ERCKMANN-CHATRIAN

_The Owl's Ear_

On the 29th of July, 1835, Kasper Boeck, a shepherd of the little

village of Hirschwiller, with his large felt hat tipped back, his

wallet of stringy sackcloth hanging at his hip, and his great tawny dog

at his heels, presented himself at about nine o'clock in the evening at

the house of the burgomaster, Petrus Mauerer, who had just finished

supper and was taking a little glass of kirchwasser to facilitate

digestion.

This burgomaster was a tall, thin man, and wore a bushy gray mustache.

He had seen service in the armies of the Archduke Charles. He had a

jovial disposition, and ruled the village, it is said, with his finger

and with the rod.

"Mr. Burgomaster," cried the shepherd in evident excitement.

But Petrus Mauerer, without awaiting the end of his speech, frowned and

said:

"Kasper Boeck, begin by taking off your hat, put your dog out of the

room, and then speak distinctly, intelligibly, without stammering, so

that I may understand you."

Hereupon the burgomaster, standing near the table, tranquilly emptied

his little glass and wiped his great gray mustachios indifferently.

Kasper put his dog out, and came back with his hat off.

"Well!" said Petrus, seeing that he was silent, "what has happened?"

"It happens that the _spirit_ has appeared again in the ruins of

Geierstein!"

"Ha! I doubt it. You've seen it yourself?"

"Very clearly, Mr. Burgomaster."

"Without closing your eyes?"

"Yes, Mr. Burgomaster--my eyes were wide open. There was plenty of

moonlight."

"What form did it have?"

"The form of a small man."

"Good!"

And turning toward a glass door at the left:

"Katel!" cried the burgomaster.

An old serving woman opened the door.

"Sir?"

"I am going out for a walk--on the hillside--sit up for me until ten

o'clock. Here's the key."

"Yes, sir."

Then the old soldier took down his gun from the hook over the door,

examined the priming, and slung it over his shoulder; then he addressed

Kasper Boeck:

"Go and tell the rural guard to meet me in the holly path, and tell him

behind the mill. Your _spirit_ must be some marauder. But if it's a

fox, I'll make a fine hood of it, with long earlaps."

Master Petrus Mauerer and humble Kasper then went out. The weather was

superb, the stars innumerable. While the shepherd went to knock at the

rural guard's door, the burgomaster plunged among the elder bushes, in

a little lane that wound around behind the old church.

Two minutes later Kasper and Hans Goerner, whinger at his side, by

running overtook Master Petrus in the holly path.

All three made their way together toward the ruins of Geierstein.

These ruins, which are twenty minutes' walk from the village, seem to

be insignificant enough; they consist of the ridges of a few decrepit

walls, from four to six feet high, which extend among the brier bushes.

Archaeologists call them the aqueducts of Seranus, the Roman camp of

Holderlock, or vestiges of Theodoric, according to their fantasy. The

only thing about these ruins which could be considered remarkable is a

stairway to a cistern cut in the rock. Inside of this spiral staircase,

instead of concentric circles which twist around with each complete

turn, the involutions become wider as they proceed, in such a way that

the bottom of the pit is three times as large as the opening. Is it an

architectural freak, or did some reasonable cause determine such an odd

construction? It matters little to us. The result was to cause in the

cistern that vague reverberation which anyone may hear upon placing a

shell at his ear, and to make you aware of steps on the gravel path,

murmurs of the air, rustling of the leaves, and even distant words

spoken by people passing the foot of the hill.

Our three personages then followed the pathway between the vineyards

and gardens of Hirschwiller.

"I see nothing," the burgomaster would say, turning up his nose

derisively.

"Nor I either," the rural guard would repeat, imitating the other's

tone.

"It's down in the hole," muttered the shepherd.

"We shall see, we shall see," returned the burgomaster.

It was in this fashion, after a quarter of an hour, that they came upon

the opening of the cistern. As I have said, the night was clear,

limpid, and perfectly still.

The moon portrayed, as far as the eye could reach, one of those

nocturnal landscapes in bluish lines, studded with slim trees, the

shadows of which seemed to have been drawn with a black crayon. The

blooming brier and broom perfumed the air with a rather sharp odor, and

the frogs of a neighboring swamp sang their oily anthem, interspersed

with silences. But all these details escaped the notice of our good

rustics; they thought of nothing but laying hands on the _spirit_.

When they had reached the stairway, all three stopped and listened,

then gazed into the dark shadows. Nothing appeared--nothing stirred.

"The devil!" said the burgomaster, "we forgot to bring a bit of candle.

Descend, Kasper, you know the way better than I--I'll follow you."

At this proposition the shepherd recoiled promptly. If he had consulted

his inclinations the poor man would have taken to flight; his pitiful

expression made the burgomaster burst out laughing.

"Well, Hans, since he doesn't want to go down, show me the way," he

said to the game warden.

"But, Mr. Burgomaster," said the latter, "you know very well that steps

are missing; we should risk breaking our necks."

"Then what's to be done?"

"Yes, what's to be done?"

"Send your dog," replied Petrus.

The shepherd whistled to his dog, showed him the stairway, urged

him--but he did not wish to take the chances any more than the others.

