AT BROOKE HOUSE

Garibaldi arrived at Southampton on the evening of the 3rd of April. I

wanted to see him before he was caught up, whirled off, and exhausted.

I wanted to do so for many reasons: in the first place, simply because I

loved him and had not seen him for about ten years. I had followed his

great career step by step since 1848; by 1854 he had become in my eyes

a character taken straight out of Cornelius Nepos or Plutarch ... since

then he had outstripped half those characters, had become the Uncrowned

King of the Peoples, their enthusiastic hope, their living legend, their

holy man—and this from the Ukraine and Serbia to Andalusia and Scotland,

from South America to the northern of the United States. Since then with

a handful of men he had conquered an army, set free a whole country, and

been dismissed from it as a cabman is dismissed when he has driven you to

the station. Since then he had been deceived and defeated; and just as he

had gained nothing for himself by victory, he had lost nothing by defeat,

but his power among the people had been doubled. The wound dealt him by

his own countrymen had cemented him with blood to the common people. To

the greatness of the hero was added the crown of a martyr. I longed to

see whether he was still the same simple-hearted sailor who had brought

_The Commonwealth_ from Boston to the India Docks, dreaming of a floating

brotherhood of exiles that should sail over the ocean, and regaling me

with Nice Bellet brought from America.

In the second place, I wanted to tell him a little about the intrigues

and absurdities here, about the good people who with one hand were

setting up a pedestal for him and with the other putting Mazzini in

the pillory. I wanted to tell him about the harrying of Stansfeld, and

about the Liberals of mean understanding who joined in the baying of

the reactionary packs without seeing that the latter had at least an

object—to trip up the piebald and characterless Ministry over Stansfeld,

and to replace them, together with their gout, their musty relics and

their faded heraldic rags.

In Southampton I did not find Garibaldi. He had just gone off to

the Isle of Wight. In the streets there were still signs left of his

triumphal reception—flags, groups of people, crowds of foreigners....

Without stopping at Southampton, I set off for Cowes. On the steamer

and in the hotels every one was talking of Garibaldi, of his reception.

Anecdotes were told: how he had come out on deck leaning on the arm of

the Duke of Sutherland; how, when going from the steamer into Cowes,

Garibaldi had been on the point of bowing to the sailors, but had

suddenly stopped, stepped up to them and shaken each by the hand instead

of giving tips.

I reached Cowes at nine o’clock in the evening; I learnt that Brooke

House was a long way off, ordered a carriage for the next day, and

walked along the sea-front. It was the first warm evening of 1864. The

sea was perfectly calm, dancing in languid ripples; here and there a

phosphorescent light gleamed and vanished; I drank in with delight the

moist salt smell of the sea, which I love like the fragrance of hay.

In the distance was the sound of dance-music from some club or casino,

everything was bright and festive.

But next morning when I opened my window at six o’clock England was

herself again; instead of sea and sky, earth and distance, there was one

thick mass in tints of grey from which a fine steady rain was falling

with that British persistence which tells one plainly: ‘If you imagine

that I am going to stop, you are wrong. I am not.’ At seven o’clock I

drove off to Brooke House in this shower-bath. Wishing to avoid long

explanations with English servants, who are slow-witted and lacking in

courtesy, I sent in a note to Garibaldi’s secretary, Guerzoni. Guerzoni

led me into his room and went to tell Garibaldi. Then I heard the tapping

of a stick, and a voice saying, ‘Where is he, where is he?’ I went out

into the corridor. Garibaldi stood before me, looking me straight in the

face with his candid, gentle expression; then he held out both hands to

me, and saying, ‘Very, very glad, you are full of strength and health;

you will do more work yet,’ embraced me. ‘Where would you like to be?

This is Guerzoni’s room; would you rather come to mine or rather stay

here?’ he asked, and sat down.

It was now my turn to look at him.

He was dressed as you know him from innumerable photographs, pictures

and statuettes; he had a red woollen shirt, and over it a cloak buttoned

in a peculiar way over the chest; he had a kerchief, not on his neck but

on his shoulders, as sailors wear it, tied in a knot over the chest. All

this suited him marvellously, especially his cloak.

He had changed much less in those ten years than I had expected. None of

the portraits or photographs of him are good enough, all of them make

him look older, darker, and, above all, fail to give the expression of

his face. And it is just in the expression that the whole secret is

revealed, not only of his face but of himself, of his power—of that

magnetic and generous force by means of which he invariably dominated

the circle around him whatever it might be, great or small: a handful

of fishermen at Nice, a crew of sailors on the ocean, a _drappello_ of

guerillas at Monte Video, an army of volunteers in Italy, the masses

of the people of all lands, whole quarters of the terrestrial globe.

Every feature of his face, which is very irregular and more suggestive

of the Slavonic type than the Italian, is full of life and of boundless

good-nature, loving-kindness, and what is called _bienveillance_ (I use

the French word because our benevolence has been so cheapened in our

Government offices and antechambers that its meaning is distorted and

vulgarised). There is the same quality in his glance, the same quality

in his voice, and it is all so simple, so straight from the heart, that

unless a man has some ulterior motive, is in the pay of some Government,

or deliberately determined against it, he is bound to love him.

But neither his character nor the expression of his face is made up

of goodness alone; side by side with his kindness and attractiveness

one feels the presence of unflinching moral firmness and a sort of

return upon himself, reflective and mournful. I had not observed this

melancholy, gloomy characteristic in him before.

