CHAPTER III SALAMMBÔ

The moon was rising just above the waves, and on the town which

was still wrapped in darkness there glittered white and luminous

specks:—the pole of a chariot, a dangling rag of linen, the corner of

a wall, or a golden necklace on the bosom of a god. The glass balls on

the roofs of the temples beamed like great diamonds here and there.

But ill-defined ruins, piles of black earth, and gardens formed deeper

masses in the gloom, and below Malqua fishermen’s nets stretched

from one house to another like gigantic bats spreading their wings. The

grinding of the hydraulic wheels which conveyed water to the highest

storys of the palaces, was no longer heard; and the camels, lying

ostrich fashion on their stomachs, rested peacefully in the middle of

the terraces. The porters were asleep in the streets on the thresholds

of the houses; the shadows of the colossuses stretched across the

deserted squares; occasionally in the distance the smoke of a still

burning sacrifice would escape through the bronze tiling, and the heavy

breeze would waft the odours of aromatics blended with the scent of the

sea and the exhalation from the sun-heated walls. The motionless waves

shone around Carthage, for the moon was spreading her light at once upon

the mountain-circled gulf and upon the lake of Tunis, where flamingoes

formed long rose-coloured lines amid the banks of sand, while further

on beneath the catacombs the great salt lagoon shimmered like a piece

of silver. The blue vault of heaven sank on the horizon in one direction

into the dustiness of the plains, and in the other into the mists of the

sea, and on the summit of the Acropolis, the pyramidal cypress trees,

fringing the temple of Eschmoun, swayed murmuring like the regular waves

that beat slowly along the mole beneath the ramparts.

Salammbô ascended to the terrace of her palace, supported by a female

slave who carried an iron dish filled with live coals.

In the middle of the terrace there was a small ivory bed covered

with lynx skins, and cushions made with the feathers of the parrot, a

fatidical animal consecrated to the gods; and at the four corners rose

four long perfuming-pans filled with nard, incense, cinnamomum, and

myrrh. The slave lit the perfumes. Salammbô looked at the polar star;

she slowly saluted the four points of heaven, and knelt down on the

ground in the azure dust which was strewn with golden stars in imitation

of the firmament. Then with both elbows against her sides, her fore-arms

straight and her hands open, she threw back her head beneath the rays of

the moon, and said:

“O Rabetna!—Baalet!—Tanith!” and her voice was lengthened in

a plaintive fashion as if calling to some one. “Anaïtis! Astarte!

Derceto! Astoreth! Mylitta! Athara! Elissa! Tiratha!—By the hidden

symbols, by the resounding sistra,—by the furrows of the earth,—by

the eternal silence and by the eternal fruitfulness,—mistress of the

gloomy sea and of the azure shores, O Queen of the watery world, all

hail!”

She swayed her whole body twice or thrice, and then cast herself face

downwards in the dust with both arms outstretched.

But the slave nimbly raised her, for according to the rites someone must

catch the suppliant at the moment of his prostration; this told him

that the gods accepted him, and Salammbô’s nurse never failed in this

pious duty.

Some merchants from Darytian Gætulia had brought her to Carthage when

quite young, and after her enfranchisement she would not forsake her old

masters, as was shown by her right ear, which was pierced with a large

hole. A petticoat of many-coloured stripes fitted closely on her hips,

and fell to her ankles, where two tin rings clashed together. Her

somewhat flat face was yellow like her tunic. Silver bodkins of great

length formed a sun behind her head. She wore a coral button on the

nostril, and she stood beside the bed more erect than a Hermes, and with

her eyelids cast down.

Salammbô walked to the edge of the terrace; her eyes swept the horizon

for an instant, and then were lowered upon the sleeping town, while the

sigh that she heaved swelled her bosom, and gave an undulating movement

to the whole length of the long white simar which hung without clasp or

girdle about her. Her curved and painted sandals were hidden beneath

a heap of emeralds, and a net of purple thread was filled with her

disordered hair.

But she raised her head to gaze upon the moon, and murmured, mingling

her speech with fragments of hymns:

“How lightly turnest thou, supported by the impalpable ether! It

brightens about thee, and ’tis the stir of thine agitation that

distributes the winds and fruitful dews. According as thou dost wax

and wane the eyes of cats and spots of panthers lengthen or grow short.

Wives shriek thy name in the pangs of childbirth! Thou makest the shells

to swell, the wine to bubble, and the corpse to putrefy! Thou formest

the pearls at the bottom of the sea!

“And every germ, O goddess! ferments in the dark depths of thy

moisture.