At this moment, a bright idea struck the rural guardsman.

"Ha! Mr. Burgomaster," said he, "if you should fire your gun inside."

"Faith," cried the other, "you're right, we shall catch a glimpse at

least."

And without hesitating the worthy man approached the stairway and

leveled his gun.

But, by the acoustic effect which I have already pointed out, the

_spirit_, the marauder, the individual who chanced to be actually in

the cistern, had heard everything. The idea of stopping a gunshot did

not strike him as amusing, for in a shrill, piercing voice he cried:

"Stop! Don't fire--I'm coming."

Then the three functionaries looked at each other and laughed softly,

and the burgomaster, leaning over the opening again, cried rudely:

"Be quick about it, you varlet, or I'll shoot! Be quick about it!"

He cocked his gun, and the click seemed to hasten the ascent of the

mysterious person; they heard him rolling down some stones.

Nevertheless it still took him another minute before he appeared, the

cistern being at a depth of sixty feet.

What was this man doing in such deep darkness? He must be some great

criminal! So at least thought Petrus Mauerer and his acolytes.

At last a vague form could be discerned in the dark, then slowly, by

degrees, a little man, four and a half feet high at the most, frail,

ragged, his face withered and yellow, his eye gleaming like a magpie's,

and his hair tangled, came out shouting:

"By what right do you come to disturb my studies, wretched creatures?"

This grandiose apostrophe was scarcely in accord with his costume and

physiognomy. Accordingly the burgomaster indignantly replied:

"Try to show that you're honest, you knave, or I'll begin by

administering a correction."

"A correction!" said the little man, leaping with anger, and drawing

himself up under the nose of the burgomaster.

"Yes," replied the other, who, nevertheless, did not fail to admire the

pygmy's courage; "if you do not answer the questions satisfactorily I

am going to put to you. I am the burgomaster of Hirschwiller; here are

the rural guard, the shepherd and his dog. We are stronger than you--be

wise and tell me peaceably who you are, what you are doing here, and

why you do not dare to appear in broad daylight. Then we shall see

what's to be done with you."

"All that's none of your business," replied the little man in his

cracked voice. "I shall not answer."

"In that case, forward, march," ordered the burgomaster, who grasped

him firmly by the nape of the neck; "you are going to sleep in prison."

The little man writhed like a weasel; he even tried to bite, and the

dog was sniffing at the calves of his legs, when, quite exhausted, he

said, not without a certain dignity:

"Let go, sir, I surrender to superior force--I'm yours!"

The burgomaster, who was not entirely lacking in good breeding, became

calmer.

"Do you promise?" said he.

"I promise!"

"Very well--walk in front."

And that is how, on the night of the 29th of July, 1835, the

burgomaster took captive a little red-haired man, issuing from the

cavern of Geierstein.

Upon arriving at Hirschwiller the rural guard ran to find the key of

the prison and the vagabond was locked in and double-locked, not to

forget the outside bolt and padlock.

Everyone then could repose after his fatigues, and Petrus Mauerer went

to bed and dreamed till midnight of this singular adventure.

On the morrow, toward nine o'clock, Hans Goerner, the rural guard,

having been ordered to bring the prisoner to the town house for another

examination, repaired to the cooler with four husky daredevils. They

opened the door, all of them curious to look upon the Will-o'-the-wisp.

But imagine their astonishment upon seeing him hanging from the bars of

the window by his necktie! Some said that he was still writhing; others

that he was already stiff. However that may be, they ran to Petrus

Mauerer's house to inform him of the fact, and what is certain is that

upon the latter's arrival the little man had breathed his last.

The justice of the peace and the doctor of Hirschwiller drew up a

formal statement of the catastrophe; then they buried the unknown in a

field of meadow grass and it was all over!

Now about three weeks after these occurrences, I went to see my cousin,

Petrus Mauerer, whose nearest relative I was, and consequently his

heir. This circumstance sustained an intimate acquaintance between us.

We were at dinner, talking on indifferent matters, when the burgomaster

recounted the foregoing little story, as I have just reported it.

"'Tis strange, cousin," said I, "truly strange. And you have no other

information concerning the unknown?"

"None."

"And you have found nothing which could give you a clew as to his

purpose?"

"Absolutely nothing, Christian."

"But, as a matter of fact, what could he have been doing in the

cistern? On what did he live?"

The burgomaster shrugged his shoulders, refilled our glasses, and

replied with:

"To your health, cousin."

"To yours."

We remained silent a few minutes. It was impossible for me to accept

the abrupt conclusion of the adventure, and, in spite of myself, I

mused with some melancholy on the sad fate of certain men who appear

and disappear in this world like the grass of the field, without

leaving the least memory or the least regret.

"Cousin," I resumed, "how far may it be from here to the ruins of

Geierstein?"

"Twenty minutes' walk at the most. Why?"

"Because I should like to see them."

"You know that we have a meeting of the municipal council, and that I

can't accompany you."

"Oh! I can find them by myself."

"No, the rural guard will show you the way; he has nothing better to

do."

