CHAPTER XVIII--FIRST CENTURY OF ITALIAN OPERA AND DRAMATIC

SONG 221-234

Circle of the Literati in Florence--Galilei and his monody--Peri's

"Dafne"--Schütz's setting of the same--Peri's "Eurydice"--rare

editions--_Il stilo rappresentativo_--Cavaliere's oratorio "The

Soul and the Body"--second period of opera--Monteverde's

"_Arianna_"--orchestra of the same--new orchestral effects--scene

from "Eurydice"--director of St. Mark's--Legrenzi--Cesti--public

theaters--Alessandro Scarlatti--_recitativo stromentato_--Corelli--sonatas

for the violin--influence of the violin upon the art of

singing--origin of Italian school of singing--artificial sopranos--Porpora;

Selections from Monteverde, Cavalli and Scarlatti.

A Popular History of the Art of Music From the Earliest Times Until the Present · 第 18 / 45 章