III

The green and gold of summer modulated into a gorgeous autumnal

symphony of faint-coloured flowers; scarlet, yellow and russet browns.

October with its tonic and out-door joys was at hand. The tree-tops

beckoned to the white clouds, lazily floating aloft. Ulick longed for

the hills of New Hampshire, for the Franconian landscape with its

sweep of horizon. One black spot in his memory had not been effaced.

In review he saw the fanatics headed by the chief of the Holy Yowlers,

saw Roarin' Nell and Brother Rainbow, saw, Oh! memorable moment, for

the first time the glorious woman called Easter, Esther Brandès, now

Istar, the famous Isolde and Brunnhilde. Would he ever see her again?

Did he really long for her presence, or was it pure fancy, rather,

unmitigated curiosity? Over his tea and toast this morning he couldn't

reason the idea to a logical conclusion. He knew that he was fickle.

But, then, that was in the past. There was only one girl now--Dora

being a light-of-love--and that was Mona. She was adorable--Mona,

and her parents hardly less adorable. Since that tremendous night he

felt that his love for her had been tested as in a fiery furnace; and

through that fiery furnace had passed Mona, little the worse for the

experience; yet, as he admitted to himself, somehow changed. She was

subdued, her eyes unquiet, her vivacity of speech dampened. The wound

in her consciousness had left a deep scar. She could not forget. She

would never forget.

He sighed as he thought of the change, yet he was reconciled to their

altered relationship. Three times a week he dined at the Milton's.

There was no doubt about the cordiality of the old people; they liked

him and showed their liking. He was virtually the future son-in-law,

and if, at times, he shuddered if he thought of marriage, the sober

joy of Mona when he was with them proved a prop to buttress up his

irresolution. Milt had written him a friendly letter in which transpired

brotherly pride. It was a certain thing. Ulick accepted the

situation. Fatalistic by temperament as well as training, he told

himself it might better be Mona than any other girl. She was charming.

But she was changed. She spoke no longer of her doll, of their

dream-children, and once, when he had invited her to luncheon at the

Maison Félicé, offering to play Chopin for her afterwards, she had

refused. "I have promised," was her explanation. "You play for me at

home, even if our upright isn't so splendid as your Steinway grand,

we enjoy you just the same." And when he had mockingly called her a

naughty little coward, she responded: "If you don't ask me the reason,

perhaps that would be the best way to make me tell everything." He

desisted, though he yearned for her. He was not a man to resist his

amorous inclinations. Dora was off his visiting list. Mona, then, was

his sole refuge. She saw that he was suffering, but she had given her

word to her mother that she would never visit Ulick alone. Once only

and in company with Mrs. Milton she had taken luncheon at the Maison,

but when he asked them to go to his music-room she hastily refused.

See that room again she could not. She feared her nerves would play

her tricks. For the rest, she had been away several months, in the

mountains, at the seashore. Her languour had not been dissipated;

"tædium vitæ," the doctor named it. She needed, he said, an ocean trip,

a complete change of scene. But she preferred not to leave Ulick.

He glanced through the news columns this bright October morning.

Suddenly a headline and a name caught his eye. Istar! The elopement of

the celebrated opera singer Istar with a prince of the blood royal!

A half column cable despatch, evidently elaborated in the newspaper

office. It described in exaggerated terms the elopement of Easter

with a Bavarian princeling from Munich. She had been singing there as

"guest" and the musical prince had lost his head, though married to a

dowdy princess, and the father of an increasing family. The pair had

run away in the night but all the machinery of policedom had been set

whirring. En route for Lake Como they were tracked to Vienna and there

arrested. A diplomatic arrest, be it understood. The "avenging wife"

figured in the dénouement; she was said to have wielded a whip, but

Istar grabbed it from her flaccid grasp and gave the unhappy woman a

genuine horse-whipping. But doubtless this incident was manufactured

out of the whole cloth. The wretched princeling was nipped and in

company with a delegation of solemn functionaries, was sent back to

Munich, where he was solemnly spanked and put to bed--metaphorically.

The affair made a terrific scandal. Istar was warned by the secret

police that she would be expelled if she ever crossed the Bavarian

border. What amused Ulick was her reported attitude when she was

intercepted. She swaggered to the prince and shaking his chilly,

frightened hand, she insolently hummed a familiar tune: "Du bist

verrückt mein Kind. Du muss nach Berlin...." The pompous entourage

couldn't stand that and there were discreet smiles and much wagging of

official skulls. Decidedly, Easter came out with flying colours....

Ulick laid down the paper. Easter was surely on the road to victory.

Duels, elopements, scandals, royal favours, Good Heavens! how that girl

is going straight to her goal. She is an arriviste, but all women are

arrivistes. Never mind so you win! When he thought of some women and

compared his own slow mode of reacting to circumstances he realised

that his incompetence was encyclopaedic. He admired Easter more than

ever, admired her at a distance of three thousand miles. All said

and done she was more to his taste than Mona. He was worldly. He was

artistic. He liked the éclat of operatic triumphs. Istar had arrived.

Lilli Lehmann, retired; Ternina retired--who was there, except Olive

Fremstad to take their place! Fremstad would prove a serious rival

to Easter. No doubt about that. But she had visited New York before

Easter, and that would give the girl a free field.

There was Mary Garden, who had been startling Paris from its musical

apathy with her marvellous Mélisande. And the young Geraldine

Farrar--she was cutting an artistic swath in Berlin. Yet none was so

brilliant, he thought, so promising, as his beloved Easter. Beloved?

The word was the father to his wish. Easter had never appeared to him

in such alluring shapes. Beautiful girl, great singer--and then her sex

suddenly swam before him and he literally saw crimson. His enforced

chastity was telling adversely on his sanguine temperament. Be virtuous

and you'll be bilious! He sourly quoted to himself. If this thing keeps

on I'll be forced to ring up Dora.... He hurriedly dressed and went to

his club.

Painted Veils · 第 45 / 55 题