And my worthy cousin, having rapped on his glass, called his servant:

"Katel, go and find Hans Goerner--let him hurry, and get here by two

o'clock. I must be going."

The servant went out and the rural guard was not tardy in coming.

He was directed to take me to the ruins.

While the burgomaster proceeded gravely toward the hall of the

municipal council, we were already climbing the hill. Hans Goerner,

with a wave of the hand, indicated the remains of the aqueduct. At the

same moment the rocky ribs of the plateau, the blue distances of

Hundsrück, the sad crumbling walls covered with somber ivy, the tolling

of the Hirschwiller bell summoning the notables to the council, the

rural guardsman panting and catching at the brambles--assumed in my

eyes a sad and severe tinge, for which I could not account: it was the

story of the hanged man which took the color out of the prospect.

The cistern staircase struck me as being exceedingly curious, with its

elegant spiral. The bushes bristling in the fissures at every step, the

deserted aspect of its surroundings, all harmonized with my sadness. We

descended, and soon the luminous point of the opening, which seemed to

contract more and more, and to take the shape of a star with curved

rays, alone sent us its pale light. When we attained the very bottom of

the cistern, we found a superb sight was to be had of all those steps,

lighted from above and cutting off their shadows with marvelous

precision. I then heard the hum of which I have already spoken: the

immense granite conch had as many echoes as stones!

"Has nobody been down here since the little man?" I asked the rural

guardsman.

"No, sir. The peasants are afraid. They imagine that the hanged man

will return."

"And you?"

"I--oh, I'm not curious."

"But the justice of the peace? His duty was to--"

"Ha! What could he have come to the _Owl's Ear_ for?"

"They call this the _Owl's Ear_?"

"Yes."

"That's pretty near it," said I, raising my eyes. "This reversed vault

forms the _pavilion_ well enough; the under side of the steps makes the

covering of the _tympanum_, and the winding of the staircase the

_cochlea_, the _labyrinth_, and _vestibule_ of the ear. That is the

cause of the murmur which we hear: we are at the back of a colossal

ear."

"It's very likely," said Hans Goerner, who did not seem to have

understood my observations.

We started up again, and I had ascended the first steps when I felt

something crush under my foot; I stopped to see what it could be, and

at that moment perceived a white object before me. It was a torn sheet

of paper. As for the hard object, which I had felt grinding up, I

recognized it as a sort of glazed earthenware jug.

"Aha!" I said to myself; "this may clear up the burgomaster's story."

I rejoined Hans Goerner, who was now waiting for me at the edge of the

pit.

"Now, sir," cried he, "where would you like to go?"

"First, let's sit down for a while. We shall see presently."

I sat down on a large stone, while the rural guard cast his falcon

eyes over the village to see if there chanced to be any trespassers in

the gardens. I carefully examined the glazed vase, of which nothing

but splinters remained. These fragments presented the appearance of a

funnel, lined with wool. It was impossible for me to perceive its

purpose. I then read the piece of a letter, written in an easy running

and firm hand. I transcribe it here below, word for word. It seems to

follow the other half of the sheet, for which I looked vainly all

about the ruins:

"My _micracoustic_ ear trumpet thus has the double advantage of

infinitely multiplying the intensity of sounds, and of introducing

them into the ear without causing the observer the least discomfort.

You would never have imagined, dear master, the charm which one feels

in perceiving these thousands of imperceptible sounds which are

confounded, on a fine summer day, in an immense murmuring. The

bumble-bee has his song as well as the nightingale, the honey-bee is

the warbler of the mosses, the cricket is the lark of the tall grass,

the maggot is the wren--it has only a sigh, but the sigh is melodious!

"This discovery, from the point of view of sentiment, which makes us

live in the universal life, surpasses in its importance all that I

could say on the matter.

"After so much suffering, privations, and weariness, how happy it makes

one to reap the rewards of all his labors! How the soul soars toward

the divine Author of all these microscopic worlds, the magnificence of

which is revealed to us! Where now are the long hours of anguish,

hunger, contempt, which overwhelmed us before? Gone, sir, gone! Tears

of gratitude moisten our eyes. One is proud to have achieved, through

suffering, new joys for humanity and to have contributed to its mental

development. But howsoever vast, howsoever admirable may be the first

fruits of my _micracoustic_ ear trumpet, these do not delimit its

advantages. There are more positive ones, more material, and ones which

may be expressed in figures.

"Just as the telescope brought the discovery of myriads of worlds

performing their harmonious revolutions in infinite space--so also will

my _micracoustic_ ear trumpet extend the sense of the unhearable beyond

all possible bounds. Thus, sir, the circulation of the blood and the

fluids of the body will not give me pause; you shall hear them flow

with the impetuosity of cataracts; you shall perceive them so

distinctly as to startle you; the slightest irregularity of the pulse,

the least obstacle, is striking, and produces the same effect as a rock

against which the waves of a torrent are dashing!

"It is doubtless an immense conquest in the development of our

knowledge of physiology and pathology, but this is not the point on

which I would emphasize. Upon applying your ear to the ground, sir, you

may hear the mineral waters springing up at immeasurable depths; you

may judge of their volume, their currents, and the obstacles which they

meet!