“When thou appearest, quietness is spread abroad upon the earth; the

flowers close, the waves are soothed, wearied man stretches his breast

toward thee, and the world with its oceans and mountains looks at

itself in thy face as in a mirror. Thou art white, gentle, luminous,

immaculate, helping, purifying, serene!”

The crescent of the moon was then over the mountain of the Hot Springs,

in the hollow formed by its two summits, on the other side of the gulf.

Below it there was a little star, and all around it a pale circle.

Salammbô went on:

“But thou art a terrible mistress!—Monsters, terrifying phantoms,

and lying dreams come from thee; thine eyes devour the stones of

buildings, and the apes are ever ill each time thou growest young again.

“Whither goest thou? Why dost thou change thy forms continually? Now,

slender and curved thou glidest through space like a mastless galley;

and then, amid the stars, thou art like a shepherd keeping his flock.

Shining and round, thou dost graze the mountain-tops like the wheel of a

chariot.

“O Tanith! thou dost love me? I have looked so much on thee! But no!

thou sailest through thine azure, and I—I remain on the motionless

earth.

“Taanach, take your nebal and play softly on the silver string, for my

heart is sad!”

The slave lifted a sort of harp of ebony wood, taller than herself,

and triangular in shape like a delta; she fixed the point in a crystal

globe, and with both hands began to play.

The sounds followed one another hurried and deep, like the buzzing of

bees, and with increasing sonorousness floated away into the night with

the complaining of the waves, and the rustling of the great trees on the

summit of the Acropolis.

“Hush!” cried Salammbô.

“What ails you, mistress? The blowing of the breeze, the passing of a

cloud, everything disquiets you just now!”

“I do not know,” she said.

“You are wearied with too long prayers!”

“Oh! Tanaach, I would fain be dissolved in them like a flower in

wine!”

“Perhaps it is the smoke of your perfumes?”

“No!” said Salammbô; “the spirit of the gods dwells in fragrant

odours.”

Then the slave spoke to her of her father. It was thought that he had

gone towards the amber country, behind the pillars of Melkarth. “But

if he does not return,” she said, “you must nevertheless, since it

was his will, choose a husband among the sons of the Ancients, and then

your grief will pass away in a man’s arms.”

“Why?” asked the young girl. All those that she had seen had

horrified her with their fallow-deer laughter and their coarse limbs.

“Sometimes, Tanaach, from the depths of my being there exhale as it

were hot fumes heavier than the vapours from a volcano. Voices call me,

a globe of fire rolls and mounts within my bosom, it stifles me, I am at

the point of death; and then, something sweet, flowing from my brow to

my feet, passes through my flesh—it is a caress enfolding me, and I

feel myself crushed as if some god were stretched upon me. Oh! would

that I could lose myself in the mists of the night, the waters of the

fountains, the sap of the trees, that I could issue from my body, and be

but a breath, or a ray, and glide, mount up to thee, O Mother!”

She raised her arms to their full length, arching her form, which in

its long garment was as pale and light as the moon. Then she fell back,

panting, on the ivory couch; but Taanach passed an amber necklace with

dolphin’s teeth about her neck to banish terrors, and Salammbô said

in an almost stifled voice: “Go and bring me Schahabarim.”

Her father had not wished her to enter the college of priestesses,

nor even to be made at all acquainted with the popular Tanith. He was

reserving her for some alliance that might serve his political ends; so

that Salammbô lived alone in the midst of the palace. Her mother was

long since dead.

She had grown up with abstinences, fastings and purifications, always

surrounded by grave and exquisite things, her body saturated with

perfumes, and her soul filled with prayers. She had never tasted wine,

nor eaten meat, nor touched an unclean animal, nor set her heels in the

house of death.

She knew nothing of obscene images, for as each god was manifested

in different forms, the same principle often received the witness

of contradictory cults, and Salammbô worshipped the goddess in her

sidereal presentation. An influence had descended upon the maiden from

the moon; when the planet passed diminishing away, Salammbô grew weak.

She languished the whole day long, and revived at evening. During an

eclipse she nearly died.

But Rabetna, in jealousy, revenged herself for the virginity withdrawn

from her sacrifices, and she tormented Salammbô with possessions, all

the stronger for being vague, which were spread through this belief and

excited by it.

Unceasingly was Hamilcar’s daughter disquieted about Tanith. She had

learned her adventures, her travels, and all her names, which she would

repeat without their having any distinct signification for her. In

order to penetrate into the depths of her dogma, she wished to become

acquainted, in the most secret part of the temple, with the old idol in

the magnificent mantle, whereon depended the destinies of Carthage, for

the idea of a god did not stand out clearly from his representation,

and to hold, or even see the image of one, was to take away part of his

virtue, and in a measure to rule him.

