemy's screen of scouts

which is so vital to tactical, and sometimes to strategical,

dispositions. To try to obtain that information an army pours out much

blood and treasure; to guard that information an army will consume a

full third of its energies in an elaborate system of mystification. A

modern army must either banish the war correspondent altogether or

subject him to such restrictions of censorship as to veto honest,

accurate, and prompt criticism or record of operations.

Some of the correspondents--one in particular--overcame a secretive

military system and a harsh censorship by the use of a skilled

imagination, and of a friendly telegraph line outside the area of

censorship. At the Staff headquarters at Stara Zagora during the early

days of the campaign, when we were all straining at the leash to get to

the front, waiting and fussing, he was working, reconstructing the

operations with maps and a fine imagination, and never allowing his

paper to want for news. I think that he was quite prepared to have taken

pupils for his new school of war correspondents. Often he would come to

me for a yarn--in halting French on both sides--and would explain the

campaign as it was being carried on. One eloquent gesture he habitually

had--a sweeping motion which brought his arms together as though they

were gathering up a bundle of spears, then the hands would meet in an

expressive squeeze. "It is that," he said, "it is Napoleonic."

Probably the censor at this stage did not interfere much with his

activities, content enough to allow fanciful descriptions of Napoleonic

strategy to go to the outer world. But, in my experience, facts, if one

ascertained something independently, were not treated kindly.

"Why not?" I asked the censor vexedly about one message he had stopped.

"It is true."

"Yes, that is the trouble," he said,--the nearest approach to a joke I

ever got out of a Bulgarian, for they are a sober, God-fearing, and

humour-fearing race.

The idea of the Bulgarian censorship in regard to the privileges and

duties of the war correspondent was further illustrated to me on

another occasion when a harmless map of a past phase of the campaign was

stopped.

"Then what am I to send?" I asked.

"There are the bulletins," he said.

"Yes, the bulletins which are just your bald official account of

week-old happenings which are sent to every news agency in Europe before

we see them!"

"But you are a war correspondent. You can add to them in your own

language."

Remembering that conversation, I suspect that at first the Bulgarian

censorship did not object to fairy tales passing over the wires, though

the way was blocked for exact observation. An enterprising story-maker

had not very serious difficulties at the outset. Afterwards there was a

change, and even the writer of fairy stories had to work outside the

range of the censor.

The Mustapha Pasha censorship would not allow ox wagons, reservists, or

Serbians to be mentioned, nor officers' names. The censorship objected,

too, for a long time to any mention of the all-pervading mud which was

the chief item of interest in the town's life. Yet you might have lost

an army division in some of the puddles. (But stop, I am lapsing into

the picturesque ways of the new school of correspondents. Actually you

could not have lost more than a regiment in the largest mud puddle.)

Let the position be frankly faced that if one is with an army in modern

warfare, common sense prohibits the authorities from allowing you to see

anything, and suggests the further precautions of a strict censorship

and a general hold-up of wires until their military value (and therefore

their "news" value) has passed. If your paper wants picturesque stories

hot off the grill it is much better not to be with the army (which means

in effect in the rear of the army), but to write about its deeds from

outside the radius of the censorship.

Perhaps, though, your paper has old-fashioned prejudices in favour of

veracity, and will be annoyed if your imagination leads you too palpably

astray? In that case do not venture to be a war correspondent at all. If

you do not invent, you will send nothing of value. If you invent you

will be reprimanded.

Here is my personal record of "getting to the front" and the net result

of the trouble and the expense. I went down to Mustapha Pasha with the

great body of war correspondents and soon recognised that there was no

hope of useful work there. The attacking army was at a stand-still, and

a long, wearisome siege--its operations strictly guarded from

inspection--was in prospect. I decided to get back to Staff headquarters

(then at Stara Zagora) and just managed to catch the Staff before it

moved on to Kirk Kilisse. By threatening to return to London at once I

got a promise of leave to join the Third Army and to "see some

fighting."

The promise anticipated the actual granting of leave by two days. It

would be tedious to record all the little and big difficulties that were

then encountered through the reluctance of the military authorities to

allow one to get transport or help of any kind. But four days later I

was marching out of Mustapha Pasha on the way to Kirk Kilisse by way of

Adrianople, a bullock wagon carrying my baggage, an interpreter

trundling my bicycle, I riding a small pony. The interpreter was gloomy

and disinclined to face the hardships and dangers (mostly fancied) of

the journey. Beside the driver (a Macedonian) marched a soldier with

fixed bayonet. Persuasion was necessary to force the driver to

undertake the journey and a friendly transport officer had, with more

or less legality, put at my command this means of argument. A mile

outside Mustapha Pasha the soldier turned back and I was left to coax my

unwilling helpers on a four days' journey across a war-stricken

countryside, swept of all supplies, infested with savage dogs

(fortunately well-fed by the harvest of the battle-fields), liable to

ravage by roving bands.

[Illustration: GENERAL SAVOFF]

That night I gave the Macedonian driver some jam and some meat to eke

out his bread and cheese.

"That is better than having a bayonet poked into your inside," I said,

by pantomime. He understood, grinned, and gave no great trouble

thereafter, though he was always in a state of pitiable funk when I left

the wagon to take a trip within the lines of the besieging forces.