"Do you wish to go further? Enter a subterranean vault which is so

constructed as to gather a quantity of loud sounds; then at night when

the world sleeps, when nothing will be confused with the interior

noises of our globe--listen!

"Sir, all that it is possible for me to tell you at the present

moment--for in the midst of my profound misery, of my privations, and

often of my despair, I am left only a few lucid instants to pursue my

geological observations--all that I can affirm is that the seething of

glow worms, the explosions of boiling fluids, is something terrifying

and sublime, which can only be compared to the impression of the

astronomer whose glass fathoms depths of limitless extent.

"Nevertheless, I must avow that these impressions should be studied

further and classified in a methodical manner, in order that definite

conclusions may be derived therefrom. Likewise, as soon as you shall

have deigned, dear and noble master, to transmit the little sum for use

at Neustadt as I asked, to supply my first needs, we shall see our way

to an understanding in regard to the establishment of three great

subterranean observatories, one in the valley of Catania, another in

Iceland, then a third in Capac-Uren, Songay, or Cayembé-Uren, the

deepest of the Cordilleras, and consequently--"

Here the letter stopped.

I let my hands fall in stupefaction. Had I read the conceptions of an

idiot--or the inspirations of a genius which had been realized? What am

I to say? to think? So this man, this miserable creature, living at the

bottom of a burrow like a fox, dying of hunger, had had perhaps one of

those inspirations which the Supreme Being sends on earth to enlighten

future generations!

And this man had hanged himself in disgust, despair! No one had

answered his prayer, though he asked only for a crust of bread in

exchange for his discovery. It was horrible. Long, long I sat there

dreaming, thanking Heaven for having limited my intelligence to the

needs of ordinary life--for not having desired to make me a superior

man in the community of martyrs. At length the rural guardsman, seeing

me with fixed gaze and mouth agape, made so bold as to touch me on the

shoulder.

"Mr. Christian," said he, "see--it's getting late--the burgomaster must

have come back from the council."

"Ha! That's a fact," cried I, crumpling up the paper, "come on."

We descended the hill.

My worthy cousin met me, with a smiling face, at the threshold of his

house.

"Well! well! Christian, so you've found no trace of the imbecile who

hanged himself?"

"No."

"I thought as much. He was some lunatic who escaped from Stefansfeld or

somewhere--Faith, he did well to hang himself. When one is good for

nothing, that's the simplest way for it."

The following day I left Hirschwiller. I shall never return.

_The Invisible Eye_

About this time (said Christian), poor as a church mouse, I took refuge

in the roof of an old house in Minnesänger Street, Nuremberg, and made

my nest in the corner of the garret.

I was compelled to work over my straw bed to reach the window, but this

window was in the gable end, and the view from it was magnificent, both

town and country being spread out before me.

I could see the cats walking gravely in the gutters; the storks, their

beaks filled with frogs, carrying nourishment to their ravenous brood;

the pigeons, springing from their cotes, their tails spread like fans,

hovering over the streets.

In the evening, when the bells called the world to the Angelus, with my

elbows upon the edge of the roof, I listened to their melancholy

chimes; I watched the windows as, one by one, they were lighted up; the

good burghers smoking their pipes on the sidewalks; the young girls in

their red skirts, with their pitchers under their arms, laughing and

chatting around the fountain "Saint Sebalt." Insensibly all this faded

away, the bats commenced their rapid course, and I retired to my

mattress in sweet peace and tranquillity.

The old curiosity seller, Toubac, knew the way to my little lodging as

well as I did, and was not afraid to climb the ladder. Every week his

ugly head, adorned with a reddish cap, raised the trapdoor, his fingers

grasped the ledge, and he cried out in a nasal tone:

"Well, well, Master Christian, have you anything?"

To which I replied:

"Come in. Why in the devil don't you come in? I am just finishing a

little landscape, and you must tell me what you think of it."

Then his great back, seeming to elongate, grew up, even to the roof,

and the good man laughed silently.

I must do justice to Toubac: he never haggled with me about prices; he

bought all my paintings at fifteen florins, one with the other, and

sold them again for forty each. "This was an honest Jew!"

I began to grow fond of this mode of existence, and to find new charms

in it day by day.

Just at this time the city of Nuremberg was agitated by a strange and

mysterious event. Not far from my dormer window, a little to the left,

stood the Inn Boeuf-Gras, an old _auberge_ much patronized throughout

the country. Three or four wagons, filled with sacks or casks, were

always drawn up before the door, where the rustic drivers were in the

habit of stopping, on their way to the market, to take their morning

draught of wine.

The gable end of the inn was distinguished by its peculiar form. It was

very narrow, pointed, and, on two sides, cut-in teeth, like a saw. The

carvings were strangely grotesque, interwoven and ornamenting the

cornices and surrounding the windows; but the most remarkable fact was

that the house opposite reproduced exactly the same sculptures, the

same ornaments; even the signboard, with its post and spiral of iron,

was exactly copied.

One might have thought that these two ancient houses reflected each

other. Behind the inn, however, was a grand old oak, whose somber

leaves darkened the stones of the roof, while the other house stood out

in bold relief against the sky. To complete the description, this old

building was as silent and dreary as the Inn Boeuf-Gras was noisy and

animated.

