CHAPTER XIX--BEGINNINGS OF OPERA IN FRANCE AND GERMANY 235-243

Slow progress of opera to other parts of Europe--origin of French

opera--ballets of Boesset--Perrin--Cambert--their first opera--their

patent from the king--Lulli--his success and productivity--attention

to verbal delivery and the vernacular of the audience--foundations

of the French Académie de Musique--opera in Germany--Schütz--Hamburg

and Keiser--selection from Lulli--"Roland"--Mattheson.

A Popular History of the Art of Music From the Earliest Times Until the Present · 第 19 / 45 章