II

"A little more to the right, please."

Titian's eyes studied the figure before him thoughtfully. His voice

murmured half-articulate words, and his glance ran swiftly from the

sitter to his canvas.

"That is good." He gave a sigh of satisfaction. "Can you hold that--ten

minutes, say!" He had taken up his brush and was painting with swift

strokes.

The young man before him smiled a little. The dark, handsome face

lighted under it and glowed. "I will do my best." The quiet irony in the

tone laughed gently.

Titian smiled back. "I forget that you are of the craft. You have too

much of the grand air, Zarato, to belong to us."

"I am indebted to you!" said the young man politely. He lifted his hand

with a courtly gesture, half mocking and half sincere. It dropped easily

to the console beside him.

With rapid touches Titian sketched it as it lay. His face glowed with

satisfaction, and he worked with eager haste. "Good!--Good!" he murmured

under his breath. "It will be great. You will see.... You will see." He

hummed softly to himself, his glance flashing up and down the tall

figure before him, inserting a touch here and a line there, with swift

decision.

The warm air of the studio was very quiet. Voices drifted up from the

Grand Canal, and now and then the sound of bells.

The young man's eyes looked dreamily before him. He had forgotten the

studio and its occupant. He might have been listening to pleasant

words--to the sound of a voice.

"There!" Titian dropped the brush and stepped back. "We have done for

to-day." He surveyed the canvas critically.

The young man stepped to his side. He looked earnestly at the daubs and

lines of paint that streaked it. A smile crept over his dark face. "You

paint like no other," he said quietly.

Titian nodded. "Like no other," he repeated the words with satisfaction.

"They will not call it like Palma, this time--nor like Giorgione, nor

Signor Somebody Else." He spoke with mild irritation. His eyes travelled

over the lines of glowing canvas that covered the walls.

The young man's glance followed them. "No," he assented, "you have

outstepped them all.... You used them but to climb on." He moved toward

a canvas across the room.

"But this--" he laid his hand lightly on the frame--"this was after

Palma?" He turned his eyes with a look of inquiry.

Titian nodded curtly.

"It was the model--partly," he said half grudgingly.

"I know--Violante." Zarato spoke the name softly. He hesitated a moment.

"Would she pose for any one--for me, do you think?"

Titian laughed harshly. "Better not, my boy--Better not! When she gets

into a brush, it is a lost brush, Zarato--bewitched forever! Look

there--and there--and there!" His rapid hand flashed at the canvases.

The young man's eyes followed the gesture. "The result is not so bad,"

he said gravely.

Titian laughed back. "Not so bad!..." He studied them a minute. "You've

no idea how I had to fight to keep her out--And, oh, that hair!" He

groaned thoughtfully, looking at the canvases--"Palma's worse!" he

chuckled.

The young man started. A thought crossed his face and he looked up. "And

Giorgione?" he asked doubtingly.

Unfinished Portraits: Stories of Musicians and Artists · 第 32 / 51 题