On one side, a crowd of merry drinkers were continually entering in and

going out, singing, tripping, cracking their whips; on the other,

profound silence reigned.

Perhaps, once or twice during the day, the heavy door seemed to open of

itself, to allow a little old woman to go out, with her back almost in

a semicircle, her dress fitting tight about her hips, an enormous

basket on her arm, and her hand contracted against her breast.

It seemed to me that I saw at a glance, as I looked upon her, a whole

existence of good works and pious meditations.

The physiognomy of this old woman had struck me more than once: her

little green eyes, long, thin nose, the immense bouquets of flowers on

her shawl, which must have been at least a hundred years old, the

withered smile which puckered her cheeks into a cockade, the lace of

her bonnet falling down to her eyebrows--all this was fantastic, and

interested me much. Why did this old woman live in this great deserted

house? I wished to explore the mystery.

One day as I paused in the street and followed her with my eyes, she

turned suddenly and gave me a look, the horrible expression of which I

know not how to paint; made three or four hideous grimaces, and then,

letting her palsied head fall upon her breast, drew her great shawl

closely around her, and advanced slowly to the heavy door, behind which

I saw her disappear.

"She's an old fool!" I said to myself, in a sort of stupor. My faith,

it was the height of folly in me to be interested in her!

However, I would like to see her grimace again; old Toubac would

willingly give me fifteen florins if I could paint it for him.

I must confess that these pleasantries of mine did not entirely

reassure me.

The hideous glance which the old shrew had given me pursued me

everywhere. More than once, while climbing the almost perpendicular

ladder to my loft, feeling my clothing caught on some point, I trembled

from head to foot, imagining that the old wretch was hanging to the

tails of my coat in order to destroy me.

Toubac, to whom I related this adventure, was far from laughing at it;

indeed, he assumed a grave and solemn air.

"Master Christian," said he, "if the old woman wants you, take care!

Her teeth are small, pointed, and of marvelous whiteness, and that is

not natural at her age. She has an 'evil eye.' Children flee from her,

and the people of Nuremberg call her 'Fledermausse.'"

I admired the clear, sagacious intellect of the Jew, and his words gave

me cause for reflection.

Several weeks passed away, during which I often encountered

Fledermausse without any alarming consequences. My fears were

dissipated, and I thought of her no more.

But an evening came, during which, while sleeping very soundly, I was

awakened by a strange harmony. It was a kind of vibration, so sweet, so

melodious, that the whispering of the breeze among the leaves can give

but a faint idea of its charm.

For a long time I listened intently, with my eyes wide open, and

holding my breath, so as not to lose a note. At last I looked toward

the window, and saw two wings fluttering against the glass. I thought,

at first, that it was a bat, caught in my room; but, the moon rising at

that instant, I saw the wings of a magnificent butterfly of the night

delineated upon her shining disk. Their vibrations were often so rapid

that they could not be distinguished; then they reposed, extended upon

the glass, and their frail fibers were again brought to view.

This misty apparition, coming in the midst of the universal silence,

opened my heart to all sweet emotions. It seemed to me that an airy

sylph, touched with a sense of my solitude, had come to visit me, and

this idea melted me almost to tears.

"Be tranquil, sweet captive, be tranquil," said I; "your confidence

shall not be abused. I will not keep you against your will. Return to

heaven and to liberty." I then opened my little window. The night was

calm, and millions of stars were glittering in the sky. For a moment I

contemplated this sublime spectacle, and words of prayer and praise

came naturally to my lips; but, judge of my amazement, when, lowering

my eyes, I saw a man hanging from the crossbeam of the sign of the

Boeuf-Gras, the hair disheveled, the arms stiff, the legs elongated to

a point, and casting their gigantic shadows down to the street!

The immobility of this figure under the moon's rays was terrible. I

felt my tongue freezing, my teeth clinched. I was about to cry out in

terror when, by some incomprehensible mysterious attraction, my glance

fell below, and I distinguished, confusedly, the old woman crouched at

her window in the midst of dark shadows, and contemplating the dead man

with an air of diabolic satisfaction.

Then I had a vertigo of terror. All my strength abandoned me, and,

retreating to the wall of my loft, I sank down and became insensible.

I do not know how long this sleep of death continued. When restored to

consciousness, I saw that it was broad day. The mists of the night had

penetrated to my garret, and deposited their fresh dew upon my hair,

and the confused murmurs of the street ascended to my little lodging. I

looked without. The burgomaster and his secretary were stationed at the

door of the inn, and remained there a long time; crowds of people came

and went, and paused to look in; then recommenced their course. The

good women of the neighborhood, who were sweeping before their doors,

looked on from afar, and talked gravely with each other.

At last a litter, and upon this litter a body, covered with a linen

cloth, issued from the inn, carried by two men. They descended to the

street, and the children, on their way to school, ran behind them.

All the people drew back as they advanced.

The window opposite was still open; the end of a rope floated from the

crossbeam.

