Titian nodded grimly. "You come to me."

Giorgione leaned forward. "But I can't spare him," he pleaded. "I can't

spare you. The work is late, and the Council hammer at a man! You must

wait."

"Just one day," said Titian briefly. "I block in the outlines. It can

wait then--a year, six months--I care not."

Giorgione's face regained its look of good-humor. "But you are foolish,

Titian, foolish! Paint doges, if you will, paint popes and dukes--paint

gold. But never paint an artist--an artist and a gentleman!"

They laughed merrily and the boat glided on--out into the lagoon and the

broad, flooding moonlight.

"Sing something," said Giorgione. He raised the flute to his lips,

breathing into it a gay, gentle air. The lute and cithara, from the

opposite side, took it up. Presently the tenor voice joined in, carrying

the air with sweet, high notes. They fell softly on the ear.

The slender fingers plucking at the cithara faltered. The bosom beneath

its white tunic, where a single pansy glowed, trembled with swift

breathing, and the red lips parted in a quick sigh.

Titian looked up, smiling reproachfully: "Violante! ah, Violante!" he

murmured softly.

She shook her head smilingly. A tear rested on her cheek. "I cannot help

it," she said; "it is the music."

"Yes, it is the music," said Titian. His tone was dry--half cynical.

Her husband looked over with faithful eyes and smiled at her.

Only Zarato had not looked up. His eyes followed the dancing leaden

water. A flush had come into his sallow cheek. But the moonlight did not

reveal it.

Violante glanced at him timidly.

"Come, we will try again," she said. She swept her cithara, and the

tenor voice took up the notes. "Faster!" she said. The time quickened.

Her cheeks were flushed and her eyes shone.

"_Chi boit et ne reboit, ne cais qua boir soit_," rang out the voice.

"_Qua boir soit--qua boir soit_," repeated Violante softly.

The duet rose, full and sweet and clear, with passionate undertones.

Slowly it died away, calling to itself across the lighted water.

The two men applauded eagerly. "Bella!" murmured Giorgione. "Once

more!--Bella!" He clapped his hands.

Again the music rose. Once the eyes of the singers met--a long, slow

look. The time quickened a little, and the music deepened.

Titian sat watching them, his head in its velvet cap, thrown back

against the cushions, his lips smiling dreamily. His eye strayed over

the voluptuous figure at his side--the snowy tunic and the ruby-red

bodice and skirt. He knew the figure well, the red-gold hair and

wondrous eyes. But a new look had come into them--something tender,

almost sweet.

He leaned forward as the music ceased. "You shall pose for me," he said

under his breath. "I want you for the Duke's picture."

She nodded slightly, her bosom rising and falling.

Giorgione leaned forward, smiling.

"What is that?" he asked. His eyes rested tenderly on the flushed face

and the full lips of his wife. "What is it you say?"

"I want her for Bacchante," said Titian, "for the Duke's picture." He

had not removed his eyes from her face.

Giorgione smiled. Then his face darkened. "My frescos! Oh, my frescos!"

he murmured tragically. "But _you_ will help, Zarato. You will not go

paint for dukes and popes?" The tone was half laughing and half

querulous.

The young man roused himself and looked at him questioningly. He drew

his hand across his eyes. "What is it?" he said dreamily. "What is it?"

His face flushed. "Help you? Yes, I will help you--if--I can."

Unfinished Portraits: Stories of Musicians and Artists · 第 31 / 51 题