But Salammbô turned around. She had recognised the sound of the golden

bells which Schahabarim wore at the hem of his garment.

He ascended the staircases; then at the threshold of the terrace he

stopped and folded his arms.

His sunken eyes shone like the lamps of a sepulchre; his long thin body

floated in its linen robe which was weighted by the bells, the latter

alternating with balls of emeralds at his heels. He had feeble limbs, an

oblique skull and a pointed chin; his skin seemed cold to the touch, and

his yellow face, which was deeply furrowed with wrinkles, was as if it

contracted in a longing, in an everlasting grief.

He was the high priest of Tanith, and it was he who had educated

Salammbô.

“Speak!” he said. “What will you?”

“I hoped—you had almost promised me—” She stammered and was

confused; then suddenly: “Why do you despise me? what have I forgotten

in the rites? You are my master, and you told me that no one was so

accomplished in the things pertaining to the goddess as I; but there are

some of which you will not speak. Is it so, O father?”

Schahabarim remembered Hamilcar’s orders, and replied:

“No, I have nothing more to teach you!”

“A genius,” she resumed, “impels me to this love. I have climbed

the steps of Eschmoun, god of the planets and intelligences; I have

slept beneath the golden olive of Melkarth, patron of the Tyrian

colonies; I have pushed open the doors of Baal-Khamon, the enlightener

and fertiliser; I have sacrificed to the subterranean Kabiri, to the

gods of woods, winds, rivers and mountains; but, can you understand?

they are all too far away, too high, too insensible, while she—I feel

her mingled in my life; she fills my soul, and I quiver with inward

startings, as though she were leaping in order to escape. Methinks I am

about to hear her voice, and see her face, lightnings dazzle me and then

I sink back again into the darkness.”

Schahabarim was silent. She entreated him with suppliant looks. At

last he made a sign for the dismissal of the slave, who was not of

Chanaanitish race. Taanach disappeared, and Schahabarim, raising one arm

in the air, began:

“Before the gods darkness alone was, and a breathing stirred dull

and indistinct as the conscience of a man in a dream. It contracted,

creating Desire and Cloud, and from Desire and Cloud there issued

primitive Matter. This was a water, muddy, black, icy and deep. It

contained senseless monsters, incoherent portions of the forms to be

born, which are painted on the walls of the sanctuaries.

“Then Matter condensed. It became an egg. It burst. One half formed

the earth and the other the firmament. Sun, moon, winds and clouds

appeared, and at the crash of the thunder intelligent creatures awoke.

Then Eschmoun spread himself in the starry sphere; Khamon beamed in

the sun; Melkarth thrust him with his arms behind Gades; the Kabiri

descended beneath the volcanoes, and Rabetna like a nurse bent over the

world pouring out her light like milk, and her night like a mantle.”

“And then?” she said.

He had related the secret of the origins to her, to divert her from

sublimer prospects; but the maiden’s desire kindled again at his last

words, and Schahabarim, half yielding resumed:

“She inspires and governs the loves of men.”

“The loves of men!” repeated Salammbô dreamily.

“She is the soul of Carthage,” continued the priest; “and although

she is everywhere diffused, it is here that she dwells, beneath the

sacred veil.”

“O father!” cried Salammbô, “I shall see her, shall I not? you

will bring me to her! I had long been hesitating; I am devoured with

curiosity to see her form. Pity! help me! let us go?”

He repulsed her with a vehement gesture that was full of pride.

“Never! Do you not know that it means death? The hermaphrodite Baals

are unveiled to us alone who are men in understanding and women in

weakness. Your desire is sacrilege; be satisfied with the knowledge that

you possess!”

She fell upon her knees placing two fingers against her ears in token of

repentance; and crushed by the priest’s words, and filled at once with

anger against him, with terror and humiliation, she burst into sobs.

Schahabarim remained erect, and more insensible than the stones of the

terrace. He looked down upon her quivering at his feet, and felt a kind

of joy on seeing her suffer for his divinity whom he himself could not

wholly embrace. The birds were already singing, a cold wind was blowing,

and little clouds were drifting in the paling sky.

Suddenly he perceived on the horizon, behind Tunis, what looked like

slight mists trailing along the ground; then these became a great

curtain of dust extending perpendicularly, and, amid the whirlwinds of

the thronging mass, dromedaries’ heads, lances and shields appeared.

It was the army of the Barbarians advancing upon Carthage.

Salammbo · 第 3 / 15 章