I had not dreamed. I had, indeed, seen the butterfly of the night; I

had seen the man hanging, and I had seen Fledermausse.

That day Toubac made me a visit, and, as his great nose appeared on a

level with the floor, he exclaimed:

"Master Christian, have you nothing to sell?"

I did not hear him. I was seated upon my one chair, my hands clasped

upon my knees, and my eyes fixed before me.

Toubac, surprised at my inattention, repeated in a louder voice:

"Master Christian, Master Christian!" Then, striding over the sill, he

advanced and struck me on the shoulder.

"Well, well, what is the matter now?"

"Ah, is that you, Toubac?"

"Eh, _parbleu_! I rather think so; are you ill?"

"No, I am only thinking."

"What in the devil are you thinking about?"

"Of the man who was hanged."

"Oh, oh!" cried the curiosity vender. "You have seen him, then? The

poor boy! What a singular history! The third in the same place."

"How--the third?"

"Ah, yes! I ought to have warned you; but it is not too late. There

will certainly be a fourth, who will follow the example of the others.

_Il n'y à que le premier pas qui coûte_."

Saying this, Toubac took a seat on the corner of my trunk, struck his

match-box, lighted his pipe, and blew three or four powerful whiffs of

smoke with a meditative air.

"My faith," said he, "I am not fearful; but, if I had full permission

to pass the night in that chamber, I should much prefer to sleep

elsewhere.

"Listen, Master Christian. Nine or ten months ago a good man of

Tübingen, wholesale dealer in furs, dismounted at the Inn Boeuf-Gras.

He called for supper; he ate well; he drank well; and was finally

conducted to that room in the third story--it is called the Green Room.

Well, the next morning he was found hanging to the crossbeam of the

signboard.

"Well, that might do _for once_; nothing could be said.

"Every proper investigation was made, and the stranger was buried at

the bottom of the garden. But, look you, about six months afterwards a

brave soldier from Neustadt arrived; he had received his final

discharge, and was rejoicing in the thought of returning to his native

village. During the whole evening, while emptying his wine cups, he

spoke fondly of his little cousin who was waiting to marry him. At last

this big monsieur was conducted to his room--the Green Room--and, the

same night, the watchman, passing down the street Minnesänger,

perceived something hanging to the crossbeam; he raised his lantern,

and lo! it was the soldier, with his final discharge in a bow on his

left hip, and his hands gathered up to the seam of his pantaloons, as

if on parade.

"'Truth to say, this is extraordinary!' cried the burgomaster; 'the

devil's to pay.' Well, the chamber was much visited; the walls were

replastered, and the dead man was sent to Neustadt.

"The registrar wrote this marginal note:

"'Died of apoplexy.'

"All Nuremberg was enraged against the innkeeper. There were many,

indeed, who wished to force him to take down his iron crossbeam, under

the pretext that it inspired people with dangerous ideas; but you may

well believe that old Michael Schmidt would not lend his ear to this

proposition.

"'This crossbeam,' said he, 'was placed here by my grandfather; it has

borne the sign of Boeuf-Gras for one hundred and fifty years, from

father to son; it harms no one, not even the hay wagons which pass

beneath, for it is thirty feet above them. Those who don't like it can

turn their heads aside, and not see it.'

"Well, gradually the town calmed down, and, during several months, no

new event agitated it. Unhappily, a student of Heidelberg, returning to

the university, stopped, day before yesterday, at the Inn Boeuf-Gras,

and asked for lodging. He was the son of a minister of the gospel.

"How could anyone suppose that the son of a pastor could conceive the

idea of hanging himself on the crossbeam of a signboard, because a big

monsieur and an old soldier had done so? We must admit, Master

Christian, that the thing was not probable; these reasons would not

have seemed sufficient to myself or to you."

"Enough, enough!" I exclaimed; "this is too horrible! I see a frightful

mystery involved in all this. It is not the crossbeam; it is not the

room--"

"What! Do you suspect the innkeeper, the most honest man in the world,

and belonging to one of the oldest families in Nuremberg?"

"No, no; may God preserve me from indulging in unjust suspicions! but

there is an abyss before me, into which I scarcely dare glance."

"You are right," said Toubac, astonished at the violence of my

excitement. "We will speak of other things. Apropos, Master Christian,

where is our landscape of 'Saint Odille'?"

This question brought me back to the world of realities. I showed the

old man the painting I had just completed. The affair was soon

concluded, and Toubac, well satisfied, descended the ladder, entreating

me to think no more of the student of Heidelberg.

I would gladly have followed my good friend's counsel; but, when the

devil once mixes himself up in our concerns, it is not easy to

disembarrass ourselves of him.

In my solitary hours all these events were reproduced with frightful

distinctness in my mind.

"This old wretch," I said to myself, "is the cause of it all; she alone

has conceived these crimes, and has consummated them. But by what

means? Has she had recourse to cunning alone, or has she obtained the

intervention of invisible powers?" I walked to and fro in my retreat.

An inward voice cried out: "It is not in vain that Providence permitted

you to see Fledermausse contemplating the agonies of her victim. It is

not in vain that the soul of the poor young man came in the form of a

butterfly of the night to awake you. No, no; all this was not

accidental, Christian. The heavens impose upon you a terrible mission.

