I felt myself to be on the right path.

I went to all the old-clothes sellers in Nuremberg, and returned in the

afternoon to the Inn Boeuf-Gras, with an enormous packet under my arm.

Nichel Schmidt had known me for a long time; his wife was fat and

good-looking; I had painted her portrait.

"Ah, Master Christian," said he, squeezing my hand, "what happy

circumstance brings you here? What procures me the pleasure of seeing

you?"

"My dear Monsieur Schmidt, I feel a vehement, insatiable desire to

sleep in the Green Room."

We were standing on the threshold of the inn, and I pointed to the

room. The good man looked at me distrustfully.

"Fear nothing," I said; "I have no desire to hang myself.".

"_À la bonne heure! à la bonne heure!_ For frankly that would give me

pain; an artist of such merit! When do you wish the room, Master

Christian?"

"This evening."

"Impossible! it is occupied!"

"Monsieur can enter immediately," said a voice just behind me, "I will

not be in the way."

We turned around in great surprise; the peasant of Nassau stood before

us, with his three-cornered hat, and his packet at the end of his

walking stick. He had just learned the history of his three

predecessors in the Green Room, and was trembling with rage.

"Rooms like yours!" cried he, stuttering; "but it is murderous to put

people there--it is assassination! You deserve to be sent to the

galleys immediately!"

"Go--go--calm yourself," said the innkeeper; "that did not prevent you

from sleeping well."

"Happily, I said my prayers at night," said the peasant; "without that,

where would I be?" and he withdrew, with his hands raised to heaven.

"Well," said Nichel Schmidt, stupefied, "the room is vacant, but I

entreat you, do not serve me a bad trick."

"It would be a worse trick for myself than for you, monsieur."

I gave my packet to the servants, and installed myself for the time

with the drinkers. For a long time I had not felt so calm and happy.

After so many doubts and disquietudes, I touched the goal. The horizon

seemed to clear up, and it appeared that some invisible power gave me

the hand. I lighted my pipe, placed my elbow on the table, my wine

before me, and listened to the chorus in "Freischütz," played by a

troupe of gypsies from the Black Forest. The trumpets, the hue and cry

of the chase, the hautboys, plunged me into a vague reverie, and, at

times rousing up to look at the hour, I asked myself gravely, if all

which _had_ happened to me was not a dream. But the watchman came to

ask us to leave the _salle_, and soon other and more solemn thoughts

were surging in my soul, and in deep meditation I followed little

Charlotte, who preceded me with a candle to my room.

We mounted the stairs to the third story. Charlotte gave me the candle

and pointed to the door.

"There," said she, and descended rapidly.

I opened the door. The Green Room was like any other inn room. The

ceiling was very low, the bed very high. With one glance I explored the

interior, and then glided to the window.

Nothing was to be seen in the house of Fledermausse; only, in some

distant room, an obscure light was burning. Some one was on the watch.

"That is well," said I, closing the curtain. "I have all necessary

time."

I opened my packet, I put on a woman's bonnet with hanging lace; then,

placing myself before a mirror, I took a brush and painted wrinkles in

my face. This took me nearly an hour. Then I put on the dress and a

large shawl, and I was actually afraid of myself. Fledermausse seemed

to me to look at me from the mirror.

At this moment the watchman cried out, "Eleven o'clock!" I seized the

manikin which I had brought in my packet, and muffled it in a costume

precisely similar to that worn by the old wretch. I then opened the

curtain.

Certainly, after all that I had seen of the Fledermausse, of her

infernal cunning, her prudence, her adroitness, she could not in any

way surprise me; and yet I was afraid. The light which I had remarked

in the chamber was still immovable, and now cast its yellow rays on the

manikin of the peasant of Nassau, which was crouched on the corner of

the bed, with the head hanging on the breast, the three-cornered hat

pulled down over the face, the arms suspended, and the whole aspect

that of absolute despair.

The shadows, managed with diabolical art, allowed nothing to be seen

but the general effect of the face. The red vest, and six round buttons

alone, seemed to shine out in the darkness. But the silence of the

night, the complete immobility of the figure, the exhausted, mournful

air, were well calculated to take possession of a spectator with a

strange power. For myself, although forewarned, I was chilled even to

my bones.

How would it, then, have fared with the poor, simple peasant, if he had

been surprised unawares? He would have been utterly cast down.

Despairing, he would have lost all power of self-control, and the

spirit of imitation would have done the rest.

Scarcely had I moved the curtain, when I saw Fledermausse on the watch

behind her window. She could not see me. I opened my window softly; the

window opposite was opened! Then her manikin appeared to rise slowly

and advance before me. I, also, advanced my manikin, and seizing my

torch with one hand, with the other I quickly opened the shutters. And

now the old woman and myself were face to face. Struck with sudden

terror, she had let her manikin fall!

We gazed at each other with almost equal horror. _She_ extended her

finger--I advanced _mine_. _She_ moved her lips--I agitated _mine_. She

breathed a profound sigh, and leaned upon her elbow. I imitated her.

To describe all the terrors of this scene would be impossible. It

bordered upon confusion, madness, delirium. It was a death struggle

between two wills; between two intelligences; between two souls--each

one wishing to destroy the other; and, in this struggle, I had the

advantage--her victims struggled with me.

After having imitated for some seconds every movement of Fledermausse,

I pulled a rope from under my skirt, and attached it to the crossbeam.

The old woman gazed at me with gaping mouth. I passed the rope around

my neck; her pupils expanded, lightened; her face was convulsed.

"No, no!" said she, in a whistling voice.

Library of the World's Best Mystery and Detective Stories · 第 10 / 43 题