So to Kirk Kilisse. There I got to General Savoff himself and won not

only leave, but a letter of aid to go down to the Third Army at the

lines of Chatalja. But by then what must be the final battle of the war

was imminent. Every hour of delay was dangerous. To go by cart meant a

journey of several days. A military train was available part of the way

if I were content to drop interpreter, horse, and baggage, and travel

with a soldier's load.

That decision was easy enough at the moment--though I sometimes

regretted it afterwards when the only pair of riding breeches I had with

me gave out at the knees and I had to walk the earth ragged--and by

train I got to Chorlu. There a friendly artillery officer helped me to

get a cart (springless) and two fast horses. He insisted also on giving

me a patrol, a single Bulgarian soldier, with 200 rounds of ammunition,

as Bashi-Bazouks were ranging the country.

It was an unnecessary precaution, though the presence of the soldier was

comforting as we entered Silviri at night, the outskirts of the town

deserted, the chattering of the driver's teeth audible over the clamour

of the cart, the gutted houses ideal refuges for prowling bands. From

Silviri to Chatalja there was again no appearance of Bashi-Bazouks. But

thought of another danger obtruded as we came near the lines and

encountered men from the Bulgarian army suffering from the choleraic

dysentery which had then begun its ravages. To one dying soldier by the

roadside I gave brandy; and then had to leave him with his mates, who

were trying to get him to a hospital. They were sorely puzzled by his

cries, his pitiful grimaces. Wounds they knew and the pain of them they

despised. They could not comprehend this disease which took away all the

manhood of a stoic peasant and made him weak in spirit as an ailing

child.

From Chatalja, the right flank of the Bulgarian position, I passed along

the front to Ermenikioi ("the village of Armenians"), passing the night

at Arjenli, near the centre and the headquarters of the ammunition park.

That night at Arjenli seemed to make a rough and sometimes perilous

journey, which had extended over seven days, worth while. The Commander,

an artillery officer, welcomed me to a little mess which the Bulgarian

officers and non-commissioned officers (six in all) had set up in a

clean room of a village house. We had dinner, "Turkish fashion,"

squatting round a dish of stewed goat and rice, and then smoked

excellent cigarettes through the evening hours as we looked out on the

Chatalja lines.

Arjenli is perched on a high hill, to the west of Ermenikioi. It gave a

view of all the Chatalja position--the range of hills stretching from

the Black Sea to the Sea of Marmora, along which the Bulgarians were

entrenched, and, beyond the invisible valley, the second range which

held the Turkish defence. Over the Turkish lines, like a standard, shone

in the clear sky a crescent moon, within its tip a bright star. It

seemed an omen, an omen of good to the Turks. My Australian eye

instinctively sought for the Southern Cross ranged against it in the sky

in sign that the Christian standard held the Heavens too. I sought in

vain in those northern latitudes, shivered a little and, as though

arguing against a superstitious thought, said to myself: "But there is

the Great Bear."

Now there had been "good copy" in the journey. At Arjenli I happened to

be the witness of a vivid dramatic scene (more stirring than any battle

incident). It was a splendid incident, showing the high courage and

_moral_ of these peasant soldiers at an anxious time. To have witnessed

it, participated in it, was personal reward sufficient for a week of

toil and anxiety. To my paper, too, the reader might say, it was of some

value, if properly told and given to the London reader the next morning,

the day before the battle of Chatalja.

Yes. But it was the next afternoon before I could get to a telegraph

office within the Bulgarian lines. Then the censor said any long message

was hopeless. I was allowed to send a bare 100 words. They reached

London eight days later, a week after the battle had been fought, when

London was interested no longer in anything but the armistice

negotiations. The reason was that the single telegraph line was

monopolised for military business. My account of the battle of Chatalja

reached London a full fortnight after the event, though I had the

advantage of the highest influence to expedite the message.

Thus from a daily-newspaper point of view all the expense, toil, danger

were wasted.

Summing up, an accurate and prompt Press service as war correspondent

with the Bulgarian army was impossible, because--

1. The Bulgarian authorities were keen that correspondents should see

nothing.

2. A rigid first censorship checked a full record of what little was

seen.

3. The first censorship being passed, despatches often had still to pass

a second censorship at Staff headquarters, a third censorship at Sofia.

4. Despatches passing through Roumania underwent another censorship

there, and yet another in Austria, possibly yet others in other European

countries.

5. In addition to these censorship delays the Bulgarian authorities made

newspaper messages yield precedence to military messages, and at the

front this meant that Press messages were sent on by mail (ox transport

most of the way) to the Staff headquarters or the capital.

6. In the meanwhile the imaginative accounts written nearer Fleet Street

had been published, and the accurate news was "dead" from a point of

public interest.

Most of these conditions will rule over all future wars. Therefore I

conclude that the day of the war correspondent--in the sense of a

truthful observer of a campaign--has gone, and he died with the Balkan

War. He can only survive if newspapers are willing to incur the very

great expense of sending out war correspondents not for the news, day by

day, but for what observation and criticism they could supply after the

campaign was over. To a daily newspaper such matter is almost valueless,

especially as during the progress of the campaign the correspondents of

the "new" school would be at work with their many inventions, raising

the hair of the public and the circulation of their journals with bright

feats of imagination.

The Balkan Peninsula · 第 6 / 10 章