If you do not accomplish it, tremble lest you fall yourself into the

hands of the old murderess! Perhaps, at this moment, she is preparing

her snares in the darkness."

During several days these hideous images followed me without

intermission. I lost my sleep; it was impossible for me to do anything;

my brush fell from my hand; and, horrible to confess, I found myself

sometimes gazing at the crossbeam with a sort of complacency. At last I

could endure it no longer, and one evening I descended the ladder and

hid myself behind the door of Fledermausse, hoping to surprise her

fatal secret.

From that time no day passed in which I was not _en route_, following

the old wretch, watching, spying, never losing sight of her; but she

was so cunning, had a scent so subtile that, without even turning her

head, she knew I was behind her.

However, she feigned not to perceive this; she went to the market, to

the butcher's, like any good, simple woman, only hastening her steps

and murmuring confused words.

At the close of the month I saw that it was impossible for me to attain

my object in this way, and this conviction made me inexpressibly sad.

"What can I do?" I said to myself. "The old woman divines my plans;

she is on her guard; every hope abandons me. Ah! old hag, you think

you already see me at the end of your rope." I was continually asking

myself this question: "What can I do? what can I do?" At last a

luminous idea struck me. My chamber overlooked the house of

Fledermausse; but there was no window on this side. I adroitly raised

a slate, and no pen could paint my joy when the whole ancient building

was thus exposed to me. "At last, I have you!" I exclaimed; "you

cannot escape me now; from here I can see all that passes--your

goings, your comings, your arts and snares. You will not suspect this

invisible eye--this watchful eye, which will surprise crime at the

moment it blooms. Oh, Justice, Justice! She marches slowly; but she

arrives."

Nothing could be more sinister than the den now spread out before me--a

great courtyard, the large slabs of which were covered with moss; in

one corner, a well, whose stagnant waters you shuddered to look upon; a

stairway covered with old shells; at the farther end a gallery, with

wooden balustrade, and hanging upon it some old linen and the tick of

an old straw mattress; on the first floor, to the left, the stone

covering of a common sewer indicated the kitchen; to the right the

lofty windows of the building looked out upon the street; then a few

pots of dried, withered flowers--all was cracked, somber, moist. Only

one or two hours during the day could the sun penetrate this loathsome

spot; after that, the shadows took possession; then the sunshine fell

upon the crazy walls, the worm-eaten balcony, the dull and tarnished

glass, and upon the whirlwind of atoms floating in its golden rays,

disturbed by no breath of air.

I had scarcely finished these observations and reflections, when the

old woman entered, having just returned from market. I heard the

grating of her heavy door. Then she appeared with her basket. She

seemed fatigued--almost out of breath. The lace of her bonnet fell to

her nose. With one hand she grasped the banister and ascended the

stairs.

The heat was intolerable, suffocating; it was precisely one of those

days in which all insects--crickets, spiders, mosquitoes, etc.--make

old ruins resound with their strange sounds.

Fledermausse crossed the gallery slowly, like an old ferret who feels

at home. She remained more than a quarter of an hour in the kitchen,

then returned, spread out her linen, took the broom, and brushed away

some blades of straw on the floor. At last she raised her head, and

turned her little green eyes in every direction, searching,

investigating carefully.

Could she, by some strange intuition, suspect anything? I do not know;

but I gently lowered the slate, and gave up my watch for the day.

In the morning Fledermausse appeared reassured. One angle of light

fell upon the gallery. In passing, she caught a fly on the wing, and

presented it delicately to a spider established in a corner of the

roof. This spider was so bloated that, notwithstanding the distance, I

saw it descend from round to round, then glide along a fine web, like

a drop of venom, seize its prey from the hands of the old shrew, and

remount rapidly. Fledermausse looked at it very attentively, with her

eyes half closed; then sneezed, and said to herself, in a jeering

tone, "God bless you, beautiful one; God bless you!"

I watched during six weeks, and could discover nothing concerning the

power of Fledermausse. Sometimes, seated upon a stool, she peeled her

potatoes, then hung out her linen upon the balustrade.

Sometimes I saw her spinning; but she never sang, as good, kind old

women are accustomed to do, their trembling voices mingling well with

the humming of the wheel.

Profound silence always reigned around her; she had no cat--that

cherished society of old women--not even a sparrow came to rest under

her roof. It seemed as if all animated nature shrank from her glance.

The bloated spider alone took delight in her society.

I cannot now conceive how my patience could endure those long hours of

observation: nothing escaped me; nothing was matter of indifference. At

the slightest sound I raised my slate; my curiosity was without limit,

insatiable.

Toubac complained greatly.

"Master Christian," said he, "how in the devil do you pass your time?

Formerly you painted something for me every week; now you do not finish

a piece once a month. Oh, you painters! 'Lazy as a painter' is a good,

wise proverb. As soon as you have a few kreutzers in possession, you

put your hands in your pockets and go to sleep!"