At moments the conversation broke off: thoughts flitted over his face

like clouds over the sea. Was it horror at the destinies that rested on

his shoulders, at his _consecration_ by the people—which he could not now

refuse? Was it doubt aroused by all the downfalls, all the treacheries,

all the weaknesses of men that he had seen? Was it the temptation of

greatness? That last I do not think; his personality had long ago passed

into his work....

I am certain that similar traces of anguish at their vocation were to

be seen in the face of the Maid of Orleans, in the face of John of

Leyden. They belonged to the people, and the elemental feelings or rather

presentiments extinct in us are stronger in the common people. There was

fatalism in their faith, and fatalism in itself is infinitely sad. ‘Thy

will be done,’ says the Sistine Madonna in every feature of her face.

‘Thy will be done,’ says her Son, the Man of the people and the Saviour,

as He sorrowfully prays on the Mount of Olives.

Garibaldi recalled various details of his visit to London in 1854, how he

had spent the night with me when he had been too late to return to the

India Docks; I reminded him how he had gone for a walk with my son and

had his photograph taken for me at Caldesi’s, how we had dined at the

American Consul’s with Buchanan,[16] which made so much talk at the time

though it was really of no importance.

‘I must confess that I have not hastened to see you without an object,’

I said at last; ‘I was afraid that the atmosphere with which you are

surrounded would be too English, that is, too foggy for you to see

clearly the strings behind the scenes working the drama which is being

successfully played out now in Parliament ... the further you go the

thicker the fog will be. Do you want to hear me?’

‘Tell me, tell me—we are old friends.’

I told him of the debates, of the wailing in the newspapers, of the

grotesqueness of the manœuvres against Mazzini, the ordeal to which

Stansfeld[17] was being subjected. ‘Observe,’ I added, ‘that in Stansfeld

the Tories and their supporters are persecuting not only the revolution

which they mix up with Mazzini, not only the Ministry of Palmerston,

but, in addition to all that, a man who by his personal qualities, his

industry and his intelligence, has obtained at a comparatively early age

the post of a Lord of the Admiralty, a man of no family or connections

in the aristocracy. They will not dare to attack you directly at this

moment, but just see how unceremoniously they are treating you. I bought

the latest _Standard_ yesterday at Cowes; I have read it driving here;

just look at this: “We are convinced that Garibaldi will understand the

obligations laid upon him by the hospitality of England, that he will

have nothing to do with his former comrade, but will have too much tact

to visit at 35 Thurloe Square.” Then follows the sentence passed upon you

_par anticipation_ if you do not act in accordance with this hint.’

‘I have heard something of this intrigue,’ said Garibaldi. ‘_Of course

one of my first visits will be to Stansfeld._’

‘You know better than I what to do. I only wanted to show you clearly the

ugly outlines of this intrigue.’

Garibaldi stood up. I thought that he meant to put an end to the

interview, and began taking leave.

‘No, no, let us go to my room now,’ he said, and he went off. He limps

badly, but his constitution has emerged triumphantly from every sort of

injury and operation, moral or surgical.

His dress, I say once more, is wonderfully becoming to him and

wonderfully elegant; there is nothing suggestive of the professional

soldier, nothing bourgeois about it, it is very simple and very

convenient. The ease, the absence of all affectation with which he wears

it, checks the tattle and sly mockery of the drawing-rooms; there can

hardly be another European who could wear the red shirt successfully in

the halls and palaces of England.

Moreover, his dress is of the greatest significance; in the red shirt the

common people recognise one of themselves, and their man. The aristocracy

imagine that, having clutched his horse by the bridle, they may lead him

where they like, and above all, away from the people; but the people look

at the red shirt and are delighted that dukes, marquises and lords have

turned stable-boys and grooms to the revolutionary leader, have taken on

the duties of major-domos, pages and couriers to the great plebeian in

his plebeian dress.

Conservative newspapers saw what was wrong, and, to soften the immorality

and unseemliness of Garibaldi’s dress, invented the tale that he was

wearing the uniform of a Monte Video volunteer. But since those days the

rank of general had been bestowed on Garibaldi by the king upon whom he

had bestowed two kingdoms; why then should he wear the uniform of a

Monte Video volunteer?

And indeed, in what way is his dress a uniform?

With the uniform is associated some deadly weapon, some symbol of

authority or of bloody remembrance. Garibaldi goes about unarmed, he

fears no one and seeks to be feared by no one; there is as little of the

military man about Garibaldi as there is of the aristocrat or the petty

bourgeois.

‘I am not a soldier,’ he said at the Crystal Palace to the Italians who

presented him with a sword, ‘and I do not like the soldier’s trade. I saw

my father’s house filled with robbers and snatched up a weapon to drive

them out.’ ‘I am a workman, I have come from working people, and I am

proud of it,’ he said in another place.

With that it must be noted that Garibaldi has not one grain of plebeian

roughness or affectation of democracy. His manner is soft as a woman’s.

A man and an Italian, he stands at the pinnacle of the civilised world,

not only as a son of the people faithful to his origin but as an Italian

faithful to the aesthetic instinct of his race.

His cloak, buttoned over the chest, is not so much a military cape as the

robe of the martial high priest, the prophet. When he lifts his hand one

expects words of greeting and blessing, not words of military command.

Garibaldi began talking of the Polish position. He wondered at the daring

of the Poles. ‘With no organisation, no arms, no men, no open frontier,

no support of any kind—to stand up against a strong military autocracy

and to hold their ground for over a year—there has never been anything

like it in history; it would be well if other nations would imitate them.

Such heroism must not, cannot perish in vain. I suppose that Galicia is

on the point of rising?’

My past and thoughts, vol. 5 (of 6) · 第 44 / 109 题