AT THE PLAY.

"Stand and Deliver."

The Merry Monarch's world is too much with us. I can't imagine what it

is in that period that our actor-managers find so peculiarly appropriate

to present conditions, when we need all the inspiration we can get out

of our country's annals. It seems only the other day that in the same

theatre, His Majesty's--the play was _Mavourneen_--I was assisting at a

rout (is that the word?) of Restoration society. And here we have it all

over again with the same scheme of a pretty _débutante_ near to being

compromised by the Royal favour; with the old galaxy of Court ladies

inexplicably gay; the same old Duke of BUCKINGHAM; the old dull sport of

improvisations; the old pathetic lack of wit; a _réchauffé_ only

tempered by slight variations, such as the substitution of LELY for

PEPYS, and the failure of the Monarch himself to put in an appearance.

For the rest, a generous allowance of swashbuckling, of kidnapping, of

standing and delivering, of interludes for dancing and gallantry--in a

word all the approved features of the High Toby. Nothing, you will

guess, that threatened to overstrain our intelligence, but enough for

the moderate excitation of those sympathies which we always concede to

heroic villainy.

The _clou_ of the evening was the scene of the waylaying of his lover's

coach by _Claude Duval_ on the Newmarket road. Animals on the stage (as

distinct from the circus-ring) always make me nervous. Mr. BOURCHIER

seemed to have anticipated my apprehension. On the approach of the

travellers, having hitherto, with his horse's consent, sat motionless at

the cross-roads, he retired with it into the wings and there dismounted

and continued the scene on foot. But the memory of those few moments of

superb equitation remained with the audience, and when, at the fall of

the curtain, he led his steed forward by the bridle (a just tribute to

its connivance) the pair of them brought down the house--and not the

scenery, as I had feared.

I am no pedant that I should cavil at Mr. JUSTIN HUNTLY MCCARTHY'S

re-adjustment of history. It was all for our delight that _Claude

Duval_, instead of perishing on the scaffold, should escape from prison,

have his freedom confirmed by the KING'S pardon, confound everybody

else's knavish tricks and marry the lady of his heart. Nor do I complain

that the historic highwayman (as I am credibly informed--for I got the

facts from another critic) was only twenty-nine when they hanged him,

and that Mr. BOURCHIER is--well, let me say, past the military age, or

he wouldn't have been there at all. At the same time he will not mind my

saying that, though he brought a very gallant spirit to his work, he

lacked something of that resilience which is so desirable a quality in a

Chevalier of the Road. Perhaps I liked best in him the quiet restraint

with which he met the assaults of _Orange Moll_ upon his loyalty to his

lady. He was not given very many good things to say, but he made up for

this defect by dropping his aspirates and talking in what I took to be a

Serbian accent.

[Illustration: RIVER SCENE NEAR WESTMINSTER.

_Claude Duval_ (Mr. Bourchier) disposes of his rival, _de Pontac_ (Mr.

Murray Carrington) in a riparian duel.]

Not much subtlety was asked of Miss KYRLE BELLEW as _Duval's_ lover,

_Berinthia_; but she seemed to have learned a little more sincerity and

to depend less upon the prettiness of her face and her frocks. Of Miss

MIRIAM LEWES as _Orange Moll_ something more was demanded, and I should

have enjoyed without reservation her very picturesque performance but

for a certain stage-quality in her voice which was out of all consonance

with the part she had to play. Mr. JERROLD ROBERTSHAW as _Justice

Hogben_ was a most attractive old reprobate; Mr. CHARLES ROCK as a

strolling mummer played like the sound actor he is; and indeed the whole

cast--and not least in the smallest parts, such as Mr. HARTFORD'S

drunken _Gaoler_ and Mr. PEASE'S _Dognose_, with his delightfully

unemotional "Ay! ay!"--did very well indeed.

If the play opens rather deliberately there is no lack of action when

once it gets moving; but it was an exercise of bodies rather than of

minds. Swords flashed; barkers were flourished (though they never went

off); feet twinkled in the dance, and Mr. MURRAY CARRINGTON took several

astounding falls; but wits remained stationary. I do not wish to appear

exigent, but as one who likes to be amused as well as entertained I

could easily have done with a little more scintillation.

Punch, or the London Charivari, Vol. 150, April 5, 1916 · 第 26 / 42 题