I confess that I began to lose courage--I had watched, spied, and

discovered nothing. I said to myself that the old woman could not be

so dangerous as I had supposed; that I had perhaps done her injustice

by my suspicions; in short, I began to make excuses for her. One

lovely afternoon, with my eye fixed at my post of observation, I

abandoned myself to these benevolent reflections, when suddenly the

scene changed: Fledermausse passed through the gallery with the

rapidity of lightning. She was no longer the same person; she was

erect, her jaws were clinched, her glance fixed, her neck extended;

she walked with grand strides, her gray locks floating behind her.

"Oh, at last," I said to myself, "something is coming, attention!" But,

alas! the shadows of evening descended upon the old building, the

noises of the city expired, and silence prevailed.

Fatigued and disappointed, I lay down upon my bed, when, casting my

eyes toward my dormer window, I saw the room opposite illuminated. So!

a traveler occupied the Green Room--fatal to strangers.

Now, all my fears were reawakened; the agitation of Fledermausse was

explained--she scented a new victim.

No sleep for me that night; the rustling of the straw, the nibbling of

the mice under the floor, gave me nervous chills.

I rose and leaned out of my window; I listened. The light in the room

opposite was extinguished. In one of those moments of poignant anxiety,

I cannot say if it was illusion or reality, I thought I saw the old

wretch also watching and listening.

The night passed, and the gray dawn came to my windows; by degrees the

noise and movements in the street ascended to my loft. Harassed by

fatigue and emotion I fell asleep, but my slumber was short, and by

eight o'clock I had resumed my post of observation.

It seemed as if the night had been as disturbed and tempestuous to

Fledermausse as to myself. When she opened the door of the gallery, I

saw that a livid pallor covered her cheeks and thin throat; she had on

only her chemise and a woolen skirt; a few locks of reddish gray hair

fell on her shoulders. She looked toward my hiding place with a dreamy,

abstracted air, but she saw nothing; she was thinking of other things.

Suddenly she descended, leaving her old shoes at the bottom of the

steps. "Without doubt," thought I, "she is going to see if the door

below is well fastened."

I saw her remount hastily, springing up three or four steps at a

time--it was terrible.

She rushed into the neighboring chamber, and I heard something like the

falling of the top of a great chest; then Fledermausse appeared in the

gallery, dragging a manikin after her, and this manikin was clothed

like the Heidelberg student.

With surprising dexterity the old woman suspended this hideous object

to a beam of the shed, then descended rapidly to the courtyard to

contemplate it. A burst of sardonic laughter escaped from her lips; she

remounted, then descended again like a maniac, and each time uttered

new cries and new bursts of laughter.

A noise was heard near the door, and the old woman bounded forward,

unhooked the manikin and carried it off; then, leaning over the

balustrade with her throat elongated, her eyes flashing, she listened

earnestly. The noise was lost in the distance, the muscles of her face

relaxed, and she drew long breaths. It was only a carriage which had

passed.

The old wretch had been frightened.

She now returned to the room, and I heard the chest close. This strange

scene confounded all my ideas. What did this manikin signify? I became

more than ever attentive.

Fledermausse now left the house with her basket on her arm. I followed

her with my eyes till she turned the corner of the street. She had

reassumed the air of a trembling old woman, took short steps, and from

time to time turned her head partly around, to peer behind from the

corner of her eye.

Fledermausse was absent fully five hours. For myself, I went, I came, I

meditated. The time seemed insupportable. The sun heated the slate of

the roof, and scorched my brain.

Now I saw, at the window, the good man who occupied the fatal Green

Chamber; he was a brave peasant of Nassau, with a large three-cornered

hat, a scarlet vest, and a laughing face; he smoked his pipe of Ulm

tranquillity, and seemed to fear no evil.

I felt a strong desire to cry out to him: "Good man, be on your guard!

Do not allow yourself to be entrapped by the old wretch; distrust

yourself!" but he would not have comprehended me. Toward two o'clock

Fledermausse returned. The noise of her door resounded through the

vestibule. Then alone, all alone, she entered the yard, and seated

herself on the interior step of the stairway; she put down her basket

before her, and drew out first some packets of herbs, then vegetables,

then a red vest, then a three-cornered hat, a coat of brown velvet,

pants of plush, and coarse woolen hose--the complete costume of the

peasant from Nassau.

For a moment I felt stunned; then flames passed before my eyes.

I recollected those precipices which entice with an irresistible power;

those wells or pits, which the police have been compelled to close,

because men threw themselves into them; those trees which had been cut

down because they inspired men with the idea of hanging themselves;

that contagion of suicides, of robberies, of murders, at certain

epochs, by desperate means; that strange and subtile enticement of

example, which makes you yawn because another yawns, suffer because you

see another suffer, kill yourself because you see others kill

themselves--and my hair stood up with horror.

How could this Fledermausse, this base, sordid creature, have derived

so profound a law of human nature? how had she found the means to use

this law to the profit or indulgence of her sanguinary instincts? This

I could not comprehend; it surpassed my wildest imaginations.

But reflecting longer upon this inexplicable mystery, I resolved to

turn the fatal law against her, and to draw the old murderess into her

own net.

So many innocent victims called out for vengeance!

Library of the World's Best Mystery and Detective Stories · 第 9 / 43 题