XXII

In governmental circles, the intrigues continued around the incidents

occasioned by the _Rheingold_, and the journalists who took their

cue from there, did not cease to expend their servile ink in writing

calumnious articles.

Finally Wagner was constrained to break the silence he had wished

to keep, by publishing a short article in the _Allgemeine Zeitung_

of Augsburg. He asserted once again in this article that he had

never offered any opposition to the execution of his work. "I should

certainly be very glad," he wrote, "if they would give up the idea of

playing it under such deplorable conditions; but if they have decided

to do so, I am entirely resigned and I have no intention of hindering

the representations."

The news from Tribschen informed me that the Master was in good

health, but the persistence of this animosity toward him had made even

his strength of mind waver for a moment. Cosima had surprised him, one

day, alone in his room, seated on a low chair and sobbing. But serenity

and cheerfulness soon came back, he applied himself again regularly to

the work which he had given up during those days of trouble, and then

all went well.

At the theatre, Kindermann--"the singing gun"--as Villiers called

him, because of his thundering voice--who interpreted the rôle of one

of the giants, studied also that of Wotan, abandoned by Betz.

They had sent to Darmstadt in all haste, for the very skilful

decorator, Brandt, and had requested him to patch up the scenery

a little if possible, but he fled away more quickly than he came,

declaring that he could not do anything with such horrors, that all

would have to be remade.

The management did not give up, however, for the _Rheingold_ was

announced for the 22nd September.

All the visitors who had come to Munich from different countries went

away again, one after another. Liszt was the first to go. Without doubt

he went secretly to Lucerne to see his daughter. Madame Muchanoff paid

us a farewell visit. She herself would pass through Lucerne and make a

visit to Wagner. Richter was already at Tribschen and Schuré would also

go there.

We were the last to leave Munich, in spite of the anonymous letters

which we daily received, threatening us with all sorts of retribution

unless we went at once. "It is you who have prevented the theatre from

carrying out the King's orders; you sare the servants of a traitor,

traitors yourselves.... It is not to be endured much longer etc...."

But we were not in the least disturbed.

Cosima told me that at one time in Munich she had received each day as

many as four or five letters, in which they swore that she should die

and called her "Prussian spy."

We remained, chiefly, to give time for the crowd of visitors then at

Tribschen to leave, in order that we should not encumber that delicious

retreat. Finally they called us back there with such a charming and

affectionate insistence, assuring us that there was no longer any one

there, that we suddenly decided to go.

And, face to the enemy, we quitted Munich, without resentment against

that pretty city, where we had received from all those who were not in

league with the Court faction, the most sympathetic and cordial welcome.

Wagner at Home · 第 74 / 85 题